Recipes for Success: Chef Mo Ponzo talks butter, balance and Bolognese

Recipes for Success: Chef Mo Ponzo talks butter, balance and Bolognese
Mo Ponzo is the brand chef at Berenjak UAE. (Supplied)
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Updated 30 August 2024
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Recipes for Success: Chef Mo Ponzo talks butter, balance and Bolognese

Recipes for Success: Chef Mo Ponzo talks butter, balance and Bolognese

DUBAI: Kenyan-born Italian-Somali chef Mohamed “Mo” Ponzo has carved out a distinguished career in Michelin-starred restaurants and other top-tier establishments. 

His passion for cooking was sparked in the family kitchen, where he cooked alongside his grandmother, aunt, and sisters. One of his earliest memories is of cutting mango — his favorite fruit — which also resulted in his first knife injury aged just four. 

Ponzo always enjoyed the family coming together around the dinner table, sampling the home-cooked dishes. He says he believes cooking to be “the purest form of love.” 




Berenjak UAE is an outpost of the acclaimed London restaurant. (Supplied)

A defining moment came when, aged 10, he found himself cooking for his grandmother and great-grandmother while the family was away. The only dish he could prepare was tomato sauce with fresh peas and a store-bought Somali bread called mufoo.  

“I couldn’t feed the people I loved properly,” he recalls. It was then that he made a promise to himself: “In the future, I would be able to cook anything I want for the people I love.” 

Ponzo has gone on to gain industry recognition including a spot on season 15 of “Masterchef: The Professionals” and being named a Rising Star by Soho House in 2018.  

Today, Ponzo is the brand chef at Berenjak UAE — an outpost of the acclaimed London restaurant. His branch was awarded a Bib Gourmand by the Michelin Guide this year.  




Indian lamb. (Supplied)

Here, he discusses common kitchen mistakes and his favorite dish, and offers a chocolate mousse recipe. 

What’s your top tip for amateur chefs?  

Always taste your food as you cook and adjust seasoning accordingly. This helps ensure your dish is well balanced and flavorful at the end.  

What one ingredient can instantly improve any dish?  

Fresh herbs are always good, but for me it’s butter. Always add loads of butter. It’s so versatile. At different temperatures, it has different aromas and characteristics. A tablespoon of butter can make a huge difference in a dish.   

When you go out to eat, do you find yourself critiquing the food?  

I think it’s natural for people who are passionate about food to notice details when they’re eating out. 




Saddle of salt marsh lamb. (Supplied)

What’s the most common issue that you find in other restaurants?  

Inconsistency. You can go one day and it’s perfect and during your next visit it’s a totally average experience. Restaurants can achieve greater consistency by being in constant touch with their suppliers and demanding the best produce available, ensuring top quality on a daily basis. And, most importantly, training their team to detect and maintain that consistency.  

What’s your favorite cuisine? 

I enjoy Indian and classical French cuisines for their bold flavors and use of many cooking techniques.  

What’s your go-to dish if you have to cook something quickly at home? 

Linguine with tomato and anchovy sauce with loads of olive oil and parsley. It’s healthy and packed with flavor, and it’s quick to make. 

What behavior by customers most annoys you? 

Asking to amend or rearrange a dish that has taken a chef many hours to develop. It definitely changes the experience and the taste that the chef was trying to convey to his customers. Obviously if it’s due to allergies then that’s completely fine. Another thing is being rude to waitstaff.  




His branch was awarded a Bib Gourmand by the Michelin Guide this year. (Supplied)

What’s your favorite dish to cook and why? 

My favorite dish would be my auntie’s spaghetti Bolognese. Every day after school, I hoped it would be a spaghetti Bolognese day. I have watched — and helped — her make it a hundred times, but I still cannot make it as good as her. She just has her own touch.  

What’s the secret to a great kabab? 

There’s no real secret to be honest. It’s about the quality of the meat and good charcoal. Quality is always key. 

As a head chef, what are you like? 

Maintaining a balance between being assertive and supportive is crucial in any leadership role. 

RECIPE: Chef Mo’s chocolate mousse  




Chocolate mousse. (Supplied) 

(NOTE: Requires ice cream machine and blow torch) 

INGREDIENTS 

For the chocolate mousse: 150g butter (unsalted); 300g dark chocolate (74%); 4 egg yolks; 6 egg whites 

For the sorbet: 500g strawberry purée; 500g water; 200g sugar; 30g glucose; 150g lemon verbena; 5g Stabilizer  

For the lemon verbena gel: 200g lemon verbena; 300g water; 100g sugar; 6g agar agar  

For the chocolate soil: 100g plain flour; 100g white caster sugar; 100g unsalted butter; 25g cocoa powder   

For the wild strawberries: 200g wild strawberries; 100g lemon verbena; 1 lemon; 10g sugar  

INSTRUCTIONS:  

For the mousse:  

1) Melt the chocolate and butter together, cool slightly, then add the egg yolks and whisk. 

2) In a separate bowl, whip the egg whites until a stiff peak forms. 

3) Fold the egg whites and the chocolate mixture together. 

4) Pipe into round ring molds and set. 

5) Place in fridge until set. 

For the sorbet:  

1) Place the water, sugar and glucose in a pan and bring to boil. Add the verbena and take off the heat. Allow to rest for about 10 minutes. 

2) Add the strawberry purée and stabilizer.  

3) Pour the mixture into the sorbet machine and churn until set.  

For the gel:  

1) Place the verbena, water, and sugar in a blender and blend for one minute. 

2) Transfer the mixture to a pot and bring to the boil. Add the agar agar and boil for two minutes.  

3) Transfer to a tray and set in the blast chiller.  

4) Once set, blend the gel till it becomes smooth, then pass through a sieve. 

5) Place it in a squeezy bottle.  

For the chocolate soil:  

1) Preheat oven to 165°C 

2) Place all the ingredients in a large mixing bowl and mix until you get a crumbly texture 

3) Transfer to a tray and place in preheated oven. Bake for 20 minutes.   

4) Transfer to a container and keep at room temperature. 

For the strawberries:  

Place the strawberries, sugar, verbena leaves, lemon zest and lemon juice in a bowl. Place in the fridge until you are ready to serve.  

Serving:  

1) Make sure the sorbet and chocolate mousse are set. 

2) Remove the chocolate mousse from the mold using a blow torch (briefly warming the outside of the molds so the mousse comes out easily).   


Lindsay Lohan, part-Arab models stun at Michael Kors show

Lindsay Lohan, part-Arab models stun at Michael Kors show
Updated 13 sec ago
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Lindsay Lohan, part-Arab models stun at Michael Kors show

Lindsay Lohan, part-Arab models stun at Michael Kors show

DUBAI: Dubai-based Hollywood star Lindsay Lohan was spotted at the Michael Kors show during New York Fashion Week, where she watched part-Arab models Nora Attal and Loli Bahia walk the runway.

Lohan wore a sleek silver satin slip dress paired with a long grey coat featuring a fur collar. She kept her look minimal with subtle jewelry and straight, flowing hair.

Lohan wore a sleek silver satin slip dress paired with a long grey coat featuring a fur collar. (Getty Images)

The show took place in a cavernous space in midtown, with stark metal benches lining the rectangular walls. Gigantic faux black rocks were scattered throughout the center and sides of the venue, similar to the rocky beaches of the Amalfi Coast. The dramatic Italian cliffs in an urban setting played into Kors’ abstract inspiration.

Lohan watched as the Arab models graced the runway. Attal wore a strapless black lace midi dress with a deep sweetheart neckline and a small center cutout, accentuated by a belted waist that added structure to the silhouette.

Attal wore a strapless black lace midi dress with a deep sweetheart neckline. (Getty Images)

Meanwhile, Bahia was seen in a tailored black ensemble, featuring a sharp blazer with a plunging neckline and high-waisted shorts, cinched at the waist with a thin black belt for a sleek, minimalist look.

For this collection Kors told The Associated Press that he was “glued” to pop culture and was especially fascinated by the recent Netflix series “Ripley,” based on Patricia Highsmith’s classic novel, “The Talented Mr. Ripley.” The dark story is set in coastal Italy where a man who covets a friend’s wealthy life kills him and takes over his identity, killing anyone else who threatens his new persona.

Bahia was seen in a tailored black ensemble, featuring a sharp blazer with a plunging neckline and high-waisted shorts. (Getty Images)

“There’s lots of texture, black raffia, white embroideries. Everything is very tactile,” Kors explained. “It’s all the colors that you would find in the Mediterranean. So all of the natural colors have very soft browns and creams. And then of course, there’s going to be blue.”

The brand’s craftsmanship was on display with intricate peekaboo lace dresses and skirts and several dresses, skirts and coats adorned with flower appliqué. Accessories stood out in the collection with leather handbags, hats and shoes teeming with black raffia that looked like leather straw. The ever-present trench coat appeared for men and women on the runway, mostly oversized and slouchy, AP noted.  


Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three
Updated 11 September 2024
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Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

DUBAI: The burgeoning Saudi film industry is going from strength to strength.

On Tuesday, Prince Badr bin Abdullah bin Mohammed bin Farhan Al-Saud, Minister of Culture and Governor of the Royal Commission for AlUla, took to X to reveal that the Saudi box office has made SAR 421.8 million ($112,410,096) in the first half of 2024, adding that two of the three leading films were Saudi-produced. He did not reveal the names of the two films.

“Saudi box office sales have reached 8.5 million tickets with revenues exceeding 421.8m SAR during the first half of 2024. Two of the best-selling films amongst the top 3 are Saudi #SaudiVision20230,” he wrote.

Saudi Arabia’s cinema scene has been booming since lifting its 35-year ban in 2018. With 66 theaters across 22 cities and box office sales reaching $919 million in 2023 (up 25% from 2022), the industry is growing at a rapid pace.

While Hollywood films like Christopher Nolan’s “Oppenheimer” and Tom Cruise-starring “Mission: Impossible – Dead Reckoning” have contributed to ticket sales, Saudi films have also been making a mark.

Saudi filmmaker Ali Kalthami’s Riyadh-based thriller “Mandoob” (“Night Courier”) has been a success since it was released at the beginning of 2024, soaring to the top of the Saudi box office following its screening at the Red Sea Film Festival in Jeddah. The film tells the story of Fahad, who, after getting fired from a call centre, takes a job as a night courier who illegally sells alcohol in order to save his ailing father.

“Sattar,” the Saudi Arabian family comedy about a depressed man who follows his dreams of becoming a freestyle wrestling champion, smashed box office records last year, earning $2.2 million over its first 12 days, instantly making it the highest-grossing Saudi movie of all time, so far.

 


New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
Updated 10 September 2024
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New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
  • National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization
  • Abeer Al-Akel: Our partnership with the National Archives exemplifies the power of international collaboration

JEDDAH: The Royal Commission for AlUla has signed a partnership agreement with the UK National Archives in line with the commission’s goals of cultural heritage preservation, international collaboration, and contribution to Vision 2030.

Through its expertise in archival management and historical documentation, the National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization. Specific initiatives will focus on joint research projects, digital archive initiatives, and cultural exhibitions.

Abeer Al-Akel, acting CEO of the commission, said: “RCU’s campaign of comprehensive regeneration is transforming AlUla into a global hub for heritage and culture — and an extraordinary location for residents and visitors. Our commitment to conservation supports Vision 2030’s goal of promoting Saudi culture through initiatives that are ‘powered by the past, reimagined for the future.’

“Our partnership with the National Archives exemplifies the power of international collaboration, combining expertise and resources from Saudi Arabia and the UK to enhance cultural heritage research and public programming.”

Saul Nasse, chief executive and keeper of the National Archives, said: “Working with the Royal Commission for AlUla is an opportunity to share our pioneering work in documenting and safeguarding heritage. RCU has an ambitious strategy to preserve the rich stories of northwest Arabia, and we look forward to contributing our insights and experience.”

Through this collaboration, RCU and the National Archives aim to enhance the visibility of Saudi documentary heritage and strengthen the capacity of local archives to provide wide access to these invaluable resources, further solidifying AlUla’s position as a global hub for cultural preservation and exploration.


Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show
Updated 10 September 2024
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Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show

DUBAI: American designer Tory Burch unveiled a collection imbued with the spirit of sport — but without venturing into sportswear — at New York Fashion Week this week, with French Algerian model Loli Bahia walking the runway.

Freedom and movement were reflected in loose-fitting wool pants and wrap dresses, while power shone through in the assembly of different pieces, fabrics and cuts on the models marching down the catwalk, AFP reported.

Bahia showcased one of these looks, donning a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. The top had a wrap-like structure with subtle ties on the front, while the skirt featured a high slit. 

Bahia donned a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. (Getty Images)

The outfit, from the Spring/Summer 2025 collection, was completed with bold, oversized statement earrings and classic black peep-toe heels.

Bahia was joined by Mona Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. The skirt featured delicate draping and soft pleats. She wore neutral-tone open-toe heels and had her slicked-back. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. (Getty Images)

Other standout looks from the show included an ensemble of ultra-light suede pants with a rope belt and a skin-tight sweater patterned in red and white.

A transparent white jersey shirt with ruffles and overly long sleeves was paired with its formal counterpart, brown wool pants.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

With this collection, the Pennsylvania native broke from the style that made her famous, a combination of preppy New England with a touch of the bohemian.

“It’s more about the spirit and the essence of sport,” Burch, whose shows have become a staple of New York Fashion Week, told AFP.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

That means it is about “movement, about freedom, precision” as a starting point, she explained, adding: “The word ‘synchronicity’ was something I thought about.”

 “I wanted to be careful with not having too many different prints, but I wanted it to come across in some textures and the fabrics and the color,” Burch, who this year celebrated the 20th anniversary of her eponymous fashion house, said.


REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  
Updated 10 September 2024
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REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

CHENNAI: Often it needs just a single work for a director to emerge out of the shadows and shine. For Tim Burton that happened in 1988 with “Beetlejuice,” a camp horror that straddled the line between comedy and the macabre.

It was a turning point for the 26-year-old director who shot straight to the big leagues and returned to the now-concluded Venice Film Festival with the sequel, “Beetlejuice Beetlejuice,” in September.

With headlining names like Michael Keaton, Winona Ryder and Jenna Ortega, one of the sequel's first scenes shows Italian icon Monica Bellucci as Delores the ghost all cut into pieces lying in several boxes. She begins to pin herself together with a stapler and proceeds to suck the souls of dead men and women, all set to a soundtrack of “Tragedy” by the Bee Gees. Gory but fun — and very on brand for Tim Burton.

The movie begins in a clumsy manner with the characters being arranged in what felt like a chess game, with the key pieces spread out. The sequel follows Winona Ryder's Lydia Deetz, the former goth teen who is now a psychic mediator with her own paranormal television show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jenna Ortega (@jennaortega)

Deetz’s supernatural abilities are brushed off by her daughter, Astrid (Ortega), who believes her mother’s visions are pure delusion and soon enough Catherine O’Hara returns to her role as Lydia’s narcissistic artist stepmother.

Keaton reprises his part as the titular ghost, but he was far more eccentric and engaging in the first film — his performance here feels like a watered-down version of what we saw earlier.

This largely sum up what seems to be the point of the film — a nostalgia-fuelled look-back at a high-camp horror for Burton fans to enjoy during the Halloween season.

Unfortunately, the movie feels lethargic, dispirited and soulless. Far from the 1988 work that was peppy and praiseworthy.