Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’
Archie Renaux as Tyler and Cailee Spaeny as Rain Carradine in 'Alien - Romulus.' (Supplied)
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Updated 18 August 2024
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Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

DUBAI: Fede Alvarez is no stranger to horror flicks. The Uruguayan filmmaker first made his mark on Hollywood in 2013 with his take on the 1981 horror classic “Evil Dead.” In 2016, he stepped out of his comfort zone of working with a familiar IP to write and direct “Don’t Breathe,” universally acclaimed by fans of the horror genre, as well as critics.

Fast forward to today, and with “Alien: Romulus” he’s paying homage to one of the greatest sci-fi horror franchises of our time.

Set between Ridley Scott’s seminal 1979 original and James Cameron’s 1986 follow-up “Aliens,” “Romulus” acts as an “interquel,” bridging the two films while telling a standalone story.

“There’s an ‘Alien’ movie I’ve been waiting to see for a long time, and so when I was given a chance to do one, I just went and did exactly the things that I wanted to see as a fan,” Alvarez told Arab News.




Director Fede Alvarez on the set of 'Alien Romulus.' (Supplied)

“I think every movie, even the first one in a saga, has a backstory. In this case, it’s just that those stories happen to be other movies. But if they didn’t exist, it would work anyways. So, you have to do it in a way that a new audience doesn’t feel alienated. It has to work for them. And if you’re a fan, you make all the connections. That’s really the balance you’re trying to find,” he continued.

The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Industry”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“Sicario: Day of the Soldado”), Spike Fearn (“Tell Me Everything”), and newcomer Aileen Wu as a ragtag crew of young space colonists looking to find a way off their sunless mining colony. They head out to scavenge a decommissioned space station, hoping to find the technology necessary to leave their doomed planet behind, but instead come face-to-face with a xenomorph.

Alvarez was full of praise for his lead star Spaeny as orphan Rain, who, along with her android ‘brother’ Andy (Jonsson), is just looking to find her way to a more habitable planet.




Xenomorph from 'Alien Romulus.' (Supplied)

“I met Cailee a few years ago, she read for me for another project, and I was truly blown away by her presence, her acting skills, and — more than anything — her eyes. When you cast a movie, a great actor will have something that, when you push the camera on them, they save you from a lot of writing. You don’t have to write all this dialog about the bad things that happened in their life. You see in her eyes that she had a tough life even at her young age. She’s already been through a lot. That’s what her eyes convey,” he said.

Alvarez also took time to sit with both Scott, who produced the film, and Cameron as he worked on “Romulus.”

“They are both masters that I really look up to,” he said. “It’s a privilege to be able to even meet them and it’s definitely a privilege to be able to actually work with them and make a movie together. That’s a once-in-a-lifetime privilege.

“(James) Cameron was kind enough to give me some time to tell me his experience making ‘Aliens’ and then he watched the cut of my movie and gave me his thoughts on all the things that had to do with the technology of the film. It really helped me flesh out a lot of the science-fiction ideas,” Alvarez said.

“And to sit down with Ridley Scott — who has made so many great movies — and be able to discuss film and talk about this movie was such a learning experience for me. Every meeting was a masterclass in cinema,” he added. “He had a very strong point of view of what this film should be. I did as well. We didn’t agree all the time and that’s what you want — that’s really when I think the best work comes out; when you have slightly different points of view among a lot of creative people, and you find the truth somewhere.”


Christian Dior retrospective opens in Riyadh

Christian Dior retrospective opens in Riyadh
Updated 21 November 2024
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Christian Dior retrospective opens in Riyadh

Christian Dior retrospective opens in Riyadh
  • The exhibition, at the National Museum of Saudi Arabia until April 2, explores the legacy of the fashion designer and his successors through a specially curated narrative

RIYADH: An exhibition celebrating the life and work of fashion designer Christian Dior is now open at the National Museum of Saudi Arabia as part of this year’s Riyadh Season.

“Christian Dior: Designer of Dreams,” a retrospective covering more than 75 years of his creativity and design and the work he inspired, is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.

“Christian Dior: Designer of Dreams” is a collaboration between the French fashion house and GEA. (Supplied)

The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.

The exhibition covers more than 75 years of creativity and design and the work Dior inspired. (Supplied)

Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.

Faisal Bafarat, the CEO of the General Entertainment Authority, officially opened the exhibition on Wednesday. Tickets are available from the WeBook platform.


Where We Are Going Today: Soul Bowl restaurant in Riyadh

Where We Are Going Today: Soul Bowl restaurant in Riyadh
Updated 21 November 2024
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Where We Are Going Today: Soul Bowl restaurant in Riyadh

Where We Are Going Today: Soul Bowl restaurant in Riyadh

Soul Bowl, an on-the-go healthy meal station is catching the eye of Riyadh’s foodie and wellness fiends with their nutritious bowls and sandwiches.

While most tend to order for delivery, you can enjoy a comfortable and quaint indoor dining experience in their store in As Sahafah; where the neutral colors, soft warm lighting, and pop of green offer a welcoming atmosphere for both solo and social dining.

Soul Bowl’s menu offers a wide selection of salads, bowls, flatbread sandwiches, wraps, soups, and rice meals, as well as fresh juices, desserts and acai bowls. 

Their wraps and bowls are a hit, with the chicken chipotle wrap and the Mexican bowl as big standouts. 

The chicken used is clearly of high quality and cooked very well, and the rest of the ingredients, such as the greens, rice, sauces, feel very fresh. The flatbread sandwiches, however, are a bit of a hit or miss.

The main courses they offer range from tandoori chicken to beef stroganoff.


Spike Lee to preside over Red Sea International Film Festival jury

Spike Lee to preside over Red Sea International Film Festival jury
Updated 21 November 2024
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Spike Lee to preside over Red Sea International Film Festival jury

Spike Lee to preside over Red Sea International Film Festival jury

DUBAI: Academy Award-winning filmmaker Spike Lee – known for films like “Malcom X” and “BlacKkKlansman” – will preside over the Red Sea Internation Film Festival’s Red Sea: Features Competition Jury this year.

The fourth edition of the festival will take place in Jeddah, Saudi Arabia, from Dec. 5 - 14, in Jeddah’s Old Town of Al Balad. 

The Red Sea: Features competition will showcase the highest achievements from a diverse range of filmmakers from the Arab region, Asia and Africa. Sixteen features have been selected to showcase the most compelling, unique and impressive work from the past year, with the winners being selected by Lee and the rest of the jury to receive the coveted Yusr Awards.

In 2023, the Golden Yusr for Best Feature Film was awarded to “In Flames,” directed by Zarrar Khan.

Lee will also participate in the festival’s In Conversation strand, which welcomes industry luminaries from all over the world to share insights and have meaningful discussions about their practice, passions and stories.

Jomana Al Rashid, Chairwoman of the Red Sea Film Foundation, said in a statement: “Looking towards our fourth edition, we’re honoured to welcome the legendary Spike Lee as our President of Jury for the festival this year. Spike is a pioneering director whose iconic work has made a lasting impact on both film as a medium and culture at large. His energy, incisiveness and genuine championing of creativity and new voices makes him an ideal fit to lead our jury for this year - we look forward to him engaging with the burgeoning talent in our competition line up.”

Lee added: “Having been lucky enough to experience first-hand the incredible filmmaking, atmosphere and creativity at the Red Sea International Film Festival in 2022, it's a privilege to be returning this year as President of the Jury. Alongside creating a melting pot for cultures to come together in celebration of our important art-form, it's vital to continue to platform young and emerging filmmakers who are finding their voice in the industry, and it's exciting to see first-time directors from across the Arab region, Asia and Africa as part of the Competition lineup this year. I'm looking forward to diving in to the programme and making what I'm sure will be some very tough decisions alongside the leading luminaries on the jury.”


‘Marvels of Saudi Orchestra’ heads to Tokyo  

‘Marvels of Saudi Orchestra’ heads to Tokyo  
1 - The 'Marvels of Saudi Orchestra' show being performed in Paris - Image courtesy of Music Commission
Updated 21 November 2024
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‘Marvels of Saudi Orchestra’ heads to Tokyo  

‘Marvels of Saudi Orchestra’ heads to Tokyo  
  • The Saudi National Orchestra and Choir’s global tour reaches Japan 

DUBAI: The Saudi National Orchestra and Choir is on a mission to build a bridge between the Kingdom and the rest of the world, one musical collaboration at a time. 

Having already performed its musical showcase “Marvels of Saudi Orchestra” in Paris, Mexico City, New York and London, the orchestra will perform at Tokyo Opera City on Nov. 22.  

The evening’s performance will feature the Saudi National Orchestra and Choir performing alongside Japan’s Gagaku Orchestra Imperial Court Music and the Orchestra Academy of Tokyo College of Music. The collaborative program will showcase traditional Saudi pieces and classical Japanese music. Renowned Japanese guitarist Hotei will also deliver a special guest performance. 

In an interview with Arab News, Saudi Music Commission CEO Paul Pacifico attributed the idea of taking the Saudi orchestra on a world tour to Minister of Culture Prince Badr bin Abdullah bin Farhan, and cited a dual purpose behind the program. 

“The first opportunity is international. It’s about taking the best of Saudi culture to the world and showing the world what Saudi culture is about. Most people around the world haven’t heard Saudi music, so this is a new experience,” Pacifico said. 

Maestro Hiro. (Supplied)

“The second part of this is about showing Saudi people how Saudi culture can be received worldwide, and how Saudi music can take its place on any of the world’s greatest stages with the world’s greatest cultural organizations. And really to take pride in seeing Saudi culture celebrated and validated in that way,” he added. 

Composed and arranged by Saudi Arabian maestro Rami Bashih with the support of Japanese maestro Hirofumi Yoshida, the Tokyo performance is an ode to Japanese and Saudi musical traditions. 

“I hope this performance will deepen the Tokyo audience’s understanding of different cultures through music and serve as a catalyst for building new cultural ties between Saudi Arabia and Japan. This concert brings together distinct musical cultures on a single stage, offering the audience a valuable experience to see music and culture from a fresh perspective,” Yoshida told Arab News. 

“In the first and second parts of the program, the audience will enjoy a contrast between Saudi Arabia’s traditional music and the ancient Japanese court music, gagaku. In the third part, they will experience cultural harmony through a joint performance by musicians from both countries,” he continued. 

Both the Japanese and Saudi orchestras have had to rehearse online ahead of the big day. 

The 'Marvels of Saudi Orchestra' show in Paris. (Saudi Music Commission)

“The Saudi Music Commission and Japan’s Rising Sun Opera Foundation have held numerous remote meetings and organized advance visits from the Saudi side to prepare for this event in detail. We shared musical ideas online and made every effort to maximize our limited rehearsal time. Remote collaboration has been a new challenge, but by sharing a strong passion for music, we’ve been able to overcome the distance and foster meaningful cooperation,” said Yoshida. 

Yoshida is no stranger to Saudi Arabia, either. In 2017, he led the first performance by a full Japanese orchestra in the Kingdom. 

“I was deeply impressed by the enthusiastic applause, especially from young people, after each piece. Feeling the energy in the hall, I became certain that culture and the arts would flourish in Saudi Arabia in the near future. This experience showed me the potential for Saudi musical culture to continue growing and be shared with even more people around the world,” he said. 

For Pacifico, the opportunity to take Saudi music to yet another cultural capital is exciting. 

“There are so many rich collaborations in all of these cultures that we visited and hope to visit — whether that was the Carlos Chavez Orchestra in Mexico City, the Dizzy Gillespie All Stars in New York, or the Royal Philharmonic Orchestra in London, every time we make a stop, we look to collaborate with the best cultural ambassadors from that city. And the cities haven’t let us down,” said Pacifico. “They’ve really exceeded our expectations. And, again, in two ways: the way the musicians have blended together and the audience reaction — how welcoming people have been, how interested and culturally curious to discover Saudi music, and the feedback has been incredible. 

“So much of what we do is about programs, KPIs… the technical work of government. But ‘Marvels of Saudi Orchestra’ brings it to a very human level. It’s about people connecting, and it’s that human connection that stands out to me,” he continued. “That’s what surprises and delights me each time that we’ve done this, and I’m sure will continue to do so.” 


Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 
Updated 21 November 2024
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Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 
  • Hodge stars as James Patterson’s tortured detective in new Amazon series 

LONDON: In its admirably committed bid to monopolize the ‘gritty cop drama adapted from books you might buy for your dad’ market, Amazon has turned to James Patterson’s Washington DC-based detective (and forensic psychologist) Alex Cross to follow in the footsteps of previous hits “Reacher”, “Jack Ryan” and “Bosch.”  

“Cross” (there’s a pattern here…) stars Aldis Hodge as the recently bereaved eponymous homicide detective. Assigned to investigate the murder of a prominent Black Lives Matter activist, our hero is all consummate professionalism and cerebral calmness as he attempts to unpick the increasingly sinister machinations of a deranged serial killer even as his bosses try to sweep the case under the carpet.  

What makes “Cross” more interesting than a lot of airport-novel adaptations is that Alex is also working a second case, obsessed as he is with hunting the murderer of his wife, who was shot in broad daylight a little over a year earlier. And when it comes to that case, he is neither a consummate professional nor cerebrally calm. 

The details of the two cases are better left unpacked here — spoiling the developments of either would be a shame — but it’s safe to say the show’s MVP is Hodge (“One Night in Miami”, “Black Adam”). The detective is, at times, more like two characters — one striving to deliver justice for his city, the other bent on nothing more than revenge and a desire to keep his family safe. And Hodge deserves plaudits for his portrayals of both sides of Cross, even as the lines between the two begin to blur and overlap across the eight-episode stretch.  

In fact, Hodge is so good, that it’s easy to forgive some of the show’s more cliché-riddled missteps. A couple of plot points arrive with much fanfare, only to slink out, unresolved; Alex’s supposedly masterful analytical superpowers tend to desert him when it suits the advancement of the story… There are other niggles, too. But, with a lead this charismatic — and closer to Patterson’s original Cross than the three previous film adaptations — and a supporting cast on their game, they’re all easy enough to overlook.