DUBAI: Sotheby’s is set to showcase a collection of Islamic arms and armor, representing more than 500 years of history and spanning more than 100 lots in April in London, Dubai and at the biannual Arts of the Islamic World & India.
The collection presents the artistic traditions of numerous Islamic dynasties, from Spain to Indonesia, and is the result of over 50 years of study and acquisition by scholar-collector Philippe Gilles René Missillier (1949-2022).
The auction will take place on April 29 at Sotheby’s London, followed by the biannual Arts of the Islamic World & India sale on April 30.

The collection presents the artistic traditions of numerous Islamic dynasties, from Spain to Indonesia. (Supplied)
Prior to the auctions, highlights from the collection will be exhibited at Sotheby’s Dubai gallery in Dubai International Financial Center from April 7-11.
The collection highlights the technological evolution of weaponry, tracing developments from the equestrian age of chivalry through the gunpowder revolution and into the modern era.
The items showcase skilled craftsmanship, featuring vegetal and geometric patterns combined with calligraphy. Similar motifs appear across different weapons, highlighting the connections between Islamic art across time and place.

An exceptional Sabre presented to Claude Martin by Nawab Asaf Al-Dawla of Awadh, India, late 18th century (estimate £300,000-500,000). (Supplied)
Notable items include rare Mamluk and Aqqoyunlu pieces, as well as examples from the Safavid, Ottoman and Mughal empires. Highlights include artifacts from the Siege of Vienna’s Turkenbeute and the personal swords of Mughal emperor Shah Jahan and French army officer Claude Martin.
Missillier, who assembled the collection over half a century, immersed himself in his field, visiting museums, attending auctions and studying reference works.
His collection was exhibited in Paris in 1988 as part of Splendour des Armes Orientales, the largest exhibition of its kind in the 20th and 21st centuries.
This upcoming sale marks the first public viewing of the collection since that exhibition.