‘Art of the Kingdom’ takes contemporary Saudi creations to a global audience

‘Art of the Kingdom’ takes contemporary Saudi creations to a global audience
Nasser Al-Salem’s 'Arabi/Gharbi' is part of the exhibition. (Supplied)
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Updated 11 November 2024
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‘Art of the Kingdom’ takes contemporary Saudi creations to a global audience

‘Art of the Kingdom’ takes contemporary Saudi creations to a global audience
  • Work of 17 artists showcased to coincide with G20 Summit in Brazil
  • Honors our past, says Mona Khazindar, advisor at Culture Ministry

JEDDAH: Saudi Arabia’s Museums Commission will inaugurate “Art of the Kingdom,’ the country’s first traveling contemporary exhibition, at the historic Paco Imperial building in Rio de Janeiro, Brazil, this week.

The exhibition from Nov. 13 to Jan. 12 runs under the theme “Poetic Illuminations” and seeks to offer international audiences a look at Saudi Arabia’s evolving contemporary art scene.




The exhibition from Nov. 13 to Jan. 12 runs under the theme “Poetic Illuminations.” (Supplied)

Launching to coincide with the upcoming G20 Summit in Brazil, “Art of the Kingdom” features the work of 17 artists, each representing a range of generations and styles, with mediums spanning paintings, installations, and video art.

The artists featured are Sara Abuabdallah, Ghada Al-Hassan, Ayman Yossri Daydban, Ahmed Mater, Emy Kat, Ayman Zedani, Shadia Alem, Nasser Al-Salem, Manal Al-Dowayan, Lina Gazzaz, Muhannad Shono, Sarah Brahim, Daniah Alsaleh, Faisal Samra, Filwa Nazer, Moath Alofi, and Ahad Al-Amoudi.

The “Art of the Kingdom” show will travel to Riyadh in early 2025, where it will be showcased at the Saudi Museum of Contemporary Art in the JAX district. At the end of the year, it will be presented at the National Museum of China in Beijing.




Launching to coincide with the upcoming G20 Summit in Brazil, “Art of the Kingdom” features the work of 17 artists. (Supplied)

Mona Khazindar, advisor at the Ministry of Culture, in a written response to questions from Arab News, stated that the exhibition “is a testament to the profound impact that art has on our understanding of history, culture and community.

“It not only honors our country’s past and collective memory, but also demonstrates the dynamic role art plays in connecting us to our shared identity, inspiring creativity and dialogue for generations to come.”

Curator Diana Wechsler, in her response to questions, said “every exhibition must open new horizons for its audience, offering an experience of discovery and challenging habitual thinking.




The exhibition from Nov. 13 to Jan. 12 runs under the theme “Poetic Illuminations.” (Supplied)

“Exhibitions, to me, are also experiences of knowledge. This is especially important here, as this exhibition is the first to showcase a group of contemporary Saudi artists abroad.

She added: “The exhibition is the result of extensive research from which its central themes emerged. I visited many artists, most of them based in Saudi Arabia, and engaged in deep conversations about each artist’s creative experience.

“It was an immensely stimulating journey for me, and I hope this exhibition provides viewers with a similar path of understanding through its selected works.”




Through “Art of the Kingdom,” the museums authority aims to empower Saudi artists by highlighting their work globally. (Supplied)

Wechsler chose Nasser Al-Salem’s “Arabi/Gharbi” (“Arab/Foreigner”), with its large neon Arabic script, to both open and close the exhibition.

Wechsler explained: “This piece offers viewers both a question and a clue: what does this neon signify? It creates a symbolic boundary between the contemporary Saudi experience and the cultural framework of the audience.

“Through each piece, the exhibition unfolds like a revelation — a poetic illumination — exploring various facets of a captivating culture where past and present, tradition and transformation, are interwoven.

“Arriving at the end of this journey and encountering Al-Salem’s neon again, I imagine the audience will see it differently, their horizons broadened by the journey they have taken.”

Through “Art of the Kingdom,” the museums authority aims to empower Saudi artists by highlighting their work globally. It also seeks to establish the nation’s presence in the global art landscape, and foster cross-cultural appreciation and dialogue.




Launching to coincide with the upcoming G20 Summit in Brazil, “Art of the Kingdom” features the work of 17 artists. (Supplied)

The exhibition centers on two primary themes: the desert as a symbol of vastness, infinity, and life’s depth, and the singularity of Saudi cultural traditions as seen through the evolution of visual culture.

Artist Muhannad Shono said: “As Saudi Arabia now invests in its arts and cultural expression, and strives to invite the world in, it’s important that this cultural dialogue does not flow in one direction, but to also reach outwards in an honest and equal exchange of ideas with the world.

“My role is to continue to express and imagine, not only in my country but beyond its borders … bypassing the perceived lines that separate us and divide.”

Artists Sara Abu Abdallah and Ghada Al-Hassan, a mother and daughter team, are presenting a collaborative piece.

In a joint written response, they said their work, “Horizontal Dimensions,” explores “intergenerational complicity, the notion of home, urban transformation, and shared dreams and visions, bridging personal history with contemporary dialogue.

“As mother and daughter, we have always shared a creative bond, and this project allowed us to combine our voices and artistic visions to express something greater than the sum of its parts.

“By presenting this work at such a significant exhibition in Rio de Janeiro, we hope to contribute to the global conversation on cultural exchange and the evolving narratives of our region.”

 


Jennifer Lopez hits Broadway in Zuhair Murad gown

Jennifer Lopez hits Broadway in Zuhair Murad gown
Updated 24 March 2025
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Jennifer Lopez hits Broadway in Zuhair Murad gown

Jennifer Lopez hits Broadway in Zuhair Murad gown

DUBAI: US superstar Jennifer Lopez attended the opening night of “Othello” on Broadway in New York in a gown from Lebanese designer Zuhair Murad’s Fall/Winter 2024 couture collection.

The figure-hugging, two-piece look boasted glittering embellishments and a high neckline and Lopez donned a fur-like coat to combat the cold weather in New York on Sunday.

US superstar Jennifer Lopez attended the opening night of “Othello” on Broadway in New York in a gown by Lebanese designer Zuhair Murad. (Getty Images)

She attended the premiere of the Shakespeare adaptation starring Hollywood heavyweights Denzel Washington and Jake Gyllenhaal. Directed by Kenny Leon, the two hour and 35 minute Broadway show is set in the near future and sees Washington play Othello while Gyllenhaal wowed critics as the villainous Iago.

“Gyllenhaal bounds, loose-limbed and bursting with malevolent energy, onto the … stage and barely takes a breath for the next nearly three hours. It is a remarkable performance, conversational, contemporary and unerringly convincing,” Deadline’s review of the performance read.

Besides Lopez, other celebrities who took in the show on its opening night included Anna Wintour, Colman Domingo, Keegan-Michael Key, Ariana DeBose and Samuel L. Jackson.

Anna Wintour and Colman Domingo. (Getty Images)

Lopez spent the evening in New York as news broke that “Kiss of the Spider Woman,” a musical remake from director Bill Condon starring Lopez, is close to finding a buyer after its much talked about Sundance Film Festival premiere in January.

Variety reported that Roadside Attractions, Lionsgate and independent studio LD Entertainment are in discussions to take on US domestic rights, though a deal has yet to close.

“Kiss of the Spider Woman” was independently financed in the high $30 million range, Variety reported.

The storyline centers on a political prisoner (Diego Luna), whose cellmate (Tonatiuh) creates a fantasy Hollywood narrative involving his favorite star, Ingrid Luna (Lopez).

It’s the second on screen version of “Kiss of the Spider Woman” following a 1985 feature from director Héctor Babenco. John Kander and Fred Ebb’s stage version opened on Broadway in 1993 and won seven Tony Awards.

The musical and both films adapted Manuel Puig’s 1976 novel of the same name.


Party décor tips for your Eid Al-Fitr celebration

Party décor tips for your Eid Al-Fitr celebration
Updated 23 March 2025
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Party décor tips for your Eid Al-Fitr celebration

Party décor tips for your Eid Al-Fitr celebration

DUBAI: With Eid Al-Fitr on the horizon, you may be planning to host friends and family to mark the festivities.

Nahel Selo, creative director at Sedar Global, shares his décor tips.

Tip 1: Make a good first impression

Spruce up your entrance to set the mood. Start with a prop style chair or bench with festive cushions and add a console table with a metal tray loaded with dates. Adding a diffuser or incense burner and floor lanterns will create a festive atmosphere. 

Tip 2: Ramadan tents and majlis-style seating

You can craft a simple tepee in your garden using sheer or linen curtains or, if budget allows, add a pergola or awning installation. Create communal areas using low seating arrangements such as ottomans or poufs teamed with floor cushions laid over a rug.

Tip 3: Add Arabesque touches

Options include temporary décor such as Arabic calligraphy-inspired style brass accessories,  mirrored objects or even geometric print fabrics.

Mix up interiors with traditional flashes of gold or brass contrasted with trending palettes of turquoise, royal blues or dusky pinks. Selo commented: “Adding metallics, specifically gold and brass, is not only a nod to tradition but also essential to create a festive mood. For 2025 worn brass and golds give an earthy and contemporary finish.”

Tip 4: Creative tablescapes

Take your Eid Al-Fitr meal to the next level by sprucing up the dining table with creative tablescaping. From incorporating metallic, intricate arabesque or lunar pattern accents through cutlery, napkin rings and dinnerware sets, to jute placements, table runners, mini lanterns and dry or fresh florals, thoughtful accents can transform your table. 

“Atmospheric lighting is key,” Selo added. “Battery-operated fairy lights, tall lanterns and tea lights … are a cost-effective décor touch to set the mood.”

 


Lyna Khoudri spotted at TV series festival in Lille

Lyna Khoudri spotted at TV series festival in Lille
Updated 23 March 2025
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Lyna Khoudri spotted at TV series festival in Lille

Lyna Khoudri spotted at TV series festival in Lille

DUBAI: French Algerian actress Lyna Khoudri made an appearance at Series Mania 2025 this weekend in Lille, France.

Also known as the International TV Series Festival, Khoudri and her castmates were on hand to promote Apple TV+ show “Careme.”

“An ambitious, young chef uses his seductive charm to work as a spy so he can save his father — and make his name,” the official logline of the period drama reads. The series is set to land on Apple TV+ on April 30.

It is a biographical series about Antonin Careme, who rose from humble beginnings to become known as the world's first celebrity chef during the Napoleonic era. Careme is played by Cesar Award-winner Benjamin Voisin, who is joined by Cesar Award-winner Khoudri, César Award nominee Jérémie Renier (“My Way,” “Saint Laurent”),”) and Alice Da Luz (“Hanami,” “And the Party Goes On”).

The Cesar Awards are France’s reply to Hollywood’s Academy Awards.

“Careme” is directed by filmmaker Martin Bourboulon, who also directed Khoudri in Afghanistan evacuation drama “13 Days, 13 Nights,”

The drama, the full title of which is “In The Hell Of Kabul: 13 Days, 13 Nights,” stars Khoudri alongside Danish BAFTA-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.

Set against US troops’ withdrawal from Afghanistan in August 2021, as the Taliban marches on Kabul, the film recounts the true story of French Commander Mohamed Bida who oversaw security at the French embassy, which was the last Western mission to remain open.

The film marks a change for Bourboulon after period dramas “The Three Musketeers – Part II: Milady,” “The Three Musketeers – Part I: D’Artagnan” and “Eiffel.”

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

Notably, she was cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton, and Owen Wilson.

 


Actress Jameela Jamil joins Pixar’s ‘Elio’

Actress Jameela Jamil joins Pixar’s ‘Elio’
Updated 22 March 2025
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Actress Jameela Jamil joins Pixar’s ‘Elio’

Actress Jameela Jamil joins Pixar’s ‘Elio’

DUBAI: Actress and activist Jameela Jamil is set to lend her voice to the Pixar animated film, “Elio.”

Jamil will be voicing the character of Ambassador Questa.

The news broke when Jamil took to her Instagram story this week to share her enthusiasm about the project. Posting the official poster for the film, she captioned it: “It happening.” In a follow-up story, she pointed at the animated character and wrote: “It’s me.”

Instagram/ @JameelaJamil

Besides the poster, Pixar also released the trailer this week.

“Elio,” set to be released on June 20, follows an 11-year-old boy named Elio, who accidentally becomes the ambassador for Earth after being transported across the galaxy.

The movie also features the voices of Yonas Kibreab as Elio, Remy Edgerly as his alien best friend Glordon, Academy Award winner Zoe Saldana as Elio’s Aunt Olga, Brad Garrett as Lord Grigon, and Shirley Henderson as OOOOO.

Directed by Madeline Sharafian, Domee Shi and Adrian Molina, the film is produced by Mary Alice Drumm.

Instagram/ @JameelaJamil

Jamil is known for her breakthrough role as Tahani Al-Jamil on NBC’s “The Good Place” and her advocacy work around body positivity and social justice.

Jamil is also starring in “Hysterical” — a new feminist dramedy from Olivia Lee semi-inspired by controversial figure Andrew Tate.

The show stars Naomie Harris and Romesh Ranganathan. Harris plays Leonora, a therapist who spirals into a world of toxic masculinity after her daughter is assaulted.

She learns the boy responsible is a fan of Tommy T, an influencer known for spreading harmful advice among young men. During a weekly “rage release” session with friends, Leonora, fueled by anger and alcohol, convinces the group to act and bring him down.

The plot is inspired by events surrounding Andrew Tate, a former kickboxer with more than 10 million followers who once stated that women should “bear responsibility” for sexual assault.

“UMMMM A comedy series about female rage? Sign me up!” Jamil, who is British Pakistani, wrote on Instagram in October when the show was announced.

“Hysterical” is being produced by Ranganathan’s company, Ranga Bee Productions. Ranganathan and Lee executive produce the show alongside Michelle Farr and Benjamin Green. It has not yet been announced when it will be televised.


Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion
Updated 21 March 2025
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Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

Saudi Arabia to debut at Triennale Milano’s International Exhibition with Al-Ahsa pavilion

DAMMAM: Saudi Arabia’s Ministry of Culture has announced the Kingdom’s inaugural participation at the 24th International Exhibition at the Triennale Milano design museum in Italy later this year, with a pavilion dedicated to the agricultural oasis of Al-Ahsa.

Curated by Lulu Almana and Sara Al-Omran, with Alejandro Stein as creative director, the exhibition is hosted by the Architecture and Design Commission and will be titled “Maghras: A Farm for Experimentation.” It will run from May 13 - Nov. 9.

It will explore the intersection of farming traditions, ecological shifts and cultural memory within a rapidly transforming landscape. The exhibition draws from research, artistic interventions and community-driven programs cultivated at Maghras, a farm and interdisciplinary space in Al-Ahsa.

Al-Ahsa, located in the Eastern Province, has been historically defined by its abundant water sources. It has undergone significant environmental and social transformations, mirroring broader changes in agrarian communities worldwide. The area has been farmed since the third millennium BCE. 

The pavilion takes the form of a transplanted maghras — a traditional unit of land defined by four palm trees. Through videos, sound installations and participatory programs, the exhibition invites audiences to engage with Al-Ahsa’s evolving agricultural ecosystems.

In the lead-up to the exhibition, artists, architects, and researchers collaborated with Al-Ahsa’s farming communities, gathering firsthand insights into the region’s shifting landscape. This knowledge exchange was further explored through performances, film screenings and local workshops examining the deep connections between culture and agriculture.