Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 

Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 
Kawthar Alhoraish, founder of Kaf by Kaf, has established herself as a prominent figure in Saudi Arabia’s burgeoning fashion scene. (Supplied)
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Updated 05 September 2024
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Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 

Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 
  • The Kaf by Kaf founder is a finalist in this year’s FTA Awards 

DUBAI: Kawthar Alhoraish, founder of Kaf by Kaf, has established herself as a prominent figure in Saudi Arabia’s burgeoning fashion scene. Her recent nomination as a finalist for the Ready-to-Wear Award at the 2024 Fashion Trust Arabia Awards is a testament to her growing influence — placing her in a select group of designers from across the region, each vying for one of the most prestigious accolades in Middle Eastern fashion — and reflecting her dedication to her craft and her commitment to showcasing Saudi culture on the international stage. 

“It’s a dream come true to be recognized alongside such talented designers from the region. I am deeply grateful for the support and encouragement I have received from my team, family, and the fashion community,” Alhoraish tells Arab News. “As a Saudi designer, I feel a deep sense of pride and responsibility to showcase the beauty and diversity of our culture through my work. I hope to inspire other Saudi designers and encourage them to pursue their dreams in the world of fashion.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

Her FTA nomination, Alhoraish knows, will give her a platform on which to showcase her work to a broader audience, attract new customers and engage with potential retailers and investors. “This recognition can open up new doors and opportunities for my business,” she said.  

There’s also the small matter of financial grants ranging from $100,000 to $200,000 for the winners, depending on the size of their business, plus another $50,000 for the recipient of the Franca Sozzani Debut Talent Award. Collections from the winners in the Evening Wear, Ready-to-Wear, Accessories, and Jewelry categories will also be showcased by the FTA’s retail partner, Harrods, for one season, providing invaluable exposure on a global stage. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

“The impact of having my collection showcased at Harrods would be immense for Kaf by Kaf. It would elevate the brand’s prestige and credibility on the global stage,” Alhoraish says. “The association with such a prestigious department store would lend a sense of luxury and exclusivity to the brand, further solidifying its position as a leading name in Saudi fashion.” 

The winner of the Ready-to-Wear category, for which Alhoraish is a finalist, will also receive an internship in London with Huntsman and create a capsule collection to be sold on the retailer’s e-commerce platform. Furthermore, luxury ethical fashion retail platform Maison De Mode will provide a tailored mentorship to all seven winners, focusing on the importance of sustainability and ethical fashion practices. 

Alhoraish has already made plans for the financial grant if she wins, including investing in expanding her business — which she founded in 2019 — across the Middle East and North Africa region and into global markets.   

“I would invest in new equipment and machinery to increase production capacity and meet growing demands. I would also use the funds to explore new product categories, such as accessories or home goods, while staying true to the brand’s aesthetic.” she explains.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by shouq / شوق (@ju8b.b)

Alhoraish’s designs — which employ intricate textiles, vibrant colors, and traditional craftsmanship — are influenced by her Saudi heritage, which she blends with modern touches.  

“For example, I might use traditional embroidery techniques on contemporary silhouettes or incorporate traditional patterns into a more minimalist design,” she says. “I also believe in the power of storytelling, and I often draw inspiration from historical events or cultural narratives to create designs that have a deeper meaning.”  

Regardless of the outcome of the FTA Awards, Alhoraish has ambitious plans for Kaf by Kaf.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

“Within Saudi Arabia, I aim to establish the brand as a leading luxury fashion label, renowned for its quality, craftsmanship and cultural significance,” she says. “I envision Kaf by Kaf becoming a household name, synonymous with elegance and sophistication.” 


Saudi box office sells 8.5 million tickets in first half of 2024

Saudi box office sells 8.5 million tickets in first half of 2024
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Saudi box office sells 8.5 million tickets in first half of 2024

Saudi box office sells 8.5 million tickets in first half of 2024

DUBAI: The burgeoning Saudi film industry is going from strength to strength.

On Tuesday, Prince Badr bin Abdullah bin Mohammed bin Farhan Al-Saud, Minister of Culture and Governor of the Royal Commission for AlUla, took to X to reveal that the Saudi box office has made SAR 421.8 million ($112,410,096) in the first half of 2024, adding that two of the three leading films were Saudi-produced.

“Saudi box office sales have reached 8.5 million tickets with revenues exceeding 421.8m SAR during the first half of 2024. Two of the best-selling films amongst the top 3 are Saudi #SaudiVision20230,” he wrote.

Saudi Arabia’s cinema scene has been booming since lifting its 35-year ban in 2018. With 66 theaters across 22 cities and box office sales reaching $919 million in 2023 (up 25% from 2022), the industry is growing at a rapid pace.

While Hollywood films like Christopher Nolan’s “Oppenheimer” and Tom Cruise-starring “Mission: Impossible – Dead Reckoning” have contributed to ticket sales, Saudi films have also been making a mark.

Saudi filmmaker Ali Kalthami’s Riyadh-based thriller “Mandoob” (“Night Courier”) has been a success since it was released at the beginning of 2024, soaring to the top of the Saudi box office following its screening at the Red Sea Film Festival in Jeddah. The film tells the story of Fahad, who, after getting fired from a call centre, takes a job as a night courier who illegally sells alcohol in order to save his ailing father.

“Sattar,” the Saudi Arabian family comedy about a depressed man who follows his dreams of becoming a freestyle wrestling champion, smashed box office records last year, earning $2.2 million over its first 12 days, instantly making it the highest-grossing Saudi movie of all time, so far.

 


New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
Updated 10 September 2024
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New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
  • National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization
  • Abeer Al-Akel: Our partnership with the National Archives exemplifies the power of international collaboration

JEDDAH: The Royal Commission for AlUla has signed a partnership agreement with the UK National Archives in line with the commission’s goals of cultural heritage preservation, international collaboration, and contribution to Vision 2030.

Through its expertise in archival management and historical documentation, the National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization. Specific initiatives will focus on joint research projects, digital archive initiatives, and cultural exhibitions.

Abeer Al-Akel, acting CEO of the commission, said: “RCU’s campaign of comprehensive regeneration is transforming AlUla into a global hub for heritage and culture — and an extraordinary location for residents and visitors. Our commitment to conservation supports Vision 2030’s goal of promoting Saudi culture through initiatives that are ‘powered by the past, reimagined for the future.’

“Our partnership with the National Archives exemplifies the power of international collaboration, combining expertise and resources from Saudi Arabia and the UK to enhance cultural heritage research and public programming.”

Saul Nasse, chief executive and keeper of the National Archives, said: “Working with the Royal Commission for AlUla is an opportunity to share our pioneering work in documenting and safeguarding heritage. RCU has an ambitious strategy to preserve the rich stories of northwest Arabia, and we look forward to contributing our insights and experience.”

Through this collaboration, RCU and the National Archives aim to enhance the visibility of Saudi documentary heritage and strengthen the capacity of local archives to provide wide access to these invaluable resources, further solidifying AlUla’s position as a global hub for cultural preservation and exploration.


Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show
Updated 10 September 2024
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Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show

DUBAI: American designer Tory Burch unveiled a collection imbued with the spirit of sport — but without venturing into sportswear — at New York Fashion Week this week, with French Algerian model Loli Bahia walking the runway.

Freedom and movement were reflected in loose-fitting wool pants and wrap dresses, while power shone through in the assembly of different pieces, fabrics and cuts on the models marching down the catwalk, AFP reported.

Bahia showcased one of these looks, donning a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. The top had a wrap-like structure with subtle ties on the front, while the skirt featured a high slit. 

Bahia donned a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. (Getty Images)

The outfit, from the Spring/Summer 2025 collection, was completed with bold, oversized statement earrings and classic black peep-toe heels.

Bahia was joined by Mona Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. The skirt featured delicate draping and soft pleats. She wore neutral-tone open-toe heels and had her slicked-back. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. (Getty Images)

Other standout looks from the show included an ensemble of ultra-light suede pants with a rope belt and a skin-tight sweater patterned in red and white.

A transparent white jersey shirt with ruffles and overly long sleeves was paired with its formal counterpart, brown wool pants.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

With this collection, the Pennsylvania native broke from the style that made her famous, a combination of preppy New England with a touch of the bohemian.

“It’s more about the spirit and the essence of sport,” Burch, whose shows have become a staple of New York Fashion Week, told AFP.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

That means it is about “movement, about freedom, precision” as a starting point, she explained, adding: “The word ‘synchronicity’ was something I thought about.”

 “I wanted to be careful with not having too many different prints, but I wanted it to come across in some textures and the fabrics and the color,” Burch, who this year celebrated the 20th anniversary of her eponymous fashion house, said.


REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  
Updated 10 September 2024
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REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

CHENNAI: Often it needs just a single work for a director to emerge out of the shadows and shine. For Tim Burton that happened in 1988 with “Beetlejuice,” a camp horror that straddled the line between comedy and the macabre.

It was a turning point for the 26-year-old director who shot straight to the big leagues and returned to the now-concluded Venice Film Festival with the sequel, “Beetlejuice Beetlejuice,” in September.

With headlining names like Michael Keaton, Winona Ryder and Jenna Ortega, one of the sequel's first scenes shows Italian icon Monica Bellucci as Delores the ghost all cut into pieces lying in several boxes. She begins to pin herself together with a stapler and proceeds to suck the souls of dead men and women, all set to a soundtrack of “Tragedy” by the Bee Gees. Gory but fun — and very on brand for Tim Burton.

The movie begins in a clumsy manner with the characters being arranged in what felt like a chess game, with the key pieces spread out. The sequel follows Winona Ryder's Lydia Deetz, the former goth teen who is now a psychic mediator with her own paranormal television show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jenna Ortega (@jennaortega)

Deetz’s supernatural abilities are brushed off by her daughter, Astrid (Ortega), who believes her mother’s visions are pure delusion and soon enough Catherine O’Hara returns to her role as Lydia’s narcissistic artist stepmother.

Keaton reprises his part as the titular ghost, but he was far more eccentric and engaging in the first film — his performance here feels like a watered-down version of what we saw earlier.

This largely sum up what seems to be the point of the film — a nostalgia-fuelled look-back at a high-camp horror for Burton fans to enjoy during the Halloween season.

Unfortunately, the movie feels lethargic, dispirited and soulless. Far from the 1988 work that was peppy and praiseworthy. 


From Sweden to Hollywood, Arab designers shine among celebrities

From Sweden to Hollywood, Arab designers shine among celebrities
Updated 09 September 2024
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From Sweden to Hollywood, Arab designers shine among celebrities

From Sweden to Hollywood, Arab designers shine among celebrities

DUBAI: From US actress Grace Van Patten flaunting heels by Andrea Wazen to British singer Ellie Goulding hitting the red carpet in a Zuhair Murad gown, celebrities kicked off September in style.

Van Patten opted for the Katy Lace Sling heels by Lebanese footwear designer Andrea Wazen at the season 2 premiere Of Hulu's "Tell Me Lies" in California.

Grace Van Patten opted for the Katy Lace Sling heels by Lebanese footwear designer Andrea Wazen at the season 2 premiere Of Hulu's "Tell Me Lies" in California.
(Getty Images)

The actress, who has appeared in two Netflix films and two Hulu mini-series, paired the black heels with a baby pink slip dress at the premiere.

For her part, Goulding showed off a floor-length number by Lebanese designer-to-the-stars Zuhair Murad, hailing from the label’s Resort 2025 collection. The “Love Me Like You Do” singer chose the dress for an appearance at the Perfect World Foundation's Honorary Conservation Award ceremony in Gothenburg, Sweden, where she was given The Perfect World Foundation Award, following in the footsteps of previous recipients such as Sir David Attenborough, Dr. Jane Goodall, and Prince Albert II of Monaco.

Ragnhild Jacobsson, CEO and co-founder of The Perfect World Foundation, praised Goulding's environmental efforts in a released statement, saying: "Ellie Goulding is a respected force as a climate and nature champion. Her inspirational efforts to mobilize the youth in saving our planet's biological diversity are admirable. We are proud to honor her as this year's recipient."

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Variety (@variety)

In another landmark achievement for an Arab designer, Saudi couturier Mohammed Ashi, the founder of Paris-based Ashi Studio, saw US actress Demi Moore grace the cover of Variety magazine in one of his creations.

Moore was photographed for the cover of the Hollywood title’s September issue in a black gown from Ashi’s Sculpted Clouds collection — his Fall 2024 Couture show.

Ashi became the first couturier from the Gulf to join the Federation de la Haute Couture in Paris as a guest member in 2023 and has since shown his collections on the official Paris Haute Couture Week calendar.