Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced recipe for octopus tacos 

Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced  recipe for octopus tacos 
Madrid-born chef Dabiz Muñoz, founder of StreetXO Dubai at the One&Only One Za’abeel, is a globally celebrated culinary figure. (Supplied)
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Updated 31 October 2024
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Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced recipe for octopus tacos 

Recipes for Success: Chef Dabiz Muñoz offers advice and an advanced  recipe for octopus tacos 

DUBAI: Madrid-born chef Dabiz Muñoz, founder of StreetXO Dubai at the One&Only One Za’abeel, is a globally celebrated culinary figure, known for his innovative approach to cooking.  

Muñoz has earned numerous accolades throughout his career. His flagship restaurant, DiverXO, which opened in 2007, holds three Michelin stars (at the time it earned its third, Muñoz became the second-youngest chef to lead a restaurant to this prestigious recognition) for dishes including dumplings with crispy Iberian ear and lobster with Thai curry, showcasing Muñoz’s love of combining diverse ingredients in unconventional ways.  

Muñoz’s fell in love with cooking at a young age, fueled by frequent visits to the renowned Viridiana restaurant in Madrid. It was there that he first encountered Chef Abraham Garcia, whose unique techniques left a lasting impression and helped shape Muñoz’s vision of cuisine as a medium for artistic expression. 

With the dream of opening his own restaurant, Muñoz pursued rigorous training in top kitchens across Spain, London and Tokyo.  

Following DiverXO’s success, Muñoz launched StreetXO in 2012. The Dubai branch opened in 2023 and is the only location outside Spain where diners can experience Muñoz’s cuisine. 

Here, the chef discusses favorite dishes, common kitchen mistakes, and how to nurture culinary curiosity. 

What inspired you to take up cooking as a career? 

I’ve had a passion for cooking for as long as I can remember — it’s something that feels like it’s always been in me. Growing up, I was fascinated by the process of creating meals, watching others in the kitchen, and experimenting myself. Seeing people enjoy the food I made was incredibly rewarding, and that’s when I knew I wanted to turn my love for cooking into a career. 

When you started out, what was the most common mistake you made?  

Rushing. Patience is key in the kitchen. Taking the time to focus on every detail makes all the difference in the final dish. 

What’s your top tip for amateur chefs? 

Feed your curiosity by traveling and expand your knowledge by studying. Cooking is as much about learning as it is about experimenting. Buy lots of books, because they open up a world of techniques, flavors, and cuisines that will inspire you. The more you expose yourself to different ideas, the more creative and confident you’ll become in the kitchen. 

What one ingredient can instantly improve any dish? 

Chilis. They’re a wonderful enhancer and seasoning, full of nuances, aromas, and different sensations that can elevate a dish to another level. I’m obsessed with them because they add depth, heat, and complexity, turning even the simplest of dishes into something special. 

When you go out to eat, do you find yourself critiquing the food?  

Obviously because of my profession I have a critical and trained eye, but the truth is that when I go to other restaurants, I pay much more attention to where they excel, rather than where they fall short. 

And what’s the most common issue that you find in other restaurants? 

I care more about the faults in my own restaurants than those of others. 

What’s your favorite cuisine? 

Whenever I go to a restaurant, I always have an open mind and try as many different dishes as possible. This means I’m often surprised — in a positive way. It’s very common for me to order the whole menu. 

What’s your go-to dish if you have to cook something quickly at home?  

Lately, I’ve been making a lot of bikinis (what we call a ham-and-cheese pressed sandwich in Spain), and I’m enjoying them more and more every day. They’re quick, simple, and always satisfying — perfect when I’m short on time but still want something tasty. 

What customer behavior most annoys you? 

Treating others badly is one behavior I dislike. Respect is essential in any environment, and seeing someone disrespect staff or act rudely is something I find frustrating. 

What’s your favorite dish to cook and why?  

I’m passionate about cocido madrileño (chickpea-based stew) and croquetas. Both are very popular Spanish dishes, simple and very tasty, in fact I always have versions of them on the menu in some of our restaurants. 

What’s the most difficult dish for you to get right?  

The more you make a dish, the easier it becomes — it’s really just a matter of time and practice. Even the most complicated recipes can become second nature if you repeat them enough. 

As a head chef, are you a disciplinarian? Or are you more laidback?  

In the kitchens of the XO world, shouting, bad language, and disrespect are forbidden. 
Throughout all the years of my career, this is something that I have learned and internalized. But this doesn’t imply any less discipline or demand from my side. 

Chef Dabiz Munoz’s octopus taco recipe  




Chef Dabiz Munoz’s octopus taco. (Supplied)

Warning: Requires some specialist equipment if recipe is to be followed exactly, including blast chiller, vacuum sealer, and robata (Japanese charcoal grill, similar to a barbeque).  

Ingredients (for final plating): 

Blue corn tortilla 

10g yellow mole  

8g tamarillo emulsion  

50g cooked octopus 

6g parmesan 

10g carrots 

4 unit sorrel 

6g pumpkin seeds 

1 unit lime wedge 

Instructions: 

Tamarillo Emulsion 

Ingredients: 

10kg peeled, aged, tamarillo (must be ripe) 

2g ajillo 

Salt (to taste) 

Pepper (to taste) 

Method: 

Peel the tamarillo and vacuum seal it. 

Once matured, emulsify everything, salt to taste 

Cooked Octopus 

Ingredients: 

40g octopus  

2 onions  

5g garlic 

2 bay leaves  

Method: 

Cook at 85 degrees celsius for three hours or until tender. Cover the octopus with 85 degree water, add two onions, add 50g of garlic, add 10g of bay leaves. Strain and then blast chill. 

Carrots 

Ingredients for the Marinade: 

0% white wine (no alcohol) 10g 

Jerez vinegar 5g 

Mandarin juice 10g 

Olive oil 3g 

Chopped garlic 6g 

Pimenton de la vera 3g 

Salt, cumin, oregano (to taste) 

Red food coloring (to taste) 

Method: 

Reduce the wine and sherry vinegar by half. In a separate pan, fry the garlic in oil until golden, then add the remaining ingredients to the reduction. 

Pickled carrots: 

Peel the carrots and vacuum seal them with the prepared marinade. 

Pumpkin seeds: 

Lightly fry the pumpkin seeds in oil until golden brown, then season with salt to taste. 

Plating 

Grill the octopus on the robata, adding some smoking Sarmiento underneath for extra flavor. 

Brush the octopus with lemon oil for a bright, citrusy finish. 

Warm the tortilla and place it on the dish, seasoning it with yellow mole and a sprinkle of seeds for texture. 

Position the grilled octopus on top of the tortilla, then add four small dots of tamarillo sauce around it. 

Top the octopus with a light layer of cheese. 

Garnish with thinly sliced carrots and fresh greens to add color and freshness. 

Finish the dish with a squeeze of lime and a dusting of powder to enhance the flavors. 

 


Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF

Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF
Updated 12 December 2024
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Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF

Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF
  • Misses dancing and culture, she says at Red Sea film festival
  • Feels ‘fortunate’ to work in 2 of world’s largest film industries

JEDDAH: Bollywood fans can rest easy — Indian superstar and film producer Priyanka Chopra Jonas is not yet done with India’s film industry and is planning to return as soon as 2025.

“I’ve been seeking to do something again. It’s been almost six, seven years since I’ve done a movie back in India. I’m hoping next year … I’m very close,” Chopra Jonas told Arab News.

She was speaking on the sidelines of the fourth edition of the Red Sea International Film Festival in Jeddah, where she was honored at the closing ceremony on Thursday.

“I like a couple of things very much. I’m really hoping next year I do an Indian movie, because I miss the dancing,” she said.

“I miss the language, I miss Indian culture. I miss working with the crew that I’ve grown up working with in the Indian film industry,” continued Chopra Jonas, who is married to American musician Nick Jonas.

“So I really never transitioned from Bollywood to Hollywood. The idea was always to balance both. I think I’m very fortunate to be one of the very few talents that can work in two of the largest film industries in the world. And I am very proud of that.”

Chopra Jonas is coming off a packed 2024 schedule where she completed filming on two massive projects, including Amazon Prime Video’s “Citadel” season two and the Hollywood swashbuckler action film “The Bluff,” co-starring Karl Urban.

The series “Citadel,” produced by “Avenger: Endgame” filmmakers Joe and Anthony Russo, and also starring “Game of Thrones” actor Richard Madden, introduced two new international spin-off series this year, with two more in the works.

While “Citadel: Diana” is set in Italy, “Citadel: Hunny Bunny,” starring Samantha Ruth Prabhu and Varun Dhawan, follows the lives of Chopra Jonas’ character Nadia Sinh’s parents.

“I think it’s the only show of its kind in the world to try to achieve that, which is having other original shows from local languages that are all connected. I don’t think that’s ever been achieved in entertainment.

“And it’s a really ambitious idea, and only, I guess, Amazon Prime Video could pull it off. I’ve worked with them a lot this year, and as a studio they just have really ambitious ideas, and I’ve had a great time working this year with them,” said Chopra Jonas.

She added: “The second season was really fun to film because we’ve now connected stories from our international shows as well. In the second season, we have a lot of new cast that’s come in.

“Joe Russo directed most of it himself, which was really cool, because he’s just incredibly talented when it comes to shooting something at that scale, but yet not losing the integrity of your characters. So that was really wonderful.

“I think this season is very grounded. It’s very about the characters and what is happening with each one of our stories, which I think people will find really, really interesting.”

Chopra Jonas also stars in the upcoming pirate flick “The Bluff,” from British indie filmmaker Frank E. Flowers. Apart from Chopra Jonas and Urban, the film also stars “The Lord of the Rings: The Rings of Power” actor Ismael Cruz Cordova.

“I mean, to play a female pirate is an incredible opportunity, and especially because female pirates actually existed. So, it was really wonderful for me to start doing research into the 1800s and 1700s and, you know, read about amazing, legendary female pirates like Grace O’Malley.

“And it was just really amazing to think that in the 1700s you have like women that were captains of pirate ships and did what we usually see men do,” she said.

“And then when I read the script, it’s a really grounded movie. So, it’s not like ‘Pirates of the Caribbean,’ where, you know, it’s like fun, but it’s like the serious version of what piracy actually was like, and pillaging.

“And so it’s a wonderful story about a woman trying to save her family from her past. I love that story. We shot it in Australia over three months. The story is based in the Cayman Islands, so we recreated that. And, yeah, I finished shooting that in August, and then I went into ‘Citadel’ season two.”

Chopra Jonas shot to fame in Bollywood in the early noughties and starred in several blockbusters including “Don 2” and the “Krrish” franchise before catching the eye of Hollywood casting directors, most notably with 2017’s “Baywatch” and 2021’s “The Matrix Resurrections.”


Still to screen: Movies you can catch this weekend at RSIFF

Still to screen: Movies you can catch this weekend at RSIFF
Updated 12 December 2024
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Still to screen: Movies you can catch this weekend at RSIFF

Still to screen: Movies you can catch this weekend at RSIFF
  • With just two days to go, here are a handful of the films coming up at the festival

‘Holes’ 

Director: Abdulmohsen Aldhabaan 

Starring: Mariam Abdulrahman, Meshal Almutairi 

Saudi writer-director Aldhabaan’s latest feature has echoes of his last, “The Matchmaker,” in that “Holes” is also a psychological thriller. It centers on Rakan and his wife Rim, desperate to find their own place so that they no longer have to live with Rakan’s mother. The only issue with their new home is the hole that someone appears to have hammered through one of its walls. After moving in, Rakan becomes increasingly distant from his wife. Through flashbacks, we begin to learn why his mood has changed, and when his mother is attacked by burglars breaking into her house, Rakan is confronted by an unwelcome reminder of his past.  

‘Better Man’ 

Director: Michael Gracey 

Starring: Robbie Williams, Steve Pemberton, Alison Steadman 

It’s the story of UK pop superstar Robbie Williams, but “Better Man” is not your average musical biopic. While the rest of the cast consists of actors (including some of England’s finest), Williams is played by a CGI chimpanzee (voiced by the man himself), because of Williams’ feeling of being a “performing monkey” for most of his career. The result is actually genuinely moving as we follow Williams’ meteoric rise as a member of boy band Take That through his record-breaking solo career to his struggles with fame, addiction and depression — arguably far more moving because of the choice to not have Williams, or, indeed, any other actor, play the lead. An astonishing technical achievement. 

‘Lail Nahar’ 

Director: Abdulaziz Almuzaini  

Starring: Abdullah Al-Sadhan, Zyad Alamri, Nawaf Alsulaiman 

Saudi writer-director Almuzaini is best known as the co-creator of the wildly popular animated series “Masameer.” With “Lail Nahar” he turns his satirical lens on the Saudi entertainment industry. Popular singer Nahar is accused of racism in a video that goes viral. To counter the accusations, he announces — live — his upcoming marriage to a black woman. There’s just one snag: he doesn’t yet have a fiancée. However, he comes to an arrangement with a wedding singer, and the pair find that their fake romance unexpectedly blossoms into an emotional journey.   

‘My Driver and I’ 

Director: Ahd Kamel 

Starring: Roula Dakheelallah, Mishaal Tamer, Mustafa Shehata 

Saudi actress, writer, director and producer Kamel mines her own childhood in this coming-of-age story set in Jeddah in the Eighties and Nineties. It centers on the relationship between a rebellious girl, Salma, and her family’s chauffeur, a Sudanese man named Gamar, who quickly becomes her confidant and something of a father figure in lieu of her real dad, an always-on-the-go businessman. But as Salma grows up, their relationship becomes strained as Gamar tries to rein in her defiance, believing that he is protecting her reputation.  

‘Night of the Zoopocalypse’ 

Directors: Ricardo Curtis, Rodrigo Perez-Castro 

Voice cast: Gabbi Kosmidis, David Harbour, Scott Thompson 

Animated comedy-horror inspired by a short story by English horror writer Clive Barker. A meteorite crashes into Colepepper Zoo, releasing a virus that turns the majority of the animals there into zombies. The handful of survivors, led by a young wolf named Gracie and the gruff old mountain lion Dan, team up to find a cure and defeat the mutant Bunny King. Family-friendly fun.  

‘Yalla Parkour’ 

Director: Areeb Zuaiter 

Starring: Areeb Zuaiter, Ahmad Matar 

Palestine-born filmmaker Zuaiter’s debut feature documentary picked up the International Prize at DOC NYC. It was reportedly 10 years in the making and was completed before the events of Oct. 7, 2023 (although the ongoing destruction of Gaza is noted in the prologue). The film was inspired by internet footage the Washington-based Zuaiter discovered in 2013 of a group of young men performing parkour in Khan Yunis, in south Gaza. At the time, Zuaiter was searching for connection to her homeland, having lost her Palestinian mother. Via social media, she gets in touch with one of the athletes, Ahmad Matar, and they begin to talk about life in Gaza — where Zuaiter is unable to visit. But with Matar as her guide, she begins to rediscover childhood memories, and to see parkour as a form of hope and freedom in the face of oppression.  

‘A Sudden Case of Christmas’ 

Director: Peter Chelsom 

Starring: Danny DeVito, Andie MacDowell, Wilmer Valderrama 

This seasonal film is a family affair on several levels, not least because comedy legend Danny DeVito stars alongside his daughter Lucy. It’s the story of an American couple on the verge of separating. To break the news to their 10-year-old daughter Claire, they take a trip to her grandfather’s hotel in Italy. Hoping that she can hatch a plan to keep her parents together, Claire asks the whole family to celebrate a final Christmas together. In August.   


REVIEW: Keira Knightley fronts wonderfully over-the-top spy drama ‘Black Doves’

REVIEW: Keira Knightley fronts wonderfully over-the-top spy drama ‘Black Doves’
Updated 12 December 2024
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REVIEW: Keira Knightley fronts wonderfully over-the-top spy drama ‘Black Doves’

REVIEW: Keira Knightley fronts wonderfully over-the-top spy drama ‘Black Doves’
  • Knightley and Ben Whishaw dazzle in new Netflix show

LONDON: It’s not uncommon to see Keira Knightley on TV around the festive period — usually in reruns of “Love Actually” or the “Pirates of the Caribbean” movies. But “Black Doves” – a new six-part Netflix series from writer/creator Joe Barton – sees Knightley in an altogether different Christmas setting.  

On the streets of festive London, Knightley’s Helen is swept up in a world of snipers and espionage after the death of a civil servant forces her everyday life as a devoted wife and mother to overlap with her secret career as a Black Dove — a spy who has been passing secrets from her politician husband to a shadowy organization run by spymaster Reed (Sarah Lancashire, devouring every single scene she’s in). With Helen now a target, her friend and master assassin Sam (Ben Whishaw) sweeps in to help her get to the bottom of the threat. 

What follows is a fast-paced caper that’s equal parts whodunnit, violent gangster flick and British character drama. Knightley’s Helen is all polished calm with simmering rage, Whishaw’s Sam is an amiable, charming man with a terrifying aptitude for violence. Together, the two form one of the most dynamic on-screen partnerships of recent years. Each part of their history — some hinted at, some told via flashbacks — feels captivatingly real and relatable, despite the fact that both have more spy skills than Bond and Bourne combined. 

At times, it’s super-tropey — characters write important names and events on notepads, or whispered flashbacks are used to remind us that what’s happening is Very Important Because of That Thing That Guy Said Last Episode. But where such heavy-handedness is usually an irritation, “Black Doves” leans into its pulpy tendencies, and is actually all the better for it. Because it’s that combination of highly implausible spy thriller and decidedly British sensibilities that makes this show fizz. It’s great to see Helen battle a knife-wielding assassin in her kitchen, or to see Sam decimate attackers in his pajamas (it remains, though, very disconcerting to hear the voice of Paddington Bear discussing a shootout), but it’s also great to hear them bicker about their personal lives in between set pieces.  

“Black Doves” is a wonderful, festive surprise — a show that’s as good as the sum of its impressive parts, and then some. 


Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’

Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’
Updated 12 December 2024
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Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’

Review: First-time director Anderson .Paak brings humor and magic to RSIFF title ‘K-Pops’

JEDDAH: Cinema can go overboard with emotional relationships, and this is where American singer and rapper Anderson .Paak’s Red Sea International Film Festival title “K-Pops” hits the right notes without sinking into a morose medley. Entertaining, with music that keeps the audience engaged, the film follows BJ, a washed-up drummer whose life turns around when he meets his teenage son for the first time.

.Paak himself plays the father, who is still holding out in middle age for rock’n’roll stardom while his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean.

The film was partially shot in Saudi Arabia's AlUla. (Supplied)

BJ gets an unexpected gig on a Korean talent show and discovers that Tae Young is a hotly-tipped contestant.

The movie travels beyond the Korean cultural scene by exploring the love life of its protagonist, who on a trip to Korea meets his old lover, Yeji (Jee Young Han), and learns that he has had a son by her. The two make up for lost time, and the scenes between them are handled subtly by .Paak – laudable for a debutant director who is also a multi-Grammy winner.  Eager to make up for lost parenting time, BJ becomes the boy’s mentor but as the film goes on, we realize the father needs to grow up alongside his son.

Partly shot in Saudi Arabia’s AlUla as part of a multi-film deal between Film AlUla and global media company Stampede Ventures, the work turns out to be endearingly personal and the ties between father and son are magical. Touchingly tender, it is an easy watch, in part because of the strong chemistry between all three lead stars. What is more, interracial complexities are woven into the plot, although I did feel that these could have been explored a little more — a somewhat understated screenplay could have been reason and more layered storytelling would have been welcome. However, the film's comedic touches make up for this and .Paak is mesmeric, especially when he gets the audience to laugh the loudest. Leisurely executed, the movie flows along like a lazy river that is a joy to ride.


Review: RSIFF title ‘Black Dog’ is an art house draw

Review: RSIFF title ‘Black Dog’ is an art house draw
Updated 12 December 2024
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Review: RSIFF title ‘Black Dog’ is an art house draw

Review: RSIFF title ‘Black Dog’ is an art house draw

JEDDAH: The winner of the Un Certain Regard prize at the Cannes Film Festival in May, Chinese drama “Black Dog” travelled to the Red Sea International Film Festival in Jeddah and screened as part of the Festival Favorites program. Stark and suitably set in the barren landscape of the Chinese desert, the movie explores loneliness and exudes a sense of desperation. Director Guan Hu (known for “Mr Six,” “Run for Love,” “Cow”) follows a murder convict who leaves prison and lands a job as a dog catcher in a work that strongly reminded me of the celebrated Japanese auteur Takeshi Kitano.

Lang (essayed by a grim Eddie Peng) is hired to trap strays in the Gobi Desert. But a man with a heart that melts, he watches in anguish as the canines are mistreated and decides to adopt one. Once a celebrity — a stunt motorcyclist, a great guitarist and the son of a bigwig — Lang’s incarceration sees him transformed into a completely different person that is wonderfully encapsulated by Peng.

Strictly for art house fans, “Black Dog” can be a hard watch for others and the starkness of a part of the country with its decay and hostile desert sands is far from the allure that we often associate with cinema. Hu does not seem to care as he tells us with brutal frankness how dozens of dogs (some suffering from fatal rabies) are hunted down with a huge net by catchers — the scenes can be revolting to some.

“Black Dog” relies on one too many contrived incidents that impede the narrative flow, but if you’re a fan of moody, almost allegorical films, this one is for you.