Saudi and French-Swiss artists create work inspired by Riyadh women’s lives

Saudi and French-Swiss artists create work inspired by Riyadh women’s lives
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The exhibition features multimedia artworks that reflect the stories of the interviewed women through the breadth of their diverse experiences, aspirations and contributions to society. (Loai Elkelawy)
Saudi and French-Swiss artists create work inspired by Riyadh women’s lives
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The exhibition features multimedia artworks that reflect the stories of the interviewed women through the breadth of their diverse experiences, aspirations and contributions to society. (Loai Elkelawy)
Saudi and French-Swiss artists create work inspired by Riyadh women’s lives
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The exhibition features multimedia artworks that reflect the stories of the interviewed women through the breadth of their diverse experiences, aspirations and contributions to society. (Loai Elkelawy)
Saudi and French-Swiss artists create work inspired by Riyadh women’s lives
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The exhibition features multimedia artworks that reflect the stories of the interviewed women through the breadth of their diverse experiences, aspirations and contributions to society. (Loai Elkelawy)
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Updated 25 March 2024
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Saudi and French-Swiss artists create work inspired by Riyadh women’s lives

Saudi and French-Swiss artists create work inspired by Riyadh women’s lives
  • ‘Woven Dreams’ presents art based on intimate conversations with 37 women

RIYADH: Inspired by intimate conversations with 37 women, Saudi artist Dania Al-Saleh and French-Swiss artist Catherine Gfeller present their striking exhibit “Woven Dreams” at L’Art Pur Foundation, which runs until April 6.

The exhibition features multimedia artworks that reflect the stories of the interviewed women through the breadth of their diverse experiences, aspirations and contributions to society.

The showcase is divided into three sections totaling 540 square meters and created in a museum-like style.

Gfeller says that she interviewed each of the 37 women privately, exploring the deep meaning of their voices, testimonies, and the way they express themselves. “Deep meetings with 37 women is like deeply immersed in 37 different universes, very personal and specific universes,” she said. “It means 37 times more work because I try to adapt myself to each voice in a symbolic way.”

“Each woman has her own voice and her own way of seeing life and connecting to us as artists … they only spent one hour with me but I worked for four months, night and day with them,” she said.

Noting the collaborative nature of the process, she added: “I feel like I know them very deeply as my role is to convey the subconscious version of what they told us … I really tried to be a medium through which I can express their deep thoughts.”

Each room in the exhibition showcases a distinctive art form, inspired by the interviews. From projected short films that capture their personal stories to a room adorned with inspirational quotes plastered on the walls, and another room showcasing striking photos of each woman, visitors are taken on a sensory journey through the lives and experiences of these individuals.

Al-Saleh said that working on the project was a once-in-a-lifetime experience: “I felt so privileged to have these wonderful ladies take us and be a part of their inner private lives and share so many interesting stories and emotions with us.

“We really focused on taking care of the stories they shared with us and treating it as a treasure … we had to really think of creating artwork that does it justice.”

Gfeller knew that she wanted to do an exhibition with Al-Saleh, a Saudi artist, after seeing her work and feeling that she is her “art sister,” adding: “She (Al-Saleh) had a wonderful piece in AlUla and when I saw It, I thought ‘I feel so close to her.’ It was really similar to another project in Switzerland about mythology, power of women, and symbol of women.

“When we did this residency, it was interesting to see how similar we are in how we approach art, and how we approach the emotion of women,” she said.

One of the exhibition’s artistic subjects is Farah Al-Turki, a Saudi writer and producer. She said: “The work hit home for me as it touches on how we all come from very different backgrounds, yet we all fall under ‘Women of Riyadh.’ I’m certain visitors will identify and see themselves within the work.”

The exhibition was curated by, Dalia Chabarek, a Lebanese urban researcher and sociologist working between Lebanon and the UAE.

“Woven Dreams” is supported by the French embassy, L’Art Pur Foundation, Alliance Francaise and the Swiss embassy.

Yannick Reichenau, deputy head of mission at the Swiss embassy, said that intercultural exhibitions would grow in the future, in many directions, because “people-to-people exchanges are always key to bilateral relations.”

“Saudi Arabia is opening with Vision 2030 and one of the key cornerstones is art. For a long time, in bilateral relations, art was not a key pillar but now it is. It’s about younger people connecting as well,” Reichnau said.

Noting the opportunities for artists to learn from each other, he added: “This exchange is some of the best. It’s very enriching to both of our countries.”


UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
Updated 20 December 2024
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UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
Updated 19 December 2024
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King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
Updated 19 December 2024
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Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.


Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
Updated 19 December 2024
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Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
  • Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element 

 

MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.

Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective. 

They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.

A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage. 

“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”

“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.

“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.

Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity. 

“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.

Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”

With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present. 


Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir
Updated 19 December 2024
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Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir

ASIR: Saudi authorities in Al-Raboah, Asir, have foiled an attempt to smuggle 180 kg of qat. Legal procedures have been initiated and the confiscated drug handed over to the relevant authorities.

Meanwhile, the authorities have arrested a resident in Yanbu for attempting to sell methamphetamine (shabu). Legal action has been taken against him, and he has been referred to the Public Prosecution.

Elsewhere, land patrols of the Border Guard in Al-Dayer, Jazan, have apprehended six Ethiopians for attempting to smuggle 162 kg of qat. Preliminary legal procedures have taken place and the suspects, along with the seized drug, handed over to the relevant authorities.

Security authorities have urged citizens and residents to report any activities related to drug smuggling or trafficking. Informants can contact the authorities by calling 911 in Makkah, Riyadh, and the Eastern Region, and 999 in the rest of the Kingdom.