Old school, new love: Analog tech captures hearts in Saudi Arabia

Bohemia Records is among the Saudi stores that has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections. (Photo by Fawaz Al-Sulaim)
Bohemia Records is among the Saudi stores that has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections. (Photo by Fawaz Al-Sulaim)
Short Url
Updated 17 November 2024
Follow

Old school, new love: Analog tech captures hearts in Saudi Arabia

Old school, new love: Analog tech captures hearts in Saudi Arabia
  • Community bound by love of old gadgets that help enrich the present

RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.

Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.

Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.




The resurgence of analog formats is a reminder that technology can be more than just a tool. (AN photo by Waad Hussain)

For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”

Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.

Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”

HIGHLIGHTS

• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.

• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.

This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.

The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.




Film rolls ready for development at Haitham Studio Film Lab, where each roll holds captured memories and stories from Saudi photographers. (Photo by Abdulrahman Al-Osaimi)

Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”

Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.

Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.




An eclectic display of analog nostalgia and rock memorabilia, featuring classic vinyl records, retro audio equipment, and books on music icons—capturing the spirit of vintage and punk culture. (AN photo by Waad Hussain)

He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”

Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.

For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”




Film negatives hang to dry at Haitham Studio, reflecting the lab’s dedication to preserving the authenticity and art of analog photography. (Photo by Abdulrahman Al-Osaimi)

With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.

Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.

Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”




A film negative passes through the scanning machine at Haitham Studio, bridging the analog and digital worlds to bring treasured moments to life. (Photo by Abdulrahman Al-Osaimi)

For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.

“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.

For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.




A retro cassette collection at Bohemia Records, showcasing a variety of genres and rare finds that capture the essence of analog music. (Photo by Fawaz Al-Sulaim)

Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.

Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.

“With analog, people reconnect with something real, something authentic.”

This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.

The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.

She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”

For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.

As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.

Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.

In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.

For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.

Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.

Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.

With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.

In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.

While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.

Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.

As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.

The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.

 


UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
Updated 20 December 2024
Follow

UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
Updated 19 December 2024
Follow

King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
Updated 19 December 2024
Follow

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.


Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
Updated 19 December 2024
Follow

Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
  • Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element 

 

MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.

Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective. 

They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.

A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage. 

“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”

“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.

“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.

Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity. 

“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.

Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”

With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present. 


Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir
Updated 19 December 2024
Follow

Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

ASIR: Saudi authorities in Al-Raboah, Asir, have foiled an attempt to smuggle 180 kg of qat. Legal procedures have been initiated and the confiscated drug handed over to the relevant authorities.

Meanwhile, the authorities have arrested a resident in Yanbu for attempting to sell methamphetamine (shabu). Legal action has been taken against him, and he has been referred to the Public Prosecution.

Elsewhere, land patrols of the Border Guard in Al-Dayer, Jazan, have apprehended six Ethiopians for attempting to smuggle 162 kg of qat. Preliminary legal procedures have taken place and the suspects, along with the seized drug, handed over to the relevant authorities.

Security authorities have urged citizens and residents to report any activities related to drug smuggling or trafficking. Informants can contact the authorities by calling 911 in Makkah, Riyadh, and the Eastern Region, and 999 in the rest of the Kingdom.