What We Are Reading Today: The West: The History of an Idea

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Updated 11 July 2025
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What We Are Reading Today: The West: The History of an Idea

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  • The need for the use of the term “the West” emerged to avoid the confusing or unwanted consequences of the use of “Europe”

Author: Georgios Varouxakis

How did “the West” come to be used as a collective self-designation signaling political and cultural commonality? When did “Westerners” begin to refer to themselves in this way? Was the idea handed down from the ancient Greeks, or coined by 19th-century imperialists? 

Neither, writes Georgios Varouxakis in “The West,” his ambitious and fascinating genealogy of the idea. “The West” was not used by Plato, Cicero, Locke, Mill, or other canonized figures of what we today call the Western tradition. It was not first wielded by empire-builders.

It gradually emerged as of the 1820s and was then, Varouxakis shows, decisively promoted in the 1840s by the French philosopher Auguste Comte (whose political project, incidentally, was passionately anti-imperialist). 

The need for the use of the term “the West” emerged to avoid the confusing or unwanted consequences of the use of “Europe.” The two overlapped, but were not identical, with the West used to  differentiate from certain “others” within Europe as well as to include the Americas.

 


What We Are Reading Today: ‘On Gaslighting’ by Kate Abramson

What We Are Reading Today: ‘On Gaslighting’ by Kate Abramson
Updated 04 November 2025
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What We Are Reading Today: ‘On Gaslighting’ by Kate Abramson

What We Are Reading Today: ‘On Gaslighting’ by Kate Abramson

“Gaslighting” is suddenly in everyone’s vocabulary. It’s written about, talked about, tweeted about, even sung about it.

It’s become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light—someone who isn’t just lying about such things, but trying to drive you crazy.

The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolized by the rise and fall of the gaslights in their home. Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon.

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