How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images

Special How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images
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Updated 31 May 2024
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How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images

How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images
  • Hadeel Mohammed uses generative AI to create images that depict daily life in Saudi Arabia during the 1990s
  • Rather than replace human creativity, Saudi artist believes AI will augment and improve the creative process

RIYADH: Artificial intelligence technologies have already found new and exciting applications in the workplace, health, education and business. Now, creative industries are finding novel ways to employ these mold-breaking tools.

Hadeel Mohammed, a Saudi AI artist, has used the technology to create nostalgia-infused images that depict various aspects of daily life in Saudi Arabia during the 1990s.

About a year ago, Mohammed took an interest in how technology and creativity can combine to make something entirely new, and began experimenting with AI to create bold visuals plucked from her imagination.

After earning a certificate in AI art, she was able to blend various digital editing methods with more conventional artistic techniques.




Saudi AI artist Hadeel Mohammed begins with a nostalgic memory or an old song and then uses AI algorithms to generate artworks that reflect the ideas and emotions that these evoke. (Supplied)

“Every artwork I create is quite personal and reflects my vision and personal growth to visualize ways to express myself,” she told Arab News.

Mohammed begins with a nostalgic memory or an old song. She then uses AI algorithms to generate artworks that reflect the ideas and emotions that these evoke.

“This is only the beginning of what you see in my work,” she said. “I then spend time refining, editing, changing details and improving compositions using different art software to reach the final photo, while also adding my personal touch to it.

“The end photo is a piece that tells a story and connects with viewers on a deeper level.”

Mohammed says she draws her inspiration from “how life was as a child living in the ‘90s.

“This is my vision of the past, and I try to use my imagination to produce unique art, particularly in the fashion, interiors, retro patterns, styles, colors used, music and way of life during that time. This might not reflect everyone’s lifestyle. I produce what evokes certain emotions.

“I remember my mother would often bring me to gatherings and I was fascinated by the lovely clothing worn by women at that time. To this day, I still enjoy looking at old photos to relive the beauty of that time and through my graphics, I hope to celebrate Saudi nostalgic fashion and lifestyle from the 1990s.”

Mohammed says that artworks that reflect the Saudi or Arab ‘90s can be difficult to produce “because AI’s knowledge of ‘female’ features is so limited,” resulting in her having to edit the photos to depict accurate features.

When curating an image, Mohammed focuses on the “mood and vibe” she is looking to convey.

“I love classic styles and use them a lot in my photos. They are timeless and full of elegance and nostalgia. For the color palette, I use earthy tones to bring a sense of coziness and warmth like shades of brown and beige. I remember them being called ‘royalty colors’ back in the ‘90s, while in the ‘80s, pastel colors and metallic accents were more used.”

She draws particular inspiration from the style of Saudi American businesswoman and editor Princess Deena Al-Juhani Abdulaziz for her fashion and her image as a modern and elegant Saudi woman.

Despite its game-changing applications, AI can be unpredictable. Mohammed says there are occasionally issues with photo resolution challenges in post-processing.

“Most of the time, I have to use editing software to change the composition and enhance the photos, as AI’s results sometimes are unpredictable and inaccurate,” she said.

“Photos generated by AI might be good for the screen, but they are not suitable for printing large-sized photos.

“AI is still limited by the data it is trained on. It only reproduces the same existing styles and techniques unless guided and edited by a human artist. This is where creativity comes in.”




Despite its game-changing applications, AI can be unpredictable, says Hadeel Mohammed. (Shutterstock image)

Instead of being restricted by the curbs that come with AI, Mohammed sees these limitations as an opportunity to learn new methods for generating and refining art.

“It is a fun journey that I enjoy and embrace with all its constraints. However, in order to produce beautiful work that represents my vision, I also combine AI technologies with standard art design.

“For art to be meaningful, it should reflect an emotional feeling and this cannot be done by a machine alone. Only a human can add real purpose and cultural insight to any type of art. Machines just make random pictures without understanding.”

Mohammed says AI still requires “the right people to choose the best art and know good art when they see it, as machines make many random photos. Not all of it is appealing.

“In summary, AI alone cannot substitute human vision, guidance, experience, and emotions to make art with true meaning and impact.”

As with all AI tools, advances are occurring rapidly.

“As technology develops, Al will create a greater variety of creative mediums and aesthetics and other fields like music and animation will be incorporated into technology,” said Mohammed.

“Also, algorithms will become more advanced and accessible and will not require much effort to meet our standards or ideas.”

And as AI tools become more widely used, their acceptance in the creative industries among artists is likely to grow.

“I think in the next few years, artists will be more accepting of AI-generated art, and it will also change the way that artists create their own work. I see that AI will probably become a common tool for artists, content creators and graphic designers.”

Rather than replace human creativity, Mohammed believes AI will augment and improve artworks.

“AI-generated art can become a major force in the art world and artists will experiment with new techniques to reach broader audiences. As people become more comfortable with AI’s capabilities, its influence in the art world will grow, leading to a rich and diverse landscape of artistic expression.

“I see a future where AI and human creativity work hand in hand.”

Evidence of this growing acceptance of AI-generated art can be found on Mohammed’s TikTok and Instagram accounts, where she has received positive feedback from her followers.

“I mostly receive a lot of positive feedback, both in comments and private messages,” she said.

“People regularly express their appreciation and thank me for bringing back old memories and feelings. They say that they enjoy and love my content. It makes me happy that, through visualizing memories through art, I can provide positivity and happiness to others.”
 

 


AlUla celebrates citrus harvest with Citrus Season 2025

AlUla celebrates citrus harvest with Citrus Season 2025
Updated 03 January 2025
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AlUla celebrates citrus harvest with Citrus Season 2025

AlUla celebrates citrus harvest with Citrus Season 2025
  • Such initiatives ‘showcase beauty of agricultural heritage and position AlUla as a premier agritourism destination’ top RCU official tells Arab News

ALULA: The Royal Commission for AlUla launched Citrus Season 2025 on Friday. The event coincides with the peak harvest period, and “underscores the RCU’s commitment to supporting the agricultural sector and establishing AlUla as a premier agritourism destination,” according to a statement.

Rami AlMoallim, the RCU’s vice president of destination management and marketing, told Arab News: “AlUla’s growth as a destination has always been rooted in supporting the local community, with farmers playing a pivotal role in our agritourism endeavor.

“The Citrus Festival is one of several platforms that celebrate AlUla’s farmers, showcasing their expertise and the city’s natural abundance. These farmers, with generations of knowledge and dedication, are also central to our vision for a more sustainable future. Through initiatives such as festivals, marketplaces, training, and ongoing support, we are amplifying their contributions and providing them with broader opportunities to thrive,” he continued.

Underscoring that the changing seasons are fundamental to agriculture, AlMoallim said: “We work closely with farmers to identify the optimal times for events like the Citrus Festival, which harnesses the peak season for the more than 20 citrus variants in AlUla. This thoughtful planning enables us to align complementary events, offering visitors an immersive experience that reflects the rich diversity of AlUla.

“Such initiatives showcase the beauty of our agricultural heritage and position AlUla as a premier agritourism destination in Saudi Arabia, contributing significantly to its economic and cultural development,” he added.

Citrus Season, which runs until Jan. 11, is intended to stimulate economic growth through community-focused initiatives and sustainable development projects. It provides a vital platform for local farmers to market their produce, which yields thousands of tons of fruit annually between November and February, contributing significantly to the region’s agricultural and economic development.

The event showcases the diverse range of citrus fruits cultivated in AlUla, which is home to more than 5,000 farms containing 405,000 trees between them, bearing 29 distinct varieties of fruits including oranges, sweet lemons, bergamot oranges, sugar oranges, mandarins, clementines, grapefruits, and kumquats.

Covering 701 hectares, these farms produce 14,000 tons of citrus fruit annually, accounting for a significant portion of the Kingdom’s total annual production of 160,000 tons.

This demonstrates AlUla’s crucial role in strengthening the national agricultural sector and supporting economic diversification in line with Saudi Vision 2030.

The RCU prioritizes the development of AlUla’s agricultural sector to “expand economic opportunities, increase producer competitiveness, create opportunities for local residents, and offer visitors unique experiences through interactive activities that highlight the importance of agriculture to the region’s present and future,” according to the commission.

This year’s Citrus Season will feature exhibition spaces for local families and farmers, a variety of events for residents and visitors, and a training course on using citrus fruits in cooking.

Along with AlUla’s Dates Season, Citrus Season represents a key economic driver, showcasing AlUla’s rich agricultural heritage. 

Dates and citrus fruits play a vital role in supporting the local economy and advancing the RCU’s sustainable development goals.

 


Saudi Arabia affirms its readiness to participate in Syria’s renaissance

Saudi Arabia affirms its readiness to participate in Syria’s renaissance
Updated 53 min 33 sec ago
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Saudi Arabia affirms its readiness to participate in Syria’s renaissance

Saudi Arabia affirms its readiness to participate in Syria’s renaissance

RIYADH: Syria's newly appointed foreign minister Asaad Hassan Al-Shibani said in a post on X on Friday that he conveyed on a visit to Saudi Arabia the vision of establishing a government based on partnership and efficiency that includes all Syrian components. 

Al-Shaibani said Saudi Arabia affirmed its readiness to participate in Syria's renaissance and support its unity and territorial integrity.

The minister said Saudi Arabia expressed its support for the Syrian people and the new Syrian administration. 

Prince Faisal reiterated the Kingdom's commitment to supporting Syria's sovereignty, independence, and territorial integrity while emphasizing efforts to achieve security, stability, and prosperity for the Syrian people, the Saudi Press Agency reported.

The discussions also focused on preserving Syrian state institutions, enhancing its capabilities, and facilitating its reintegration into the Arab and Islamic worlds, SPA added.

Senior Saudi officials including Prince Musab bin Mohammed Al-Farhan and ambassadors Saud Al-Sati and Faisal Al-Majfal were also in attendance.

Al-Shibani arrived with a high-level Syrian delegation on Wednesday, including Defense Minister Marahf Abu Qasra and Intelligence Chief Anas Khattab.

They were welcomed at King Khalid International Airport by Saudi Deputy Foreign Minister Waleed Elkhereiji.

This marks Al-Shibani's first foreign trip since the ouster of former Syrian president Bashar Assad on Dec. 8.

The visit comes after Syria’s new leader, Ahmed Al-Sharaa, praised Saudi Arabia's potential role in shaping Syria’s future during an interview with Al Arabiya on Sunday.


Salsola, the camels’ favorite food, plays a big role in fighting desertification

Salsola, the camels’ favorite food, plays a big role in fighting desertification
Updated 03 January 2025
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Salsola, the camels’ favorite food, plays a big role in fighting desertification

Salsola, the camels’ favorite food, plays a big role in fighting desertification

ARAR: Saudi Arabia’s Northern Borders region is characterized by an abundance of seasonal and annual pastoral plants which helps to fight desertification, increase vegetation cover and biodiversity, and stabilize soil.

 

Estimated at 104,000 sq. km, the region has many species of trees, shrubs and pastoral plants, most notably the evergreen shrub Salsola, which is eaten predominantly by camels, the Saudi Press Agency reported recently.

 

Nasser Rashid Al-Majlad, president of the Aman Environmental Society in the Northern Borders region, said the region is classified as a pastoral area and has many multi-purpose plants.

 

Its topography has contributed to the diversity of its plants and trees, of which the most famous is Salsola, also known as Caroxylon imbricatum.

 

This evergreen shrub is a summer plant of the Salsola vermiculata genus, which grows in the Arabian Peninsula as well as in the deserts and arid regions of southwestern Asia and North Africa.

 

It grows over a meter tall, and its leaves contain an unpleasantly smelling sap. It is one of the preferred pastoral plants for camels in particular.

 

In some places, it has been a tradition to use Salsola for treating skin disorders.

 

Nature reserves and the Saudi Green Initiative have contributed to afforestation and land reclamation, as well as to the restoration of native plants to their habitats.


Czech president begins official visit to Saudi Arabia

Czech president begins official visit to Saudi Arabia
Updated 03 January 2025
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Czech president begins official visit to Saudi Arabia

Czech president begins official visit to Saudi Arabia

JEDDAH: Czech President Petr Pavel arrived in Jeddah on Thursday as part of his official visit to the Kingdom. The leader was welcomed at King Abdulaziz International Airport by Prince Saud bin Mishaal bin Abdulaziz, deputy governor of Makkah province. The welcoming committee also included Ali bin Mohammed Al-Qarni, deputy secretary of Jeddah governorate; Maj. Gen. Suleiman bin Omar Al-Tuwaireb, director of Jeddah Police, and Ahmed Abdullah bin Dhafer, director-general of the Royal Protocol Office in Makkah.


Traditional Al-Sadu pattern forms integral part of the Saudi Arabia’s cultural fabric

Traditional Al-Sadu pattern forms integral part of the Saudi Arabia’s cultural fabric
Updated 03 January 2025
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Traditional Al-Sadu pattern forms integral part of the Saudi Arabia’s cultural fabric

Traditional Al-Sadu pattern forms integral part of the Saudi Arabia’s cultural fabric
  • Council of Ministers designate 2025 as Year of Handicrafts 

RIYADH: The craft of Al-Sadu is alive across the Kingdom — not only in the depths of the Badia, where the art originated, but also in cities, houses, festivals, exhibitions, events, and art and creative galleries.

Al-Sadu is a popular cultural and civilizational symbol that embodies the distinction of the people of the Kingdom and the Arabian Peninsula.

The “traditional weaving of Al-Sadu” was included in 2020 on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. A new logo inspired by Al-Sadu has been launched for the Riyadh Expo 2030.

The Saudi Council of Ministers designated 2025 as the Year of Handicrafts, in order to highlight traditional Saudi crafts and craftsmen.

The raw materials used in Al-Sadu are abundantly found in the Kingdom’s desert. They include goat hair, wool from sheep, and camel fuzz. 

Bedouin women mastered the craft, and it was utilized in building Bedouin tents and meeting the needs of families with furnishings such as bedspreads and covers.

The Al-Sadu process goes through several phases. It starts with cutting the wool, sorting it, and then washing it using certain substances, such as soap or ash, to rid it of any plant matter or thorns.

The material is then dried, spun into yarn, and then dyed in natural colors extracted from plants and trees’ peels and roots, such as saffron and henna. Traditional Al-Sadu colors are black, white, red, and brown.

The pieces are then decorated with embroidery, ornaments, and creative art paintings of geometric patterns such as rectangles, circles, triangles and other distinctive forms, many of which symbolize details and connotations associated with the Bedouin.

To knit the threads and weave these unique pieces, craftswomen use the spindle, the loom, and wooden equipment such as the menfash, which is a nail-padded wooden weaving tool used to tease the wool after collecting, washing and drying it. This step is followed by the spinning process, which turns the wool into the spun yarn used in the remaining weaving stages.

The Al-Sadu weaving craft enjoys great significance in various regions of the Kingdom, including Jouf, where many artisans and productive families make unique Al-Sadu products.

Al-Sadu artisans are supported by the Jouf Municipality and governmental and non-governmental sectors, including the Maghazil Al-Sadu Association, which organizes many training programs for craftswomen, as well as exhibitions and programs aimed at marketing and familiarizing people with the art.

Dr. Hiam bint Mubarak Al-Buhairan, the association’s chairperson on the board of directors, said: “Al-Sadu is a symbol of Jouf and the Kingdom, and a national and international resource.

“The association works on protecting, developing, documenting and achieving the sustainability of Al-Sadu, for present and future generations.”

Al-Buhairan said that the association’s goals included providing professional opportunities for talent; raising awareness in the fashion industry; advising those interested in fashion; providing educational and training opportunities; supporting researchers; and contributing to the development of the sector.

The King Abdulaziz Women’s Society for Social Development in Jouf provides Al-Sadu craftswomen with support and training as part of the Made in Saudi project.