Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced recipe for octopus tacos 

Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced  recipe for octopus tacos 
Madrid-born chef Dabiz Muñoz, founder of StreetXO Dubai at the One&Only One Za’abeel, is a globally celebrated culinary figure. (Supplied)
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Updated 31 October 2024
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Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced recipe for octopus tacos 

Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced  recipe for octopus tacos 

DUBAI: Madrid-born chef Dabiz Muñoz, founder of StreetXO Dubai at the One&Only One Za’abeel, is a globally celebrated culinary figure, known for his innovative approach to cooking.  

Muñoz has earned numerous accolades throughout his career. His flagship restaurant, DiverXO, which opened in 2007, holds three Michelin stars (at the time it earned its third, Muñoz became the second-youngest chef to lead a restaurant to this prestigious recognition) for dishes including dumplings with crispy Iberian ear and lobster with Thai curry, showcasing Muñoz’s love of combining diverse ingredients in unconventional ways.  

Muñoz’s fell in love with cooking at a young age, fueled by frequent visits to the renowned Viridiana restaurant in Madrid. It was there that he first encountered Chef Abraham Garcia, whose unique techniques left a lasting impression and helped shape Muñoz’s vision of cuisine as a medium for artistic expression. 

With the dream of opening his own restaurant, Muñoz pursued rigorous training in top kitchens across Spain, London and Tokyo.  

Following DiverXO’s success, Muñoz launched StreetXO in 2012. The Dubai branch opened in 2023 and is the only location outside Spain where diners can experience Muñoz’s cuisine. 

Here, the chef discusses favorite dishes, common kitchen mistakes, and how to nurture culinary curiosity. 

What inspired you to take up cooking as a career? 

I’ve had a passion for cooking for as long as I can remember — it’s something that feels like it’s always been in me. Growing up, I was fascinated by the process of creating meals, watching others in the kitchen, and experimenting myself. Seeing people enjoy the food I made was incredibly rewarding, and that’s when I knew I wanted to turn my love for cooking into a career. 

When you started out, what was the most common mistake you made?  

Rushing. Patience is key in the kitchen. Taking the time to focus on every detail makes all the difference in the final dish. 

What’s your top tip for amateur chefs? 

Feed your curiosity by traveling and expand your knowledge by studying. Cooking is as much about learning as it is about experimenting. Buy lots of books, because they open up a world of techniques, flavors, and cuisines that will inspire you. The more you expose yourself to different ideas, the more creative and confident you’ll become in the kitchen. 

What one ingredient can instantly improve any dish? 

Chilis. They’re a wonderful enhancer and seasoning, full of nuances, aromas, and different sensations that can elevate a dish to another level. I’m obsessed with them because they add depth, heat, and complexity, turning even the simplest of dishes into something special. 

When you go out to eat, do you find yourself critiquing the food?  

Obviously because of my profession I have a critical and trained eye, but the truth is that when I go to other restaurants, I pay much more attention to where they excel, rather than where they fall short. 

And what’s the most common issue that you find in other restaurants? 

I care more about the faults in my own restaurants than those of others. 

What’s your favorite cuisine? 

Whenever I go to a restaurant, I always have an open mind and try as many different dishes as possible. This means I’m often surprised — in a positive way. It’s very common for me to order the whole menu. 

What’s your go-to dish if you have to cook something quickly at home?  

Lately, I’ve been making a lot of bikinis (what we call a ham-and-cheese pressed sandwich in Spain), and I’m enjoying them more and more every day. They’re quick, simple, and always satisfying — perfect when I’m short on time but still want something tasty. 

What customer behavior most annoys you? 

Treating others badly is one behavior I dislike. Respect is essential in any environment, and seeing someone disrespect staff or act rudely is something I find frustrating. 

What’s your favorite dish to cook and why?  

I’m passionate about cocido madrileño (chickpea-based stew) and croquetas. Both are very popular Spanish dishes, simple and very tasty, in fact I always have versions of them on the menu in some of our restaurants. 

What’s the most difficult dish for you to get right?  

The more you make a dish, the easier it becomes — it’s really just a matter of time and practice. Even the most complicated recipes can become second nature if you repeat them enough. 

As a head chef, are you a disciplinarian? Or are you more laidback?  

In the kitchens of the XO world, shouting, bad language, and disrespect are forbidden. 
Throughout all the years of my career, this is something that I have learned and internalized. But this doesn’t imply any less discipline or demand from my side. 

Chef Dabiz Munoz’s octopus taco recipe  




Chef Dabiz Munoz’s octopus taco. (Supplied)

Warning: Requires some specialist equipment if recipe is to be followed exactly, including blast chiller, vacuum sealer, and robata (Japanese charcoal grill, similar to a barbeque).  

Ingredients (for final plating): 

Blue corn tortilla 

10g yellow mole  

8g tamarillo emulsion  

50g cooked octopus 

6g parmesan 

10g carrots 

4 unit sorrel 

6g pumpkin seeds 

1 unit lime wedge 

Instructions: 

Tamarillo Emulsion 

Ingredients: 

10kg peeled, aged, tamarillo (must be ripe) 

2g ajillo 

Salt (to taste) 

Pepper (to taste) 

Method: 

Peel the tamarillo and vacuum seal it. 

Once matured, emulsify everything, salt to taste 

Cooked Octopus 

Ingredients: 

40g octopus  

2 onions  

5g garlic 

2 bay leaves  

Method: 

Cook at 85 degrees celsius for three hours or until tender. Cover the octopus with 85 degree water, add two onions, add 50g of garlic, add 10g of bay leaves. Strain and then blast chill. 

Carrots 

Ingredients for the Marinade: 

0% white wine (no alcohol) 10g 

Jerez vinegar 5g 

Mandarin juice 10g 

Olive oil 3g 

Chopped garlic 6g 

Pimenton de la vera 3g 

Salt, cumin, oregano (to taste) 

Red food coloring (to taste) 

Method: 

Reduce the wine and sherry vinegar by half. In a separate pan, fry the garlic in oil until golden, then add the remaining ingredients to the reduction. 

Pickled carrots: 

Peel the carrots and vacuum seal them with the prepared marinade. 

Pumpkin seeds: 

Lightly fry the pumpkin seeds in oil until golden brown, then season with salt to taste. 

Plating 

Grill the octopus on the robata, adding some smoking Sarmiento underneath for extra flavor. 

Brush the octopus with lemon oil for a bright, citrusy finish. 

Warm the tortilla and place it on the dish, seasoning it with yellow mole and a sprinkle of seeds for texture. 

Position the grilled octopus on top of the tortilla, then add four small dots of tamarillo sauce around it. 

Top the octopus with a light layer of cheese. 

Garnish with thinly sliced carrots and fresh greens to add color and freshness. 

Finish the dish with a squeeze of lime and a dusting of powder to enhance the flavors. 

 


Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
Updated 30 January 2025
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Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
  • Ambassador of India Dr. Suhel Ajaz Khan: The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh
  • Dr. Suhel Ajaz Khan: The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom

RIYADH: The internationally acclaimed sarod maestro Ustad Amjad Ali Khan will give a virtuoso performance of the stringed instrument at the Cultural Palace, Diplomatic Quarter in Riyadh on Feb. 6, 2025.

The Embassy of India, in collaboration with the Diplomatic Quarter Office at the Royal Commission for Riyadh City, is organizing the musical performance of “Three Generations, One Melody,” featuring the renowned Indian sarod quintet led by the acclaimed composer Amjad Ali Khan.

Ambassador of India Dr. Suhel Ajaz Khan told Arab News: “The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh. This unique musical performance being organized for the first time in Saudi Arabia is going to showcase the richness of Indian classical music.”

“The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom that has only become more profound in recent years,” he said.

A few months ago, Indian artists and cultural troupes performed at the ten-day Indian cultural festival at Suwaidi Park in Riyadh under the Global Harmony Initiative of the Saudi government, he said.

“The event was hugely popular among the Saudi guests. Indian art and music always had a huge fan base in Saudi Arabia, and we are happy to see our Saudi friends showing great interest in attending Indian cultural events. This not only shows the strength of our people-to-people ties, but also the immense potential of cultural exchanges between the two countries.”

Speaking to Arab News from India, Amjad Ali Khan said: “I feel very happy, highly honored, that I got the opportunity to perform in Riyadh, to regale the people of Saudi Arabia. I am grateful to the Indian Embassy in Riyadh who made it possible.

“We are invited to the Western world and get a lot of opportunities to perform. Recently the London Philharmonic Orchestra played my composition. I had a concert at the Royal Festival Hall of London.”

The sarod grand master joined the London Philharmonic Orchestra in a concert that spanned continents and cultures.

“A Saudi orchestra can also play my composition, ‘Samaagam,’ but it needs to be planned,” he said.

“To perform with your children and grandchildren is only possible with the blessing of the Almighty Allah, and the prayers of fans. I am lucky to perform with our three generations in the concert in Riyadh.”

The sarod grand master was born to a family steeped in Indian classical music and is regarded as one of the icons of the music world, bringing a new and yet timeless interpretation to the playing of the sarod.

The sarod is a fretless stringed instrument with a teak frame, a goatskin soundtable and a metal fingerboard, with six to eight strings as well as additional sympathetic strings. The instrument lends itself to improvization and graceful expression because of the ability of the musician to slide and glide between notes, much like a human voice.

His sons, Amaan Ali Bangash and Ayaan Ali Bangash, are virtuoso performers in their own right, and will accompany the sarod grand master at the concert in Riyadh.


‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh
Updated 30 January 2025
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‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

DUBAI: “The Seven Dogs,” a groundbreaking film for Saudi Arabia starring Egyptian cinema icons Karim Abdel Aziz and Ahmed Ezz, has begun production in Riyadh.
The film is based on a story by Turki Al-Sheikh, Chairman of Saudi Arabia's General Entertainment Authority, with a screenplay by Mohamed El-Dabbah.

The project – directed by the internationally acclaimed duo Adil El Arbi and Bilall Fallah, known for their work on "Bad Boys for Life” – is making waves for its substantial budget, exceeding $40 million, making it the largest Arabic film production to date, according to Al-Sheikh.

Filming is taking place at the newly inaugurated Al-Hisn Big Time Studios in Saudi Arabia.

Al-Sheikh expressed his enthusiasm on social media, writing, “Today marks an important day in my career and in the history of cinema in my country and the Arab world. Today, filming began for ‘The Seven Dogs,’ a story by myself and the Big Time team, with a screenplay by Mohamed El-Dabbah."

This collaboration between Abdel Aziz and Ezz follows their previous successful projects, including “Kira & El Gin.”

The film's plot details remain under wraps, but the combination of a high-profile cast, experienced directors, and a significant production budget has generated considerable anticipation.


A love song to Palestine: ‘Thread Memory’ at Hayy Jameel in Jeddah 

A love song to Palestine: ‘Thread Memory’ at Hayy Jameel in Jeddah 
'Fatima Yousef Sewing a Palestinian thobe, Kobar-Ramallah, the 1970s' (1970s), courtesy of the Palestinian Museum
Updated 30 January 2025
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A love song to Palestine: ‘Thread Memory’ at Hayy Jameel in Jeddah 

A love song to Palestine: ‘Thread Memory’ at Hayy Jameel in Jeddah 
  • Curator Rachel Dedman discusses the show celebrating the ancient art of tatreez 

JEDDAH: In January, the exhibition “Thread Memory: Embroidery from Palestine” opened at Hayy Jameel in Jeddah. It explores the ancient Palestinian tradition of tatreez; intricate hand embroidery primarily undertaken by women. 

Tatreez — a slow, laborious and deliberate practice — is far more than just a decorative art form; it has come to be seen as a symbol of resilience, community and cultural pride. Amid the ongoing conflicts in Gaza and Lebanon, the exhibition celebrates Palestinian stories and creativity. 

On Jan. 23, the exhibition “Thread Memory: Embroidery from Palestine” opened at Hayy Jameel in Jeddah. (Supplied)

It is also, curator Rachel Dedman notes, “an opportunity for the Palestinian diaspora in Saudi — which is a huge community — to connect with their own heritage.” And there are, she adds, “really fertile connections to be made, interdisciplinarily, between (Palestinian) embroidery and embroidery from Saudi Arabia.”  

The exhibition, which runs until April 17, features more than 30 dresses and multiple accessories — pieces of jewelry, small dolls, a handkerchief, headdresses — plus more than 100 images from the Palestinian Museum. It also includes a display of smartphones showcasing real-time updates from Palestine.  

In partnership with the Palestinian Museum in Birzeit, “Thread Memory” draws from an extensive archive, emphasizing tatreez as a living art form which is deeply entwined within Palestinian life and tells the stories of generations of people and of shared resistance and hope amid the ongoing violence and threat of erasure. 

Rachel Dedman. (Supplied)

Dedman says there are probably as many tatreez variations as there are villages in Palestine. She views it as a way in which its female creators empower themselves, looking to the future when the present might seem unbearable. The dresses mark the milestones of a woman’s life.  

In times of displacement, often the women can only take with them the clothes on their back, so there are instances when a garment has been modified to fit different bodies.  

The exhibition is also full of textual information.  

“There’s beauty in (that), because this is a history that’s being actively erased — or that is under threat of erasure,” says Dedman. “So by offering up a lot of information, I hope maybe there’s some Palestinians in Jeddah who feel more connected to their own history or heritage, who feel seen, who feel represented, who feel able to come to a space and experience the grief that we’re all feeling, acknowledged in this beautiful way. 

Some of the dresses actually come from personal collections in Riyadh and Jeddah, Dedman explains. “There’s also a wonderful Syrian dress included; (these are) examples of how, in diaspora, these dresses continue to be deeply meaningful for those who own them,” Dedman explains. 

Handmade embroidered ties created by the Association for the Development of Palestinian Camps (INAASH)' (1973), (Courtesy of the Palestinian Museum)

While Dedman is not of Palestinian descent, she is an active and avid supporter of the Palestinian cause, and she sees tatreez is a profound reflection of Palestinian life, resilience and creativity. 

“Nobody who has — or practices — tatreez finds it trivial,” she says.  

Dedman — a London-based expert in Middle Eastern textiles, has dedicated over a decade to studying tatreez, starting in 2014 with her work for the Palestinian Museum in Birzeit, with whom she collaborated for this exhibition. Her previous exhibitions have highlighted tatreez as both an art and a tool of cultural preservation. In addition to her role as the Jameel Curator of Contemporary Art from the Middle East at London’s Victoria and Albert Museum, Dedman also lectures globally on the intersection of textiles, identity and politics. 

“I’m in this position of enormous privilege; I have the passports to travel between Lebanon and Palestine — no Lebanese or Palestinian can do so,” she explains. “And for me, it was really important to not just drop in and interview someone, but to try and forge relationships and bring them in as sort of members.”  

Her goal for the Jeddah exhibition is simple. “I’m always excited by the opportunity to bring Palestinian voices into a space. I hope it speaks to people,” she says. “For me, the dresses are almost punctuation amid the love song to Palestine that this exhibition is.” 


Elie Saab’s couture escapism finds a new edge in Paris

Elie Saab’s couture escapism finds a new edge in Paris
Updated 30 January 2025
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Elie Saab’s couture escapism finds a new edge in Paris

Elie Saab’s couture escapism finds a new edge in Paris

PARIS: The sounds of spring, with babbling brooks and birdsong, set a serene yet surreal tone Wednesday as Elie Saab unveiled his latest couture collection inside the soaring Palais de Tokyo in Paris.

It was punctuated only by whoops and clicking camera shutters as Eva Longoria swept in.

While the setting evoked pastoral bliss, the collection was a study in high-drama couture, as Saab’s signature opulence met a new architectural precision.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

This season, the Lebanese designer, a red carpet mainstay, tempered his signature cascades of embroidery with an almost armor-like structure. Sweeping architectural flourishes curved around shoulders and hips, recalling the grandeur of Art Deco but with a modern sheen. Geometric bands of sparkles reinforced the sculptural intent, carving out silhouettes that felt more commanding than Saab’s typical fluid romance.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Models emerged on three parallel runways framed by classical white arches, wearing gowns dripping with jewels and embroidered feathers that echoed foliage. The effect was cinematic, an invitation into a world of 1920s glamour — Gatsby decadence reimagined with Saab’s unerring eye for fantasy. But in a world of uncertainty, the excess took on a different weight, a reminder that fashion has long been a glittering escape from reality.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Saab’s touchstone aesthetic — luxurious embellishment, silhouette-flattering cuts and red carpet allure — was intact, but there was an added sense of structure, a couture boldness that gave the collection its edge. The designer has never strayed far from his core of femininity and grandeur, yet here was a whisper of something stronger: a woman draped in fantasy, but armored for the future.

Saab was not the only Arab designer to present that day.

Lebanese designer-to-the-stars Zuhair Murad, whose country has been under Israeli bombardment, told AFP that his glamorous collection of long evening wear was inspired by the idea of a tropical island inhabited by goddess-like women.

“The message of this collection is about escaping from our hectic world. I imagined this beautiful island, far from the cities, far from technology, far from the world that we live in right now, a peaceful world,” he said.


Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

Japan’s Drum Tao deliver heart-pounding beats on Saudi debut
Updated 30 January 2025
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Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

DHAHRAN: Drum Tao, the internationally acclaimed Japanese drumming ensemble, delivered a heart-pounding performance at the King Abdulaziz Center for World Culture’s theater on Wednesday night.

Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31.

For over an hour, the audience regularly clapped in unison. With no lyrics, the performance relied entirely on sight and sound to tell its story.

Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31. (Supplied)

The stage lighting shifted throughout, intending to evoke a range of emotions. The interplay of flute and drums created a soundscape that was at once soft and powerful, gentle yet aggressive.

The energy was serene and melancholic, tender and intense, seamlessly blending contrasts. The seemingly chaotic performance was expertly synchronized and at times humorous.

Known for their fusion of traditional wadaiko drumming, modern choreography, and dynamic storytelling, Drum Tao was founded in 1993 in Oita, Japan.

They have performed in more than 500 cities for more than 9 million spectators worldwide.

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8. (Supplied)

They made their off-Broadway debut in New York to a sold-out audience in 2016 before bringing their performances to Tokyo and Osaka’s most popular nightclubs in 2022 as a part of Club Tao.

Directed by Drum Tao founder Ikuo Fujitaka, the evening at Ithra fused the thunderous beats of taiko drums with the delicate melodies of Japanese flutes and harps.

The choreography — an athletic feat in itself — added another layer of spectacle, making it a true crowd pleaser.

For the audience, the evening was more than just a performance — it was a vivid exploration of Japanese culture.

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8.

Other Japanese musicians and artists also traveled to Ithra to showcase their talents.

One of them, Kohei Matsumoto, whose performances can be seen at Ithra’s Lush Garden, spoke to Arab News about how Japanese music is fostering cultural exchange and understanding.

“I’m really happy to see (Saudi) Arabian people enjoying Japanese culture through music — people can experience authentic Japanese traditions here (at Ithra’s Japan cultural days),” Matsumoto said.