London calling: Saudi cafés and restaurants find footing in UK capital 

London calling: Saudi cafés and restaurants find footing in UK capital 
Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. (Supplied)
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Updated 17 July 2025
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London calling: Saudi cafés and restaurants find footing in UK capital 

London calling: Saudi cafés and restaurants find footing in UK capital 
  • A guide to finding a taste of home on your travels  

LONDON: As the number of Saudi expats and visitors in London continues to grow, it’s no surprise that Saudi-owned brands are rising in popularity in the British capital. So, if you’re planning to make the big move — or just visiting — but you’re concerned about feeling homesick, don’t worry; your favorite cafés are coming with you, making your mornings abroad feel a little more like home. 

Somewhere Café 




Somewhere Café has joint Saudi-Emirati ownership. (Supplied)

If you’ve visited Somewhere Café in the UAE or Saudi Arabia, then you’re already familiar with its unmatched ambiance, food, and décor. With its first UK outlet, the beloved café — which has joint Saudi-Emirati ownership — has brought its signature “home-away-from-home” experience, along with classic Middle Eastern flavors, to London’s premier department store: Harrods. 

“Inspired by our travels, we invite you to experience a piece of our journey. Much like finding a painting and bringing it home as a memento, Somewhere celebrates the unique from everywhere. The space is elegantly well-travelled, with an eclectic touch, showcasing Middle Eastern influences through craft and curation,” co-founder Amal AlMarri told Arab News. 

If you’re craving something beyond the ordinary, Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. Its most popular items include beef shawarma rice, kunafa croissant, and guacamole hummus. For lunch or dinner, you might try the crispy, golden shrimp kunafa or indulge in the rich truffle and cheese batata harra.  

To complement its bold menu, the café features a warm, dimly lit interior — a cozy and inviting space to relax with friends and family. Before you leave, the dessert menu — featuring a delectable farak French toast or French coffee baklava — deserves an equal amount of attention. 

Hijazi Corner 




At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. (Supplied)

London’s first Saudi restaurant — Hijazi Corner — is a vibrant addition to the city’s dynamic culinary scene. At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. The inspiration behind the restaurant? His mother’s kitchen. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny, and looks amazing — even just talking about it now makes me hungry,” Al-Zubaidi told Arab News last year. “But even if I used the exact same ingredients and followed her method, hers would still taste better.” 

Rooted in tradition, the menu features dishes typically found in Saudi homes — especially Jeddah’s historic Al-Balad district, where Al-Zubaidi grew up. Highlights include chicken seelag, slow-roasted lamb haneeth, and delicate, flaky samboosek. 

In just two years, Hijazi Corner has become one of London’s most sought-after Middle Eastern restaurants — a testament to the deep longing among Saudi expats for authentic flavors from home. 

Qahwah London 




Qahwah London serves a range of traditional desserts such as baklava, kunafa, and basbousa. (Supplied)

For those pining for the traditional, rich, aromatic flavors of Arabic coffee, Qahwah London is exactly what you need, with a wide selection of authentic qahwah options, including a tangy, spiced black coffee or the café’s signature Royal Infusion — a warming blend of cinnamon, cardamom, and ginger. Feeling hungry? Qahwah London also serves a range of traditional desserts such as baklava, kunafa, and basbousa — the perfect pairing for a steaming cup of Arabic coffee. 

Guests can also book private gatherings for friends and family, or host intimate events like weddings or nikkah ceremonies. As part of its private offerings, the café provides a luxurious setting: rooms adorned with gold-plated coffee cups and an eye-catching assortment of traditional sweets — all designed to create a decadent group experience. 

Diwan Kitchen 




Diwan Kitchen captures a key element of Arab culinary culture: its deeply social nature. (Supplied)

Diwan Kitchen is perfect for Saudis in the UK who are craving not only an authentic bite from home, but the feeling of being back in the Kingdom. It captures a key element of Arab culinary culture: its deeply social nature.  

“We wanted to show people what traditional Saudi dining is like” Adem Nasraddin, co-founder of the restaurant, told Arab News on the restaurant’s opening night in May. “There’s a rhythm to Saudi life. A scent, a pace, a flavor. We bottled that feeling and served it on a plate.” 

The menu takes diners on a journey across the Kingdom, from the Hijaz region, with its rich, tangy foul medammas — served in the center of the table with bread for sharing — to Najd, with jareesh, a hearty stew-like dish topped with fresh meat and vegetables. 

Half Million 




½ M Café is on Oxford Street. (Supplied)

Grab a coffee and a quick bite at Half Million Café on Oxford Street, then stroll over to Hyde Park for the perfect London morning. 

As in its original location in Saudi Arabia, Half Million in London is committed to delivering a “premium coffee experience.” Whether you’re in the mood for a classic breakfast tea or a vibrant red berry infusion, there’s something to satisfy every craving. And when the sun is out, their iced coffees offer the perfect refreshment. The menu — from cakes and sandwiches to freshly baked pastries — is completely halal. 

If you’re after a bold, decadent brew in a sleek, stylish setting, Half Million Café is the ideal stop. With its modern cup designs and curated aesthetic, it’s a chic addition to London’s café scene. 


Al-Makkatain Museum preserves visual history of holy cities

Al-Makkatain Museum preserves visual history of holy cities
Updated 18 August 2025
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Al-Makkatain Museum preserves visual history of holy cities

Al-Makkatain Museum preserves visual history of holy cities
  • Jeddah museum traces spiritual, architectural evolution through art, photography 
  • Al-Makkatain showcases 200 rare photographs taken between the late 1800s and mid-1900s

JEDDAH: A treasure trove of rare manuscripts, drawings and photographs at Al-Makkatain Museum is giving visitors an unprecedented view of Makkah and Madinah through the centuries.

Founded by Anas bin Saleh Serafi through the Al-Midad Foundation for Heritage, Culture and Arts, the museum opened in April 2022, to coincide with International Heritage Day.

Located within a 10,000-square-meter space at Jeddah Park Mall, it places culture at the heart of community life and national identity.

In an interview with Arab News, Mohammed Al-Kurbi, general supervisor of the foundation, said the museum’s mission was “to raise both local and global awareness of the exceptional spiritual and cultural significance of the Holy Cities in the collective memory of Muslims and humanity.”

A collection spanning five centuries

Al-Makkatain houses more than 500 original works, including 300 manuscripts, illustrations and prints from the 16th to 19th centuries, and 200 rare photographs taken between the late 1800s and mid-1900s. Together they form a visual archive that preserves the evolving memory of the Two Holy Mosques.

“The museum displays rare books authored by Orientalists, historians and explorers, making it a rich intellectual platform that narrates the story of the Holy Cities through a compelling visual lens,” Al-Kurbi said.

The museum’s name comes from the Arabic dual form “Al-Makkatain,” much like “Al-Abawain” for “parents” or “Al-Qamarain” for “the sun and moon.”

The permanent collection includes a rare manuscript of “Dala’il al-Khayrat” by Imam al-Jazuli, gifted to Serafi, and personal belongings of his father, Sheikh Saleh Hamza Serafi, displayed in a section titled “The Journey of Struggle and Achievement.”

Another wing, Al-Zuhra Museum, features traditional attire and jewelry donated by Serafi’s wife, Zuhra Qattan.

Other notable works include a manuscript of “Kharidat al-‘Aja’ib wa Faridat al-Ghara’ib” by Siraj al-Din ibn Al-Wardi (dated 1007 AH), with one of the earliest known hand-drawn illustrations of the Holy Kaaba.

A detailed schematic of the Grand Mosque dated 1287 AH is also displayed.

Three galleries, one story

The museum is arranged in three chronological galleries:

Pre-Camera Art (1550–1880): Early renderings of the Grand Mosque, the Prophet’s Mosque and sacred sites by Muslim and European artists. The oldest depiction is a 16th-century drawing of Makkah by German cartographer Sebastian Munster.

There are contributors from famous Muslim artists like Faqir Hafiz Khuda Bakhsh and European illustrators such as Alain Manesson Mallet and Jean-Baptiste Claude Delisle from France and Bernard Picart of the Netherlands.

Early Photographers (1880–1920): Rare images by pioneers such as Egyptian officer Mohammad Sadiq Bey, Abdul Ghaffar Baghdadi and Dutch Orientalist Snouck Hurgronje, among others. The museum’s oldest known photograph dates to 1880, taken by Bey.

The Golden Age of Photography (1920–present): Saudi photographers, including the Bushnaq family and Shafiq Arab Garli, documented the rapid changes in the holy sites. Works by Mohammad Helmy, commissioned in 1947 to photograph the Two Holy Mosques, mark a turning point in the archive. The gallery traces the advent of color photography and transformations during the early Saudi era. The most recent acquisition is a black-and-white photograph of the Grand Mosque by Princess Reem bint Mohammed bin Faisal Al-Saud.

“Through this chronological sequencing, the museum offers visitors a unique experience that brings together art, history and visual storytelling— demonstrating how global perspectives on the Holy Mosques have evolved,” Al-Kurbi said.

Preserving memory, shaping understanding

The museum highlights both the artistry and limitations of pre-photographic depictions and contrasts them with the accuracy of photographs, which arrived in the 19th century.

Exhibits include copperplate engravings, early prints, stereographs and glass slides once used in “magic lantern” projections.

“Makkah and Madinah were long isolated from the reach of photographers due to several factors,” Al-Kurbi said.

“Most notably, the prohibition of non-Muslims from entering Makkah, as well as the technical limitations of early photographic equipment. Additionally, the region’s harsh geographic and climatic conditions, coupled with security challenges and the local population’s wariness of outsiders, made visual documentation a significant challenge.”

By juxtaposing early artistic imagination with photographic realism, the museum not only preserves images but also illustrates the evolution of documentation itself.

“In doing so, the museum becomes a dynamic cultural and educational space that inspires visitors and deepens their understanding of how imagery has been captured and conveyed through the ages,” Al-Kurbi said.

A space for all generations

For many elderly visitors, the museum rekindles memories of how the Holy Mosques once looked

Mohammed Al-Zahrany, 65, who discovered the museum by chance while shopping with his family, described how the experience evoked deep nostalgia and reflection on the social and architectural transformations that had taken place.

Younger visitors are also struck by the dramatic changes illustrated in the drawings and photographs.

“The exhibits introduce a visual history,” said 19-year-old Samah Ahmad. “It enriched my understanding of the sacred sites and deepened their historical and spiritual significance.”

The museum also serves as a valuable resource for researchers, historians and students, offering a rare archive for studying how Makkah and Madinah have been represented and reimagined over centuries.

For Al-Makkatain, the goal is not only preservation, but linking the past and present through images that continue to resonate with Saudis and Muslims around the world.


Al-Qazoou’i dance reflects spirit of Saudi folklore

Al-Qazoou’i dance reflects spirit of Saudi folklore
Updated 18 August 2025
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Al-Qazoou’i dance reflects spirit of Saudi folklore

Al-Qazoou’i dance reflects spirit of Saudi folklore
  • Performed without musical instruments, Al-Qazoou’i relies on the interaction between poets and dancers
  • Participants line up in two opposing rows as one or more poets stand in the center, leading the performance

RIYADH: The Al-Qazoou’i dance, a traditional war dance from Saudi Arabia’s Asir region, is known for its powerful rhythm of voices and synchronized footwork, the Saudi Press Agency reported on Monday.

Performed without musical instruments, Al-Qazoou’i relies on the interaction between poets and dancers. Participants line up in two opposing rows as one or more poets stand in the center, leading the performance.

The poets deliver verses to one side, then cross to repeat them to the other. The recitation culminates in a unified chorus, filling the performance space with a striking display of rhythm and unity.

Once rooted in battle traditions, the dance today preserves the heroic spirit of its origins while resonating with modern audiences.

Its cultural significance is highlighted in a Saudi Ministry of Culture report published this year, “The Art of Muhawarah in the Kingdom: A Study of the History of the Practice and Current Reality.”

The study emphasizes the Arabian Peninsula’s rich poetic and performance traditions, identifying Al-Qazoou’i alongside other heritage dances such as Al-Ardah, Al-Samri, Al-Dahah, Al-Khatwah, Al-Zamil, and Al-Khabayti.

The report also links these performance arts to the flourishing of Muhawarah, or poetic dialogue, across Saudi society.

Over the past four decades, Muhawarah festivals have drawn poets and performers from across the Kingdom, sustaining the tradition through live performances, recordings, and financial support.

These gatherings, the ministry notes, have ensured that heritage dances like Al-Qazoou’i remain not only preserved but celebrated, strengthening their role in shaping Saudi Arabia’s cultural landscape.


‘Pressure on celebrities’ to condemn Israel behind ‘Snow White’ flop: Gadot

‘Pressure on celebrities’ to condemn Israel behind ‘Snow White’ flop: Gadot
Updated 18 August 2025
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‘Pressure on celebrities’ to condemn Israel behind ‘Snow White’ flop: Gadot

‘Pressure on celebrities’ to condemn Israel behind ‘Snow White’ flop: Gadot
  • Actress served as fitness instructor in Israeli military, including during 2006 war against Lebanon
  • Co-star Rachel Zegler supported Palestinian cause during movie’s promotional period

LONDON: Israeli actress Gal Gadot has blamed the failure of the film “Snow White” on “pressure on celebrities to speak out against Israel.” 

Co-star Rachel Zegler made a point of supporting the Palestinian cause during the movie’s promotional period.

After the trailer for the film was released, Zegler posted on X: “i love you all so much! thank you for the love and for 120m views on our trailer in just 24 hours! what a whirlwind. i am in the thick of rehearsals for romeo + juliet so i’m gonna get outta here. bye for now. and always remember, free palestine.”

It led to a face-to-face meeting with the film’s producer, Marc Platt, whose son Jonah blamed Zegler’s remarks for the film’s poor reviews, calling her “immature.”

Gadot served as a fitness instructor in the Israeli military for two years, including during the 2006 war against Lebanon.

She told Israeli TV show “The A Talks” that she had expected “Snow White” to be a success, but “then Oct. 7 happened” and there was “a lot of pressure” on Hollywood figures “to speak out against Israel.” The film, she said, was “greatly affected” and “didn’t do well” as a result.

The “Snow White” remake had already faced criticism after actor Peter Dinklage called it “backwards” for its depiction of dwarves.

It grossed $205 million worldwide from a budget of around $270 million, and critic reviews were broadly negative.

In 2024, Gadot addressed the Anti-Defamation League in the aftermath of the October 2023 Hamas attack on Israel, saying: “Never did I imagine that on the streets of the United States, and different cities around the world, we would see people not condemning Hamas, but celebrating, justifying and cheering on a massacre of Jews.”


Palestine envoy to Ireland praises author for support of group banned in UK 

Palestine envoy to Ireland praises author for support of group banned in UK 
Updated 18 August 2025
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Palestine envoy to Ireland praises author for support of group banned in UK 

Palestine envoy to Ireland praises author for support of group banned in UK 
  • Sally Rooney vowed to use earnings from BBC adaptations of her work to promote Palestine Action
  • Dr. Jilan Wahba Abdalmajid praised her for ‘using her voice’ to call out ‘human rights violations in Palestine’

LONDON: The Palestinian ambassador to Ireland has praised author Sally Rooney for her support of the group Palestine Action, which is banned in the UK.

“Sally Rooney is using her voice to call out international law and human rights violations in Palestine,” Dr. Jilan Wahba Abdalmajid said on Monday.

“I hope these calls result in practical actions that will stop the horrors we’re witnessing carried out by Israel in Palestine; to stop the genocide and forced displacement and end the Israeli occupation.”

It comes after the award-wining writer said she would use earnings from BBC adaptations of her books to support Palestine Action following its proscription in the UK as a terrorist organization after a series of incidents, including activists breaking into a Royal Air Force base in England and spraying red paint on two military planes.

Support for, or membership of, a proscribed group in the UK carries a potential prison term of up to 14 years.

The “Normal People” author wrote in the Irish Times that she would use her money and platform to support the group’s “direct action against genocide in whatever way I can,” and that if doing so “makes me a ‘supporter of terror’ under UK law, so be it.”

The BBC has said Rooney, who does not live in the UK, has never been employed by the corporation, and that her views and money are her own to do with as she chooses.

“Matters relating to proscribed organisations are for the relevant authorities,” a BBC spokesperson said in a statement. 


Malika El-Maslouhi stuns in Anthropologie resort-wear

Malika El-Maslouhi stuns in Anthropologie resort-wear
Updated 18 August 2025
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Malika El-Maslouhi stuns in Anthropologie resort-wear

Malika El-Maslouhi stuns in Anthropologie resort-wear
  • Moroccan-Italian model has been a fixture for the brand

DUBAI: Moroccan-Italian model Malika El-Maslouhi is the face of Anthropologie’s 2026 resort-wear campaign, bringing sophistication to the brand’s latest collection.

The images, shared recently on Anthropologie’s Instagram account, capture El-Maslouhi against sunlit backdrops that evoke the spirit of coastal escapes.

The 26-year-old model, who has become a favorite on international runways, lends a fresh, cosmopolitan allure to the campaign.

The line blends breezy elegance with playful details including jewel-toned maxi dresses, sleek black knitted dress, and form-fitting satin gowns that would be perfect for date night.

El-Maslouhi has previously starred in Anthropologie’s summer campaigns.  The catwalk star was photographed posing pool and beachside in pieces from Anthropologie’s summer offering, which include ready-to-wear, swimwear and accessories.

El-Maslouhi was seen sporting standout pieces including a lobster-embroidered cardigan, colorful printed shorts, loose summer dresses, tropical one-pieces, denim shorts, floral-printed maxi skirts and tie-up shirts in lightweight fabric, all from the “Sunrise, Jetset” collection.

Earlier this year, El-Maslouhi starred in Saint Levant’s music video for the song “Exile,” directed by Algerian-French filmmaker Lyna Zerrouki. The video, which explores themes of longing, loss and hope, features El-Maslouhi against a striking blue backdrop, seemingly falling through the air.

Saint Levant, a rapper with Palestinian, French, Algerian and Serbian ancestry, is known for songs including “From Gaza, With Love” and “5am in Paris.” He performed at the Coachella Valley Music and Arts Festival music festival in California in 2024.

The musician used the opportunity to address the ongoing war in Gaza, saying: “Coachella, my name is Saint Levant and I was born in Jerusalem and raised in Gaza.”

He said “the people of Gaza have been undergoing a brutal, brutal genocide for the past six months. And the people of Palestine have been undergoing a brutal occupation for the past 75 years.”

El-Maslouhi, born in Milan to a Moroccan father and Italian mother, began modeling at 18 and has since walked for Dior, Chanel, Valentino and Jacquemus.

She has also fronted campaigns for Calvin Klein, Off-White and Lanvin, building a portfolio that balances both high-fashion prestige and approachable style.