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Gautaman Bhaskaran

REVIEW: Oscar-nominated ‘No Other Land’ is a bitter tale of occupation

REVIEW: Oscar-nominated ‘No Other Land’ is a bitter tale of occupation

By Gautaman Bhaskaran ·
Review: Award-winning ‘Moon’ comes out on top as a tense thriller

Review: Award-winning ‘Moon’ comes out on top as a tense thriller

By Gautaman Bhaskaran ·
Review: ‘Maria’ rests on the shoulders of the superb Angelina Jolie

Review: ‘Maria’ rests on the shoulders of the superb Angelina Jolie

By Gautaman Bhaskaran ·
Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’

Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’

By Gautaman Bhaskaran ·
Review: RSIFF title ‘Black Dog’ is an art house draw

Review: RSIFF title ‘Black Dog’ is an art house draw

By Gautaman Bhaskaran ·
Review: RSIFF competition title ‘To Kill A Mongolian Horse’ is a moving, gripping tale

Review: RSIFF competition title ‘To Kill A Mongolian Horse’ is a moving, gripping tale

By Gautaman Bhaskaran ·
Review: At RSIFF, ‘The Tale of Daye’s Family’ is disappointing despite sparkling performances

Review: At RSIFF, ‘The Tale of Daye’s Family’ is disappointing despite sparkling performances

By Gautaman Bhaskaran ·
REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

By Gautaman Bhaskaran ·
REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

By Gautaman Bhaskaran ·
Review: Nicolas Cage-starring horror-mystery ‘Longlegs’ falls flat

Review: Nicolas Cage-starring horror-mystery ‘Longlegs’ falls flat

By Gautaman Bhaskaran ·
Review: ‘The Apprentice’ stirs the hornet’s nest with Trump portrayal

Review: ‘The Apprentice’ stirs the hornet’s nest with Trump portrayal

By Gautaman Bhaskaran ·
Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

By Gautaman Bhaskaran ·
Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

By Gautaman Bhaskaran ·

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US govt agency seeks criminal probe of Trump legal foe
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Family says ICE agents smashed car window in seizing Guatemalan man who’s seeking asylum

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