Strike on journalists in Lebanon: Why AFP probe points to an Israeli tank shell

Strike on journalists in Lebanon: Why AFP probe points to an Israeli tank shell
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A car belonging to an Al Jazeera team burns at the site where Reuters visuals journalist Issam Abdallah was killed and six others were wounded by two tank rounds fired from Israel in Alma Al-Chaab, southern Lebanon on Oct. 13, 2023. (Reuters)
Strike on journalists in Lebanon: Why AFP probe points to an Israeli tank shell
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Debris near the low wall on which Reuters visual journalist Issam Abdallah was leaning when he was hit and killed on Oct. 13, 2023 by a tank round while filming cross-border shelling near the village of Alma Al-Chaab, Lebanon are seen on October 15, 2023. (Reuters)
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Updated 07 December 2023
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Strike on journalists in Lebanon: Why AFP probe points to an Israeli tank shell

Strike on journalists in Lebanon: Why AFP probe points to an Israeli tank shell
  • Two strikes hit the group of journalists in quick succession as they were working near the border village of Alma Al-Shaab

PARIS: An investigation by Agence France-Presse into the strike in southern Lebanon on October 13 that killed a Reuters journalist and injured six others, including two from AFP, points to a tank shell only used by the Israeli army in this high-tension border region.
Two strikes hit the group of journalists in quick succession as they were working near the border village of Alma Al-Shaab in an area that sees the Israeli army and armed Lebanese and Palestinian groups engaged in near-daily clashes.
Issam Abdallah, 37, was killed instantly. The other journalists present — two other Reuters journalists, two from Al Jazeera, and two from AFP — were all injured. AFP photographer Christina Assi, 28, was seriously wounded, later had a leg amputated and is still in hospital.
AFP jointly conducted a seven-week investigation with Airwars, an NGO that investigates attacks on civilians in conflict situations, based on evidence gathered from expert munitions analysis, satellite images, witness testimonies and video recordings filmed before and during the attack.
Its evidence points to an 120-mm fin-stabilized Israeli-made tank round, which is only used by the Israeli army in the high-tension border region.
The probe indicates that the strikes came from the southeast near the Israeli village of Jordeikh where Israeli tanks were operating. The nature of the strikes and lack of military activity in the vicinity of the journalists, combined with Israeli aerial surveillance resources, indicate it was a deliberate and targeted attack.
These findings are supported by separate investigations conducted by rights groups Human Rights Watch (HRW) and Amnesty International.
HRW concluded that the strikes were “apparently deliberate attacks on civilians, which is a war crime” and which “should be prosecuted or may be prosecuted for war crimes.” Amnesty said the incident was “likely a direct attack on civilians that must be investigated as a war crime.”
An Israeli military spokesman said after the strike: “We are very sorry for the journalist’s death,” adding that Israel was “looking into” the incident, without taking responsibility.
“AFP has been very clear that we will take all judicial avenues that we deem relevant and possible to ensure that we can get justice for Christina and Issam,” said AFP Global News Director Phil Chetwynd.

BLUE LINE
Two successive strikes hit the group of journalists at 18:02 as they were positioned above Alma Al-Shaab, a village located around a kilometer from the “Blue Line,” the UN-monitored demarcation line between Lebanon and Israel.
Lebanon’s Hezbollah and local branches of Hamas and Palestinian Islamic Jihad had been exchanging fire with Israel on a near-daily basis across the border since Gaza-based Hamas fighters carried out their attacks on October 7.
More than 110 people have been killed on the Lebanese side, mostly Hezbollah fighters, as well as more than a dozen civilians, according to an AFP tally.
Israel says six of its soldiers have been killed.
The seven journalists were at the scene for around an hour before they were hit, positioned on the top of a small hill which offered a wide vantage point to film the Israeli bombardments that had intensified that afternoon.
The Israeli army has confirmed that it was carrying out artillery attacks in response to an infiltration attempt.
Al Jazeera journalists Carmen Joukhadar and Elie Brakhya were first on the scene, followed by AFP’s Dylan Collins and Christina Assi, and Reuters correspondents Issam Abdallah, Thaer Al-Sudani and Maher Nazeh.
All were equipped with helmets and bulletproof vests marked “Press” and were standing behind cameras placed prominently on tripods, as shown in a video shot by AFP’s Assi on her phone and posted to her Instagram shortly after 17:00.
“I was live to report the Israeli bombardment, and I had just said that there was no rocket fire from the Lebanese side. We were all on a hill in an open-air area, without any rockets or military sites near us. There was nothing near us,” Al Jazeera’s Joukhadar said.

FIRST STRIKE
The first strike hit at 18:02. It killed Abdallah instantly and seriously wounded Assi. On the video footage, she is heard screaming: “What happened? What happened? I can’t feel my legs.”
“We had spent about an hour filming a distant pillar of smoke to our south, and some limited Israeli shelling along hilltops to our southeast. Just before 6 p.m. we turned our cameras toward the west and suddenly we were hit. It came out of nowhere,” said Collins.
“We were in an exposed area, all of us wearing our helmets, our vests, just doing our job... and we were maintaining a safe distance from the front line,” said Assi. “Suddenly, everything became white... and I lost sensation in my legs, and I started crying for help.”
Collins attempted to provide her with first aid, but 37 seconds later, a second explosion occurred, hitting the Al Jazeera car located a few meters away. Collins, who had been attempting to place tourniquets on Assi’s legs, was wounded.
All the witnesses at the scene insist there was no military activity or artillery fire in their immediate proximity.
The Al Jazeera vehicle hit by the second strike was destroyed by fire. The body of Abdallah, who was directly hit by the first strike, was thrown into a field on the other side of a stone wall near which he had been standing.
A large munition fragment was filmed close to Abdallah’s body immediately after the strike. The day after, a local resident, who did not wish to be named, recovered the fragment and took photos of the scene.
AFP and Airwars had them analyzed by six weapons experts, including former British army officers and experienced conflict zone investigators.
All agree that it was part of a 120-mm fin-stabilized tank shell, typically used by the Israeli army on its Merkava tanks. No other military group or organization in the region uses this type of munition, the analysts said.
“This is the remnants of a tank round, clearly from a Merkava tank,” said one of the experts, Chris Cobb-Smith, a security consultant and former British army artillery officer.
“It’s quite obvious to me because you can see the grooves on the round itself, which indicates it comes from the fin-stabilized family of munitions. When fired, some fins spring out of the back of the round [to] stabilize it in flight, which makes it much more accurate and increases its range,” added Cobb-Smith, who has experience with this type of munition, including with fragments found during the 2008 and 2012 wars in Gaza.

ISRAELI SHELL
Independent investigations by HRW and Amnesty International also pointed to the use of a 120-mm tank shell of Israeli origin.
The Lebanese judiciary is in possession of other fragments from the scene and has opened an investigation to determine the exact circumstances of the strike.
It has yet to release its conclusions. However, a judicial source and two Lebanese military sources told AFP they had established that Israeli tank fire was responsible for the first strike, without giving further details.
The investigation identified at least two Israeli positions from which shells were being fired that afternoon. According to experts who spoke to AFP and Airwars, the most likely source of the strike that hit the journalists was a position to the southeast, near the Israeli village of Jordeikh.
At the time of the strikes, the journalists had their cameras pointed southwest, toward a base near the Israeli town of Hanita and their footage does not capture the projectile that struck them.
They were hit from the side — not from the front — as indicated by the orientation of the debris from the wall near Abdallah, which spread from east to west over around 10 meters.
Earlier footage indicates an Israeli position near Jordeikh. Around 45 minutes earlier, the AFP camera was pointing in this direction and caught the sound of at least one shot, followed by a plume of smoke rising from this location.
Satellite images from that morning and the following day, seen by AFP, show the presence of vehicles with the same dimensions as a Merkava tank very close to Jordeikh.

‘THOSE INDIVIDUALS WERE TARGETED’
The experts agree that the two strikes occurred 37 seconds apart, landing only four or five meters from each other, excluding the possibility of an accidental attack. The experts believe the strikes were deliberately aimed at the same target.
“Anyone who suggests this was an accident or mistake would have a lot of convincing to do,” said a former European military officer who has worked for decades on munitions analysis.
“One round clearly hit the cameraman directly, and the second round hit their vehicle... So I think we can discard the [idea] that this is in any way a random shot, or an unlucky shot,” added Cobb-Smith. “In my assessment those individuals were targeted.”
The investigation sought to establish whether the journalists could have been mistaken for fighters belonging to one of the armed groups active in the region.
Expert Cobb-Smith said this was unlikely given “the sophistication and the capabilities of the surveillance assets of the Israeli army.”
The journalists “were not operating in a military style,” he added. “They were standing out in the open, they had cameras on tripods, they were operating overtly, so one has to question why they were engaged by an armament of this capability.”
Amnesty’s investigation found the journalists had taken all necessary precautions to identify themselves.
“The Israeli military either knew or should have known that the seven individuals were journalists, and yet they still targeted them not once but twice, and therefore Amnesty is saying this is likely a direct attack on civilians and must be investigated as a war crime,” Aya Majzoub, Amnesty’s deputy regional director for the Middle East, told AFP.

SIMILAR INCIDENTS
The AFP investigation was unable to determine which military unit was involved or what level of command gave the order to shoot. The investigation did not speculate on any possible motivations which could have led the Israeli army to deliberately target a group of journalists.
Several similar incidents have taken place in the region in recent weeks as journalists broadcast live footage of clashes with Israel.
On October 9, a strike fell a few meters from an Al Jazeera team in Marwahin, another border town in southern Lebanon.
A journalist from the Qatari channel was injured on November 13 by Israeli fire while he and other correspondents were covering the bombardments in southern Lebanon, near cars marked “Press,” according to Lebanese state media, a local mayor and the journalists themselves.
And on November 21, two journalists from the pro-Iranian channel Al Mayadeen were killed along with a civilian in Israeli strikes on southern Lebanon, according to official Lebanese media.
Prime Minister Najib Mikati expressed his “strong condemnation” of the incident, saying Israel’s “aim is to silence the media who expose its crimes and its attacks.”
Al Jazeera said it “strongly condemns” what it called the “deliberate targeting of journalists in southern Lebanon by Israeli forces.”
The channel urged the International Criminal Court to “hold Israel and its military accountable for these heinous crimes.”
A spokesperson for Reuters said it was “shocking that a group of clearly identified journalists could be hit by fire in this way.”
The news agency reiterated its appeal to the Israelis to conduct their own probe. “It has been nearly two months since we called for them to investigate, and we have heard nothing since.”
“About as many journalists have died in the past two months as were killed in the entire 20 years of conflict in Afghanistan,” said AFP’s Chetwynd.
“We cannot allow such a culture of impunity to develop and it is absolutely essential that we rally as an industry to ensure that something is done about this.”
As of December 6, the Committee to Protect Journalists said at least 63 journalists and media workers had been killed since the start of the war on October 7.


Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix says 50 million households worldwide tuned in for Paul-Tyson match
Updated 17 November 2024
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Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters
Updated 16 November 2024
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Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters
  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.