A guide to all the homegrown brands at Riyadh Fashion Week

A guide to all the homegrown brands at Riyadh Fashion Week
Honayda (left) and Abadia will both go on show at Riyadh Fashion Week. (Instagram)
Short Url
Updated 19 October 2023
Follow

A guide to all the homegrown brands at Riyadh Fashion Week

A guide to all the homegrown brands at Riyadh Fashion Week
  • From veteran designers to up-and-comers, Saudi designers are set to shine 

DUBAI: From Oct. 20-23, the highly-anticipated Riyadh Fashion Week is set to capture the attention of fashionistas from across the globe as 30 brands from the Kingdom — both veteran and up-and-coming — take to the runway in King Abdullah Financial District.  

The week will kick off with a gala dinner and a show by Ashi Studio. The next three days will see the cream of Saudi Arabia’s fashion scene showcase their latest collections. Here, we take a look at the participating brands.  

Oct. 21 (Couture shows)  

Single shows  

Adnan Akbar 

Dubbed the “first couture house of the Kingdom,” Akbar’s eponymous label — established in 1970 and billed as the Kingdom’s first couture house — is known for its ready-to-wear and haute-couture gowns, as well as luxurious wedding dresses. A mainstay at international fashion events since the Eighties, Akbar’s label helped pave the way for up-and-coming designers in the Kingdom, especially when it comes to haute couture.   

Tima Abid  

The Jeddah-born couturier has a career that goes back more than two decades. Abid says she likes to create luxury pieces that are inspired by the Kingdom’s natural landscapes.  

Yousef Akbar  

This award-winning contemporary eveningwear brand focuses on ethical and sustainable fashion for women.   

Atelier Hekayat 

Founded by sisters Abeer and Alia Oraif, Jeddah-based Atelier Hekayet has its sights set on going global. It’s already had a little help from Saudi 100 Brands, which took the duo's designs to the US last year.   

The brand’s mission is to “offer new meaning to Middle Eastern fashion through bold and contemporary designs that marry Saudi traditional female dress with the latest trends in international design.”   

Mixed shows  

Pavone  

Established in 2016 in the Eastern province by Shouq Almubarak, Pavone creates “designs inspired by nature and art.” 

Nour Al-Dhahri 

The eponymous luxury label aims to “revolutionize the cultural aspect of outerwear by creating bold and creative designs.”  

Fatima Abdulqader  

The eponymous label creates bespoke luxury bridal pieces and will showcase it newest collection this week.  

Dar Al-Hanouf 

Saudi designer Al-Hanouf Mazen Al-Qabasani founded Dar Al-Hanouf in 2012 as a high-end bridal couture atelier. It has become one of the top destinations for wedding attire in the Kingdom, known for its exceptional design and embroidery. To create her classic pieces, Al-Hanouf sources the finest French lace and haute-couture fabrics from companies across the world.  

Hala Algharbawi  

Hala Algharbawi is a Saudi fashion designer based in Berlin. She holds a master’s degree in fashion management from Rome Business School.. She likes to mix Eastern and Western cultures, creating a blend of “freedom, emancipation and traditional warmth.”   

Oct 22 (Womenswear)  

Single shows  

Abadia 

Fashion entrepreneur Shahd Al-Shehail, who hails from the Al-Ahsa region, runs an ethical luxury label that “marries traditional crafts with contemporary silhouettes for today’s urban nomads.” Sadu, the geometric weave characteristic of Bedouin societies across the Middle East, has been a mainstay of the line since it was launched in 2016.   

Honayda 

Celebrity-loved designer Honayda Serafi made headlines this year for designing the pre-wedding henna night gown for Saudi-born Princess Rajwa Al-Hussein, who tied the knot with Jordan’s Crown Prince Hussein bin Abdullah II on June 1. Serafi’s passion for the culture and traditions of her homeland is communicated through her designs. Honayda is also the first Saudi label to be stocked at the prestigious London department store Harrods.   

Kaf by Kaf  

Founded by Kawthar Alhoraish, the label represents the Kingdom’s newest wave of contemporary brands looking to create pieces embedded in Saudi heritage. The label creates structured garments decorated with unique patterns that are inspired by the Kingdom.   

Arwa Albanawi  

The Dubai-based womenswear label, created by Jeddah-born creative Arwa Al-Banawi, makes unique pieces “for the woman on the go.” A former investment banker, Al-Banawi saw a gap in the market for womenswear that is both professional and fashion-forward. After studying at the London College of Fashion in Dubai, she launched her namesake brand in 2015.  

Mixed shows  

Dazluq  

Founded by Saudi designer Salma Zahran, a graduate of Miami International University of Art & Design, the label aims to “set the tone for fashion in the region.” Her designs are for “women in the modern world — powerful and independent but also romantic and creative.”  

Yasmina Q 

Designer Yasmina Qanzal, who is based out of Jeddah and London, wants to build a brand that offers “thoughtfully created womenswear” while supporting skilled communities and utilizing eco-friendly practices operated by an all-woman team.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Yasmina Q (@_yasminaq_)

Eman Joharji  

The Saudi label “reimagines the abaya,” creating collections that combine tradition with modern elegance and design.  

Moja Majka  

Moja Majka, which means “my mother” in Montenegrin, is a slow-fashion label founded by mother-daughter duo Sureyya and Sarah Basaad in 2012.  Not basing their designs on trends, the duo follow their own intuition and authenticity, inspired mainly by heritage and nature.  

Mona Alshebil  

A luxury, minimalist, contemporary brand that “celebrates the success of women through feminine, timeless pieces” that consist of sophisticated, modern designs influenced by Saudi heritage.   

Nabila Nazer 

Creating timeless, modest pieces for the modern Middle Eastern woman, Nabila Nazer founded her eponymous label in 2007. She says her designs are characterized by “modesty, comfort and elegance.”  

Oct. 23 (Menswear)  

Single shows  

Lomar 

The menswear label — founded in 2002 by Loay Naseem and his wife Mona Al-Haddad — aims to create “contemporary designs that connect the past with the future.” The duo created the label with a mission to redesign Saudi thobes “to enable Saudi men to love what they wear and be proud and comfortable with their national dress.”  

1886  

Saudi entrepreneurs Fahad Al-Jomiah and Khalid Al-Jammaz conceived what they bill as the Kingdom’s first streetwear brand in their dorm rooms in London. 1886, now one of the trendiest names in the Saudi market, aims to “bridge fashion to the future by uniting the tradition of urban wear with tomorrow’s innovations and technical aesthetic,” the duo previously told Arab News.   

Mazrood 

This modern comfort wear label, predominantly focused on creating unisex designs, was founded by Riyadh-based designer Saud Alajaji in 2018 after he moved to New York to study at the Fashion Institute of Technology.   

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by MAZROOD (@mazrood)

Noble and Fresh  

Founded in Riyadh, the fashion brand was another that took part in the Saudi 100 brands exhibition “Saudi Heritage.” Its Salwa jacket design was inspired by the historic palace of the same name in Diriyah.  

Mixed shows  

Hajruss 

Hajruss focuses exclusively on two seasons — sun and snow, as they like to call them — creating striking and modern pieces “with comfort and utility in mind.”   

Jubb  

The menswear label, founded by Yossef Bin Afesh, brings to life a “new class of contemporary resort wardrobe through effortless, cozy-yet-elegant fabric blends.”  

MD29  

MD29 celebrates the Kingdom’s culture and heritage through its traditional designs, elevating them with exquisite craftsmanship and quality of materials.   

Not Boring  

The Saudi streetwear brand was founded in 2017 by Yazeed Abahussein with the aim of collaborating with local and international artists to create pieces inspired by local culture.  

Noura Sulaiman 

The contemporary Riyadh-based luxury label “celebrates refined details and understated sophistication,” inspired by designer Sulaiman’s love of the Kingdom’s culture and society.  

Uscita   

Uscita’s creative designs reflect the label’s motto: “Be Yourself.” Uscita prides itself on inclusivity, and its sleek, timeless pieces “allow people to express themselves through fashion.” 


Review: Vince Vaughn-starring black comedy ‘Bad Monkey’ is another hit for Apple

Review: Vince Vaughn-starring black comedy ‘Bad Monkey’ is another hit for Apple
Updated 14 sec ago
Follow

Review: Vince Vaughn-starring black comedy ‘Bad Monkey’ is another hit for Apple

Review: Vince Vaughn-starring black comedy ‘Bad Monkey’ is another hit for Apple

LONDON: Apple is carving out quite the niche for itself when it comes to its original programming. These shows tend to have a big-name star, high production values, and a story that casts said star slightly against type in an idiosyncratic role that calls out for a later-career-defining performance. Just look at “The Morning Show,” “Severance”, “Shrinking”, “High Desert” and a dozen or so others.

“Bad Monkey”, developed by “Scrubs” and “Ted Lasso” creator Bill Lawrence, shows there is plenty of life in that formula yet. This time round it’s the turn of Vince Vaughn to star as Andrew Yancy, a suspended police detective living in the Florida Keys who winds up embroiled in a murder case involving a missing arm, a crooked property developer and corruption in both Florida and the Bahamas. As a motormouth, world-weary cop, Vaughn delivers his best turn since “Swingers” and he’s ably backed by an ensemble cast that includes Natalie Martinez as a well-intentioned medical examiner, Michelle Monaghan as Yancy’s enigmatic sometime girlfriend, and Rob Delaney as slimy developer Christopher.

Sure, there’s a certain amount of disbelief suspension required — why does such a cynical washout as Yancy feel compelled to pursue the case he’s been taken off? How does a medical examiner from a neighboring county have such wide-ranging access to a murder case, and why are all these people zipping back and forth to the Bahamas with barely a bag inspection?

But you know what? It doesn’t matter. Like a lot of Apple’s series from the last few years, you’ll forgive a show like “Bad Monkey” a lot, because it represents an opportunity to see a charismatic lead in a role stuffed with potential, in a story with real zip and poise — that “Bad Monkey” is adapted from Carl Hiaasen’s 2013 novel of the same name certainly helps in that regard. That big budget has been well spent, too — “Bad Monkey” looks great and, if the first two episodes (available at launch) are anything to go by, it’s set to be another addition to the Apple hall of TV fame.


Jenna Ortega shines in jewels by Dubai brand in Mexico

Jenna Ortega shines in jewels by Dubai brand in Mexico
Updated 17 August 2024
Follow

Jenna Ortega shines in jewels by Dubai brand in Mexico

Jenna Ortega shines in jewels by Dubai brand in Mexico

DUBAI: US actress Jenna Ortega showcased jewelry from the Dubai-based brand Maison H Jewels at the photocall for her upcoming film “Beetlejuice Beetlejuice” in Mexico this week.

She accessorized her black and beige dress with three rings. On her left hand, she wore a prominent ring featuring a large dark gemstone set in a chunky metal band. On her right hand, she wore two additional rings: One on her index finger with a smaller, geometric design, and another dark ring on her pinky finger with a minimalist style.

The dark rings are called the Black Diamond Skin Rings. This is not the first time Ortega has worn them. In June, she was spotted in paparazzi photos wearing the same black ring combination.

For her “Beetlejuice Beetlejuice” photocall, Ortega chose a dress from Vivienne Westwood’s spring/summer 2009 ready-to-wear collection. The off-the-shoulder design featured a beige base with a sheer tulle overlay draped over the shoulders. The dress was decorated with black applique in swirling patterns, and the structured skirt ended above the knee.

Maison H Jewels was founded by South African entrepreneurs who arrived in Dubai in 2001. The brand has established itself as a prominent name in the luxury jewelry market, known for creating fine diamond jewelry.

The brand has been worn by A-list celebrities including Bella Hadid, Jennifer Lopez, Nicole Scherzinger, Andra Day and Florence Pugh.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jenna Ortega (@jennaortega)

“Beetlejuice Beetlejuice” is the sequel to the 1988 cult classic “Beetlejuice.”

The horror-comedy film follows the Deetz family, spanning three generations, as they return to their home in Winter River following an unexpected family tragedy. Lydia Deetz, played by Winona Ryder, remains haunted by the mischievous demon Beetlejuice, portrayed by Michael Keaton. The plot thickens when Lydia’s rebellious teenage daughter, played by Ortega, stumbles on a mysterious portal to the afterlife. When Beetlejuice’s name is spoken three times, he gleefully reemerges to bring his signature brand of supernatural chaos.

Tim Burton, known for his dark humor and distinctive visual style, directs the film, with production led by Burton and Brad Pitt’s Plan B Entertainment.

The movie is set to open in theaters in Saudi Arabia on Sept. 5.


REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing
Updated 17 August 2024
Follow

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

CHENNAI: Now on Amazon Prime Video, “One Fast Move” races into excitement the moment it opens with Wes Neal (KJ Apa of “Riverdale” fame) in an illegal motorbike run being taken down and jailed for six months. So begins the narrative of a young man who has being toying with motorcycles for an eternity till he decides to find his long lost father, Dean Miller (Eric Dane).

The film is directed with a touch of brilliance by Kelly Blatz, who also wrote it with a great twist at the end making the movie a captivating watch. There may not be much of a story, but that is adequately compensated for by arresting visuals (by cinematographer Luca Del Puppo) of pulse-pounding races and smart editing (by Seth Clark) that does not let a single dull moment creep into the narrative.

As a relief to the speeding wheels on the tracks, Blatz takes us into the personal journey of Neal. There are touching moments between the estranged father and son, whose own romance with the local girl, Camila, played by Maia Reficco, adds depth to the plot. Their chemistry glows, highlighted by the costume choices made for both characters.

The unique style of photography, capturing races at unbelievably diverse angles, will wow the viewer. Add in the first rate performances and the film is a treat.

However, this is one rare work which I felt could have been slightly longer than its 107 minutes. A little more back story of characters like Wes and Camila could have really made the work feel more complete. The end seemed rather abrupt; a couple of more minutes there would have worked wonders. Although some parts of “One Fast Move” are predictable, it is a breathtaking work, especially with those stunning scenes captured with incredible precision.


Inside ‘Hafla,’ a celebration of Middle Eastern culture at Sotheby’s London

Inside ‘Hafla,’ a celebration of Middle Eastern culture at Sotheby’s London
Updated 16 August 2024
Follow

Inside ‘Hafla,’ a celebration of Middle Eastern culture at Sotheby’s London

Inside ‘Hafla,’ a celebration of Middle Eastern culture at Sotheby’s London
  • ‘Hafla’ covers a wide range of arts and design, with a strong Saudi focus

DUBAI: Throughout August, Sotheby’s is running “Hafla,” a sale series billed as “a celebration of Middle Eastern art.”

“Hafla” comprises four exhibitions: “Khamseen: 50 Years of Saudi Visual Art,” “Masarat Al-Hibr: Exceptional Qur’anic and Calligraphic Works from the Bashir Mohamed Family Collection,” “A2Z Advisory Jewelry at Sotheby’s,” and an exclusive capsule collection of handbags with designs inspired by Saudi Arabia.

“Khamseen,” Sotheby’s head of sale, modern and contemporary Middle East, Alexandra Roy, says, is the largest component of “Hafla.” It was curated in collaboration with Jeddah’s Hafez Gallery and its founder, Qaswra Hafez, and consists of paintings, sculptures, photography, prints and installations dating from the 1960s up to the present day.

'The Blue Qur’an' on view at Sotheby’s London as part of 'Hafla.' (Supplied)

“We’ve known Qaswra Hafez for a long time, and this has been a project that he’s been thinking about doing for a while,” Roy says. “It’s very much overdue. There have been some amazing shows in London on Saudi visual culture and, of course, a lot is happening in the Kingdom right now. It’s an amazing moment to be part of that.

“Sotheby’s was part of the two art biennales in Saudi Arabia, so we’re continuing on from that,” she adds. “We have 60 artists (represented) and it’s the first time some of the works have ever been seen. We go back to circa 1965, and it’s been difficult to source works from as early as that, but we really wanted to show (work) from the pioneers.

“I actually didn’t know a lot of these artists, so I’ve been reading about them, and it’s pretty incredible. A lot of them were sent on scholarships abroad and studied in Italy, in France, and then came back and were responsible for setting up exhibitions themselves. And even after 1979 — the period in which the Kingdom became more conservative — artists really continued producing. They were also really supporting each other.”

Exclusive Capsule Collection of Saudi Arabia Inspired Bags by Asprey on view at 'Hafla.' (Supplied)

The exhibition also shows, Roy suggests, how the present-day artists in the Kingdom “are responding to the global promotion which they’re now getting.”

However, she stresses, “Khamseen” is merely an “introductory” show. “We could have dived so much deeper. I hope it will be the first step towards a few more.”

The other major Saudi influence in “Hafla” can be found in the capsule collection of handbags created by the UK luxury brand Asprey in collaboration with Nuun, the jewelry house founded by Princess Nourah Alfaisal.

“We’ve been in touch with Princess Nourah for a number of years. She’s such an interesting personality who has a wide variety of personal projects,” says Sophie Stevens, director and jewelry specialist MENA for Sotheby’s. “She’s a very, very prominent figure in the Saudi cultural scene. She was enormously excited when she heard about this exhibition, because it’s a great platform to speak about those initiatives. We’re doing several events and talks and educational initiatives with her during ‘Hafla.’

A pair of earrings from SABBA, part of the A2Z Advisory Jewelry exhibition at 'Hafla.' (Supplied)

“Earlier this year she worked very closely with Asprey, to create five designs for their 1781 Asprey pochette bag, using textiles based on the five major regions of Saudi Arabia,” Stevens continues. “And we thought, as part of this initiative on the luxury side, it’s just perfect in terms of a blend between Saudi heritage and one of the oldest British luxury houses.”

The other part of the luxury side of “Hafla” is the collaboration with A2Z, founded in 2018 by Abdulrahman Al-Zayani, whom Stevens describes as the Gulf’s leading jewelry and art advisor.

“We’re taking over the Sotheby’s salon space on New Bond Street, and we’re going to be exhibiting about 140 pieces that are inspired by Eastern design or have some kind of connection,” she says. “So, we’ve got some great designs from the last century or so — some great art deco pieces, phenomenal colored stones, great diamonds, and then we’ve also got some of the leading contemporary designers at the moment. It’s a great mix. And, again, we’ll be doing a few educational talks. We’re hosting one with (Al-Zayani), based on the art of collecting. It’ll be great to explore that topic with him.”

The final “Hafla” component presents 28 calligraphic and Qur’anic works from the family collection of the pioneering Islamic art expert Bashir Mohamed.

A firman with tughra of Suleyman the Magnificent (r. 1520-66), Turkey, Ottoman, dated 973 AH_1565 AD. (Supplied)

“We’re starting from the earliest examples of the script from the 9th century up until contemporary iterations in the 21st century,” says Islamic and Indian art specialist Frankie Keyworth. “It’s a mix of Qur’anic leaves and calligraphic secular leaves, just to trace how the script was developed and how each region created its own identity by using the script in some of their works.”

Keyworth highlights two works as particularly special: A bifolio from the famed Blue Qur’an, and an illuminated firman (mandate) bearing the tughra (a calligraphic monogram that served as an official signature) of Suleyman the Magnificent, from 1565 CE.

Of the former, Keyworth says: “We’ve seen individual leaves from the (Blue Qur’an) come to auction, or in exhibitions, but it’s really exciting to have a bifolio because you get the true sense of its scale and of just how impressive it was.”

The firman, meanwhile, Keyworth describes as “so, so intricate, so finely illuminated. You see this beautiful interaction — how the calligraphic monogram comes together with the decoration to create this work of art in its own right.”

“Hafla” opened at a time when the UK was experiencing civil unrest due in great part to right-wing groups stoking Islamophobia. And although the sale series was planned well in advance, the timing of a showcase of Middle Eastern culture is particularly apposite.

“I think it’s hugely important and a very impactful way to open up greater exchanges and cultural understanding,” says Stevens. “I’m really looking forward to the educational side as well, because I think it’s going to deliver so much more understanding.”


Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’
Updated 50 min 35 sec ago
Follow

Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

Horror savant Fede Alvarez discusses the making of ‘Alien: Romulus’

DUBAI: Fede Alvarez is no stranger to horror flicks. The Uruguayan filmmaker first made his mark on Hollywood in 2013 with his take on the 1981 horror classic “Evil Dead.” In 2016, he stepped out of his comfort zone of working with a familiar IP to write and direct “Don’t Breathe,” universally acclaimed by fans of the horror genre, as well as critics.

Fast forward to today, and with “Alien: Romulus” he’s paying homage to one of the greatest sci-fi horror franchises of our time.

Set between Ridley Scott’s seminal 1979 original and James Cameron’s 1986 follow-up “Aliens,” “Romulus” acts as an “interquel,” bridging the two films while telling a standalone story.

“There’s an ‘Alien’ movie I’ve been waiting to see for a long time, and so when I was given a chance to do one, I just went and did exactly the things that I wanted to see as a fan,” Alvarez told Arab News.

Director Fede Alvarez on the set of 'Alien Romulus.' (Supplied)

“I think every movie, even the first one in a saga, has a backstory. In this case, it’s just that those stories happen to be other movies. But if they didn’t exist, it would work anyways. So, you have to do it in a way that a new audience doesn’t feel alienated. It has to work for them. And if you’re a fan, you make all the connections. That’s really the balance you’re trying to find,” he continued.

The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Industry”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“Sicario: Day of the Soldado”), Spike Fearn (“Tell Me Everything”), and newcomer Aileen Wu as a ragtag crew of young space colonists looking to find a way off their sunless mining colony. They head out to scavenge a decommissioned space station, hoping to find the technology necessary to leave their doomed planet behind, but instead come face-to-face with a xenomorph.

Alvarez was full of praise for his lead star Spaeny as orphan Rain, who, along with her android ‘brother’ Andy (Jonsson), is just looking to find her way to a more habitable planet.

Xenomorph from 'Alien Romulus.' (Supplied)

“I met Cailee a few years ago, she read for me for another project, and I was truly blown away by her presence, her acting skills, and — more than anything — her eyes. When you cast a movie, a great actor will have something that, when you push the camera on them, they save you from a lot of writing. You don’t have to write all this dialog about the bad things that happened in their life. You see in her eyes that she had a tough life even at her young age. She’s already been through a lot. That’s what her eyes convey,” he said.

Alvarez also took time to sit with both Scott, who produced the film, and Cameron as he worked on “Romulus.”

“They are both masters that I really look up to,” he said. “It’s a privilege to be able to even meet them and it’s definitely a privilege to be able to actually work with them and make a movie together. That’s a once-in-a-lifetime privilege.

“(James) Cameron was kind enough to give me some time to tell me his experience making ‘Aliens’ and then he watched the cut of my movie and gave me his thoughts on all the things that had to do with the technology of the film. It really helped me flesh out a lot of the science-fiction ideas,” Alvarez said.

“And to sit down with Ridley Scott — who has made so many great movies — and be able to discuss film and talk about this movie was such a learning experience for me. Every meeting was a masterclass in cinema,” he added. “He had a very strong point of view of what this film should be. I did as well. We didn’t agree all the time and that’s what you want — that’s really when I think the best work comes out; when you have slightly different points of view among a lot of creative people, and you find the truth somewhere.”