Movies featured in competition at the Red Sea International Film Festival

Movies featured in competition at the Red Sea International Film Festival
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Updated 24 November 2023
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Movies featured in competition at the Red Sea International Film Festival

Movies featured in competition at the Red Sea International Film Festival

DUBAI: Here is our rundown of all the movies featured in competition at this year’s Red Sea International Film Festival, which begins Nov. 30 . 

‘Norah’ 

Director: Tawfik Alzaidi 

Starring: Maria Bahrawi, Yaqoub Alfarhan 

The Saudi filmmaker’s debut feature was shot in AlUla and makes full use of its stunning setting. It is set in 1996 and follows Nader, a teacher in a rural town who once harbored dreams of becoming an artist, as he mentors a talented teen, Norah, and tries to convince her that the restrictions she faces may one day be gone, and she will be free to express her creativity. Sixteen-year-old Bahrawi, who plays the title role, was cast just two weeks before filming in her first real acting job after an exhaustive search. “When we auditioned, she had basically zero confidence, because she’d just been rejected for another role on the basis that she ‘couldn’t act,’” Alzaidi told Arab News in a recent interview. “But I saw Norah’s spirit in her. She understood what it was like to want something more and to not be sure if she would get it.” 

‘Mandoob’ 

Director: Ali Kalthami 

Starring: Mohammed Aldokhei, Hajar Alshammari, Mohammed Alttowayan 

In his film about a man in desperate need of money who becomes a delivery driver and steals illegal items from bootleggers to sell himself, Kalthami aimed to celebrate his hometown of Riyadh in as honest a way as possible. That meant not shying away from its less-glossy parts. 

“Usually, when you see this city, it’s in commercials that only want to show you the beauty of Riyadh, but it’s a beauty without tension, so it’s missing truth,” Kalthami told Arab News in September. “Our aim was for every shot, every location, to reflect the emotional journey of Fahad, and at the same time show the history of this city — both its past and future (are) strikingly present with every turn of his wheel.” 

‘Inshallah A Boy’

Director: Amjad Al-Rasheed 

Starring: Mouna Hawa, Haitam Omari, Yumna Marwan 

Al-Rasheed’s debut feature was the first Jordanian film ever to screen at the prestigious Cannes Film Festival. It tells the tale of recently widowed Nawal, a nurse living in a low-income neighborhood in East Amman with her daughter Nora. The only property her late husband Adnan left behind was a truck, which his brother Rifqi insists on selling so he can reclaim some of the money Adnan owed him. To stall Rifqi’s demands for recompense, Nawal claims she is pregnant, knowing that if she were to have a son then Rifqi would have no claim on Adnan’s estate, including the apartment she lives in.  

In an interview with Arab News shortly after the film screened at Cannes, Al-Rasheed stressed that he wanted the film to be an “authentic and accurate” portrayal of certain aspects of Jordanian society, but that it is not a commentary on all of that society, adding that he was not generalizing, but telling a specific story. “If half of our society is crippled because of oppression and inequality, then how can this society develop?” he said. 

“We need to understand each other in order to evolve as a society. I don’t believe that cinema — or art in general — has a responsibility to change the world around us, so I’m not trying to change anything with my movie,” he added. “I’m trying to open conversations.” 

‘In Flames’ 

Director: Zarrar Kahn 

Starring: Ramesha Nawal, Bakhtawar Mazhar, Mohammad Ali Hashmi 

The Pakistani-Canadian director’s debut feature is a horror film with parallels to “Inshallah A Boy.” After the death of the family patriarch, a mother and her daughter are beset by malevolent forces, in a thinly veiled commentary on the male-dominated society in which they live. “A lot of it is about the mother’s dilemmas and the daughter’s traumas,” Mazhar (who plays the mother) told Arab News in May, after the film screened in Cannes’ Directors’ Fortnight. 

‘Backstage’  

Directors: Afef Ben Mahmoud, Khalil Benkirane 

Starring: Afef Ben Mahmoud, Sidi Larbi Cherkaoui, Hajiba Fahmy 

The Tunisian husband-and-wife directorial duo’s debut feature centers on a contemporary dance troupe. On the eve of their tour’s final performance in Marrakesh, one of their star performers, Aida, is injured (probably deliberately) by her partner Hedi. The troupe head off together on their bus to find a doctor, but an accident means they end up walking through the forest at night — a trek on which several secrets are revealed as the dancers get to know each other better. 

‘Sunday’ 

Director: Shokir Kholikov 

Starring: Abdurakhmon Yusufaliev, Roza Piyazova 

The Uzbekistan-based director’s award-winning first feature is the story of a generational struggle between an elderly couple living in a rural village and their two sons, the youngest of whom has moved abroad while the eldest remains living nearby. 

‘Evil Does Not Exist’ 

Director: Ryusuke Hamaguchi 

Starring: Hitoshi Omika, Ryo Nishikawa, Ryuji Kosaka 

Hamaguchi’s eco-fable is set in a beautiful forest where single father Takumi lives with his young daughter Hana. But their peaceful existence is threatened when a Tokyo-based company decides to set up a glamping site for city dwellers, which will have severe consequences for the local environment. 

‘Dear Jassi’ 

Director: Tarsem Singh 

Starring: Pavia Sidhu, Yugam Sood, Gourav Sharma 

Movie based on the life of Jaswinder Kaur Sidhu, the Punjabi-Canadian woman who was kidnapped, tortured and murdered at the demand of her mother and uncle after they took exception to her choice of husband, a rickshaw driver she met in the Punjab state of India while on holiday from her wealthy family’s home in Canada. 

‘Tiger Stripes’ 

Director: Amanda Nell Eu 

Starring: Zafreen Zairizal, Deena Ezral, Piqa 

Malaysia’s entry for the next Oscars, Eu’s directorial debut is a body horror film that centers on Zaffan, an 11-year-old girl going through puberty who starts to experience extraordinary physical changes. “Tiger Stripes” won the Critics’ Week Grand Prize at Cannes this year. 

‘Six Feet Over’ 

Director: Karim Bensalah 

Starring: Hamza Meziani, Kader Affak, Souad Arsane 

This Algerian-French drama tells the story of Sofiane, an Algerian student in Lyon whose visa has been revoked, meaning he lives in fear of deportation. To (hopefully) legalize his status, he takes a job in a Muslim funeral home, where he finds himself developing a greater connection to his Arab roots.  

‘Hiding Saddam Hussein’ 

Director: Halkawt Mustafa 

Starring: Alaa Namiq 

The Norwegian-Kurdish filmmaker has picked an enthralling topic for his latest documentary; its subject is Alaa Namiq, the farmer who, for more than 200 days in 2003, hid the world’s most wanted man, deposed president of Iraq Saddam Hussein, from his many pursuers by keeping him in a hole on his land. 

‘Behind The Mountains’ 

Director: Mohamed Ben Attia 

Starring: Majd Mastoura, Walid Bouchhioua, Samer Bisharat 

Ben Attia’s dramatic tale of Rafik — a man just released from four years in prison for vandalizing his office and desperate to reconnect with his young son Yassine — embraces magical realism and fantasy. Rafik takes Yassine out of school and into the mountains. We learn that Rafik believes he can fly. The audience, meanwhile, is left wondering if maybe he can. 

‘The Teacher’ 

Director: Farah Nabulsi 

Starring: Saleh Bakri, Mohamed Abdel Rahman 

The Palestinian director’s feature debut follows both a Palestinian schoolteacher grieving the loss of his child and an American couple trying to rescue their son, an Israeli soldier who has been kidnapped by a resistance group. “This is a story that challenges stereotypes and lends some kind of insight into the lives and struggles of those people whose voices are often excluded or misrepresented,” Nabulsi told Arab News in September.  

‘Omen’

Director: Baloji 

Starring: Marc Zinga, Lucie Debay, Eliane Umuhire 

This drama from the Belgian-Congolese director (and hip-hop artist) Baloji tells the story of Koffi, a young man who was born in Congo but rejected by his mother, who believed him to be a sorcerer. His return to his homeland from Europe (along with his pregnant white girlfriend) is not the happy reunion Koffi had hoped for. 

‘Dalma’ 

Director: Humaid Alsuwaidi 

Starring: Hira Mahmood, Rashed Hasan, Osman Aboubakr 

The Emirati director’s latest feature is set on the titular island in the Arabian Gulf. Emirati woman Dana inherits a run-down house there from her late father. She revamps the place and starts renting it out to tourists, a decision that sets her at odds with many of the island’s residents. 

‘Roxana’ 

Director: Parviz Shahbazi 

Starring: Mahsa Akbarabadi, Yasna Mirtahmasb 

The veteran Iranian filmmakers latest feature focuses on Fred, a 23-year-old drifting aimlessly through life, unemployed and wasting what little money he can get his hands on on gambling. Even his own mother asks the police to take him away. But a chance meeting with Roxana — a talented and driven young woman — leaves Fred thinking he can turn his life around.  


Christian Dior retrospective opens in Riyadh

Christian Dior retrospective opens in Riyadh
Updated 21 November 2024
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Christian Dior retrospective opens in Riyadh

Christian Dior retrospective opens in Riyadh
  • The exhibition, at the National Museum of Saudi Arabia until April 2, explores the legacy of the fashion designer and his successors through a specially curated narrative

RIYADH: An exhibition celebrating the life and work of fashion designer Christian Dior is now open at the National Museum of Saudi Arabia as part of this year’s Riyadh Season.

“Christian Dior: Designer of Dreams,” a retrospective covering more than 75 years of his creativity and design and the work he inspired, is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.

“Christian Dior: Designer of Dreams” is a collaboration between the French fashion house and GEA. (Supplied)

The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.

The exhibition covers more than 75 years of creativity and design and the work Dior inspired. (Supplied)

Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.

Faisal Bafarat, the CEO of the General Entertainment Authority, officially opened the exhibition on Wednesday. Tickets are available from the WeBook platform.


Where We Are Going Today: Soul Bowl restaurant in Riyadh

Where We Are Going Today: Soul Bowl restaurant in Riyadh
Updated 21 November 2024
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Where We Are Going Today: Soul Bowl restaurant in Riyadh

Where We Are Going Today: Soul Bowl restaurant in Riyadh

Soul Bowl, an on-the-go healthy meal station is catching the eye of Riyadh’s foodie and wellness fiends with their nutritious bowls and sandwiches.

While most tend to order for delivery, you can enjoy a comfortable and quaint indoor dining experience in their store in As Sahafah; where the neutral colors, soft warm lighting, and pop of green offer a welcoming atmosphere for both solo and social dining.

Soul Bowl’s menu offers a wide selection of salads, bowls, flatbread sandwiches, wraps, soups, and rice meals, as well as fresh juices, desserts and acai bowls. 

Their wraps and bowls are a hit, with the chicken chipotle wrap and the Mexican bowl as big standouts. 

The chicken used is clearly of high quality and cooked very well, and the rest of the ingredients, such as the greens, rice, sauces, feel very fresh. The flatbread sandwiches, however, are a bit of a hit or miss.

The main courses they offer range from tandoori chicken to beef stroganoff.


Spike Lee to preside over Red Sea International Film Festival jury

Spike Lee to preside over Red Sea International Film Festival jury
Updated 21 November 2024
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Spike Lee to preside over Red Sea International Film Festival jury

Spike Lee to preside over Red Sea International Film Festival jury

DUBAI: Academy Award-winning filmmaker Spike Lee – known for films like “Malcom X” and “BlacKkKlansman” – will preside over the Red Sea Internation Film Festival’s Red Sea: Features Competition Jury this year.

The fourth edition of the festival will take place in Jeddah, Saudi Arabia, from Dec. 5 - 14, in Jeddah’s Old Town of Al Balad. 

The Red Sea: Features competition will showcase the highest achievements from a diverse range of filmmakers from the Arab region, Asia and Africa. Sixteen features have been selected to showcase the most compelling, unique and impressive work from the past year, with the winners being selected by Lee and the rest of the jury to receive the coveted Yusr Awards.

In 2023, the Golden Yusr for Best Feature Film was awarded to “In Flames,” directed by Zarrar Khan.

Lee will also participate in the festival’s In Conversation strand, which welcomes industry luminaries from all over the world to share insights and have meaningful discussions about their practice, passions and stories.

Jomana Al Rashid, Chairwoman of the Red Sea Film Foundation, said in a statement: “Looking towards our fourth edition, we’re honoured to welcome the legendary Spike Lee as our President of Jury for the festival this year. Spike is a pioneering director whose iconic work has made a lasting impact on both film as a medium and culture at large. His energy, incisiveness and genuine championing of creativity and new voices makes him an ideal fit to lead our jury for this year - we look forward to him engaging with the burgeoning talent in our competition line up.”

Lee added: “Having been lucky enough to experience first-hand the incredible filmmaking, atmosphere and creativity at the Red Sea International Film Festival in 2022, it's a privilege to be returning this year as President of the Jury. Alongside creating a melting pot for cultures to come together in celebration of our important art-form, it's vital to continue to platform young and emerging filmmakers who are finding their voice in the industry, and it's exciting to see first-time directors from across the Arab region, Asia and Africa as part of the Competition lineup this year. I'm looking forward to diving in to the programme and making what I'm sure will be some very tough decisions alongside the leading luminaries on the jury.”


‘Marvels of Saudi Orchestra’ heads to Tokyo  

‘Marvels of Saudi Orchestra’ heads to Tokyo  
1 - The 'Marvels of Saudi Orchestra' show being performed in Paris - Image courtesy of Music Commission
Updated 21 November 2024
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‘Marvels of Saudi Orchestra’ heads to Tokyo  

‘Marvels of Saudi Orchestra’ heads to Tokyo  
  • The Saudi National Orchestra and Choir’s global tour reaches Japan 

DUBAI: The Saudi National Orchestra and Choir is on a mission to build a bridge between the Kingdom and the rest of the world, one musical collaboration at a time. 

Having already performed its musical showcase “Marvels of Saudi Orchestra” in Paris, Mexico City, New York and London, the orchestra will perform at Tokyo Opera City on Nov. 22.  

The evening’s performance will feature the Saudi National Orchestra and Choir performing alongside Japan’s Gagaku Orchestra Imperial Court Music and the Orchestra Academy of Tokyo College of Music. The collaborative program will showcase traditional Saudi pieces and classical Japanese music. Renowned Japanese guitarist Hotei will also deliver a special guest performance. 

In an interview with Arab News, Saudi Music Commission CEO Paul Pacifico attributed the idea of taking the Saudi orchestra on a world tour to Minister of Culture Prince Badr bin Abdullah bin Farhan, and cited a dual purpose behind the program. 

“The first opportunity is international. It’s about taking the best of Saudi culture to the world and showing the world what Saudi culture is about. Most people around the world haven’t heard Saudi music, so this is a new experience,” Pacifico said. 

Maestro Hiro. (Supplied)

“The second part of this is about showing Saudi people how Saudi culture can be received worldwide, and how Saudi music can take its place on any of the world’s greatest stages with the world’s greatest cultural organizations. And really to take pride in seeing Saudi culture celebrated and validated in that way,” he added. 

Composed and arranged by Saudi Arabian maestro Rami Bashih with the support of Japanese maestro Hirofumi Yoshida, the Tokyo performance is an ode to Japanese and Saudi musical traditions. 

“I hope this performance will deepen the Tokyo audience’s understanding of different cultures through music and serve as a catalyst for building new cultural ties between Saudi Arabia and Japan. This concert brings together distinct musical cultures on a single stage, offering the audience a valuable experience to see music and culture from a fresh perspective,” Yoshida told Arab News. 

“In the first and second parts of the program, the audience will enjoy a contrast between Saudi Arabia’s traditional music and the ancient Japanese court music, gagaku. In the third part, they will experience cultural harmony through a joint performance by musicians from both countries,” he continued. 

Both the Japanese and Saudi orchestras have had to rehearse online ahead of the big day. 

The 'Marvels of Saudi Orchestra' show in Paris. (Saudi Music Commission)

“The Saudi Music Commission and Japan’s Rising Sun Opera Foundation have held numerous remote meetings and organized advance visits from the Saudi side to prepare for this event in detail. We shared musical ideas online and made every effort to maximize our limited rehearsal time. Remote collaboration has been a new challenge, but by sharing a strong passion for music, we’ve been able to overcome the distance and foster meaningful cooperation,” said Yoshida. 

Yoshida is no stranger to Saudi Arabia, either. In 2017, he led the first performance by a full Japanese orchestra in the Kingdom. 

“I was deeply impressed by the enthusiastic applause, especially from young people, after each piece. Feeling the energy in the hall, I became certain that culture and the arts would flourish in Saudi Arabia in the near future. This experience showed me the potential for Saudi musical culture to continue growing and be shared with even more people around the world,” he said. 

For Pacifico, the opportunity to take Saudi music to yet another cultural capital is exciting. 

“There are so many rich collaborations in all of these cultures that we visited and hope to visit — whether that was the Carlos Chavez Orchestra in Mexico City, the Dizzy Gillespie All Stars in New York, or the Royal Philharmonic Orchestra in London, every time we make a stop, we look to collaborate with the best cultural ambassadors from that city. And the cities haven’t let us down,” said Pacifico. “They’ve really exceeded our expectations. And, again, in two ways: the way the musicians have blended together and the audience reaction — how welcoming people have been, how interested and culturally curious to discover Saudi music, and the feedback has been incredible. 

“So much of what we do is about programs, KPIs… the technical work of government. But ‘Marvels of Saudi Orchestra’ brings it to a very human level. It’s about people connecting, and it’s that human connection that stands out to me,” he continued. “That’s what surprises and delights me each time that we’ve done this, and I’m sure will continue to do so.” 


Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 
Updated 21 November 2024
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Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 

Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge 
  • Hodge stars as James Patterson’s tortured detective in new Amazon series 

LONDON: In its admirably committed bid to monopolize the ‘gritty cop drama adapted from books you might buy for your dad’ market, Amazon has turned to James Patterson’s Washington DC-based detective (and forensic psychologist) Alex Cross to follow in the footsteps of previous hits “Reacher”, “Jack Ryan” and “Bosch.”  

“Cross” (there’s a pattern here…) stars Aldis Hodge as the recently bereaved eponymous homicide detective. Assigned to investigate the murder of a prominent Black Lives Matter activist, our hero is all consummate professionalism and cerebral calmness as he attempts to unpick the increasingly sinister machinations of a deranged serial killer even as his bosses try to sweep the case under the carpet.  

What makes “Cross” more interesting than a lot of airport-novel adaptations is that Alex is also working a second case, obsessed as he is with hunting the murderer of his wife, who was shot in broad daylight a little over a year earlier. And when it comes to that case, he is neither a consummate professional nor cerebrally calm. 

The details of the two cases are better left unpacked here — spoiling the developments of either would be a shame — but it’s safe to say the show’s MVP is Hodge (“One Night in Miami”, “Black Adam”). The detective is, at times, more like two characters — one striving to deliver justice for his city, the other bent on nothing more than revenge and a desire to keep his family safe. And Hodge deserves plaudits for his portrayals of both sides of Cross, even as the lines between the two begin to blur and overlap across the eight-episode stretch.  

In fact, Hodge is so good, that it’s easy to forgive some of the show’s more cliché-riddled missteps. A couple of plot points arrive with much fanfare, only to slink out, unresolved; Alex’s supposedly masterful analytical superpowers tend to desert him when it suits the advancement of the story… There are other niggles, too. But, with a lead this charismatic — and closer to Patterson’s original Cross than the three previous film adaptations — and a supporting cast on their game, they’re all easy enough to overlook.