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REVIEW: ‘Astro Bot’ sets new standards for platformer games

REVIEW: ‘Astro Bot’ sets new standards for platformer games
“Astro Bot,” one of Sony’s flagship titles for the PlayStation 5, raises the bar for 3D platform games. (Courtesy of Sony)
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Updated 29 sec ago
James Denselow
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REVIEW: ‘Astro Bot’ sets new standards for platformer games

REVIEW: ‘Astro Bot’ sets new standards for platformer games
Updated 29 sec ago
James Denselow
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LONDON: “Astro Bot,” one of Sony’s flagship titles for the PlayStation 5, raises the bar for 3D platform games.

Positioned as a competitor to well-known characters such as Mario and Sonic, this game delivers a delightful, imaginative experience, brimming with vibrant levels, innovative mechanics, and a healthy dose of nostalgia that will appeal to younger players and longtime PlayStation fans.

The storyline is simple but leaves plenty of room for the player’s imagination. You play as Astro, a charming robot hero on a mission to rescue his fellow bots scattered across various galaxies after an attack on their spaceship. While the narrative is not groundbreaking, it serves its purpose well, keeping the focus on the gameplay.

“Astro Bot” is designed to engage players of all ages. With a 7-plus age rating, it’s accessible to a wide audience — my 4-year-old, for example, finds it captivating. The game offers about nine hours of playtime for those focused on the main story, with closer to 17 hours for completionists seeking out bonus areas and treasure.

Visually, “Astro Bot” shines. Across six distinct galaxies and more than 80 creatively designed levels, players will explore tropical paradises, icy landscapes and futuristic environments, each packed with charm and variety. The level design ensures the game stays fresh throughout, keeping players engaged.

One of the game’s standout features is its exceptional use of the PS5’s Dual Sense controller. Haptic feedback and adaptive triggers make Astro’s movements feel more immersive than ever. New gadgets and abilities, like animal-themed power-ups, are seamlessly integrated into the gameplay, adding depth and variety. The way the game maximizes the controller’s features makes every jump, glide and gadget interaction feel responsive and exciting.

“Astro Bot” is also a treasure trove for PlayStation history enthusiasts. With more than 150 iconic characters to collect — like PaRappa the Rapper, Kratos from “God of War” and Nathan Drake from “Uncharted” — the game taps into nostalgia that will bring a smile to long-time fans.

Accompanied by a playful soundtrack composed by Kenny C.M. Young, which is available on platforms such as Spotify and Apple Music, the overall experience is joyful and engaging.

In short, “Astro Bot” is a must-play for PS5 owners. It provides fun for all ages and sets a new benchmark for platforming games.

Topics: Atsro Bot

‘I always compete with myself’: Yasmine Sabri shares insights at Hia Hub in Riyadh

‘I always compete with myself’: Yasmine Sabri shares insights at Hia Hub in Riyadh
Updated 56 min 11 sec ago
Rahaf Jambi
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‘I always compete with myself’: Yasmine Sabri shares insights at Hia Hub in Riyadh

‘I always compete with myself’: Yasmine Sabri shares insights at Hia Hub in Riyadh
Updated 56 min 11 sec ago
Rahaf Jambi

RIYADH: In a session at lifestyle conference Hia Hub, Egyptian actress Yasmine Sabri opened up about her life beyond the glitz and glamour of her career. Known for her on screen talent, Sabri took the opportunity to share lesser-known insights about her personal journey, her inspirations, and her views on self-improvement.

Hia Hub is taking place in Riyadh’s JAX district and featured discussions, masterclasses, workshops, interactive exhibitions and live performances. The event wraps up on Nov. 3.

Sabri recounted her dedication to swimming, a passion she pursued until the age of 18. (AN Photo/ Huda Bashatah)

During her talk, Sabri, who has a series of blockbuster Arabic films under her belt and is also a global brand ambassador for French label Cartier, expressed her admiration for Saudi women.

“They embody a spirit of determination that inspires me,” the 36-year-old remarked, before reflecting on her formative years.

 Sabri recounted her dedication to swimming, a passion she pursued until the age of 18. “Swimming taught me discipline,” she said. “I used to swim before school and after at night, and we didn’t have the option to say, ‘I don’t want to.’” This commitment not only shaped her physical abilities but also instilled a strong work ethic that she carries into her acting career, she said.

Mental fortitude also emerged as a key topic during the discussion. Sabri emphasized the importance of competing with oneself, stating, “I’m grateful and I always compete with myself on a daily basis. One should always stay hungry and be competitive with oneself.”

The actress kicked off her career in 2013 and went on to star in such films as “Abo Nasab” and “El Diesel.” (AN Photo/ Huda Bashatah)

The actress kicked off her career in 2013 and went on to star in such films as “Abo Nasab” and “El Diesel.”

Often spotted on the Cannes Film Festival red carpet, as well as at film festivals across the Middle East, the actress is known for her style and her makeup. The actress told the crowd at Hia Hub she is preparing to segway into entrepreneurship with the launch of her own beauty brand, Pose Beauty.

Although details about the brand are being kept under wraps, Sabri would join the likes of Lebanese actress Nadine Nassib Njeim who launched her eponymous beauty brand in May.

Topics: hia hub Yasmine Sabri

Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple

Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple
Updated 02 November 2024
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Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple

Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple
  • Diwali honors the victorious return of Lord Rama, one of Hinduism’s most revered figures, from exile
  • Devotees light up homes and workplaces, distribute sweetmeats and wear colorful clothes to mark festival
Updated 02 November 2024
BURAQ SHABBIR

KARACHI: Thousands of men, women and children, both Hindus and Muslims, gathered on Friday at the 234-year-old Shri Swaminarayan temple in the southern Pakistani port city of Karachi to celebrate one of the biggest Hindu festivals, Diwali.

Diwali honors the victorious return of Lord Rama, one of Hinduism’s most revered figures, from exile and was celebrated in various parts of the world either on Thursday or Friday.

It is also known as the festival of lights to symbolize the triumph of light over darkness, or good over evil, explaining why fireworks are so central to the Diwali celebrations.

The Swaminarayan temple, situated in the Serai Quarters area, is not only frequented by Hindus living in the neighborhood, but members of the community from elsewhere in the bustling megapolis too.

“Diwali is a festival of happiness, a festival of lights. Our lord Rama returned to Ayodhya after 14 years in exile. His wife Sita and his [younger] brother Laxman were also with him, who stood by him,” Hansa Rani, an academic, told Arab News, lighting up small oil lamps, called ‘diyas,’ to welcome their Lord.

“We celebrate their return with happiness [on Diwali], wear new clothes, distribute sweets and make rangoli [in which] we decorate our floor with colors.”

A Hindu woman and a young girl hold clay-lamps during a ceremony to celebrate Diwali, the festival of lights, at Somi Narin temple, in Karachi on November 1, 2024. (AP)


One of the most prominent Hindu festivals, Diwali is celebrated across the globe wherever the community resides. Devotees light up their homes and workplaces to signify light over darkness.

The festivities span over the course of five days, starting with ‘Dhanteras,’ that marks the first day of Diwali, followed by ‘Naraka Chaturdashi’ [Choti Diwali], Diwali, ‘Govardhan Puja’ and Bhai Dooj. Each day has different rituals and significance.

Pakistani Hindu women celebrate 'Diwali', the festival of lights, at the Krishna Temple in Lahore on November 1, 2024. (AFP)

“We are here to celebrate Diwali. As you can see, how happy these people are. There is one festival in the entire year during which we have mithai (sweetmeats), worship, light diyas, and meet our relatives,” Gauri Dara, who was at the temple with her family, told Arab News, on the sidelines of the celebrations.

“On this day, our cousins from other cities come to meet us too. We celebrate Diwali together.”

Children light firecrackers during 'Diwali' festival celebrations in Karachi on November 1, 2024. (AFP)

Muslims, who attended the celebrations at the Swaminarayan temple, said they had come to stand in solidarity with their Hindu brothers and sisters and share their happiness on the joyous occasion.

“[Despite] being a Muslim, I come here every year since the past 10 years in fact. I love the fact that we get to celebrate Diwali with our Hindu community every year because I have a lot of Hindu friends in Pakistan,” Qasim Shafique, a senior television news producer, told Arab News.

“Our flag also represents [minorities]. The white part in the [Pakistani] flag is for minorities. So, I come to celebrate that every year. I’ll meet all my Hindu friends here and we will enjoy the festivities together.”

Topics: hindus in Pakistan Hindus Hindus Pakistan Pakistani Hindus Diwali Diwali festival

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Hia Hub session highlights vital role of pharmacies in Saudi Arabia’s growing skincare market

Hia Hub session highlights vital role of pharmacies in Saudi Arabia’s growing skincare market
Updated 02 November 2024
Rahaf Jambi
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Hia Hub session highlights vital role of pharmacies in Saudi Arabia’s growing skincare market

Hia Hub session highlights vital role of pharmacies in Saudi Arabia’s growing skincare market
Updated 02 November 2024
Rahaf Jambi

RIYADH: Industry leaders discussed the evolving role of pharmacies in skincare during a session at Hia Hub, Saudi Arabia’s fashion, beauty and lifestyle conference, held in Riyadh’s JAX District from Oct. 30 to Nov. 3.

The session, titled “Re-Defining the Pharmacy Channels in Skincare,” brought together prominent figures, including Charlotte Devaux, general manager of wellness and masstige, Pierre Juhen, group president of Patyka, Mahmoud Mamdouh, CEO of Whites Pharmacy, and Cynthia Kattar, editorial director of Hia Magazine.

Mamdouh emphasized the pivotal role of trust in pharmacy skincare. He said: “When discussing pharmacies and skincare, the main concept is trust.” 

(AN/ Huda Bashatah)

Over the past 15 years, pharmacies have cultivated strong relationships with customers, who often turn to pharmacists for personalized skincare consultations, he said. 

Devaux added to the discussion by highlighting social media’s impact on consumer behavior.

(AN/ Huda Bashatah)

She said that while platforms such as TikTok and Instagram offered abundant information, consumers still preferred advice from trusted pharmacists. “Wellness has become a priority for consumers, driving the growth of skincare,” she said. “This reliance on pharmacies as credible sources of information and products is crucial in a marketplace filled with conflicting messages.”

Juhen elaborated on the expansive reach of pharmacies. In Saudi Arabia, there are about 6,000 pharmacy locations, compared to 20,000 in France, he said. 

(AN/ Huda Bashatah)

He said that this dynamic retail channel had shown resilience, even during challenges such as the COVID-19 pandemic, where the pharmacy segment in France experienced growth of 4 percent. 

Juhen highlighted the universal appeal of pharmacies and said: “Everyone visits pharmacies, regardless of age or socioeconomic status,” making them essential points of contact in the community.

The session concluded with a consensus among the speakers on the importance of pharmacies in the skincare sector. As trusted providers of personalized advice and quality products, pharmacies were well-positioned to lead the growth of skincare, they said.

Topics: hia hub

Looking great: Skincare in the spotlight at Hia Hub

Looking great: Skincare in the spotlight at Hia Hub
Updated 01 November 2024
Hams Saleh
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Looking great: Skincare in the spotlight at Hia Hub

Looking great: Skincare in the spotlight at Hia Hub
Updated 01 November 2024
Hams Saleh

DUBAI: Hia Hub, Saudi Arabia’s conference for fashion, beauty and lifestyle, returned this week for its fourth edition in Riyadh’s JAX district, featuring discussions, masterclasses, workshops, interactive exhibitions and live performances.

Among the highlights were several appearances by Patrick Chalhoub, president of Chalhoub Group, where he and the guest speakers discussed the latest developments in the skincare industry as part of “The Skincare Edition: Unfiltered” summit.

“The whole idea of the summit is to take our visitors — be it professionals, skincare lovers, or customers who don’t have enough knowledge — through different experiences,” Chalhoub told Arab News ahead of the event.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Hia Hub (@hiahubofficial)

“They get to diagnose their skin, so they know which areas to focus on, but in a playful way, where people come and engage in all these different experiences, each one brought by a different brand. They’ll learn more in a non-commercial way, almost like a discovery game.”

Speaking about the skincare landscape in Saudi Arabia and the Gulf region, Chalhoub said he had noticed different trends among younger and older consumers.

“The more mature group, I would say, tends to be quite traditional in their skincare habits. They prefer brands they know and trust more than anything,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Hia Hub (@hiahubofficial)

 

“Although mature women are the ones who might benefit more from extensive skincare routines, they tend to use fewer products that target specific needs.”

By comparison, people under 30, including men, were “much more conscious of their wellness,” Chalhoub said.

“They use skincare products more frequently and are willing to experiment with innovative products, even with brands that are not necessarily very popular.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Hia Hub (@hiahubofficial)

“They read more. They are more curious and adventurous, which is why South Korean and Japanese brands, even though they’re not that well known here yet, are making a strong impact in the region.

“Asia has such a big skincare market, with a lot of laboratory research,” he said.

Chalhoub also discussed how climate and culture can influence people’s skincare habits.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Hia Hub (@hiahubofficial)

“For example, in the Gulf region in general and Saudi Arabia in particular, we know the sun here is very strong. So, sunscreen and products that protect against sun-related damage are essential here.”

People also used more moisturizers to ease the irritation of sun-dried skin, he said.

Chalhoub said that while he believed an era of homegrown skincare products could be on the horizon, it was not an easy industry to break into.

“There is a certain level of research and professionalism required in order to be able to do it,” he said.

“It’s not just about creating packaging and making it attractive, you really need to make sure that the product contains high-quality ingredients. Entering the skincare market will always be more complex.”

Topics: hia hub skincare

Displaced Gazan artists’ work on display in ‘Under Fire’  

Displaced Gazan artists’ work on display in ‘Under Fire’  
Updated 01 November 2024
Rawaa Talass
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Displaced Gazan artists’ work on display in ‘Under Fire’  

Displaced Gazan artists’ work on display in ‘Under Fire’  
  • An exhibition in Amman shows works smuggled out of Gaza during the ongoing Israeli assault 
Updated 01 November 2024
Rawaa Talass

DUBAI: A couple tenderly embracing each other; a family gathering; a flowering cactus; and a sunset colored in pink, yellow and orange. Such imagery represents some of the delicate drawings produced by four displaced Gazan artists, whose works are currently being showcased at Darat Al-Funun, an art center in Amman.  

Other images on display make for less comfortable viewing: exhausted people with missing limbs; men kneeling blindfolded in their underwear; women and children whose eyes are wide with terror. 

“Under Fire,” which runs until the end of the year, consists of around 80 artworks by Palestinian artists Basel Al-Maqousi, Majed Shala, Raed Issa and Sohail Salem. All four have been forced from their homes due to the ongoing Israeli assault on the Gaza strip, which began in October 2023.  

A piece by Basel Al-Maqousi from the series 'I Draw with Love, not with War.' (Supplied)

For the exhibition’s curator, Mohammad Shaqdih, receiving the artists’ highly-charged artworks proved to be a cathartic experience. “I was following their work on social media, but when (the pieces) reached Amman and I held them in my hands, I cried at first, to be honest,” Shaqdih tells Arab News. “I was in a state of sadness and I don’t know why. While I was looking through them, I would take a drawing and then quickly put it away. There’s so much death, sadness and blood in these works. At the same time, they embody a form of resilience and resistance. They have life.”  

Organizing any art exhibition comes with its own set of challenges, but planning “Under Fire” was exceptionally difficult.  According to Shaqdih, communicating with the artists through messaging applications and having their works transported across the border were the main issues faced by the curatorial team.  

Raed Issa, 'Friends.' (Supplied)

In May and June 2024, around 100 artworks were taken from Gaza to Egypt. In early October, the works reached Jordan. “These works were passing through some conditions that were dangerous. Some of works were damaged or torn apart,” explains Shaqdih. “It was an adventure taking these works out of Gaza, but, thank God, they reached us.”  

The surviving artworks — predominantly sketches and line drawings — were created, by necessity, using the most basic of materials. Raed Issa, for instance, created his figurative images on medical aid packages using tea as a coloring base. Sohail Salem drew intensely-lined pen drawings in school notebooks provided by the UN Relief and Works Agency.  

Al-Maqousi is showcasing a series of drawings of daily life in crowded camps. “He said: ‘These works are not paintings or works of art for people to see or buy. They are a part of our bodies,’” Shaqdih says.   

Sohail Salem, 'Tala Abu Ajwa, Girl Skater.' (Supplied)

Thematically, the artworks — which are being sold to benefit the artists — are simple and touching. They evoke despair, loss and confusion, but there are elements of hope, love and beauty. One of Issa’s images of two young individuals, depicted with unclear features, is slightly enlivened by the red flowers they hold in their hands.  

“When you read the artists’ incredible accompanying statements, they’re full of human feelings,” Shaqdih says. “What they’re saying is that despite everything they’re going through with this genocide, they are still standing strong and resisting even if it’s through the act of drawing the daily massacres. They’re still able to work and express their existence as human beings under all the ugliness in this world. It’s a form of resistance and resilience.” 

Majed Shala, born in Gaza in 1960, is one of the exhibition’s participants. His works in “Under Fire” depict personal memories, scenes of nature, and life under bombardment. 

Shala’s home and studio were destroyed more than a year ago and he lost all of his artworks. “Under the sound of nonstop bombing, we were (told) to leave our area. We didn’t know where to go,” he tells Arab News. Shala is currently in Deir Al-Balah in central Gaza, where, he says, “the situation is continuously difficult. There is no safety and there are no essential supplies.”  

On a positive note, he says he feels a sense of pride at having his sketches on display in Amman, a city he loves and where he has many friends.  

“I hope that the world stands by those who have the rights, who own the land,” says Shala, “and doesn’t simply watch indifferently from a distance.”  

Topics: Gaza Under Fire

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