Tashkent: An underrated gem of the Silk Road

Tashkent: An underrated gem of the Silk Road
Kukeldash Madrasah in Tashkent. (Shutterstock)
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Updated 17 October 2024
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Tashkent: An underrated gem of the Silk Road

Tashkent: An underrated gem of the Silk Road
  • Uzbekistan’s capital city boasts grand architecture and a rich cultural history 

DUBAI: Tashkent may not be as famous for its architecture and culture as Paris, Rome or Barcelona, but the capital of Uzbekistan is an underrated gem for tourists.  

With a population of more than three million, Tashkent is the largest city in Central Asia, which was formerly part of the Soviet Union. Tashkent — which means “city of stone” — is historically significant as one of several trading hubs (along with its neighboring cities Bukhara and Samarkand) on the Silk Road stretching from Europe to China. In the 8th century, the city was under Muslim Arab rule, and Islamic architecture, studded with stunning blue tiles that match the skies above Tashkent, remains a notable feature.  

Under Soviet rule, Tashkent saw a rise in the modernist style of heavy, brutalist buildings beloved by the USSR — see, for example, the overwhelming, grid-like exterior of Hotel Uzbekistan, established in 1974. Between the 1960s and 1990s, such structures were part of a plan to rebuild the city after an earthquake in 1966.  




Tashkent's Alisher Navoiy Theater. (Shutterstock)

One of the grandest buildings in Tashkent is the centrally located Alisher Navoiy Theater, an elegant opera house which opened in the 1930s, playing the timeless melodies of classical maestros Tchaikovsky, Prokofiev and Verdi. It is named after the poet and national hero dubbed “the father of Uzbek literature,” who was born in modern-day Afghanistan during the 1400s. Designed by the Soviet architect Alexey Shchusev, the 1,500-seat opera house radiates with European and Oriental stylistic elements. Its six lobbies are named after the Uzbek cities of Bukhara, Khorezm, Samarkand, Fergana, Termez and Tashkent.  

A number of museums — devoted to history, art, geology and warfare — exist in the capital; one of the best is the highly ornate Museum of Applied Arts, which pays tribute to the delicate handcraftsmanship of traditional Uzbek artisans, and displays embroidery, pottery, miniature paintings, jewelry and weaponry. The building itself is a work of art too, showcasing detailed wooden ceilings rendered with floral and geometric motifs.  

There are more than 2,000 mosques in Uzbekistan and one of its oldest is Kukeldash Madrasah, founded in the 1500s. The tranquil site, which has been restored and used for various purposes over the years, was originally built to host lessons in Islamic studies and the Qur’an (lessons which still happen today). It also houses an intimate calligraphy studio. The main facade features Arabic scripture and a pattern of arches, decorated by predominantly blue mosaics.  

Close by is the lively and substantial Chorsu Bazaar, where locals go to shop for food, spices, crockery and trinkets. The ruby-colored pomegranate fruit is particularly popular, and also features as a motif on clothing, acting, in a way, as a symbol of the country. The bazaar sits under a blue ornamented dome, which was designed in 1980.  




Inside Tashkent's Chorsu Bazaar. (Arab News)

If you’re looking for a more peaceful location, then the Rakhimovs Ceramic Studio is the place to be. This haven of creativity, accessible by appointment only, aims to preserve the heritage of ceramic art. Full of decorated pottery pieces, the family-run space tells the story of four generations of ceramic masters, starting with one of Tashkent’s prominent 20th-century ceramicists and restorer of mosaics Mukhitdin Rakhimov down to his grandson, Alisher Akbarovich Rakhimov, who has passed along the art of pottery to his son, Shokhrukh.   

And Tashkent’s attractions are not all on its surface. Be sure to visit the Tashkent Metro, which, in 1977, became the first subway system in Central Asia. Its 29 stations resemble art galleries, full of sophisticated columns, patterned domes, colorful tiles and murals with stories of national pride to tell. Perhaps the most famous station in the system is Kosmonavtlar (Cosmonauts), with its blue-and-white interior that inspired by the ‘space race,’ which occurred between the 1950s and 1970s. The walls of the station showcase large medallions depicting the Soviet Union’s leading astronauts, Yuri Gagarin and Valentina Tereshkova, respectively the first man and woman to go to space.  




Kosmonavtlar Station on the Tashkent Metro. (Shutterstock)

Tashkent is an ideal location for lovers of architecture who want to discover something atypical. It has a visually appealing landscape of old and modern buildings, demonstrating the city’s diverse cultural heritage, which is worthy of preservation and attention.    


Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli
Updated 22 December 2024
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Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.

Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.

The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.

“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.

Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.


Georgina Rodriguez visits Dior exhibition in Riyadh

Georgina Rodriguez visits Dior exhibition in Riyadh
Updated 22 December 2024
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Georgina Rodriguez visits Dior exhibition in Riyadh

Georgina Rodriguez visits Dior exhibition in Riyadh

DUBAI: Argentine model Georgina Rodriguez visited an exhibition celebrating the life and work of fashion designer Christian Dior at the National Museum of Saudi Arabia in Riyadh this weekend.

The Riyadh-based model, who is the long-term partner of football star Cristiano Ronaldo, took to Instagram to share insights about the exhibit, which is running as part of this year’s Riyadh Season.

“Highly recommend to immerse yourself in the ‘Christian Dior: Designer of Dreams’ exhibition in Riyadh. A magical journey through the history of haute couture, showcasing the works of art by visionary designers for 75 years (sic),” Rodriguez captioned a short clip on Instagram.

“Christian Dior: Designer of Dreams” is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.

The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.

Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.

British milliner Stephen Jones, one of Dior’s master creators, was heavily involved in the creation of the exhibition.

“When we were installing the hats, some of the looks I remembered, some I didn't. But many have never been shown before, so it sometimes feels like I’m seeing them for the first time,” Jones told Arab News earlier this month.


Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season
Updated 21 December 2024
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Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season

DUBAI: US Palestinian Dutch supermodel Bella Hadid took to Instagram to thank her team and customers for the success of her fragrance label Orabella’s festive Alchemy Library pop-up in New York City.

“The best night at our @orebella Alchemy Library pop-up in NYC! So much love and gratitude to my team & the beautiful humans who showed up to transform @thenednomad into such a warm & intimate space to celebrate the holidays, each other and my favorite sets to date: Our holiday gift boxes,” she wrote on Instagram, along with a carousel of photos from the pop-up.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

In a bid to look the part, Hadid traded in her cowboy Western aesthetic to adopt a more festive look and was photographed outside the pop-up in a red and white ensemble.

The retro look featured a two-toned red cardigan, straight leg blue jeans and a luxe white wool coat. Hadid glammed up the look with strappy red Valentino Garavani Ladycrush heels and statement gold earrings.

The model finished the look with her favorite choice of eyewear, a pair of Bayonetta glasses.

The alcohol-free scents of Orabella, which launched on May 2 this year, were Hadid’s answer to traditional perfumes.

Hadid wrote on her website: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings,” she said. “From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes — both physically and mentally — it became something that was more overwhelming than calming to me,” she added. “That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

She started growing lavender on her farm, walking through the garden every morning and learning about her family’s tradition of making homemade scents. “I realized I might have a calling in this. I found healing, joy and love within nature’s scents,” she said.

“This is why I am so proud of Orebella. It was truly a dream and a passion, that through the universe and authentic dedication, was able to become this brand,” Hadid wrote.


Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa
Updated 21 December 2024
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Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

DUBAI: Saudi designer Honayda Serafi has revealed a holiday greeting card from Jordan’s Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein, which features a family photo of the royal couple and their newborn daughter, Princess Iman.

 “Immensely thankful for God’s many blessings. From our small family that has grown to yours, best wishes for a blessed New Year,” the card reads.

Last year, Serafi designed Saudi-born Princess Rajwa’s pre-wedding henna night gown. For the gown, Serafi took inspiration from the Al-Shaby thobe of the Najd region in Saudi Arabia, where Princess Rajwa’s family is from.  

“The thobe is known for its long sleeves. They’re so long, the sleeves become the veil of the bride’s dress,” said Serafi of the ethereal white gown.

Earlier this month, the couple visited the Seeds of Hope Center in Amman, which specializes in treating speech and language disorders in children and adults.

The royal couple, who welcomed their first child this year, toured the facility, which houses Jordan’s only space designed to provide multi-sensory experiences aimed at promoting relaxation and sensory integration. The visit also included a look at the center’s gym, which is tailored to improve therapy outcomes for patients, the Jordan News Agency reported.

Aya Al-Jazi, the center’s director, briefed the couple on the facility’s services, which include evaluation and treatment of speech, language and voice disorders, as well as support for swallowing difficulties.
 


Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 
Updated 20 December 2024
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Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

JEDDAH: A trip to Saudi Arabia’s AlUla, a chance encounter with a persistent mosquito on the streets of New York and an enduring love for musicals inspired Saudi filmmaking sisters Dana and Raneem Almohandes to create their animated short film “A Mosquito,” which screened at the recently concluded Red Sea International Film Festival in Jeddah. 

“We were walking in New York, having a good time, and there was this mosquito who kept coming back to me,” explained older sister Raneem. “This is how it all started, with one question: ‘What does this mosquito want?’ We thought, ‘She wants to talk to us, but we’re not giving her the chance.’ So, that’s where the story was born.” 

Set in 1969, “A Mosquito” follows Zozo — a tiny mosquito with big dreams. While her peers are content with ordinary life in the majestic landscapes of AlUla, Zozo dares to dream of becoming a famous singer — heading to Egypt to sing before the legendary Umm Kulthum. 

“A Mosquito” began life as a two-minute short — part of Raneem’s university project. It turned into its fully realized version after they took their idea to the AlUla Creates program, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. 

“When AlUla invited us to apply, we had this idea already, and we wanted to expand on it, because, you know, university projects are victims of time and resources. We developed the story with the AlUla Creates team,” said Raneem.  

“We went to AlUla earlier, and we captured the aesthetics from there. The frames that you see in the film are identical to the pictures we took during our trip,” added Dana. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Raneem (@ralmohandes)

Raneem graduated from New York University in musical theater writing (Dana, the younger of the two, is studying filmmaking at Princess Nourah Bint Abdul Rahman University in Riyadh). “We grew up watching musicals, but we felt like we don’t have any that are in the Saudi dialect, so we wanted to create (them),” said Raneem. “That’s why I studied musical theater writing. 

“We’ve always loved expressing ourselves through art. For example, Dana will do a dance whenever she wants to express how she feels about someone. Like, for my birthday, she would do a choreographed dance. I used to do small videos for our family — sometimes they’re music videos, sometimes short films … this is how we started. And then I started an Instagram page for DIY videos, and we worked together on it. It was one of the first (Instagram accounts) to reach 1 million followers in the Middle East,” said Raneem. “Dana was, like, 10 years old back then.” 

Before they had received any formal training, the duo were chosen as For Change Ambassadors of Saudi Arabia. The screenplay for their first musical feature (“Dandana”) was shortlisted in the second round of Sundance’s Screenwriters Lab 2020. Their first short, “A Human,” was funded by Google and premiered in Riyadh. 

The sisters reiterate that their filmmaking career is closely tied to the history of cinema in the Kingdom. 

“We put ‘A Human’ up on YouTube in parallel with Saudi Arabia opening its cinemas again,” Raneem said. It went on to become one of the first 100 films to be shown in cinemas after they reopened in the country and, according to Raneem, the very first short film. 

In 2022, the pair wrote and directed the musical short “A Swing,” which was selected for the official competition at the Saudi Film Festival and was screened as part of the Kingdom’s participation at Cannes in 2022. 

Despite the eight-year age gap between the two sisters, the duo say they have a seamless working relationship. 

“We sometimes fight, as all sisters do, but we have telepathy most of the time,” said Raneem. “We are in sync in terms of ideas. Filmmaking is all about communication.” 

Working as two young women in the Saudi film industry is, Dana said, “magical.” Raneem agreed.  

“It’s overwhelmingly beautiful, because the support is magnificent,” she said. “Each and every project and idea that we’ve had, we knew for a fact that if we approached the right decision maker, it would happen.”