Review: ‘From’ science fiction horror television series
Updated 47 sec ago
Ghadi Joudah
Created by John Griffin
“From” is a supernatural horror television series with a gripping premise: A mysterious town traps its visitors, forcing them to face deadly nocturnal creatures, while trying to unravel the town’s secrets.
Created by John Griffin, the show masterfully blends horror, survival, and mystery, drawing viewers into a dark, unsettling world where nothing is as it seems.
While compelling, the series has its flaws and leaves much to discuss.
One of its biggest strengths is the chilling, oppressive atmosphere. The town itself feels like a character, with its eerie stillness, cryptic surroundings, and strict rules.
This haunting setting perfectly complements the unfolding horror, immersing viewers in the characters’ isolation and despair.
The nocturnal creatures are a standout element — terrifying in a subtle, psychological way, blending charm with bloodthirsty menace.
A superb cast delivers strong performances, with Harold Perrineau standing out as Boyd, the town’s reluctant leader who brings gravitas and emotional depth, grounding the show during its chaotic moments.
Eion Bailey and Catalina Sandino Moreno also excel as Jim and Tabitha Matthews, a couple struggling with their fractured relationship amid the town’s horrors.
The show’s early episodes are expertly paced, gradually revealing the town’s rules and the nocturnal dangers.
The mystery of why people are trapped and how the town functions keeps you hooked, with just enough clues to maintain engagement without being overwhelming.
However, the series can sometimes feel overly cryptic, risking frustration for viewers seeking clear answers instead of endless hints.
By the end of season one, and even into the second, some may feel the show teases revelations without fully delivering.
Season one is streaming on Netflix, while seasons two and three are available on OSN+.
‘Moana 2’ dials up its Pacific Island influences in grown-up sequel, say filmmakers
Updated 30 November 2024
Shyama Krishna Kumar
DUBAI: Out now in cinemas across the Middle East, Walt Disney Animation Studio’s highly anticipated “Moana 2” reunites audiences with its seafaring heroine (Auli’i Cravalho) and her best buddy Maui (voiced by Dwayne Johnson).
Directed by David Derrick Jr., Jason Hand and Dana Ledoux Miller, the sequel sees Moana journey to the far seas of Oceania for a new adventure after receiving an unexpected call from her wayfinding ancestors.
The filmmakers said that they were especially committed to representing the Pacific Island communities and peoples respectfully and with integrity, and that meant turning to the Oceanic Cultural Trust once again for guidance.
As with the first film, the “Moana 2” filmmakers assembled a team of cultural experts in anthropology, history, dance and movement, canoes and navigation, linguistics and various cultural practices from the Pacific Islands.
“I think we’re just really fortunate to work with our Oceanic Cultural Trust, led by Kalikolehua Hurley. We all care really deeply about the world of ‘Moana,’ and want to get it right. We definitely wanted to be intentional about the cultural nuances and home in on it, whether it was with clothing or designs in any way, but we also just wanted to create a movie that felt true to what it means to be from the Pacific,” said co-director Hand in an interview with Arab News.
“I would say that we really let Moana sort of dictate where the story goes,” added co-director Ledoux Miller. “We were really intentional about building off that foundation of the first film and thinking really carefully about what that first journey was. It was a story of identity and of her really coming into her own. So, it felt like a really natural extension that we would continue that idea of self-growth and evolution. We love the idea that as you grow as a leader, you learn new things about yourself, and you have to realize that you never stop discovering new depths to yourself and new things that you’re capable of.”
Being of Samoan descent, Ledoux Miller said that she felt the weight of representing her community through filming and beyond.
“I would say it’s front of mind even right now, it’s every day. To be a part of making the key creative decisions for creating this film was truly an honor, but absolutely a responsibility as well. I feel very protective of my community, but I feel protective of Moana too. I’m also like a Moana fan, and I want to do right by her, but I couldn’t be prouder of what we put together, and I’m so excited for my family to see this. I think I’ll breathe a little easier once they do,” she said.
One of the main new characters we meet in “Moana 2” is Simea, Moana’s younger sibling (voiced by Khaleesi Lambert-Tsuda).
“The first film was really about Moana connecting to her past, and as this story is really all about the future and where she is going to bring her people, it made so much sense to put in an emotional relationship that she has with her little sister, and that embodiment of the future is right there for her. I think you really fall in love with the relationship from the first moment that you see them together, and that lasts all the way until the very end of the film,” Hand said.
Dubai-based Lindsay Lohan thanks fans for hit Netflix film
Updated 30 November 2024
Arab News
DUBAI: Dubai-based Hollywood star Lindsay Lohan took to Instagram to thank fans after her latest festive film “Our Little Secret” became Netflix’s No. 1 streamed movie this week.
“Thank you for everyone who tuned in,” she wrote on Instagram Stories.
The actress — who is married to Kuwaiti financier Bader Shammas — also showed her appreciation for the MENA region when she appeared on “The Tonight Show Starring Jimmy Fallon” recently in an outfit from Lebanese designer Zuhair Murad’s Resort 2025 ready-to-wear collection, which included a black, long-sleeved top with structured shoulders and silver jeweled detailing down one side. The ensemble was completed with a matching black skirt, paired with black heels.
Lohan also attended the premiere of the romantic comedy in a Murad outfit, choosing a black gown from the label’s spring/summer 2025 ready-to-wear collection. The sleeveless dress featured a plunging neckline with two statement crystal-embellished motifs at the midriff.
The flowing skirt incorporated sheer panels, and she topped off the look with open-toe black heels and subtle jewelry, and her hair in soft waves.
“Our Little Secret” tells the story of Avery (Lohan) who is planning to spend Christmas with her boyfriend’s family. Things take an unexpected turn when she discovers that ex-boyfriend Logan (played by Ian Harding) is also joining the festivities, as it transpires their current partners are siblings. Avery and Logan must navigate the holiday while ensuring their former relationship remains a secret.
Lohan will next be returning to her Disney roots by reuniting with Jamie Lee Curtis for next year’s “Freaky Friday” sequel, titled “Freakier Friday.”
The film was shot over the summer and had Lohan feeling like a child again, she told ABC’s “Nightline.”
“I think really for me was when I went onto the Disney lot,” Lohan said. “And being back on the Disney lot because that’s not just ‘Freaky Friday’ for me. That’s ‘The Parent Trap,’ that’s ‘Confessions of a Teenage Drama Queen,’ that’s ‘Herbie.’ It’s so many moments for me. So when I got there, I kind of felt like this essence of a little kid again.”
“I’m so grateful for every moment of it, every second,” she said of being back on the lot. “I’m going to, like, get emotional. It’s a great experience.”
World-renowned Tokyo Philharmonic Orchestra performed two nights of concerts at Princess Nourah University’s Red Hall
Updated 29 November 2024
Sulafa Alkhunaizi
RIYADH: What does video gaming and the orchestra have in common? Collaboration, immersive experiences, and the art of storytelling at its finest.
The world-renowned Tokyo Philharmonic Orchestra spoiled guests with two nights of concerts powered by Qiddiya Gaming at Princess Nourah University’s Red Hall on Thursday and Friday.
Producer and director of Final Fantasy XIV Naoki Yoshida and renowned sound editor and composer Masayoshi Soken took the opportunity to introduce themselves to a full house of fans, wearing traditional Saudi thobes.
The world-renowned Tokyo Philharmonic Orchestra was held at Princess Nourah University’s Red Hall on Thursday and Friday. (Supplied)
Arab News had the opportunity to interview Yoshida, Soken, senior story designer Natsuko Ishikawa, and localization supervisor Michael-Christopher Koji Fox.
Yoshida expressed his gratitude toward the game’s loyal fans in the Middle East, saying: “I’m really appreciative of the fans in the Middle East and Saudi Arabia that have loved the Final Fantasy franchise.
“We are finally here to give back to the community that’s loved us and supported us for so long. To be able to bring them the excitement, we are bringing them sound and music.
The event also offered fans a dedicated merchandise area featuring exclusive items and other products shipped directly from Tokyo. (Supplied)
“We don’t envision this as the end; we envision this as something that’s going to connect us into the future.”
In the first part of the concert, the orchestra performed works like “Victory Fanfare” and “Moebius.”
In order to give gamers a true gaming experience, Soken had the idea of creating the same in-game pause during the orchestra’s performance to reflect the battle in the game.
In the first part of the concert, the orchestra performed works like “Victory Fanfare” and “Moebius.” (Supplied)
Soken said: “During that battle, there’s an in-game mechanic where time stops and the player stops, so when playing that song in concert we want the players to feel like that in music; the game experience and their memories of the game are connected in that way.
“We wanted to figure out a way to recreate that time stop while being played in the concert by an orchestra. So the idea we came up with is if time stops in the game, how about making the concert stop?”
Soken’s idea was turned into reality and the crowd was in awe as the orchestra paused for a few seconds.
In charge of creating graphics and videos, Ishikawa said her job was about picking scenes that resonated with the players.
She said: “What we created here feels like it was created by the Final Fantasy development team, even though it’s a concert.”
Unlike a typical concert, in which each song evokes different emotions to each individual, Soken said gaming concerts created a joint emotional experience.
Soken said: “With a game concert, everyone is experiencing the same thing because they experienced the same game, so everyone shares that excitement.”
More than 100 musicians traveled from Japan, accompanied by vocalists, to bring the soundtrack from Final Fantasy XIV to life.
Soken said: “We know that Saudi Arabia and Japan have a long history of friendly collaboration but there has not been a lot with music, and there’s probably been nothing with gaming music.
“The people that experience (the concert) will be able to go home and tell their friends how exciting an experience it was and how these people from Japan brought this great thing that we have never seen before.”
The event also offered fans a dedicated merchandise area featuring exclusive items and other products shipped directly from Tokyo.
Diamond ticket holders also had the opportunity to meet Yoshida, Soken, Ishikawa, and Fox, receiving a signed poster and photo.
With over 30 million total registered players, Final Fantasy XIV is one of the most popular MMORPG games today, while Qiddiya, which was launched in 2018 under the leadership of King Salman, is an emerging capital for entertainment, sports and culture that aims to enhance the quality of life of visitors and residents.
Best and Worst: Saudi influencer Bayan Omar talks entertainment, fashion, and life
Updated 29 November 2024
Hams Saleh
DUBAI: The Saudi influencer shares some favorites — and least-favorites — from entertainment, fashion, and life.
Best TV show/film you’ve ever seen?
“Friends.” I have never seen a series with a cast that is so real. It is relatable even for our culture. For example, I relate a lot to Rachel, because I know a friend here in Saudi Arabia that looks like her and has her personality.
There’s a lot, but one I remember is “Tusk.” It was a bad idea and the animation was terrible.
Best personal style moment so far?
The dress I wore when I was nominated for the Best Content Creator Award in Dubai in 2022. I wore a white dress and I really liked that outfit. Also, every year we have MDLBeast (Soundstorm) in Saudi Arabia and I go all out for that — including the makeup and hair.
Worst personal style moment?
I don’t think I have one. I’ve never worn something that I’m not comfortable with or that I’m not impressed with the style. I like the outfits I put together because I create each one from scratch.
Gold. It just ties everything together and makes it look very nice.
Worst accessory for a little black dress?
Silver. I don’t like how it looks. I also don’t like silver with my skin tone. I feel like it doesn’t suit me. I prefer gold.
Best fashion trend of 2024?
I really like the olive green color trend. And denim skirts — I like to see a lot of forgotten trends like this come back. It takes me back in time and I like that a lot.
Worst fashion trend of 2024?
The neon trend. It grabs attention, but in a bad way. It takes away from the rest of the look. They don’t see your hair or your face, and I hate that.
Best advice you’ve ever been given?
“Age is just a number.” My grandma used to say that all the time. She was so young when she passed away — everyone saw her as a young and youthful woman, because her soul was young.
There’s an Arabic saying: “Eat what you like and wear what people like.” I don’t like that advice at all. You cannot represent yourself, or express your personality or your interests while wearing something that other people like. You need to represent yourself through what you like. If you always try to please people, you’ll never succeed.
Best book you’ve ever read?
“The Subtle Art of Not Giving a F***.” I always used to think certain things, but I never said them out loud. When I read this book, it was technically saying the same things and beliefs that I had in my mind. So I felt very connected. I got validation.
Worst book you’ve ever read?
I do not have a worst book. Every book you read, you end up learning something from it.
Best holiday destination?
I like Los Angeles and Amsterdam. I feel like I belong in these cities — they are easygoing cities and very simple.
Worst holiday destination?
Istanbul. I didn’t like the people there. They were not very friendly and I don’t know how to communicate with unfriendly people or aggressive people who don’t smile.
Review: Netflix movie ‘The Piano Lesson’ is an intense family affair
Adaptation of August Wilson’s play is a heady, character-led drama
Updated 29 November 2024
Matt Ross
LONDON: To say “The Piano Lesson” is a family affair would be something of an understatement. This cinematic adaptation of August Wilson’s 1987 play follows a pair of siblings, locked in disagreement about a family heirloom — an engraved piano, ‘liberated’ from the Charles family’s ancestral enslavers and now residing in 1936’s Pittsburgh. But there’s a neat parallel, too, about the film’s journey to the big screen (and Netflix subscribers shortly thereafter), produced as it is by Denzel Washington, directed by son Malcom, co-produced by daughter Katia, and starring son John David Washington as Boy Willie.
Washington (John David, that is) reprises his role from the 2022 stage production, and is joined by fellow castmates Samuel L Jackson (Doaker), Ray Fisher (Lymon) and Michael Potts (Wining Boy).
Boy Willie wants to sell the piano and buy a plot of land following the untimely death of his employer, James Sutter. His sister Bearniece (Danielle Deadwyler), on the other hand, wants to keep it in the family as testament to the suffering endured by their ancestors. What’s more, Bearniece suspects Boy Willie had something to do with Sutter’s death, as she begins seeing the latter’s ghoulish specter around the house. Uncles Doaker and Wining Boy want peace and quiet, while Willie’s friend Lymon simply wants to escape his old life and start over.
It's a complicated, convoluted setup, and Washington (Malcolm, this time) skillfully takes his time establishing who is who, utilizing the kind of character-led exposition better suited for a stage play, in fact. The cast (as you’d expect, given their familiarity with the roles) all turn in powerhouse performances. A rendition of “O’ Berta” is a chilling standout, as is the simmering tension between widowed Bearniece and the affable Lymon.
The only place “The Piano Lesson” falls down is when it leaves the intense trappings of the family house, where it loses a little momentum as it ventures beyond the limits of the stage production. As good as it is, there’s a question of whether this needed remaking as a movie at all — but regardless, “The Piano Lesson” makes for a riveting, unsettling study on familial trauma and legacy.
