Recipes For Success: 3Fils’ Chef Jovani Manalo offers advice and a tasty snapper and za’atar recipe

Recipes For Success: 3Fils’ Chef Jovani Manalo offers advice and a tasty snapper and za’atar recipe
Filipino chef Jovani Manalo is the head chef at the much lauded 3Fils. (Supplied)
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Updated 22 August 2024
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Recipes For Success: 3Fils’ Chef Jovani Manalo offers advice and a tasty snapper and za’atar recipe

Recipes For Success: 3Fils’ Chef Jovani Manalo offers advice and a tasty snapper and za’atar recipe

DUBAI: Filipino chef Jovani Manalo’s culinary career began straight out of college, when he got a job as a kitchen steward. It was a call from a friend asking him if he was interested in working abroad that changed his trajectory. He jumped at the opportunity, and within a week he was in Dubai. 

“I’ve moved around in Chinese, Korean, Italian restaurants, and even Latin American and Mexican restaurants,” Manalo tells Arab News. But it was his move to 3Fils at Dubai’s Jumeirah Fishing Harbor five years into his Dubai adventure that was the most significant. “It was a deep moment when I found my place in 3Fils,” he says. 

The restaurant topped the World 50 Best MENA list in 2022 and remains in its top 10. It was also awarded a Bib Gourmand by Michelin this year. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by 3Fils (@3.fils)

Manalo’s favorite thing about working there, he says, is the “contagious positive mood” of the place. 

When you started out, what was the most common mistake you made?   

I think everyone would say that at the beginning of their career, they weren’t sharpening their knives enough.  

What’s your top tip for amateur chefs?  

Take your time. The more you rush things, the less likely you are to succeed. Cooking should be considered a form of therapy; you can do it to relax. Take a step back and enjoy the whole process.  

What one ingredient can instantly improve any dish?  

Any umami ingredient. It binds all the flavors together without missing a note.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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When you go out to eat, do you find yourself critiquing the food?  

Not really. I don't think that way. Every time I go out to eat, I take it as a chance to reimagine and understand a dish’s components — think of different ways to innovate it, and try to get the maximum potential out of it.  

And when you go out to eat, what’s your favorite cuisine?  

It doesn’t matter what you’re eating or where, it’s all about who you’re eating with.  

What’s the most common mistake you find with other restaurants? 

Not pricing items reasonably. That makes them lose potential customers.  

What’s your go-to dish if you have to cook something quickly at home?  

And random vegetables stir-fried. I use this to educate my kid on how important veggies are to his diet. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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What customer behavior most annoys you?  

When they run away without paying. 

What’s your favorite dish to cook?   

I love making Ginataang Pagi, a Filipino coconut and stingray curry dish. This dish allows me to represent my roots, and it reminds me of family gatherings.   

As a head chef, what are you like? Are you a disciplinarian? Do you shout a lot? Or are you more laid back?  

I’d say I'm composed. Composure is essential if you want to create a positive environment for your team. Yelling is not acceptable or practical nowadays. Inspiring people to understand their roles and how they can excel is essential, especially in the kitchen, where we really do need to be a team.   

Chef Jovani’s Sna’atar recipe 




Chef Jovani’s Sna’atar. (Supplied)

For the za’atar spice mix 

INGREDIENTS: 50g za’atar powder; 50g lemon salt, 7.5g Shio Kombu powder; 5g sumac powder 

INSTRUCTIONS: Place all ingredients in a dry bowl. Mix well. Transfer to airtight container. Set aside. 

For the za’atar dressing 

INGREDIENTS: 50g za’atar powder; 180g extra virgin olive oil; 120g rice vinaigrette; 10g Maldon salt; 100g lime juice; 7g sumac powder 

INSTRUCTIONS: Whisk all ingredients in a bowl until completely combined (ensure the Maldon salt is dissolved). Transfer to a squeezy bottle. Set aside. 

For the pea shoot oil 

INGREDIENTS: 50g pea shoots; 200g soybean oil 

INSTRUCTIONS:  

1. Blanch pea shoots for 30 seconds. Strain and immediately submerge in ice. 

2. Squeeze the blanched pea shoots dry.  

3. Place the pea shoots in a blender. Add the soybean oil. Blend for 2 mins. 

4. Strain (but don’t press) the mixture into a piping bag. Set aside. 

For the final dish 

INGREDIENTS: 50g tai snapper, skinned and sliced; 1 pinch of za’atar spice mix; 10g za’atar dressing; 2g pea shoot oil; 2pcs edible flowers; 3pcs pea shoots; tomato powder. 

INSTRUCTIONS: 

1. Place the tai snapper slices on a serving plate, spread out into a single layer. 

2. Season with the za’atar spice mix.  

3. Drizzle with the za’atar dressing. 

4. Add a dash of pea shoot oil. 

5. Garnish with fresh pea shoots and edible flowers. 

6. Finish with a dust of tomato powder. 

7. Serve chilled. 

 


Book Review: ‘A Little Life’

Book Review: ‘A Little Life’
Updated 24 October 2024
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Book Review: ‘A Little Life’

Book Review: ‘A Little Life’
  • Spanning more than 700 pages, the novel is an emotionally intense journey that delves deep into the lives of four college friends as they navigate adulthood in New York City

Hanya Yanagihara’s “A Little Life,” originally published in 2015, is a monumental and devastating exploration of trauma, friendship and the complexities of human resilience. 

Spanning more than 700 pages, the novel is an emotionally intense journey that delves deep into the lives of four college friends as they navigate adulthood in New York City. 

At its core, however, the novel revolves around Jude St. Francis, a character whose harrowing past and enduring pain form the emotional backbone of the story.

The power of “A Little Life” lies in its unflinching portrayal of suffering. Yanagihara masterfully crafts a narrative that is both intimate and unrelenting, capturing the profound impact of Jude’s traumatic experiences. His past, gradually revealed through the novel, casts a long shadow over his present, affecting not only his relationship with himself but also with those who care for him. 

The depiction of trauma is raw and visceral, leaving a lasting impression on the reader. Yanagihara does not spare the reader from the depths of Jude’s anguish, making the novel a challenging but profoundly moving experience.

While the novel is heavy with themes of pain and loss, it also explores the transformative power of friendship. The bond between Jude and his friends — Willem, Malcolm and JB — offers moments of tenderness and connection that provide respite from the overwhelming darkness. Yanagihara’s portrayal of these relationships is one of the novel’s strengths, offering a nuanced look at love, loyalty and the ways in which friends become chosen family. 

The deep emotional ties between the characters elevate “A Little Life” beyond a mere tale of suffering, making it a meditation on the capacity for human connection to heal, even when the scars run deep.

Yanagihara’s prose is haunting and beautiful, drawing the reader into the lives of the characters with an intensity that is hard to resist. The novel’s length allows for a thorough and immersive exploration of the characters’ inner worlds, making their joys and sorrows feel deeply personal. 

Yet, “A Little Life” is not without its challenges. Its relentless focus on Jude’s trauma can be overwhelming, and the novel’s unremitting sadness may prove too intense for some readers. However, for those willing to confront its emotional weight, the novel offers a deeply affecting and unforgettable experience.

In “A Little Life,” Yanagihara examines the extremes of human experience — both the agonizing depths of despair and the redemptive potential of love. It is a novel that demands patience and emotional endurance but rewards readers with a story of profound emotional depth. 

Although it may not be suitable for everyone, “A Little Life” is a masterpiece of modern literature, providing an unflinching look at pain, survival and the bonds that sustain us.


Pakistani actor Fawad Khan signs up for two dark comedy, crime thriller projects

Pakistani actor Fawad Khan signs up for two dark comedy, crime thriller projects
Updated 24 October 2024
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Pakistani actor Fawad Khan signs up for two dark comedy, crime thriller projects

Pakistani actor Fawad Khan signs up for two dark comedy, crime thriller projects
  • Khan to essay key role in a crime drama series based on Omar Shahid’s “The Prisoner”
  • Actor enjoys heartthrob status in both India and Pakistan after string of successful hits

ISLAMABAD: Pakistani superstar Fawad Khan has ventured into two new upcoming projects, a crime thriller series and a dark comedy film, renowned American magazine Variety reported this week. 
Khan enjoys heartthrob status in both Pakistan and India and has played the lead in Bollywood hits “Khoobsurat” (2014) and “Kapoor & Sons” (2016). He also starred in “Ms. Marvel” (2022) and “The Legend of Maula Jatt” (2022), Pakistan’s biggest hit of all time. 
“Behind the Scenes, a newsroom thriller, is being developed by producers Bilal Sami, Raza Namazi and Suri Gopalan of Film Lab++, in collaboration with Khan,” Variety reported on Tuesday, adding that the announcement was made at the Tasveer Film Market in Seattle. 
The dark comedy will feature Mehreen Jabbar (Jackson Heights), Sarmad Khoosat (Joyland) and Mohammed Ali Naqvi (Insha’Allah Democracy) behind the camera, Variety said. 
Khan’s second project is a crime thriller series for the production company Awedacious Originals. The series is based on Omar Shahid’s bestseller, “The Prisoner,” in which he will play one of two daring cops who embark on a covert mission to topple Karachi’s powerful mafia-like political party.
The drama has been created by Parisa Siddiqi and Ahmer Khan. 
Khan was last seen as the lead of the hit Zindagi series “Barzakh,” which debuted at Series Mania in 2023.


Bollywood star Swara Bhaskar praises Riyadh’s beauty, Saudi hospitality

Bollywood star Swara Bhaskar praises Riyadh’s beauty, Saudi hospitality
Updated 24 October 2024
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Bollywood star Swara Bhaskar praises Riyadh’s beauty, Saudi hospitality

Bollywood star Swara Bhaskar praises Riyadh’s beauty, Saudi hospitality
  • Swara Bhaskar was in the capital as a guest of honor for the Sir Syed Day celebration organized by the Aligarh Muslim University Alumni Association (AMUOBA)
  • Bhaskar toured some of the landmarks of the city, including UNESCO World Heritage Site At-Turaif District in Diriyah

RIYADH: Saudi citizens and expatriates living in the capital have always known what the city has to offer — and the world is quickly finding out, too.

Many celebrities who have visited Riyadh in recent years have talked about how special the people are, and how beautiful the Kingdom and its warm hospitality is.

The latest is Bollywood star Swara Bhaskar, who was in the capital as a guest of honor for the Sir Syed Day celebration organized by the Aligarh Muslim University Alumni Association, or AMUOBA Riyadh.

After the AMUOBA Riyadh celebration, Bhaskar toured some of the landmarks of the city, including At-Turaif District in Diriyah, a UNESCO World Heritage Site in the northwest of Riyadh.

Asked about her experience and the transformation in the Kingdom, the Bollywood star activist said: “I am happy to be here. I am here for the first time, thanks to AMUOBA Riyadh for inviting me. I am feeling good to see the transformation under Vision 2030. Let me just say first how beautiful this city is.”

Every year, AMU alumni across the world celebrate the anniversary of the birth of the university’s founder, Sir Syed Ahmad Khan. Born on Oct. 17, 1817, Sir Syed was a reformer, philosopher, theologian and educationist. He paved the way for modern scientific education for Indian Muslims at a time when a large part of the Muslim population was mired in old traditions and unable to compete in the era of emerging technologies.

The alumni carry forward the legacy of the reformer and every year on Oct. 17 celebrate Sir Syed Day.

On women’s empowerment, the Bollywood star said: “As we see anywhere in the world that women have equal participation in different walks of life, I can see the same here, and it really feels good. Staying here for two days, I have seen transformation and have been told how developments are taking place for women’s empowerment. So it feels good to be here at the moment and see the developments taking place.”

On the Global Harmony Initiative as part of the “Quality of Life” program in line with the Saudi Vision 2030 promoted by the Ministry of Media, she said: “Arab hospitality is well known, being here I have experienced it myself, though for a short time, but I am thinking of coming back on a long trip.”

Saudi Arabia launched the Global Harmony Initiative last week, aimed at celebrating the diverse nationalities and cultures of residents through exploring their lives, contributions and cultural integration.

The initiative, a collaboration between the Quality of Life government program, Saudi Vision 2030, the Kingdom’s General Entertainment Authority and the Ministry of Media, will feature events during Riyadh Season showcasing the cuisines, cultures and heritage of India, Pakistan, Philippines, Indonesia, Yemen, Sudan, Syria, Jordan, Lebanon, Bangladesh and Egypt.

Bhaskar said: “A big and heartfelt thanks to AMUOBA Riyadh for their kind and generous hospitality and care during our stay in Riyadh. Have heard of AMU hospitality, have experienced it now. Met so many wonderful ‘Aligs’ and their families.”

Speaking at the Sir Syed Day celebration earlier, she said: “I am happy that my daughter made her first trip to the holy land, from where Prophet Muhammad spread the message of Islam for peace and harmony.”

The celebration was also attended by veteran Indian journalist and consulting editor of ABP News, Sandeep Chaudhary.

Bhaskar is married to Fahad Ahmad, a student leader and social activist. She gave birth to their daughter, Raabiyaa, last year.


AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  
Visitors to the opening night of 'Orbis Tertius' in Paris surround Monira Al-Qadiri's 'The Guardian'
Updated 24 October 2024
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AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  
  • Exhibition of work from the AlUla Artist Residency Program was part of this year’s Art Basel 

PARIS: The AlUla Artist Residency Program made its debut in France during Art Basel Paris this month with “Orbis Tertius,” an exhibition showcasing the work of 20 international artists. The program was launched in 2021 by the Royal Commission for AlUla in collaboration with the French Agency for AlUla Development. 

The exhibition is part of Arts AlUla’s global program to promote the ancient oasis city as an emerging hub for art and creativity. For millennia, AlUla was a key location for trade and culture — it is home to Hegra, Saudi Arabia’s first UNESCO World Heritage site, and was a stop on the Incense Road. AlUla’s pre-Islamic heritage and breathtaking landscape continue to inspire groundbreaking artistic expressions, as shown in “Orbis Tertius.” 

Arnaud Morand, AFALULA, Curator, Orbis Tertius (2024). (Supplied)

Artist and photographer Louis-Cyprien Rials told Arab News that at the heart of his residency was “the almost-uncomfortable idea of being nothing in a place that seems eternal and easily reminds us of our insignificance.” 

Located in the palm grove of Mabiti AlUla, and with a newly-opened artists’ residence in AlJadidadh, the program offers an ideal setting for artists to reflect on the role and methods of creative practice in the contemporary world. It encourages a dynamic dialogue between the artists, as well as with the local community in AlUla.  

This residency program, according to curator Arnaud Morand, head of art and creative industries at AFALULA, is “unique.” The artists are enrolled by invitation only after submission of a portfolio and a letter of intent. The breakdown of nationalities is roughly half Arab, half international.  

“The artists had to have an established practice of interest and relevant to us, working between past and future heritage,” Morand explained. “In the unconventional and intense context of this desert oasis, they were working closely with the local communities. Many had previous experience in collaborating with scientists and experts. Spending a minimum of 10 weeks on the ground was mandatory. The artists met and interacted with AlUla’s field specialists; archaeologists, geologists, anthropologists, agronomists, botanists, heritage conservatists and environmental workers. If this time commitment was not possible for them, their candidature could not be considered.” 

It was Morand who chose the theme “Orbis Tertius, A Journey Between Fictions and Myths” for the show, inspired by the Argentine writer, Jorge Luis Borges, whose “Fictions” explores how our world can be better understood through a blend of ancient myths and legends and observed reality.  

“AlUla reinvents itself every day as a fundamental utopia of the 21st century,” Morand said. “The residency program offers a framework for creatives to integrate and meaningfully engage with the bigger project. It also provides an insight into how the community processes change. Ultimately, it steers us in the right direction, drawing on the artists’ perceptions and questions while offering time and an unparalleled context to develop their practice.” 

At Art Basel, “Orbis Tertius” was displayed over four floors of the gallery at 5 rue Saint-Merri, a stone’s throw away from the Pompidou Center. The works were not confined to a single medium. The 20 contemporary artists presented 43 works that included paintings, sculptures, videos, photographs, poetry, calligraphy, brickmaking, installations and live performances.  

In pride of place on the ground floor stood the 4.5 meter “The Guardian,” an aluminum sculpture by Kuwaiti artist Monira Al-Qadiri, whose work examines nature’s hostile retaliation to human presence in the environment. Her totemic sculpture is based on the Calotropis Procera, a plant native to the region, which grows on arid soil, and can survive for up to three years without a single drop of water. The Calotropis Procera secretes a milky substance that Bedouin lore has it can cause blindness. 

The Jeddah-born multidisciplinary artist Anhar Salem works primarily in film. Her “A Day in AlUla” is a series of eight subtly beautiful social portrait vlogs documenting a day in the life of local and foreign AlUla residents.  

.A still from Anhar Salem's 'A Day in AlUla.'(Supplied)

“I had to choose between approaching AlUla through its landscape and history or through its social and public aspects,” Salem said. “I ultimately chose the latter by simply talking to everyone I met from AlUla.” 

Brothers Abdulrahman and Turki Gazzaz live and work in Jeddah, where they founded the architecture, design and experimental research studio Bricklab in 2015. During their residency, the brothers used rammed-earth techniques to develop a resilient material for construction unique to the region. Combining sand collected from different parts of AlUla with concrete, epoxy and other artificial additives, the bricks condense the storied narratives that make up AlUla today. 

Jizan-based Reem Al-Nasser bases her work on anthropological study and concepts such as time, space and astrology. During her residency, she created “Alma of the North,” a structure of brilliant steel gates ornamented with archaeological and astronomical symbols found in AlUla’s history. 

Riyadh-based Ayman Zedani’s immersive video installation “The Desert Keeper” was a result of research he had conducted on a parasitic plant from the Arabian desert over the past few years. It can acquire genes from its host plant, thus assuring the survival of its offspring. His work combined footage of the plants with a computer-generated journey through the cosmos and a voiceover by the writer and poet Wided Rihana Khdraoul. 

Ayman Zedani's 'The Desert Keepers.' (Supplied)

“AlUla has long been a crossroads of cultures and a wellspring of creativity,” Nora Aldabal, executive director of arts and creative industries at the RCU, said in a press release. “With the AlUla Artist Residency Program, we are showcasing the extraordinary artistic vision flourishing in AlUla and demonstrating its power to bridge cultures and inspire dialogue.”  

“Orbis Tertius,” she continued, was “a testament to incredible inspiration that artists and creatives discover in AlUla — a place where the world can connect with ancient history and experience contemporary artistic expressions. AlUla’s ambition for art, design and culture is to create a better future for the region, generating jobs and opportunities for cultural enrichment for those who live, work and visit there.”  


Francois Graff on the jewelry house’s ties with the Gulf, balancing exclusivity with growth

Francois Graff on the jewelry house’s ties with the Gulf, balancing exclusivity with growth
Updated 24 October 2024
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Francois Graff on the jewelry house’s ties with the Gulf, balancing exclusivity with growth

Francois Graff on the jewelry house’s ties with the Gulf, balancing exclusivity with growth

DUBAI: For more than half a century, Graff has been synonymous with luxury and exclusivity. Founded in 1960 by British jeweler Laurence Graff, the house has been known for handling some of the world’s rarest and most exquisite diamonds.

In a world of conglomerates, Graff remains family owned, with its CEO, Francois Graff, at the helm. Graff’s latest milestone is the redesigned Dubai Mall boutique that opened this month. After a two-month renovation, the boutique presents a new customer experience.

“It’s an ongoing process keeping the stores fresh. We have 70 stores, and they all keep evolving,” Graff said. The boutique’s most impressive feature is undoubtedly the facade, with its reimagined Graff logo — the iconic fan. “We first started with that motif in the 90s. It’s an old symbol used in architecture everywhere, and we have adopted it; it has evolved over the years,” he said.

Graff’s latest milestone is the redesigned Dubai Mall boutique that opened this month. (Supplied)

Inside, diamond-pattern flooring welcomes the client — a nod to their love affair with the most precious diamonds in the world. “The floor in this boutique is found in only one other location — Paris. By making each store individual, we keep the bespoke nature of the brand. You’ll pick up house codes in all our stores, but each store is still unique — I prefer it like that,” Graff said. The space includes a bridal room, a diamond collection room, and a VIP suite.

The Middle Eastern market has long been important to Graff. The brand’s deep connection to the region dates back to 1986 when Graff first visited Dubai. “I came here for a big royal wedding then, and it was a very different Dubai than what we see today. But it captured my imagination,” he recalled.

Inside, diamond-pattern flooring welcomes the client — a nod to their love affair with the most precious diamonds in the world. (Supplied)

Saudi Arabia, too, is a key market. The brand’s relationship with the Kingdom spans decades and is deeply intertwined with Graff’s history. In the past, Saudi clients would visit the London boutique to buy their jewels, he said.

“Saudi Arabia has always been special for us. We have deep-rooted connections with prominent Saudi families, many of whom have been clients for a long time. Many princesses and affluent ladies remember that their mother gave them a little piece of Graff jewelry when they were younger. Today, they are buying their own pieces.”

Graff’s relationship with Saudis is evident in the brand’s continued expansion, with two new outlets opening in the Kingdom this year.

What distinguishes Graff is its continued commitment to craftsmanship and exclusivity despite scaling. In today’s fast-paced digital landscape, many luxury brands face the dichotomy of being relevant, gaining global exposure, and maintaining exclusivity. For Graff, exclusivity is non-negotiable.

“The democratization of luxury is something we’re very conscious of,” Graff said. “But we’ve found a way to diversify without compromising our values.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Graff (@graff)

Graff’s strategy is to offer a range of products, from high-value statement pieces to more accessible jewelry, without diluting the brand’s essence — no easy feat.

“A client who wants to spend a million dollars on a necklace may also want something they can wear in the morning for $10,000. But they expect the same level of exclusivity and craftsmanship, no matter the price point,” he said.

While many luxury brands rely heavily on celebrity endorsements and influencer marketing, Graff takes a more restrained approach.

 “Our clients are very discerning. If you’re buying something for $2 million, you don’t want to see it worn by multiple celebrities before it’s yours. We balance the need for visibility with our defining principles of quality and exclusivity.”

As Graff looks to the future, particularly in the Middle East, the CEO is optimistic.

“We’ve been here for decades and will continue to be here, offering our clients the best of what we do. The region is booming, and we’re excited to be a part of that growth.”