Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

Update Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh
Pop icon Jennifer Lopez performed at the event. (AN Photo/ Jafer Alsaleh)
Short Url
Updated 29 November 2024
Follow

Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

RIYADH: The only thing sparkling brighter than the stars on the red carpet and performers on stage were the dresses on the runway as Lebanese icon Elie Saab put on a spectacle on Wednesday night in Riyadh with Jennifer Lopez, Celine Dion and Halle Berry hitting the stage in addition to a runway show of his creations.

0 seconds of 2 minutes, 34 secondsVolume 90%
Press shift question mark to access a list of keyboard shortcuts
00:00
02:34
02:34
 

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab,” an homage to the 1001 nights collection of Middle Eastern folktales.




Celine Dion was spotted on the red carpet at the event. (AN Photo/ Jafer Alsaleh)

Former French Vogue editor Carine Roitfeld styled all the looks for the runway.

 

 

Guests were given a surprise when stars Lopez, Camila Cabello, Nancy Ajram, Amr Diab, and the legendary Celine Dion took to the stage in celebration of Elie Saab.




Oscar-winner Halle Berry hit the stage. (AN Photo/ Jafer Alsaleh)

Opening the show was none other than Hollywood actress Berry wearing the same Elie Saab gown she wore when she won her first Oscar in 2002, making her the first Black woman to win the award for Best Actress.

Prior to the show, Berry was seen on the red carpet talking about how this was her first time meeting Saab in person, “That was the highlight of this trip for me to finally meet this man who I have been inextricably connected to for 22 years, and to give him a hug and tell him thank you.”




Pop icon Jennifer Lopez performed at the event. (AN Photo/ Jafer Alsaleh)

Celebrity stylist Law Roach, known for styling Hollywood A-listers like Zendaya, Anya Taylor Joy, Bella Hadid, and Celine Dion, talked to Arab News about Elie Saab’s ability to transcend eras.

“Elie Saab is one of the few couturiers whose clothes can be passed down to generations and generations and be reinterpreted.”




Models gather on stage at the Elie Saab show in Riyadh. (AN Photo/ Jafer Alsaleh)

“Maybe someone got married in it (a dress), and maybe generations down the granddaughter of someone gets married in the same dress, it has that possibility of just being timeless and forever,” he said.




Saudi French model Amira Al-Zuhair was spotted on the runway. (AN Photo/ Jafer Alsaleh)

The spectacle began with a performance by Lopez, a frequent wearer of Saab’s creations. The first designs exhibited an array of black-and-white dresses adorned in classic crystals, a signature touch in most of his designs.

Next up was “an ode to the female figure”, where dresses in different shades of pink and green were lit up on stage with the help of singer-songwriter Camila Cabello. This section of the show featured what looked like a garden theme, detailing the beauty of the natural world as it interconnects with the beauty of women.

The tale continued into a silver and blue chapter, where the audience was given a touch of Arab culture with Lebanese singing icon Nancy Ajram, a nod to Elie Saab’s Lebanese heritage as well, followed by Egyptian star Amr Diab.




The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Elie Saab, the name introduces itself. When we say Elie Saab we say elegance… when I wear Elie Saab I look at myself in the mirror more often and find myself more beautiful,” Ajram stated before her performance.

“I am also happy that a Lebanese creative deserves to be honored, is very successful, and we all see ourselves in him.”




In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

The show concluded with a showcase by Dion, who gave an emotional and empowering performance that had the entire audience on their feet.




The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Being here (in Riyadh) for the first time is kind of a dream come true,” Dion said.

“His (Elie Saab’s) generosity, his talent, he has been singing with me because I have been wearing his dresses, his talent, for many, many, years.”




In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

"We carefully infused elements drawn from the region's natural beauty, like desert-inspired colors and distinct accessories, to pay homage to the cultural heritage, all while preserving the brand’s signature elegance and sophistication, Saab told Arab News in a written interview after the show.

The evening was attended by more than 1,000 guests, including Egyptian actress Youssra; Italian star Monica Bellucci; British models Rosie Huntington-Whiteley, Poppy Delevingne  and Jourdan Dunn, supermodels Adriana Lima, Candice Swanepoel and Helena Christensen, and Arab actresses Nadine Njeim, Cyrine Abdel Nour, and Tara Emad.




Lebanese superstar Nancy Ajram on stage. (Supplied)

The designer even had some words of wisdom for up-and-coming Saudi talents, which he shared with Arab News after the show in a written interview.

“The young designers in Saudi Arabia are talented, well-educated, and deeply aware of global trends. The country has invested in culture and education for decades, creating a strong foundation for the creative industry,” Saab said, adding:  “My advice to emerging designers is to stay true to their identity while embracing the opportunities that come with Saudi Arabia's expanding fashion scene. It’s important to remain patient, focus on craftsmanship, and leverage the increasing global spotlight.

Mustafa Sammak, COO of Ohana Development, which collaborated with Elie Saab on the Waterfront Tower in Abu Dhabi, told Arab News at the event that the showcase “powerfully reflects Middle Eastern artistry and heritage, drawing global attention to the region’s luxury landscape and creative depth. It reminds us that design — whether in fashion or real estate — has the ability to tell stories and bridge cultures.”

 

*This article was updated on Nov. 29, 2024, with comments from Elie Saab.


Party décor tips for your Eid Al-Fitr celebration

Party décor tips for your Eid Al-Fitr celebration
Updated 23 March 2025
Follow

Party décor tips for your Eid Al-Fitr celebration

Party décor tips for your Eid Al-Fitr celebration

DUBAI: With Eid Al-Fitr on the horizon, you may be planning to host friends and family to mark the festivities.

Nahel Selo, creative director at Sedar Global, shares his décor tips.

Tip 1: Make a good first impression

Spruce up your entrance to set the mood. Start with a prop style chair or bench with festive cushions and add a console table with a metal tray loaded with dates. Adding a diffuser or incense burner and floor lanterns will create a festive atmosphere. 

Tip 2: Ramadan tents and majlis-style seating

You can craft a simple tepee in your garden using sheer or linen curtains or, if budget allows, add a pergola or awning installation. Create communal areas using low seating arrangements such as ottomans or poufs teamed with floor cushions laid over a rug.

Tip 3: Add Arabesque touches

Options include temporary décor such as Arabic calligraphy-inspired style brass accessories,  mirrored objects or even geometric print fabrics.

Mix up interiors with traditional flashes of gold or brass contrasted with trending palettes of turquoise, royal blues or dusky pinks. Selo commented: “Adding metallics, specifically gold and brass, is not only a nod to tradition but also essential to create a festive mood. For 2025 worn brass and golds give an earthy and contemporary finish.”

Tip 4: Creative tablescapes

Take your Eid Al-Fitr meal to the next level by sprucing up the dining table with creative tablescaping. From incorporating metallic, intricate arabesque or lunar pattern accents through cutlery, napkin rings and dinnerware sets, to jute placements, table runners, mini lanterns and dry or fresh florals, thoughtful accents can transform your table. 

“Atmospheric lighting is key,” Selo added. “Battery-operated fairy lights, tall lanterns and tea lights … are a cost-effective décor touch to set the mood.”

 


Lyna Khoudri spotted at TV series festival in Lille

Lyna Khoudri spotted at TV series festival in Lille
Updated 23 March 2025
Follow

Lyna Khoudri spotted at TV series festival in Lille

Lyna Khoudri spotted at TV series festival in Lille

DUBAI: French Algerian actress Lyna Khoudri made an appearance at Series Mania 2025 this weekend in Lille, France.

Also known as the International TV Series Festival, Khoudri and her castmates were on hand to promote Apple TV+ show “Careme.”

“An ambitious, young chef uses his seductive charm to work as a spy so he can save his father — and make his name,” the official logline of the period drama reads. The series is set to land on Apple TV+ on April 30.

It is a biographical series about Antonin Careme, who rose from humble beginnings to become known as the world's first celebrity chef during the Napoleonic era. Careme is played by Cesar Award-winner Benjamin Voisin, who is joined by Cesar Award-winner Khoudri, César Award nominee Jérémie Renier (“My Way,” “Saint Laurent”),”) and Alice Da Luz (“Hanami,” “And the Party Goes On”).

The Cesar Awards are France’s reply to Hollywood’s Academy Awards.

“Careme” is directed by filmmaker Martin Bourboulon, who also directed Khoudri in Afghanistan evacuation drama “13 Days, 13 Nights,”

The drama, the full title of which is “In The Hell Of Kabul: 13 Days, 13 Nights,” stars Khoudri alongside Danish BAFTA-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.

Set against US troops’ withdrawal from Afghanistan in August 2021, as the Taliban marches on Kabul, the film recounts the true story of French Commander Mohamed Bida who oversaw security at the French embassy, which was the last Western mission to remain open.

The film marks a change for Bourboulon after period dramas “The Three Musketeers – Part II: Milady,” “The Three Musketeers – Part I: D’Artagnan” and “Eiffel.”

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

Notably, she was cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton, and Owen Wilson.

 


Actress Jameela Jamil joins Pixar’s ‘Elio’

Actress Jameela Jamil joins Pixar’s ‘Elio’
Updated 22 March 2025
Follow

Actress Jameela Jamil joins Pixar’s ‘Elio’

Actress Jameela Jamil joins Pixar’s ‘Elio’

DUBAI: Actress and activist Jameela Jamil is set to lend her voice to the Pixar animated film, “Elio.”

Jamil will be voicing the character of Ambassador Questa.

The news broke when Jamil took to her Instagram story this week to share her enthusiasm about the project. Posting the official poster for the film, she captioned it: “It happening.” In a follow-up story, she pointed at the animated character and wrote: “It’s me.”

Instagram/ @JameelaJamil

Besides the poster, Pixar also released the trailer this week.

“Elio,” set to be released on June 20, follows an 11-year-old boy named Elio, who accidentally becomes the ambassador for Earth after being transported across the galaxy.

The movie also features the voices of Yonas Kibreab as Elio, Remy Edgerly as his alien best friend Glordon, Academy Award winner Zoe Saldana as Elio’s Aunt Olga, Brad Garrett as Lord Grigon, and Shirley Henderson as OOOOO.

Directed by Madeline Sharafian, Domee Shi and Adrian Molina, the film is produced by Mary Alice Drumm.

Instagram/ @JameelaJamil

Jamil is known for her breakthrough role as Tahani Al-Jamil on NBC’s “The Good Place” and her advocacy work around body positivity and social justice.

Jamil is also starring in “Hysterical” — a new feminist dramedy from Olivia Lee semi-inspired by controversial figure Andrew Tate.

The show stars Naomie Harris and Romesh Ranganathan. Harris plays Leonora, a therapist who spirals into a world of toxic masculinity after her daughter is assaulted.

She learns the boy responsible is a fan of Tommy T, an influencer known for spreading harmful advice among young men. During a weekly “rage release” session with friends, Leonora, fueled by anger and alcohol, convinces the group to act and bring him down.

The plot is inspired by events surrounding Andrew Tate, a former kickboxer with more than 10 million followers who once stated that women should “bear responsibility” for sexual assault.

“UMMMM A comedy series about female rage? Sign me up!” Jamil, who is British Pakistani, wrote on Instagram in October when the show was announced.

“Hysterical” is being produced by Ranganathan’s company, Ranga Bee Productions. Ranganathan and Lee executive produce the show alongside Michelle Farr and Benjamin Green. It has not yet been announced when it will be televised.


Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion
Updated 21 March 2025
Follow

Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

DAMMAM: Saudi Arabia’s Ministry of Culture has announced the Kingdom’s inaugural participation at the 24th International Exhibition at the Triennale Milano design museum in Italy later this year, with a pavilion dedicated to the agricultural oasis of Al-Ahsa.

Curated by Lulu Almana and Sara Al-Omran, with Alejandro Stein as creative director, the exhibition is hosted by the Architecture and Design Commission and will be titled “Maghras: A Farm for Experimentation.” It will run from May 13 - Nov. 9.

It will explore the intersection of farming traditions, ecological shifts and cultural memory within a rapidly transforming landscape. The exhibition draws from research, artistic interventions and community-driven programs cultivated at Maghras, a farm and interdisciplinary space in Al-Ahsa.

Al-Ahsa, located in the Eastern Province, has been historically defined by its abundant water sources. It has undergone significant environmental and social transformations, mirroring broader changes in agrarian communities worldwide. The area has been farmed since the third millennium BCE. 

The pavilion takes the form of a transplanted maghras — a traditional unit of land defined by four palm trees. Through videos, sound installations and participatory programs, the exhibition invites audiences to engage with Al-Ahsa’s evolving agricultural ecosystems.

In the lead-up to the exhibition, artists, architects, and researchers collaborated with Al-Ahsa’s farming communities, gathering firsthand insights into the region’s shifting landscape. This knowledge exchange was further explored through performances, film screenings and local workshops examining the deep connections between culture and agriculture.


Muhannad Shono: ‘This work is fragile. It is not here forever’ 

Muhannad Shono: ‘This work is fragile. It is not here forever’ 
Updated 22 March 2025
Follow

Muhannad Shono: ‘This work is fragile. It is not here forever’ 

Muhannad Shono: ‘This work is fragile. It is not here forever’ 
  • The Saudi artist is the sole representative from the Middle East at this year’s Desert X in California

RIYADH: Saudi contemporary artist Muhannad Shono is the sole representative of the Middle East at this year’s Desert X — the site-specific international art exhibition in California’s Coachella Valley — which runs until May 11.  

Shono’s piece, entitled “What Remains,” consists of 60 long strips of locally-sourced synthetic fabric infused with native sand. 

“The fabric strips, orientated to align with the prevailing winds, follow the contours of the ground, fibrillating just above its surface,” a description of the work on the Desert X website reads. “As the wind direction shifts, the natural process of aeolian transportation that forms dunes is interrupted, causing the fabric to tangle and form chaotic bundles. In this way, the ground itself becomes mutable — a restlessly changing relic or memory.” 

Desert X 2025 installation view of Muhannad Shono, What Remains. (Photo by Lance Gerber, courtesy Desert X)

This isn’t the first time Shono has created a large-scale installation in the desert. At Desert X AlUla in 2020, he presented “The Lost Path,” composed of 65,000 black plastic tubes snaking through the Saudi desert — a work exploring themes of transformation, memory and impermanence. And while “What Remains” is an entirely separate piece of art, it also delves into those topics, as has much of Shono’s work over the past decade. 

“I’m first-generation Saudi,” Shono tells Arab News. “A year after I was born, I was given the nationality. For half of my life, I didn’t feel Saudi. I’d say Saudi was an authentic space that had specific motifs and cultural narratives that we were very disconnected from as a family. Why? Because we’re immigrants; my father is not Saudi, and my mom is not Saudi.  

“But now I think the narrative of what is ‘Saudi’ is changing,” he continues. “And it feels like it’s part of this correction.” 

Desert X 2025 installation view of Muhannad Shono, What Remains. (Photo by Lance Gerber, courtesy Desert X)

A feeling of not belonging was apparent in Shono’s early artistic endeavors. He loved comic books and wanted to create his own because he couldn’t find a true representation of himself in them. 

“Saudis expect you to produce a figure they can relate to — with Saudi features or skin color — but I didn’t think they could relate to me,” he says. “I was more referencing myself, and what I thought ‘home’ looked like, or the ‘hero’ looked like, so there was a disconnect there.” 

That disconnect continues to manifest in his work. “You can see it in Desert X and in a lot of my other projects tapping into materiality. I realized I couldn’t really fully connect with the materiality of the narrative of being Saudi. 

“An interesting psychological thing that I haven’t really come to grips with is that I’m more comfortable doing work in Saudi because I’m responding to this natural source material,” he continues. “I’m disrupting — I’m offering divergence, narratives that can spill out from that experience of the work. I’m invested in the narrative of what’s happening (in Saudi). I think it’s the closest I’ve felt to being ‘at home.’ Something that I was missing in the beginning was being connected to the narrative of the place, because if you engage with that narrative, you can call it home. 

Desert X 2025 installation view of Muhannad Shono, What Remains. (Photo by Lance Gerber, courtesy Desert X)

“When I go to California, I miss the landscape (of Saudi) that I’m contrasting. In California, it’s not juxtaposed against the experience of growing up. I’m still figuring out how to take these feelings and be able to show work overseas, because my backdrop is missing — the backdrop of Saudi.” 

His early interest in comic books, he says, was partly down to “being able to create the world, the space, the setting for the story.” That was also a reason he decided to study architecture at university.  

“I felt like it was creative problem solving,” he says. “A lot of my projects that I did in college were in ‘world making.’ My graduation project ended up being the creation of a whole city, and how it would grow on a random landscape. I got kind of caught up in the urban planning of it — the streets, and the rivers flowing through it. I never really got to the architectural part of designing a building.” 

But that willingness to explore ideas in ways others might not has made Shono one of the Kingdom’s most compelling contemporary artists. “I’ve created my own kind of material palette, or language, or library, that I use,” he says. 

In his current work, “The land is holding the narrative on this adventure within the seemingly barren landscape,” he explains. “These land fabrics become this idea of being able to roll up, carry and unroll ideas of belonging: What is home? How do we carry home?” 

Desert X AlUla 2020 installation view of Muhannad Shono, The Lost Path. (Photo by Lance Gerber, courtesy the artist, RCU, and Desert X)

Shono and the team who helped him install “What Remains” had to “constantly adapt expectations” based on understanding the land and the environmental conditions, he says. It took them around a month, working seven or eight hours a day, to put it in place — flattening, aligning, and flipping fabric under Shono’s direction. His vision was clear, but he also allowed instinct to guide him.  

“This work is fragile,” he says. “It’s an expression that is not here forever… that will change. And my ideas will change, the way I think about stories and concepts through my work. It’s important to change.” 

With “What Remains,” he is offering that same opportunity to viewers. He wonders: “What portals will you pass through, through this unrolling of the earth in front of you?” 

And change is a vital part of the work itself. “They’re always different,” Shono says of the fabric strips. “At some points, they’re opaque and earth-like — almost like a rock. But when the wind picks up, they become lightweight — like sails — and they animate and come to life. And when the light hits as they move through the sky, they reveal their translucency and there’s this projection of the trees and bushes and nature that they’re almost wrapped around or sailing past.” 

Although the “What Remains” seen by Desert X visitors on any particular day will not be the same “What Remains” seen by visitors on any other day, or even any other hour, one part of it, at least, is constant.  

“The work is a self-portrait,” Shono says. “Always.”