Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive

Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive
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A wrestler is doused in oil by an ‘oiler, during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkiye on July 5, 2025. (AP)
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Updated 08 July 2025
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Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive

Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive
  • The sport, which is on UNESCO’s intangible cultural heritage list, sees wrestlers cover themselves in olive oil and try to press their opponent’s back to the ground to win the bout

EDIRNE, Turkiye: On a grass field slick with olive oil and steeped in tradition, hundreds of boys as young as 11 joined the ranks of Turkiye’s most time-honored sporting event: the annual Kirkpinar Oil Wrestling Championship.

Held every summer in the northwestern city of Edirne, the event is said to date back to the 14th century as a way of keeping the Ottoman Empire’s fighting men fit and ready for battle.

The sport, which is on UNESCO’s intangible cultural heritage list, sees wrestlers cover themselves in olive oil and try to press their opponent’s back to the ground to win the bout.

Alongside the men contesting, youngsters also don the iconic “kispet” leather trousers to embark on a slippery test of strength, skill and stamina under the scorching sun.

The boys are ranked in divisions based on age, height and build, with the youngest generally placed in the “minik,” or tiny, category. Under strict safety regulations, their matches are shorter and closely supervised.

Most young wrestlers train year-round at local clubs, often in towns where oil wrestling is passed down through generations.

While the youngest competitors aren’t wrestling for titles like “baspehlivan,” the grand champion of the men’s matches, their participation is no less significant as it is key to the continuity of a sport that holds deep cultural importance across Turkiye.

This year’s contest – the 664th in its history – saw 36-year-old Orhan Okulu win his third men’s title.

“My goal was the golden belt in Kirkpinar and thanks to my God, I succeeded,” Okulu said of the coveted prize.


He lives alongside lions in Nairobi, where human-wildlife collision is dazzling — and dangerous

He lives alongside lions in Nairobi, where human-wildlife collision is dazzling — and dangerous
Updated 08 October 2025
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He lives alongside lions in Nairobi, where human-wildlife collision is dazzling — and dangerous

He lives alongside lions in Nairobi, where human-wildlife collision is dazzling — and dangerous
  • “During the rainy season, tall grass and shifting herbivore patterns make it difficult for carnivores to hunt,” KWS wrote
  • Nairobi National Park, bordering the city to the north, has long relied on vast southern grazing lands for its wildlife to migrate to other protected areas

KAJIADO, Kenya: This year, less than a kilometer from where I live, a girl named Peace Mwende was killed by a lion.

The news hit me hard: She was 14, the same age as my youngest daughter, and the lioness responsible may have been one of the animals we see in our neighborhood almost weekly.

Our children are growing up in a part of Nairobi where lions roam free. We see them while taking our kids to school. We’ve lost pets and livestock. Neighborhood WhatsApp groups share warnings when big cats come close — and feature CCTV footage of lions hunting family pets.

It’s a conservation headache for the Kenya Wildlife Service (KWS), which is tasked with keeping people who share space with wildlife safe, while protecting the wildlife as well — especially endangered species. KWS estimates that “just over 2,000” lions remain in Kenya.

“During the rainy season, tall grass and shifting herbivore patterns make it difficult for carnivores to hunt,” KWS wrote on a reel of a Nairobi lion cub rescue posted to its social media in July. The cub in the video had been seen starving in the park, causing a public outcry. KWS added it was “conducting a feeding intervention, providing meat daily to the pride residing in the park to help them regain their strength and resume natural hunting.”

Nairobi National Park, bordering the city to the north, has long relied on vast southern grazing lands for its wildlife to migrate to other protected areas. With those areas fast turning into residential and industrial developments, Kenya’s State Department for Wildlife announced a nearly $5 billion plan to create a migratory corridor between Nairobi and conservancies to the south. There are also nongovernment initiatives that pay landowners bordering Nairobi National Park a small annual fee to keep their properties unfenced for wildlife.

But will it be enough?

Avoid sudden movements

What’s missing is greater awareness on how to behave around predators, especially among increasingly urban communities who are coming into contact with them.

My children never learned this in school. Their closest encounter with a lion was in 2020, when we took advantage of a post-COVID bookings slump to show them the Maasai Mara National Reserve. An incredibly knowledgeable local guide led us through the southern reserve in a completely open safari vehicle, surrounded by surging wildebeest.

On one outing, our guide stopped the car for a passing trio of hunting lionesses. The first strode by, ignoring us. The second looked as if she was going to pass behind the car, but was distracted by the glint of a seatbelt buckle, which my daughter was absentmindedly playing with. The lioness stopped, turned to stare, then wandered up to us. Stretching her head up toward my child, she sniffed the buckle before taking it between her teeth. My daughter sat stiff, perhaps ten inches from the lioness’s head, which suddenly seemed impossibly huge.

“Keep still,” the guide murmured under his breath. “Don’t move. Don’t make a sound.”

Her curiosity satisfied, the lioness ducked under the car and moved on.

That day, we learned a lesson in predator behavior during a holiday experience very few Kenyans can afford. It may have recently saved my wife’s life when she encountered a lioness in our garden. Checking to see what our dog was barking at, she spotted a lioness under a bush less than 10 yards away. Only its head was visible.

“No sudden movements,” she mumbled to herself, remembering our guide. “Don’t make a sound.” She walked slowly and silently backwards to the house, until she was close enough to the front door to break into a run and tell us all what had happened.

A different kind of front line

I’ve covered conflicts in Iraq, Afghanistan, Sierra Leone, Gaza and Syria, receiving regular hostile environment training to keep me as safe as possible. I chose to make my home in nature.

But here, I find myself on a different kind of front line.

In December 2019, a man named Simon Kipkirui went out to Tuala, a small settlement across the river from us. He decided, against friends’ advice, to walk home at night. He never made it. He lived in our compound; he had helped to build our house and to plant many of the trees that now form the indigenous forest that surrounds our home.

I called his brother, and a group went out to retrace his steps. Nothing. Two more days passed before his brother, Daniel Rono, discovered a bag of maize flour lying in a patch of wilderness between our home and Tuala. He investigated.

“I reached for the maize flour and saw Simon’s head. It was separated from his body. I reached for the head and saw a hand, then a leg inside a gumboot,” Daniel remembers. Horrified, he called me. As we started on the grisly task of trying to find Simon’s remains, we were pushed back by a warning growl. It was a male lion, still guarding the kill.

At this point, Simon had been missing for 2 1/2 days. No one knows whether the lion that was with him by the time we found him was responsible for his death. Lions who kill humans – the notorious man-eaters – are shot to avoid recurrence, and KWS claim to have shot the lioness that killed Peace Mwende the night of that attack.

Although human-wildlife conflict has existed for as long as humans have, predator attacks are likely to rise as space for Kenya’s lions shrinks and their hunting opportunities diminish. This can only spell doom for Nairobi’s world-famous national park, which some already want to see turned into housing developments.

I mourn Simon like the friends and colleagues who died on assignment in Sierra Leone and Afghanistan. Every lion sighting also still fills me with joy and wonder, in spite of the horrors of that day in 2019. I hope solutions can be found to keep both people and lion populations safe, and that this remarkable wilderness that makes Nairobi such a unique capital city survives for the joy and wonder of many others.


Gordon Ramsay’s ‘Knife Edge’ spotlights culinary world’s chase for Michelin glory

Gordon Ramsay’s ‘Knife Edge’ spotlights culinary world’s chase for Michelin glory
Updated 07 October 2025
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Gordon Ramsay’s ‘Knife Edge’ spotlights culinary world’s chase for Michelin glory

Gordon Ramsay’s ‘Knife Edge’ spotlights culinary world’s chase for Michelin glory
  • “We ask them questions and they answer. In reality, it was all ... very secretive so that none of the producers or nobody actually saw the real-life inspectors,” Burgess said

LONDON: Celebrity chef Gordon Ramsay goes behind the camera for a new series, “Knife Edge: Chasing Michelin Stars,” that shines the spotlight on restaurants working to attain the coveted culinary accolade.

The multi-starred restaurateur and TV personality is an executive producer of the eight-part Apple TV+ series premiering on Friday, which visits eateries in the United States, Britain, Italy, Nordics and Mexico seeking to gain, or retain, stars.

“(It) is a sort of a real reflection on what goes on in these businesses: what’s at stake, what kind of jeopardy is up for grabs and then the emotions,” Ramsay told Reuters.

“This is (an)...unscripted, real version of life in the culinary world and the extent you go to for the badge of honor ... Actors want Oscars, football players want F.A. Cup winners’ medals, chefs want Michelin stars.”

Episodes show host Jesse Burgess meeting chefs as they compose menus, primp up dishes and seek to impress that lone diner who may be a secret Michelin inspector. There is also input from the anonymous Michelin inspectors, voiced by actors.

“We ask them questions and they answer. In reality, it was all ... very secretive so that none of the producers or nobody actually saw the real-life inspectors,” Burgess said.

“They just judge the food on the plate.”

The first Michelin guide was published by the French tire company in 1900, with the restaurant star rating introduced in the 1920s. The annual guides award up to three stars.

Ramsay received his first Michelin star when he was head chef at London restaurant Aubergine. His own Restaurant Gordon Ramsay has held three stars since 2001.

“You become an overnight sensation and then you’ve got the fight and the slug to maintain it ... you need to understand the word delegation, teaching, creating, and most importantly, passing the baton on,” he said.

“I have one foot in the kitchen and one foot in the media world and am I there 16 hours a day? No, of course I’m not. I am there like a conductor and I’ll sign things off, but I want to hear from them ... And so maintaining it is where the real work starts.”

Asked if he still gets nervous when Michelin issues new editions of the guide, Ramsay said:

“I do get nervous ... no one likes losing ... (going) down to even two stars is unique, but ... it’s major headlines if you do. I’m often asked, ‘What would you do if you did lose a star?’ Then, I’d fight and win it back.”


A limestone pharaonic painting vanishes from the famed Saqqara necropolis in Egypt

A limestone pharaonic painting vanishes from the famed Saqqara necropolis in Egypt
Updated 06 October 2025
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A limestone pharaonic painting vanishes from the famed Saqqara necropolis in Egypt

A limestone pharaonic painting vanishes from the famed Saqqara necropolis in Egypt
  • The painting was in the tomb of Khentika in the Saqqara necropolis outside Cairo
  • Prosecutors were investigating the circumstances of the painting’s disappearance

CAIRO: A limestone pharaonic painting has gone missing from Egypt’s famed Saqqara necropolis, becoming the latest artifact to disappear in a country known for its rich and lengthy history.

The painting was in the tomb of Khentika in the Saqqara necropolis outside Cairo, Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, said Sunday. The mastaba tomb was found in the 1950s and hasn’t been opened since 2019.

Ismail’s statement said prosecutors were investigating the circumstances of the painting’s disappearance and didn’t give further details.

Egyptian media reported the painting exhibited the ancient Egyptian calendar that divided the year into three seasons mirroring the Nile River’s ebb and flow. It included the flooding season, Akhet, the planting season, Proyat, and the harvest season, Shomu.

The tomb dates to the sixth dynasty of the ancient Old Kingdom — roughly from around 2700 B.C. to 2200 B.C.

Cairo 24 news outlet reported that a British mission working in the tomb discovered the painting was missing in May.

The tomb is one of the few mastaba tombs of ancient Egypt to have a curse inscribed on its facade. The inscriptions warned intruders they could face divine punishment, according to British Egyptologist Harry James, who co-authored a research paper on the tomb in the 1950s.

The Saqqara site is part of a sprawling necropolis at Egypt’s ancient capital of Memphis that includes the famed Giza Pyramids, the step pyramid of Djoser, as well as smaller pyramids at Abu Sir, Dahshur and Abu Ruwaysh. The ruins of Memphis were designated a UNESCO World Heritage site in the 1970s.

Sunday’s announcement came less than a month after an ancient pharaoh’s bracelet was stolen from the Egyptian Museum in Cairo and melted for its gold.

The gold bracelet with a lapis lazuli bead belonged to Pharaoh Amenemope, who reigned about 3,000 years ago. It was stolen on Sep. 9 while officials at the museum were preparing artifacts for an exhibit in Italy. Authorities said it was taken from a restoration lab at the museum and funneled through a chain of dealers before being melted down.


Ancient Pharaonic painting vanishes from Saqqara necropolis, Egypt says

Ancient Pharaonic painting vanishes from Saqqara necropolis, Egypt says
Updated 06 October 2025
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Ancient Pharaonic painting vanishes from Saqqara necropolis, Egypt says

Ancient Pharaonic painting vanishes from Saqqara necropolis, Egypt says
  • The tomb was one of the few mastaba tombs of ancient Egypt to have a written curse inscribed on its facade

CAIRO: Egyptian antiquities officials on Sunday said a Pharaonic painting has disappeared from the famed Saqqara necropolis just outside of Cairo, becoming the latest artifact to disappear in a country known for its rich history.

Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, said the limestone painting was in the tomb of Khentika in the Saqqara necropolis.

The mastaba tomb, which housed the painting, was found in the 1950s, and hasn’t opened since 2019, he said in a statement. It dates back to the sixth dynasty of the ancient Old Kingdom — a period spanning roughly from around 2700 BC to 2200 B.C.

Ismail’s statement didn’t provide further details and said prosecutors were investigating the circumstances of the painting’s disappearance.

Egyptian media reported, meanwhile, that the painting exhibited the ancient Egyptian calendar which divided the year into three seasons mirroring the Nile River’s ebb and flow. It included the flooding season, Akhet, the planting season, Proyat, and the harvest season, Shomu.

Cairo 24 news outlet reported that a British mission working in the tomb found that the painting wasn’t there in May.

The tomb was one of the few mastaba tombs of ancient Egypt to have a written curse inscribed on its facade. The inscriptions warned intruders that they could face divine punishment, according to British Egyptologist Harry James, who co-authored a research paper on the tomb in the 1950s.

Saqqara site is part of a sprawling necropolis at Egypt’s ancient capital of Memphis that includes the famed Giza Pyramids, the step pyramid of Djoser, as well as smaller pyramids at Abu Sir, Dahshur and Abu Ruwaysh. The ruins of Memphis were designated a UNESCO World Heritage site in the 1970s.

Sunday’s announcement came less than a month after an ancient bracelet was stolen from the Egyptian Museum in Cairo.

The bracelet, containing a lapis lazuli bead, belonged to Pharaoh Amenemope, who reigned about 3,000 years ago. It was stolen on Sep. 9 while officials at the museum were preparing artifacts for an exhibit in Italy.

Authorities said it was taken from a restoration lab at the museum and then funneled through a chain of dealers before being melted down.

The bracelet theft was painful to many people in Egypt, where there is great esteem for the nation’s heritage. It reminded some of past cultural losses, including the disappearance of Vincent van Gogh’s “Poppy Flowers” — then valued at $50 million — from another Cairo museum in 2010.

The Poppy Flowers was first stolen in 1977 but was later recovered. However, since its theft in 2010 it has not been found.

 


Decoding Taylor Swift’s ‘The Life a Showgirl’: A guide to her references

Decoding Taylor Swift’s ‘The Life a Showgirl’: A guide to her references
Updated 03 October 2025
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Decoding Taylor Swift’s ‘The Life a Showgirl’: A guide to her references

Decoding Taylor Swift’s ‘The Life a Showgirl’: A guide to her references
  • The album’s physical variants, like “summertime spritz pink shimmer” vinyl, also tie into the lyrics
  • Lyrics mention places like Portofino and Paris, and nod to her engagement to Travis Kelce. Songs reference her past, including her teenage years in Tennessee and friendships

NEW YORK: The curtain has been drawn. The stage lights are on. It’s time for “The Life of a Showgirl.”

For Taylor Swift’s most dedicated audience, a new album means new opportunities to decode Easter eggs in her lyrics and music videos. The pop superstar’s 12th studio album has no shortage of clever clues and references to her public life and discography. Many are opaque, revealing just enough to inspire a myriad of fan theories. Others are concrete – explicit names and places worth exploring. Below, you will find a guide to those instances, and how they relate to Swift.

Read on, and happy digging!

“Elizabeth Taylor”

Lyric: “That view of Portofino was on my mind / When you called me at the Plaza Athénée”

Meaning: When Swift announced her new album, she did so with the introduction of a shade she’s calling Portofino Orange Glitter after donning the color onstage during the latter part of her “Eras Tour.” “I’ve just always liked it,” she said of the hue during her first appearance on “New Heights,” the popular, typically football-focused podcast hosted by her fiancé Travis Kelce and his brother, Jason Kelce. “It feels like energetically how my life has felt. And this album is about what was going on behind the scenes in my inner life during this tour.” She and beau Kelce were spotted last year in Lake Como, Italy, but it is unclear if they spent time in nearby Portofino. Additionally, the standard version of her album is available in “sweat and vanilla perfume Portofino orange vinyl.” As for the Plaza Athénée? That’s a luxury hotel in Paris.

Lyric: “Be my NY when Hollywood hates me”

Meaning: Both locations make appearances in Swift’s songwriting. Among them: “Welcome to New York” from 2014’s “1989” and “White Horse” from 2008’s “Fearless.” She also owns property in both locations.

Lyric: “Babe, I would trade the Cartier for someone to trust … just kidding”

Meaning: In August of this year, Swift announced her engagement to Kelce by posting a carousel of images on Instagram. Eagle-eyed fans noticed that the ring wasn’t the only jewelry she was showing off. She was also wearing a Cartier watch.

Lyric: “We hit the best booth at Musso & Frank’s”

Meaning: Since opening in 1919, Musso & Frank Grill has been a hot spot for celebrities in Los Angeles – embodying the kind of old school Hollywood glamor that inspired “The Life of a Showgirl” artwork.

Lyric: “All my white diamonds and lovers are forever”

Meaning: The song is titled “Elizabeth Taylor” after the classic Hollywood starlet who, in 1991, created her own perfume called “White Diamonds.”

“Ruin the Friendship”

Lyric: “You drive, 85 / Gallatin Road and the lakeside beach”

Meaning: There are several Gallatin Roads in the United States, but given the other lyrics in the song, this one likely refers to a street in Hendersonville, Tennessee, a suburb of Nashville, where Swift spent her adolescence.

Lyric: “But as the 50 Cent song played”

Meaning: A 50 Cent reference further implies this song is rooted in Swift’s teen years in the ‘00s, when the rapper was at the height of his popularity. The song also mentions “prom” and “second period,” what is typically associated with high school.

Lyric: “When I left school, I lost track of you / Abigail called me with the bad news / Goodbye”

Meaning: Abigail refers to Swift’s best friend AbigailAnderson, who she attended Hendersonville High School with. This marks the second time Abigail is mentioned in Swift’s discography: the first is the evocative “Fifteen” from “Fearless.”

“Wood”

Lyric: “Redwood tree / It ain’t hard to see”

Meaning: In Oct. 2023, Swift and Kelce made a surprise appearance at “Saturday Night Live” for a season premiere episode that featured host Pete Davidson and musical performer/friend to Swift, Ice Spice.Afterwards, “SNL” cast member Bowen Yang described the couple as the “tallest people in the world,” on the “Las Culturistas” podcast he co-hosts with comedian Matt Rogers. “I see them together, I go, ‘I am in the Redwood Forest.’” Hence, “Redwood tree.”

Lyric: “New Heights of manhood”

Meaning: “New Heights” is a direct reference to the Kelces’ podcast of the same name.

“Honey”

Lyric: “Summertime spritz, pink skies”

Meaning: Physical album variants have been a huge part of Swift’s “The Life of a Showgirl” rollout, and in some ways, they appear in the lyrics of “Honey.” The color of her exclusive vinyl release with Target, “The Crowd Is Your King” edition, was described online as “summertime spritz pink shimmer.”

Lyric: “Wintergreen kiss, all mine”

Meaning: This line relates to another one of her variants: “The Shiny Bug Collection,” which is available in “violet shimmer marbled vinyl” and more relevantly, “wintergreen and onyx marbled vinyl.”