One Year of War in Gaza: Deadliest conflict for reporters

Veteran reporter Abdalle Ahmed Mumin said he had experienced violence before but was shocked by what was happening in Gaza. (AFP/File)
Veteran reporter Abdalle Ahmed Mumin said he had experienced violence before but was shocked by what was happening in Gaza. (AFP/File)
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Updated 07 October 2024
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One Year of War in Gaza: Deadliest conflict for reporters

One Year of War in Gaza: Deadliest conflict for reporters
  • Past year has been the deadliest on record for reporters, watchdog says
  • Journalists globally fear erosion of protections

BEIRUT: Palestinian journalist Islam Al-Zaanoun was so determined to cover the war in Gaza that she went back to work two months after giving birth. But, like all journalists in Gaza, she wasn’t just covering the story — she was living it.
The 34-year-old, who works for Palestine TV, gave birth to a girl in Gaza city a few weeks after the beginning of the Israeli offensive last October.
She had to have a Caesarean section as Israeli airstrikes pounded the strip. Her doctors performed the operation in the dark with only the lights on their cellphones to guide them.
The next day she went home but the day after that she had to flee the fighting, driving further south with her three children. Nine days after giving birth, she was forced to abandon her car and continue on foot.
“I had to walk eight km (five miles) to get to the south with my children,” she said. “There were bodies and corpses everywhere, horrifying sight. I felt my heart was going to stop from the fear.”
Just 60 days later, she got back in front of the camera to report on the war, joining the ranks of Palestinian journalists who have provided the world’s only window on the conflict in the absence of international media, who have not been granted free access by Israeli authorities.
“Correspondents have reporting in their blood, they don’t learn it, so they cannot be far from the coverage too long,” Al-Zaanoun told the Thomson Reuters Foundation.
As of Oct. 4, at least 127 journalists and media workers had been killed since the conflict began, according to the US-based Committee to Protect Journalists.
This has made the past year the deadliest period on record for journalists since the press watchdog started keeping records in 1992.
Press freedom advocacy group Reporters Without Borders has recorded more than 130 Palestinian journalists killed in Gaza in the past year, including at least 32 media workers who it says were directly targeted by Israel.
To date, CPJ has determined that at least five journalists were directly targeted by Israeli forces in killings which CPJ classifies as murders.
They include Reuters journalist Issam Abdallah, 37, who was killed by an Israeli tank crew in southern Lebanon last October, a Reuters investigation has found.
CPJ is still researching the details for confirmation in at least 10 other cases that indicate possible targeting.
Lt. Col. Richard Hecht, the Israel Defense Forces’ international spokesman, said at the time of Abdallah’s killing: “We don’t target journalists.” He did not provide further comment.
More than 41,600 people have been killed in Gaza and almost 100,000 have been wounded since Oct. 7, according to Gaza’s health ministry.
Israel launched its offensive after Hamas stormed into southern Israel, killing about 1,200 people and taking more than 250 hostage, according to Israeli tallies.

’WHERE IS THE INTERNATIONAL LAW?’
For journalists like Al-Zaanoun, the challenges are not limited to staying safe while reporting. Like the rest of the 2.3 million people in the strip, media workers have been displaced multiple times, gone hungry, lacked water and shelter and mourned dead neighbors and friends.
Food is scarce, diapers are expensive, and medicine is lacking, Al-Zaanoun said. As well as her professional desire to keep reporting, she needs to put food on the table because her husband has not been able to work since the war started.
“If I don’t work, my kids will go hungry,” she said.
Like all Gazans, she fears for her safety and does not dare defy Israeli evacuation orders.
“We had no protection really. Had we decided to stay in the northern areas that would have definitely cost us a very high price and that is what happened to our friends,” she said.
The Israel-Hamas war falls under a complex international system of justice that has emerged since World War Two, much of it aimed at protecting civilians. Even if states say they are acting in self-defense, international rules regarding armed conflict apply to all participants in a war.
Article 79 of the Geneva Conventions treats journalists working in conflict settings as protected civilians if they don’t engage in the fighting.
In March, senior leaders at multiple global media outlets signed a letter urging Israeli authorities to protect journalists in Gaza, saying reporters have been working in unprecedented conditions and faced “grave personal risk.”
What CPJ has called “the most dangerous” war for journalists has reverberated across the world, striking fear into reporters who are concerned about the setting of deadly precedents.
Abdalle Ahmed Mumin, a veteran freelance reporter and the secretary general of the Somali Journalists Syndicate, said he had experienced violence before but was shocked by what was happening in Gaza.
“I have been targeted personally myself. I have been detained, I have been unjustly kidnapped several times,” he said in an interview with the Thomson Reuters Foundation.
“I know all these things, but I haven’t witnessed the kind of brutality that the journalists in Gaza have been going through.”
Since 1992, 18 of Mumin’s friends and colleagues have been killed in Somalia, where first warlords and later Al-Qaeda-linked Al-Shabab militants have caused years of conflict.
“I’m scared of being a journalist … because of the failure of the international protection mechanisms, the failure of the international community,” he said. “Where is the international law? Where is the international humanitarian law?“


Turkiye confirms Swedish journalist arrested amid protests

Turkiye confirms Swedish journalist arrested amid protests
Updated 30 March 2025
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Turkiye confirms Swedish journalist arrested amid protests

Turkiye confirms Swedish journalist arrested amid protests
  • The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests

Istanbul: A Swedish journalist who was detained on his arrival in Turkiye to cover protests over the jailing of Istanbul’s mayor has been arrested on terror-related charges and for “insulting the president,” the Turkish presidency said Sunday.
Joakim Medin, who works for the Dagens ETC newspaper, “has been arrested on charges of ‘membership in an armed terrorist organization’ and ‘insulting the president’,” the presidency said.
Medin was detained on Thursday when his plane landed in Turkiye, and sent to prison the next day.
In a bulletin published by its “Disinformation Combat Center,” the presidency said Medin was “known for anti-Turkiye news and his closeness to the terrorist organization PKK,” the banned Kurdish militant group.
“This arrest decision has no connection whatsoever to journalistic activities,” it added.
The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests, among them AFP photographer Yasin Akgul.
Turkish authorities have also deported BBC journalist Mark Lowen, who had been covering the protests, after holding him for 17 hours on Wednesday, saying he posed “a threat to public order,” the broadcaster said.
Turkiye’s communications directorate said Lowen had been deported “due to a lack of accreditation.”
Turkish prosecutors had already opened an investigation into Medin in 2023 over a demonstration he joined in Stockholm in which a puppet of President Recep Tayyip Erdogan was hung from its feet, according to the presidency’s statement Sunday.
It said the Swedish journalist was among 15 suspects believed to have carried out, organized or publicized the demonstration.
The protest infuriated Turkish authorities, who alleged it was orchestrated by PKK members and summoned Sweden’s ambassador to Ankara.


Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker
Updated 29 March 2025
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Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker
  • Hamdan Ballal was assaulted this week by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank
  • “No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta in the West Bank

LOS ANGELES: The Academy of Motion Picture Arts and Sciences apologized Friday for failing to defend an Oscar-winning Palestinian filmmaker who said he was attacked by Israeli settlers.
The group, which hosts and awards the Oscars each year, wrote to members after movie stars including Joaquin Phoenix, Penelope Cruz and Richard Gere had slammed its initially muted response to the incident.
The Academy “condemns violence of this kind anywhere in the world” and its leaders “abhor the suppression of free speech under any circumstances,” said the letter, seen by AFP.
Hamdan Ballal co-directed “No Other Land,” which won best documentary at this year’s Academy Awards.
This week, he said he had been assaulted by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank.
Unlike multiple other prominent filmmaker groups, the US-based Academy initially did not issue a statement.
On Wednesday, it sent a letter to members that condemned “harming or suppressing artists for their work or their viewpoints,” without naming Ballal.
By Friday morning, more than 600 Academy members had signed their own statement in response.
“It is indefensible for an organization to recognize a film with an award in the first week of March, and then fail to defend its filmmakers just a few weeks later,” the members said.
“We stand in condemnation of the brutal assault and unlawful detention of Oscar-winning Palestinian filmmaker Hamdan Ballal by settlers and Israeli forces in the West Bank,” they wrote.
The Academy leadership’s response “fell far short of the sentiments this moment calls for,” said the members.
The Los Angeles-based group’s board convened an extraordinary meeting Friday to confront the deepening crisis, according to trade outlet Deadline.
Later Friday, it issued an apology to Ballal “and all artists who felt unsupported by our previous statement.”
“We regret that we failed to directly acknowledge Mr. Ballal and the film by name,” it wrote.
“No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta — an area Israel declared a restricted military zone in the 1980s.
Despite winning the coveted Oscar, the film has struggled to find a major US distributor.
Following Monday’s incident, Ballal told AFP the “brutality” of the attack “made me feel it was because I won the Oscar.”
During his detention at an Israeli military center, Ballal said he noticed soldiers mentioning his name alongside the word “Oscar” during shift changes.
He was released Tuesday, after being detained the previous day for allegedly “hurling rocks.”
Yuval Abraham, who also co-directed and appears in the documentary, has spoken out against the Academy’s response.
“After our criticism, the academy’s leaders sent out this email to members explaining their silence on Hamdan’s assault: they need to respect ‘unique viewpoints’,” he wrote on X, sharing a screenshot of the Academy’s letter.
 


Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO
Updated 28 March 2025
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Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO
  • Middle East ‘no longer a peripheral market’ — Joe Kawkabani

DUBAI: Warner Bros. Discovery this week announced a minority investment in OSN Streaming in a move that “reinforces its commitment to the region’s rapidly growing streaming landscape.”

The deal is reportedly valued at $57 million for a third of OSN Streaming. It will take place in phases and is subject to customary conditions, including regulatory approvals.

Joe Kawkabani, OSN’s group CEO, said the deal “signals a broader shift in the industry” as global players recognize “that substantial growth in the Middle East and North Africa region requires more than just exporting content.”

He told Arab News: “It’s about investing in local platforms, collaborating with regional talent, and tailoring content specifically to the market. That’s precisely what we’re doing here, and I believe it sets a new standard for successful partnerships in the region.”

Warner Bros. Discovery opened its first office in the region in Dubai in 2012. The investment reflects its “prioritization of working with the best creative talent, advancing technologies and forging key partnerships to fuel continued growth.”

It also serves as an opportunity for the company to “deepen their regional presence through a trusted platform that truly understands the market's nuances,” Kawkabani said.

The two companies have had a long-standing history, with OSN being the exclusive home for HBO content in the region. Just last year, OSN acquired the rights to all first-run Max Originals and the full Warner Bros. Pictures feature film library as part of a multi-year deal.

Jamie Cooke, executive vice president and managing director for Central Europe, Turkey and Middle East, at Warner Bros. Discovery said this was a “natural step” for the company, as “OSN has been a great partner and custodian of our content.”

He added: “We recognize that alongside enjoying the latest global hits, regional audiences also want stories from and about the region that reflect their own cultures and experiences.”

Kawkabani highlighted the importance of the MENA market on the global map.

He said: “It is no longer a peripheral market — it’s becoming central to the future of streaming. Our role is to drive this transformation from within the region, not just import it from the outside.”

Saudi Arabia has emerged as a key player in the region’s media and entertainment industry. In 2018, the Kingdom announced it would invest $64 billion in its entertainment sector over the coming decade. Since then, it has implemented several initiatives and investments to bolster these sectors.

Most recently, in January, Saudi Arabia’s General Entertainment Authority unveiled 29 investment opportunities aimed at expanding the entertainment landscape while fostering private sector participation and aligning with Vision 2030 objectives.

Saudi Arabia is “one of the most exciting and dynamic entertainment markets in the world right now” and the deal “aligns seamlessly with Saudi Arabia’s broader vision for its entertainment sector — one that prioritizes creativity, local talent, and global collaboration,” said Kawkabani.

“We view Saudi Arabia not just as a key market but as a creative hub that can lead the region forward,” he added.

Going forward, the deal will see the two companies invest in “high-quality, locally produced content, ensuring a richer and more diverse offering for viewers,” according to Cooke.

For OSN, Kawkabani said it wasn’t just about content licensing or capital, but rather about “two companies aligning on a vision to sustainably grow the regional streaming market in a way that resonates locally.”

He added: “We’re not here to follow trends; we’re here to shape them.”


Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours
Updated 28 March 2025
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Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours
  • Spiritual, peaceful and relaxing audio is the most popular choice during Ramadan, with listenership of such playlists increasing by more than 3,000 percent in the first two weeks.

DUBAI: Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify.

This year saw a return of the streaming platform’s Ramadan Hub, with a specially curated selection of playlists, music and podcasts.

Based on an analysis of customers’ streaming habits during the first two weeks of Ramadan, Spotify found the majority of Saudi listeners tune in at around 3 a.m. Spiritual, peaceful and relaxing audio is the most popular choice, with listenership of such playlists increasing by more than 3,000 percent.

“With the Ramadan Hub, Spotify continues to be a companion for every moment of the holy month,” Mark Abou Jaoude, the platform’s head of music for the Middle East, North Africa and Pakistan told Arab News.

The playlist with the highest increase in listeners (3,750 percent) was “Duaa,” which features prayers and supplications. Similarly, “Ramadaniyat,” which features traditional Islamic songs, saw a streaming rise of almost 1,890 percent.

Users’ love of TV dramas is reflected in their streaming habits with the “Titrat Ramadan” playlist recording a 2,900 percent increase in streams. This features songs that appear in popular shows at this time, known as “titrat” and traditionally sung by Arab pop stars.

Another playlist gaining popularity is “Cooking Time,” which saw the number of streams increase by 743 percent. This serves as a cooking companion and features songs such as Nancy Ajram’s “Aam Betaala’ Feek,” Marwan Khoury’s “Kel El Qasayed” and Amr Diab’s “El Kalam Leek.”

“Over the past two years, local podcast listening hours have increased by nearly 90 percent (on Spotify),” Abou Jaoude said.

Spotify has also seen significant increases in the popularity of local podcasts such as “Finjan with Abdul Rahman Abu Maleh” and “Sawalif Business.” Users are also listening to lighter entertainment content, such as “Kanabat al-Sabt,” “Saturday Couch” and the “Abjoorah Podcast,” as well as religious shows like the “Omam Podcast,” which puts a modern spin on the stories of prophets.

“These shifting listening habits reflect the growing trend of audio in setting the atmosphere for these shared experiences during the month,” said Abou Jade.

“It’s great to see how our Saudi listeners use Spotify to enrich their Ramadan journey and deepen their connections during this meaningful time.”


‘No Other Land’ co-director criticizes Oscars organizers for response to Hamdan Ballal assault

‘No Other Land’ co-director criticizes Oscars organizers for response to Hamdan Ballal assault
Updated 29 March 2025
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‘No Other Land’ co-director criticizes Oscars organizers for response to Hamdan Ballal assault

‘No Other Land’ co-director criticizes Oscars organizers for response to Hamdan Ballal assault
  • Yuval Abraham accuses academy of failing to directly acknowledge incident, mention Ballal by name
  • In a letter, the academy said that while it ‘condemns harming or suppressing artists for their work or their viewpoints,’ it does not publicly comment on ‘social, political, and economic events’

LONDON: “No Other Land” co-director Yuval Abraham has condemned the Academy of Motion Picture Arts and Sciences for its response to the violent attack on his Palestinian co-director, Hamdan Ballal.

The Israeli filmmaker and journalist accused the academy of failing to directly acknowledge the incident, noting that its statement did not mention Ballal by name.

This marks the second time this week that Abraham has publicly criticized the academy. Earlier, he denounced the institution for remaining silent on the attack, in which Israeli settlers assaulted Ballal before he was detained by Israeli forces in the West Bank on Monday.

“After our criticism, the academy’s leaders sent out this email to members explaining their silence on Hamdan’s assault: they need to respect ‘unique viewpoints,’” Abraham wrote on X.

The academy’s letter stated that while it “condemns harming or suppressing artists for their work or their viewpoints,” it does not publicly comment on “social, political, and economic events” despite frequent requests to do so. “In these instances, it is important to note that the Academy represents close to 11,000 global members with many unique viewpoints,” the statement read.

Abraham pointed out the contrast between this response and the academy’s past actions, specifically its strong condemnation of Iran’s detention of filmmakers such as Jafar Panahi in 2011. “Compare this,” he wrote, “which didn’t even name Hamdan, to the Academy’s rightfully strong position when it’s the Iranian government oppressing filmmakers.”

The academy has yet to issue a further response.

Ballal, one of the documentary’s four directors — two Israeli and two Palestinian — was released from Israeli detention on Tuesday.

In an interview with The Guardian, he described his ordeal, saying, “I thought I was going to die” when Israeli soldiers aided the settlers who attacked him outside his home in Susya, a village in the Masafer Yatta area of the West Bank.

He also claimed he was beaten while in detention, calling the assault “revenge for our movie.”

The global film community swiftly condemned the attack and arrest. The US-based International Documentary Association posted a message on Instagram demanding Ballal’s immediate release. The Berlin Film Festival, where “No Other Land” had its premiere and won the award for best documentary last year, called the incident “very distressing.”