Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah
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Updated 07 December 2024
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Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Jeddah: Hollywood actress Eva Longoria and Oscar-winning actress and producer Michelle Yeoh captivated the audience with their insights about the film industry at two “In Conversation” panels at the Red Sea International Film Festival in Jeddah.

With the festival set to run until Dec. 14 in Al-Balad, the conversations shed light on the significance of purpose-driven storytelling, cultural representation and breaking barriers in cinema.

Longoria, known for her role in “Desperate Housewives” and her directorial debut in “Flamin’ Hot,” shared her commitment to producing films that make a cultural impact.




Hollywood actress Eva Longoria posed before her In Conversation talk at the Red Sea International Film Festival. (Getty Images)

Speaking about her belief in using media as a force for social change, she said: “If we’re going to change the world, it’s going to be through culture. And who has the biggest impact on pop culture? Media — TV, films. If I can make things that change culture, culture changes minds and hearts.”

Longoria elaborated on her criteria for selecting projects, saying: “When I read a script, it’s clear to me very quickly if I want to direct it, do it, or be in it. It has to say something — bring a cultural or female perspective we need to see and hear.”

As a director, producer and actress, Longoria is keen to multitask. Expressing her belief in the leadership abilities of women, she said: “I like to direct, produce and act because I want to control everything. As women, we’re natural directors, decision-makers and multitaskers. It’s rewarding to do all three.”

Longoria also emphasized the importance of supporting women in the film industry, particularly women from underrepresented communities. Reflecting on her work with Latinas, she said: “When you help a woman, she helps her family. And when you improve the lives of families, you improve the lives of nations.”

Her advice to the next generation in the film industry focused on perseverance and the importance of experience. “If you don’t have the body of work, you can’t get the job. And you can’t get the job because you don’t have the body of work. You learn by doing. You volunteer your talents to anyone who will take you.”

Meanwhile, Yeoh, celebrated for her roles in “Crouching Tiger, Hidden Dragon,” and “Everything Everywhere All at Once,” for which she won the Best Actress Oscar in 2023, spoke about her involvement in action films.

She shared her experience with martial arts choreography, describing the art of movement in action sequences. “Action is like dance. Everything’s choreographed, but the projection of power and timing are different. It’s a blend of grace, speed and impact,” she said.

Yeoh’s experience in the industry has been one of defying expectations, particularly in action cinema. Reflecting on her groundbreaking role in 2000’s “Crouching Tiger, Hidden Dragon,” she praised director Ang Lee for revolutionizing martial arts films.

“Ang Lee is a poet. He introduced martial arts cinema to the world in a way that made audiences feel like they were running on rooftops with us.”

Her determination to challenge Hollywood’s limited portrayal of Asian women was a defining aspect of her career. She shared the impact of saying no to stereotypical roles. “At that time, roles for Asian women were so stereotyped. I waited for two years because I refused to step backwards. Saying no is powerful.”

As a champion of cultural representation, Yeoh discussed the evolving landscape of cinema, stressing the importance of creating opportunities for diverse storytellers. “It’s crucial to create equal opportunities for storytellers to tell their stories in their own way. That’s how the industry evolves.”

For Yeoh, the journey is more about authenticity. “Tell your stories. Don’t cut corners. Believe in what you do because if you don’t believe in that, you’ve lost the battle already.”

Her experience as both an actress and producer has shown her the importance of both personal growth and collective representation. “Cinema is one of the best ways to learn about the world ... bring the world to you,” Yeoh said.

Both Longoria and Yeoh emphasize the importance of representation in the film industry. Longoria advocates for breaking barriers by focusing on women’s roles and encouraging diversity behind the scenes. She is committed to creating spaces where women and people of color can thrive in the industry.

“It’s much harder for women and people of color to break through,” she said. “Not because of intentional exclusion but because people hire who they know and who has the experience. That’s why building pipelines is so critical.”

Yeoh echoes these sentiments, stressing the significance of diverse voices in filmmaking.

“We are beginning to see changes,” she said. “We are beginning to welcome more diversity. We are beginning to see more women, especially, behind the cameras and other jobs, just instead of being an actress.”

This year’s roster of speakers at the festival includes the Academy Award-winning actor Brendan Fraser, renowned director and producer Michael Mann, Academy Award-nominated actor Jeremy Renner, acclaimed director Spike Lee, actress and director Olivia Wilde, Tony and Grammy Award-winning actress Cynthia Erivo, as well as more Bollywood legends alongside Middle Eastern icons.


Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’
Updated 24 December 2024
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Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.

Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.

“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”

She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”

Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.

Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.


Festive season’s guide to dining in Saudi Arabia

Festive season’s guide to dining in Saudi Arabia
Updated 24 December 2024
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Festive season’s guide to dining in Saudi Arabia

Festive season’s guide to dining in Saudi Arabia
  • Roasts, sweets and music on the menu for brunch, lunch and dinner in Riyadh, Jeddah and AlUla

DUBAI: Celebrate with friends and family this festive season as hotels and bakeries in Saudi Arabia host special dining events and offerings on Christmas Day.

Riyadh’s Fairmont Ramla has four packages for its festive dinner, including the “Just the Roast” offering, which features a roast turkey with traditional stuffing for SR899 ($239).

Other turkey offerings with sides include the silver package with pomegranate or orange glaze for SR1,299; the gold package with the same glaze for SR1,499; and the diamond package for SR1,599.

Fairmont Hotel Riyadh has a festive brunch from 12:30 p.m. to 5 p.m. at 365 Restaurant, offering a buffet complemented by live entertainment for SR320. The hotel is also offering a “Turkey to Go” takeaway package that serves six to eight for SR1,200 until Dec. 31.

Four Seasons Hotel Riyadh’s Obaya Lounge is offering a festive set menu on Christmas Day from 12 p.m. until 3:30 p.m. for SR380 per person.

Also, the hotel’s Cafe Boulud by Chef Daniel Boulud has a festive menu combining traditional French ingredients with a modern twist from 12:30 p.m. until 4 p.m. on Dec. 25 for SR600 per person.

Also in Riyadh, the Mandarin Oriental Al-Faisaliah is offering a festive lunch at La Brasserie from 12:30 p.m. to  4:30 p.m. on Dec. 25 for SR245 per person.

Over in AlUla and Sass — the desert outpost of the fine-dining celebrity hotspot from Monaco — launched a new menu on Dec. 24. Diners can also enjoy a festive-themed saxophone performance on Dec. 25 and 26.

To end things on a sweet note, Rosewood Jeddah’s Soleil Cafe is offering festive treats for the season, including assorted cookies, German stollen, a traditional yule log and a Raffaello ball.


Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program
Updated 23 December 2024
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Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program
  • Hub picks 12 artists for inaugural scheme 

DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.

Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.

Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.

Cellular Impressions, 2020, Digital Image Series. (Supplied)

“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.

“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”

To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”

When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”

Macro Impressions, 2023, Photographic Series. (Supplied)

Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”

He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”

Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.

He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.

“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”

Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.

He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.

“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”


‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel

‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel
Updated 23 December 2024
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‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel

‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel

DUBAI: US filmmaker Barry Jenkins, known for his unique storytelling approach in films like the Oscar-winning “Moonlight” and “If Beale Street Could Talk,” was never in the business of making CGI-heavy blockbusters. But when Disney calls, you answer.

“Mufasa: The Lion King,” a prequel to the 2019 photorealistic telling of the 1994 classic, sees Jenkins take the directorial baton from Jon Favreau — and he says a vital piece of advice from the latter helped him see the project through. 

“Mufasa: The Lion King” is a prequel to the 2019 photorealistic telling of the 1994 classic. (Supplied)

“His advice was very simple and concrete. He said, ‘Just forget about the tech. Forget about the tech and just find whatever way you can to tell the story in your voice.’ It was really crucial,” Jenkins told Arab News.

“We still, of course, had to learn the technology, and sort of master it. But we realized very quickly we weren’t beholden to the way the technology was being presented to us, and that we could sort of mold it and meld it to fit our storytelling principles.”

Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa” enlists Rafiki (John Kani) to relay the legend of Mufasa (Aaron Pierre) to young lion cub Kiara (Blue Ivy Carter), daughter of Simba (Donald Glover) and Nala (Beyonce), with Timon (Billy Eichner) and Pumbaa (Seth Rogen) lending their signature schtick.

Bringing the laughs in “Mufasa” are Eichner and Rogen, returning to play Timon and Pumbaa, respectively. (Supplied)

Told in flashbacks, the story introduces Mufasa as an orphaned cub who meets a sympathetic lion named Taka (Kelvin Harrison Jr.) — the heir to a royal bloodline. Their chance meeting sets in motion an expansive journey for the adoptive brothers, with their bonds tested as they work together to evade a deadly foe.

The concept of found family is integral to “Mufasa,” and while there are no surprises as to Taka’s eventual identity, Jenkins says telling his story was as important as telling Mufasa’s.

“When I first read the script, I was surprised and moved by the depth of this backstory. But then I was like, why am I surprised? Because when you watch the 1994 film, Jeremy Irons is bringing so much heartache, so much woundedness, so much bitterness to this performance. And this story is really about the energy of that woundedness, of that heartbreak. And so, I shouldn't have been surprised,” said Jenkins.

The star-studded cast — including Mads Mikkelsen, Billy Eichner and Seth Rogen — bring fresh perspectives to the beloved “Lion King” universe. (Supplied)

“But once I read the script, I did realize that the success of the film, the emotional success of it, was going to depend on the quality of that bond and the way we detail it. So it was really important to us,” he added.

Charged with making the film’s music Lin-Manuel Miranda, creator of the pop culture phenomenon “Hamilton.” Jenkins says he couldn’t have found a more perfect collaborator. 

“I just always have admired how earnest Lin is in his work. If you look at interviews of him speaking about anything he’s done, you can tell he’s so earnest and passionate about what he does. And you know, you can’t make the ‘Lion King’ in a cynical way. You have to be just earnest about it. And I thought when it came to this idea of making a musical, I’ve never done that, so let me work with someone who has and who’s done it very well,” said Jenkins.

The star-studded cast — including Mads Mikkelsen, Billy Eichner and Seth Rogen — bring fresh perspectives to the beloved “Lion King” universe.

When asked what made him say yes to the project, Mikkelsen — who plays the villainous albino lion Kiros — said that apart from the fact that he simply “loved lions,” he could see the parallels between Mufasa and his character.

“There’s not a big difference between Mufasa and Kiros. In the sense of their upbringing, except that Mufasa loses his parents in the beginning. They don’t throw him out. And that’s the opposite story with Kiros. He was abandoned. He’s an albino lion, and in the animal kingdom, it’s a no-go. So, his heart is darker than Mufasa. There’s no hope in his heart. That’s just survival. And so, he finds his own pride, and he wants a piece of the cake. He wants the entire cake,” Mikkelsen said.

Bringing the laughs in “Mufasa” are Eichner and Rogen, returning to play Timon and Pumbaa, respectively.

For Eichner, the film brings him strangely full circle.

“I saw the original in 1994 with my parents in the movie theater. I remember that. And then, strangely enough, several years later, when it went to Broadway in the very acclaimed Broadway production, I was right out of college and one of my first jobs was being a bartender at the ‘Lion King’ on Broadway. And I didn’t get to see the show. They wouldn’t let you watch the show, but they would pipe the audio from the show into the lobby so that we could hear it and know when intermission was coming. So, I’ve heard a lot of ‘Lion King’ in my life,” he said.

Rogen enjoyed collaborating closely with Eichner as they recorded their parts together, allowing them to work more organically.

“We get to record together, which is really rare in these types of movies. I think a lot of the dynamic that we have in the movies wouldn’t be possible if we were recording it two different times were, like, really interactive with one another and building off of what the other person’s saying in the moment. And it’s very fast as well. And yeah, it’s just really cool to get afforded the opportunity to carve out a little section of these giant, expensive franchise movies with our little brand of improvizational comedy. It’s cool that they let us do that,” Rogen said.

When asked if they could recall any of their improvised bits in the movie, Rogen said: “There’s some meta jokes that break the fourth wall. Billy makes some references to the Broadway show. We have a lot of jokes on how we wish we had more songs and more screen time. I mean, all that stuff that was just really making us laugh as we were doing it. And no part of me thought it would make it into the movie, honestly, but a lot of it made it into the movie.”

Eichner added: “I also like when Timon and Puma become a little bitter and resentful at Rafiki because he’s inserting himself into the story, but not giving us a part in it. At the premiere, actually, which is the first time I saw it with an audience, I had forgot about that. And that was kind of surprising that we’re allowed to do that in the movie, but it almost feels like that part is more for the adults in the crowd.”

 


Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli
Updated 22 December 2024
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Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.

Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.

The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.

“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.

Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.