Recipes for success: Chef Benjamin Clement offers tips and advice on cooking

Recipes for success: Chef Benjamin Clement offers tips and advice on cooking
Benjamin Clement. (Supplied)
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Recipes for success: Chef Benjamin Clement offers tips and advice on cooking

Recipes for success: Chef Benjamin Clement offers tips and advice on cooking

DUBAI: Having helped three different restaurants achieve three Michelin stars, French patissier Benjamin Clement was quite a catch for La Petite Maison, where he is currently group pastry chef, overseeing the menu and training at several outlets, including in Riyadh, a position he has held since 2022. 

Clement says his passion for pastry began at “a very young age,” experimenting in his family’s kitchen. He studied at the Lycée Hôtelier Les Petites Bruyères in France, earning a degree in food, baking and pastry.  

Here, Clement discusses tasting, tang, and teamwork.  




Carpaccio of Yellowtail. (Supplied)

What was the most common mistake you made when starting out? 

Not fully engaging with the process of tasting. Just as our brains require time and effort to develop and learn new concepts, our palate also needs to be trained to recognize and appreciate a wide range of flavors. Tasting is not a passive experience; it demands focus, attention, and practice to truly grasp the intricacies of different tastes and their unique characteristics. 

What’s your top tip for amateur chefs? 

Cook your meals with love, because no flavor can compare to that of a dish made with heart and dedication. When you take the time to prepare food with care, passion, and attention to detail, it elevates the meal. The love you put into the process infuses every bite, turning simple ingredients into a memorable experience that nourishes both the body and the soul. There’s a special kind of magic in food crafted with thoughtfulness, transforming it into much more than just a meal; it becomes a true labor of love. 




Snails. (Supplied)

What one ingredient can enhance any dish? 

For me, lemon juice is a vital element of seasoning. Its bright, tangy acidity cuts through richness and adds a refreshing layer of complexity, lifting and balancing flavors in a way few other ingredients can. Whether it’s a splash in a marinade, a finishing touch on a salad, or a dash over grilled fish, lemon juice brings out the best in other ingredients. 

When you go out to eat, do you find yourself critiquing the meal? 

I make an effort not to, as it can detract from the emotional connection and joy of the dining experience. That said, there are times when my natural inclination to analyze kicks in, and it becomes challenging to immerse myself fully in the moment — my tendency to dissect the flavors, presentation, and technique can sometimes prevent me from enjoying the meal as purely as I’d like. 

What’s your favorite cuisine? 

French. It holds a special place in my heart because it evokes fond memories of home. The rich flavors, elegant presentations, and the wide variety of dishes transport me back to cherished moments shared over meals with family and friends. The artistry and attention to detail in French cooking truly captivate me, making each dining experience not just a meal but a delightful journey down memory lane. 




La Petite Maison. (Supplied)

What’s your go-to dish if you have to cook something quickly at home? 

Pasta. It’s incredibly easy and fast to make, and it also offers endless versatility in terms of toppings, sauces, and flavors. Whether it's a simple aglio e olio, a rich marinara, or something creative like a pesto with seasonal vegetables, pasta allows me to experiment while still being time-efficient. The flexibility is what I love most, as it lets me mix and match ingredients based on what I have on hand, so I never get bored of it. 

What customer behavior most frustrates you? 

Today, appearance often takes precedence over flavor. Social media certainly influences this trend, as many guests prioritize capturing the perfect photo over fully enjoying their meal. As a result, dishes are frequently assessed based on their visual appeal rather than the overall dining experience. This shift highlights the importance of aesthetics in attracting attention, but it can sometimes overshadow a genuine appreciation of taste and flavor. 

What’s your favorite dish to cook? And why? 

Roast chicken with potatoes is a classic French family dish typically enjoyed during Sunday meals. What makes this dish even more special is that it’s often prepared using home-grown ingredients, adding a personal touch and a burst of fresh flavor to the meal. It always reminds me of a leisurely Sunday gathering around the dining table with loved ones, celebrating the simple pleasures of home-cooked food made with care and love. 

What’s the most challenging dish for you to get right? 

A Floating Island. It’s a classic dessert — simple and elegant, but mine never quite measures up to my mom’s version. Her take on this traditional dish is truly special; the way she balances the airy meringue with the velvety custard and adds her own unique twist makes it unforgettable. Each bite transports me back to my childhood and fills me with warmth and nostalgia.  

As a leader, are you a disciplinarian? Or are you more laidback? 

Early on, I was more of a disciplinarian, believing that strict guidelines and expectations were the keys to success. But as I gained experience, I realized that each individual responds differently to different styles of leadership and that led me to understand the profound importance of fostering strong, trusting relationships with my team members. When they feel valued and understood, they’re more motivated and engaged, which ultimately means higher performance. So emphasizing connection and empathy in my leadership has made for a more positive and productive work environment. 

Chef Benjamin’s La Petite Duchesse Rose recipe  

INGREDIENTS 

Choux pastry:  

96g water 

96g whole milk 

Sprinkle of salt 

Sprinkle of caster sugar 

90g butter 

108g flour 

180g whole eggs 

Craquelin: 

75g butter 

90g  sugar 

90g flour  

Pink colorant 

Crème Légère jasmin: 

300g whole milk 

60g jasmine tea 

50g egg yolk 

56g caster sugar 

32g cornflour 

37.5g butter 

Raspberry compote: 

1500g frozen raspberry 

500g caster sugar  

30g pectine  

45g lemon juice 

Pink glaze: 

1500g cream 

1100g neutral glaze 

16 gelatine leaf (gold) 

1750g Ivoire chocolate 

Q.S pink colorant 

Raspberry ganache: 

150g raspberry frozen puree 

75g whipping cream 

275g white chocolate 

20g butter 

INSTRUCTIONS: 

Bring the water, whole milk, salt, caster sugar and butter to a boil.  

Remove from the heat and add the flour, stirring until it forms a dough.  

Return the dough to medium heat and cook for a couple of minutes to dry out the Pâte à Choux. 

Transfer the dough to a mixer and add whole fresh eggs one at a time. Pipe the dough into 10g and 20g portions. Preheat the oven to 210°C, place the Pâte à Choux inside, and turn off the oven for 10 minutes. Afterward, bake at 180°C — eight minutes for the small choux and 12 minutes for the larger ones.  

Mix all remaining ingredients together, then roll the dough and place it in the freezer. 

Cook the custard for two minutes at a boil. Add the gelatin and butter at the end, then mix and allow to cool in the fridge. Once cooled, smooth the custard using a KitchenAid with a paddle attachment. Gently fold in 60g of whipped cream using a spatula (Maryse), then transfer the custard to a piping bag. 

Defrost the frozen raspberries with caster sugar (1). Mix pectin NH with caster sugar (2) and add it to the raspberry mixture. Cook until it reaches a boil, then continue cooking for two minutes. Add lemon juice and cool the mixture in the fridge. 

Bring the cream and neutral glaze to a boil, then melt the gelatin into it. Pour over Ivoire chocolate and mix thoroughly. Add the food coloring using a hand blender, strain the mixture, and bring the glaze to 28°C for glazing. 

Bring raspberry purée and whipping cream to a boil, then pour over white chocolate. Create an emulsion, and when the mixture reaches 40°C, add butter. Store in a container with cling film directly touching the surface and place in the fridge. 

ASSEMBLY 

Fill the choux buns with the jasmine cream and raspberry compote.  

Dip each choux in the pink glaze.  

Place the small choux on the top of the big choux. 

Decorate with raspberry ganache, fresh raspberry, and edible flowers.  

Decorate the plate with pink glaze. 


‘FC 25’ — EA’s football simulation is as addictive as ever, for better or worse 

‘FC 25’ — EA’s football simulation is as addictive as ever, for better or worse 
Updated 1 min 20 sec ago
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‘FC 25’ — EA’s football simulation is as addictive as ever, for better or worse 

‘FC 25’ — EA’s football simulation is as addictive as ever, for better or worse 

DUBAI: As makers of the most popular video-game simulation of the world’s most popular sport, Electronic Arts could churn out any old rubbish and still make billions of dollars. Thankfully, the company’s not (quite) that cynical yet.  

Instead, “FC 25” (the second iteration of EA’s soccer sim since losing its long-standing FIFA license) brings a significant overhaul of the in-game tactics system with the introduction of FC IQ, giving you even more control over the minutiae of the mentality and movement of your team and players. Want your fullbacks to slide into central midfield when you’ve got possession like all the hippest teams now do? No problem. Want your center forward to operate as a false nine, dragging the opposition’s center backs out of position? Can do. And the roles you assign really do make a difference to the way you can play the game. It’s a positive addition. 

As is the new mode Rush — a frantic and fun multi-player co-op 5-a-side game (the goalkeepers are AI-controlled) in which you pick a member of your squad to play with and team up with four friends (or strangers). Rush is part of Ultimate Team, which remains the heart of the game (and the main source of income for EA) — essentially a card-collection game with some football thrown in: to really do well at it, you either need to be a pro-level gamer or be willing to spend more real-world dollars to get a shot at landing the elite-level players you’ll require to really compete at the top level. And EA is getting cannier and cannier at persuading gamers to part with their cash.  

Money-grubbing aside, “FC 25” is another almost-excellent sim that really does feel immersive and authentic when you’re playing it. “Almost-excellent” because there are still flaws, from the nightmarish graphical glitches when players collide to the continuing frustrating imbalance that means slower players quickly become a hindrance, no matter how great their talent — making Harry Kane, for example, less desirable for most ‘managers’ than a much lower-rated speed merchant in attack. 

For all of that, with its one-time arch rival “Pro Evolution Soccer” (now “eFootball”) continuing to fail to impress, and with no sign of an official FIFA-sanctioned game this year, “FC 25” gives football fans enough thrills and depth to justify buying it. 


Book Review: ‘Principles for Dealing With the Changing World Order’

Book Review: ‘Principles for Dealing With the Changing World Order’
Updated 03 October 2024
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Book Review: ‘Principles for Dealing With the Changing World Order’

Book Review: ‘Principles for Dealing With the Changing World Order’
  • Dalio, an American investor and founder of Bridgewater Associates, translated his rich experience in finance into economic cycles, political systems, and the rise and fall of empires through history

Published in 2021, the book “Principles for Dealing With the Changing World Order: Why Nations Succeed and Fail” explores the dynamics that shape global structures in terms of power.

The author, Ray Dalio, highlights historical patterns, explaining in detail the reasons behind the rise of certain countries and the fall of other nations as well, while at the same time providing a system on how to understand the shifting geopolitical landscape. 

Dalio, an American investor and founder of Bridgewater Associates, translated his rich experience in finance into economic cycles, political systems, and the rise and fall of empires through history. 

Further, he outlines several principles through the chapters that control these transitions, focusing specifically on the connection between economic and cultural aspects. 

One of the book’s strengths is the author’s simple structure. Dalio divides his thoughts into digestible sections for his readers, explaining complex terms as simple paragraphs and presenting major indicators of society such as wealth distribution and local conflicts.

His analytics add details of special events while also providing readers with the tools to anticipate future developments. 

What is worth mentioning is that the author’s insights are somehow relevant to the present-day changing world, where globalization and technological advancements challenge traditional power dynamics.

He emphasizes the potential for a conflict between established powers and rising countries while stressing the importance of adaptability and resilience in an era marked by uncertainty.

However, some readers argue that the author’s view may be overly simplifying complex geopolitical realities. While his foundations are based on historical patterns, the challenges of this time, such as climate change and artificial intelligence, require adequate solutions beyond historical analogies.  

Overall, the book was rated 4.7 out of 5 by over 7,000 readers. It stimulates critical thinking and analysis of the political relations of the world we live in. 

The author’s mixing of historical analysis of events and personal insights as well makes the book a must for readers such as policymakers, business leaders, and others who might be interested in understanding the global powers that are shaping the world.
 


REVIEW: ‘Wolfs’ boasts A-list double trouble with Clooney and Pitt

REVIEW: ‘Wolfs’ boasts A-list double trouble with Clooney and Pitt
Updated 03 October 2024
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REVIEW: ‘Wolfs’ boasts A-list double trouble with Clooney and Pitt

REVIEW: ‘Wolfs’ boasts A-list double trouble with Clooney and Pitt

LONDON: The opening 30 minutes of Apple TV’s new (grammatically irritating) comedy thriller “Wolfs” is that rarest, most wonderful of things — a beautifully shot showcase of two phenomenal actors demonstrating that they are at the very top of their game.

George Clooney and Brad Pitt play two unnamed fixers called to the hotel room of a prominent district attorney whose hookup winds up dead. Though both prefer to work alone, the two contractors agree to set aside their differences to finish the job. But when the supposedly dead teenager turns out to be, well, not so dead, the two fixers must traipse across New York to clean up the rapidly spiraling mess.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Apple Films (@applefilms)

With both Clooney and Pitt willing to make fun of their own advancing years — it’s an ongoing bit that both are trying to hide their various aches and pains — director Jon Watts (recently the helmer of the Marvel “Spider-Man” movies and co-creator of Disney’s upcoming Star Wars show “Skeleton Crew”) sticks to a formula that works: namely putting the two rival fixers in a series of exasperating situations that will force them to begrudgingly like each other.

The ‘buddy comedy’ middle third of “Wolfs” is actually the least satisfying, particularly after the extremely funny opening act wherein the two professionals try to ‘out-cool’ one another. There are a few jokes that don’t land, a couple of plot points that fall off a cliff, and a grating riff on the two fixers insisting they’re not partners that we can all see through.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Apple Films (@applefilms)

But a tight, clever final third boasts set pieces which are efficiently restrained (this is no “John Wick” movie), an interesting final twist, and Clooney and Pitt really leaning into that “Oceans”-level chemistry. “Wolfs” is a snappy, smart thriller and, with a sequel reportedly on the way, will thankfully not be the last we see of this new take on an old partnership.


Naomi Campbell lauds ‘great impact’ of fashion creatives at 4th World Conference on Creative Economy

Naomi Campbell lauds ‘great impact’ of fashion creatives at 4th World Conference on Creative Economy
Updated 03 October 2024
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Naomi Campbell lauds ‘great impact’ of fashion creatives at 4th World Conference on Creative Economy

Naomi Campbell lauds ‘great impact’ of fashion creatives at 4th World Conference on Creative Economy

TASHKENT: Creative leaders and policymakers from around the world gathered in Tashkent, Uzbekistan on Wednesday for the opening day of the fourth World Conference on Creative Economy.

Opening the event was keynote speaker and supermodel Naomi Campbell, who lauded the power of the fashion economy in an interview with Arab News.

The conference, organized by the Uzbekistan Art and Culture Development Foundation, is taking place until Oct. 4. In her opening remarks, Campbell said: “The theme of this year’s conference, ‘Inclusively Creative: A Shifted Reality,’ could not be more fitting. We are in a time of immense transformation, and this gathering is a testament to the power of creativity to not only adapt to but also lead these changes.”

The creative sectors are currently undergoing a transformation which can be a force for inclusive, sustainable economic growth. Cultural and creative industries are among the fastest-growing globally, generating annual revenues of nearly US$2.3 trillion, according to the UN Conference on Trade and Development.

In a panel discussion titled “Threads of Inclusion: The Impact of Fashion on the Creative Economy,” Campbell explored how supporting up-and-coming fashion designers within Africa and the diaspora, especially in emerging markets, can build economies and yield growth.

“There is a such a great impact,” she told Arab News afterwards. “I think governments of emerging markets didn’t realize before the impact what their talent in fashion could do and bring to their economy. They now do and understand what it can do. They’re now taking it more seriously and that’s what we want. We want them to invest in their own and then that is also how we can get investors from outside too. It is crucial to invest in your own talent.”

Campbell, who has been part of numerous events in Saudi Arabia — most notably on the red carpet at the Red Sea International Film Festival — said she had been impressed with the changes happening throughout the Gulf region.

“Women are getting opportunities that they never had before and that in itself is amazing,” she told Arab News, adding that many of these lay within creative fields.

“They are quickly embracing these roles and being included,” she said. “I just want to make people feel included because I know what it’s like to not be included. I don’t want people to ever feel that.”


Inside Afikra: Born in New York, the collective has been cultivating curiosity and community for a decade

Inside Afikra: Born in New York, the collective has been cultivating curiosity and community for a decade
Updated 03 October 2024
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Inside Afikra: Born in New York, the collective has been cultivating curiosity and community for a decade

Inside Afikra: Born in New York, the collective has been cultivating curiosity and community for a decade
  • ‘We were this small community of 15 people. Now we’re hosting events at the Lincoln Center,’ says founder Mikey Muhanna  

RIYADH: In 2014, Lebanese millennial Mikey Muhanna was living in New York. Despite having a healthy social scene swirling around him, he yearned for a community in which he could connect with fellow Arabs in a way that made sense to him and his “nerdy” sensibility. His brainchild, Afikra — a platform for salon-style community gatherings — was born out of a personal quest to reconnect with his Arab roots.  

In doing so, he unknowingly embarked on a journey that would eventually lead him to become the steward of a unique global movement. 

An Afrika event in Bahrain in 2019. (Supplied)

As a former school teacher, Muhanna was inspired by the Pen League, a collective of active Arabs and Arab-American wordsmiths living in New York a century before. He, too, wanted to collaborate and collide with fellow Arab residents in the area who wanted to explore and reflect upon their heritage and their sense of belonging. He didn’t want to linger on stereotypes associating Arabs with violence and oppression; he wanted to exchange ideas about other Arab identities and histories, to be part of something that went deeper than a text book or social media.  

He started small with a humble gathering of like-minded people in Brooklyn, hosting Afikra nights first in his own apartment, and then in those of other members.  

Fast-forward to 2024, and Afikra (which roughly translates to “and by the way”) now has more than 200,000 members globally and has become a brand in its own right. When people see the Afikra logo, they know they can expect quality content that is invigorating, interesting and informative. Muhanna now has a trusted team of staff and volunteers that he relies on to get the message out and the work done. 

“We were this small community of 15 people. Now we’re hosting events at the Lincoln Center, which is crazy,” Muhanna tells Arab News. In the week beginning Sept. 24, Afikra was celebrating its 10th anniversary with a few famous friends on stage — including architect Rami Abou Khalil, Sudanese singer Alsarah, Lebanese-British journalist Zahra Hankir, and Moroccan-American author and political scientist Hisham Aidi — at locations across New York, including the aforementioned Lincoln Center. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by afikra | (@afikra_)

The success of Afikra lies not in its numbers, but in its spirit. It’s a place where curiosity reigns supreme, where the pursuit of knowledge is a shared experience and where members of the global Arab diaspora come together to explore and redefine the cultural landscape of the Arab world — especially during these turbulent times. 

Muhanna, who is now based in Lebanon, knows that Afikra has become a vital archival resource for the future. It provides a platform for people from the Arab region to be taken seriously within the wider world (with its Afikra Academy, the organization offers free lesson plans and material for teachers and students). It is a place where “hope” lives, Muhanna says. 

There is also an Afikra podcast; an array of book-club meetings, film screenings and workshops; and strategic partnerships with institutes including Qatar Museum, NYU Abu Dhabi, Jameel Arts Center and the British Council. Its members and organizers are constantly exploring new ways to amplify Arab stories and lessons. Nobody in the Afikra world is “stingy” with their knowledge, Muhanna says, everyone is there to make the space more informed than when they came in. 

Omar Offendum, Mona Miari and Zafer Tawil perform in New York on Sept. 24 as part of Afikra’s 10-year anniversary celebrations. (Supplied)

Afikra doesn’t encourage passive consumption, instead, it invites participants to actively engage on some level — whether by asking questions or answering them, or both. Through its curated series of talks, interviews and workshops, Afikra provides a platform to delve into diverse topics ranging from classical Arab literature to modern art, from regional politics to architectural heritage. 

“We’re trying to get people to contribute... not just come and see and be seen,” Muhanna explains. “We want you to generously contribute.” That is the essence of Afikra — every voice matters, learning is reciprocal and the lines between teacher and student blur. 

“The last 10 years have been kind of this act of relocating myself with all these people,” he continues. “We’re all redefining the topography of the Arab world in our imaginations, but also in real life.”  

This idea is central to Afikra. It’s about creating a space where the rich, multifaceted history of the Arab world can be explored in its entirety—the good, the bad, the complex, and the confusing. By doing so, it is helping to shape a more nuanced understanding of the Arab world. At its core, Afikra is about intellectual curiosity.  

“We are essentially a collection of our interests,” Muhanna says. “We’re telling people you are allowed to engage in those interests.”  

The Afikra community is geographically diverse, but there’s a sense of shared purpose and responsibility that unites it. As Muhanna puts it, “You have inherited this region, and you’re trying to be a steward of this region and try to make it the best version of itself.” 

Over the past decade, Afikra has hosted more than 400 events, featuring scholars, artists and thought leaders from across the Arab world and its diaspora — from its signature “Conversations” series, in which experts are interviewed on subjects ranging from poetry to archaeology, to its “Salon” talks, in which community members present research on topics of personal interest. These events, many of which are available for free online, have attracted a wide and diverse audience.  

What’s particularly noteworthy is the extent to which Afikra has managed to remain inclusive and accessible. Unlike many academic or cultural institutions, Afikra doesn’t cater solely to experts or scholars or to the elite influencers. Instead, it welcomes everyone, from those deeply entrenched in Arab studies to those just beginning their journey of exploration. 

Afikra operates regular chapters in numerous cities, including New York, Beirut, Berlin, Marrakesh, London, and, of course, Riyadh.  

For Muhanna, the success of Afikra is not just about numbers or algorithms; it’s about the impact the platform has had on individuals and the community at large — and on him personally. 

“The responsibility is immense, for sure,” he says. “But the joy is immense, too.”