Toronto festival drops Russian war film screenings over threats

Anastasia Trofimova first presented “Russians at War” at the Venice Film Festival. (AFP/File)
Anastasia Trofimova first presented “Russians at War” at the Venice Film Festival. (AFP/File)
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Updated 13 September 2024
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Toronto festival drops Russian war film screenings over threats

Toronto festival drops Russian war film screenings over threats
  • Desicion was taken after receiving ‘significant threats to festival operations and public safety’
  • Film features a Russian battalion as it advanced across eastern Ukraine in February 2022

OTTAWA: The Toronto International Film Festival said Thursday it was pausing all upcoming screenings of controversial documentary “Russians at War” after receiving “significant threats.”
“We have been made aware of significant threats to festival operations and public safety,” festival organizers said in a statement, pointing to reports they received “indicating potential activity in the coming days that pose significant risk.”
“This is an unprecedented move for TIFF,” read the statement.
“Given the severity of these concerns, we cannot proceed as planned.”
Anastasia Trofimova first presented “Russians at War” at the Venice Film Festival.
In the film, she embedded with a Russian battalion as it advanced across eastern Ukraine after Moscow launched its invasion in February 2022.
It was to have its North American premiere in Toronto on Friday, followed by additional screenings on Saturday and Sunday.
Both in Venice and Toronto it has sparked outrage in Ukrainian cultural and political circles against what many consider a pro-Kremlin film that seeks to whitewash and justify Moscow’s assault on its neighbor.
Ukraine’s presidential chief of staff, Andriy Yermak, said he felt the festival should have dropped the film.
“The threat is Russian propaganda,” he wrote on Telegram, adding that the film should be “banned.”
Canada’s deputy prime minister, Chrystia Freeland, criticized the planned screening in Toronto.
“There can be no moral equivalency in our understanding of this conflict,” she said.
Canadian public broadcaster TVO, which had helped fund the documentary, pulled its support for the film and said it would not be airing it.
Meanwhile, Ukraine’s state film agency appealed to TIFF to drop the film, which it said was “a dangerous tool for public opinion manipulation.”
Trofimova has rejected the criticisms, telling AFP the Canada-France production was “an anti-war film” that showed “ordinary guys” who were fighting for Russia.
The soldiers depicted appear to have little idea of why they have been sent to the front, and are shown struggling to make Soviet-era weapons serviceable.
Others chain-smoke cigarettes and down shots of alcohol amid the deaths and wounds of their comrades.
Producer Sean Farnel said on X that the decision to cancel the screenings was “heartbreaking.”
He blamed officials’ public criticisms for having “incited the violent hate that has led to TIFF’s painful decision to pause its presentation of ‘Russians at War.’“


Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO
Updated 28 March 2025
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Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO
  • Middle East ‘no longer a peripheral market’ — Joe Kawkabani

DUBAI: Warner Bros. Discovery this week announced a minority investment in OSN Streaming in a move that “reinforces its commitment to the region’s rapidly growing streaming landscape.”

The deal is reportedly valued at $57 million for a third of OSN Streaming. It will take place in phases and is subject to customary conditions, including regulatory approvals.

Joe Kawkabani, OSN’s group CEO, said the deal “signals a broader shift in the industry” as global players recognize “that substantial growth in the Middle East and North Africa region requires more than just exporting content.”

He told Arab News: “It’s about investing in local platforms, collaborating with regional talent, and tailoring content specifically to the market. That’s precisely what we’re doing here, and I believe it sets a new standard for successful partnerships in the region.”

Warner Bros. Discovery opened its first office in the region in Dubai in 2012. The investment reflects its “prioritization of working with the best creative talent, advancing technologies and forging key partnerships to fuel continued growth.”

It also serves as an opportunity for the company to “deepen their regional presence through a trusted platform that truly understands the market's nuances,” Kawkabani said.

The two companies have had a long-standing history, with OSN being the exclusive home for HBO content in the region. Just last year, OSN acquired the rights to all first-run Max Originals and the full Warner Bros. Pictures feature film library as part of a multi-year deal.

Jamie Cooke, executive vice president and managing director for Central Europe, Turkey and Middle East, at Warner Bros. Discovery said this was a “natural step” for the company, as “OSN has been a great partner and custodian of our content.”

He added: “We recognize that alongside enjoying the latest global hits, regional audiences also want stories from and about the region that reflect their own cultures and experiences.”

Kawkabani highlighted the importance of the MENA market on the global map.

He said: “It is no longer a peripheral market — it’s becoming central to the future of streaming. Our role is to drive this transformation from within the region, not just import it from the outside.”

Saudi Arabia has emerged as a key player in the region’s media and entertainment industry. In 2018, the Kingdom announced it would invest $64 billion in its entertainment sector over the coming decade. Since then, it has implemented several initiatives and investments to bolster these sectors.

Most recently, in January, Saudi Arabia’s General Entertainment Authority unveiled 29 investment opportunities aimed at expanding the entertainment landscape while fostering private sector participation and aligning with Vision 2030 objectives.

Saudi Arabia is “one of the most exciting and dynamic entertainment markets in the world right now” and the deal “aligns seamlessly with Saudi Arabia’s broader vision for its entertainment sector — one that prioritizes creativity, local talent, and global collaboration,” said Kawkabani.

“We view Saudi Arabia not just as a key market but as a creative hub that can lead the region forward,” he added.

Going forward, the deal will see the two companies invest in “high-quality, locally produced content, ensuring a richer and more diverse offering for viewers,” according to Cooke.

For OSN, Kawkabani said it wasn’t just about content licensing or capital, but rather about “two companies aligning on a vision to sustainably grow the regional streaming market in a way that resonates locally.”

He added: “We’re not here to follow trends; we’re here to shape them.”


Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours
Updated 28 March 2025
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Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours
  • Spiritual, peaceful and relaxing audio is the most popular choice during Ramadan, with listenership of such playlists increasing by more than 3,000 percent in the first two weeks.

DUBAI: Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify.

This year saw a return of the streaming platform’s Ramadan Hub, with a specially curated selection of playlists, music and podcasts.

Based on an analysis of customers’ streaming habits during the first two weeks of Ramadan, Spotify found the majority of Saudi listeners tune in at around 3 a.m. Spiritual, peaceful and relaxing audio is the most popular choice, with listenership of such playlists increasing by more than 3,000 percent.

“With the Ramadan Hub, Spotify continues to be a companion for every moment of the holy month,” Mark Abou Jaoude, the platform’s head of music for the Middle East, North Africa and Pakistan told Arab News.

The playlist with the highest increase in listeners (3,750 percent) was “Duaa,” which features prayers and supplications. Similarly, “Ramadaniyat,” which features traditional Islamic songs, saw a streaming rise of almost 1,890 percent.

Users’ love of TV dramas is reflected in their streaming habits with the “Titrat Ramadan” playlist recording a 2,900 percent increase in streams. This features songs that appear in popular shows at this time, known as “titrat” and traditionally sung by Arab pop stars.

Another playlist gaining popularity is “Cooking Time,” which saw the number of streams increase by 743 percent. This serves as a cooking companion and features songs such as Nancy Ajram’s “Aam Betaala’ Feek,” Marwan Khoury’s “Kel El Qasayed” and Amr Diab’s “El Kalam Leek.”

“Over the past two years, local podcast listening hours have increased by nearly 90 percent (on Spotify),” Abou Jaoude said.

Spotify has also seen significant increases in the popularity of local podcasts such as “Finjan with Abdul Rahman Abu Maleh” and “Sawalif Business.” Users are also listening to lighter entertainment content, such as “Kanabat al-Sabt,” “Saturday Couch” and the “Abjoorah Podcast,” as well as religious shows like the “Omam Podcast,” which puts a modern spin on the stories of prophets.

“These shifting listening habits reflect the growing trend of audio in setting the atmosphere for these shared experiences during the month,” said Abou Jade.

“It’s great to see how our Saudi listeners use Spotify to enrich their Ramadan journey and deepen their connections during this meaningful time.”


Iraq imposes new fees on social media influencers in latest crackdown on digital content

Iraq imposes new fees on social media influencers in latest crackdown on digital content
Updated 27 March 2025
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Iraq imposes new fees on social media influencers in latest crackdown on digital content

Iraq imposes new fees on social media influencers in latest crackdown on digital content
  • Content creators now required to register annually and pay fees of up to $760 based on follower counts
  • Authorities say regulations will create a more responsible digital media culture; critics argue framework is too vague

LONDON: The Communications and Media Commission in Iraq has introduced new rules requiring digital content creators, including social media influencers, to register annually and pay fees based on their follower counts.

“The regulation aims to establish a framework that sets clear standards and procedures for digital content and advertising on social media platforms,” Haider Najm Al-Alaq, a spokesperson for the commission, told the Iraqi News Agency.

The primary goal is to “ensure transparency, credibility and public protection from unprofessional promotional content,” he added.

The new rules apply to bloggers, influencers and public figures with significant online followings. The aim is to align digital content with Iraqi laws, curb “misleading or unethical advertisements,” and offer legal protections for registered influencers, the commission said. They will also help to safeguard vulnerable groups, it added, including women, children and people with special needs.

The annual registration fees range from 250,000 to 1 million Iraqi dinars ($190 to $760), with influencers who have more than 5 million followers paying the highest amount. The commission said the regulations will be enforced through a monitoring system.

Al-Alaq said influencers will be required to adhere to specific standards for content, including “respect for national sovereignty,” avoidance of material that “damages Iraq’s position or foreign relations,” and support for security institutions in their counterterrorism efforts. They must also refrain from posting material that could incite violence or sectarianism, and provide a right of response for individuals affected by their content.

However, Iraqi journalism rights groups, content creators and media experts criticized the new regulations. They described the framework as vague, and raised concerns about its legal basis and potential for misuse. They also warned that the law will do little to regulate content quality and instead serve simply as a tool for generating revenue.

“This decision is sudden, illogical and baffling,” Iraqi journalist and blogger Omar Al-Janabi wrote in a message posted on social media platform X.

“It does not distinguish between commercial advertising and political commentary, nor between platforms. A journalist posting news on X is treated the same as a YouTube influencer selling skin cream.”

The new regulations follow a broader crackdown on what Iraqi authorities describe as “indecent content,” an effort that has intensified in the past year.

On Aug. 22, authorities arrested Raghad Mohammed Ghali Jabr Al-Janabi, a 22-year-old TikToker known online as “Natalie,” in Baghdad for allegedly promoting indecent material. Several other influencers, including Aned Khaled (nickname “Hassahs”), Ruqayya Rahim and Aya Al-Shammari were detained the same month under Article 403 of the Iraqi Penal Code, which criminalizes the production or distribution of content deemed to violate public decency. Those convicted under the law face fines and up to two years in prison.

The crackdown comes amid growing concern about the safety of social media personalities in Iraq. In April 2024, popular influencer Om Fahad was shot dead outside her home in Baghdad. The killing, the third in a string of violent attacks targeting online celebrities, sparked a nationwide debate about content regulation and online safety.


Palestinian filmmaker says Israeli settlers assaulted him for winning Oscar

Palestinian filmmaker says Israeli settlers assaulted him for winning Oscar
Updated 27 March 2025
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Palestinian filmmaker says Israeli settlers assaulted him for winning Oscar

Palestinian filmmaker says Israeli settlers assaulted him for winning Oscar
  • Hamdan Ballal said he had been attacked by settlers while soldiers pointed their weapons at him
  • No Other Land’s co-director called the “brutality” life-threatening

SUSYA, Palestinian Territories: Oscar-winning Palestinian filmmaker Hamdan Ballal said Wednesday that he was attacked by Israeli settlers for winning the prestigious award, calling the “brutality” life-threatening.
Israeli police released Ballal on Tuesday after detaining him the day before for allegedly “hurling rocks” following what activists described as an attack by settlers in the Israeli-occupied West Bank.
Ballal co-directed “No Other Land,” which won Best Documentary at this year’s Academy Awards.
The film chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta — an area Israel declared a restricted military zone in the 1980s.
Ballal said he had been attacked by settlers while soldiers pointed their weapons at him.
“I felt that these were the last moments of my life, that I would lose it due to the severity of the beating,” he told AFP in a video interview.
“My head was trapped between the settler’s foot, the door and the wall, as if it were a football.”
The “brutality” of the attack, he said, “made me feel it was because I won the Oscar.”
During his detention at an Israeli military center, Ballal noticed soldiers mentioning his name alongside the word “Oscar” during shift changes.
“While I couldn’t understand everything they said, I clearly recognized my name and the word ‘Oscar’, as those words don’t change in Hebrew,” he said.
According to the Israeli military, three Palestinians were apprehended on Monday for “hurling rocks” during a confrontation between Israelis and Palestinians in the southern West Bank village of Susya.
The village is located near Masafer Yatta, a grouping of hamlets south of Hebron city where “No Other Land” is set.


Yuval Abraham, who co-directed the documentary, criticized the US Academy for its silence over the issue.
“Sadly, the US Academy, which awarded us an Oscar three weeks ago, declined to publicly support Hamdan Ballal while he was beaten and tortured by Israeli soldiers and settlers,” Abraham said on X.
“While Hamdan was clearly targeted for making No Other Land... he was also targeted for being Palestinian — like countless others every day who are disregarded.”
“This, it seems, gave the Academy an excuse to remain silent when a filmmaker they honored, living under Israeli occupation, needed them the most,” Abraham added.
Israel’s military said in a statement that “claims that the detainees were beaten during the night at an IDF detention facility were found to be entirely baseless.”
“IDF (military) forces facilitated medical treatment for the detainees... and throughout the night, the detainees remained in a military detention facility while handcuffed in accordance with operational protocol,” it said, adding they were released on bail after questioning.
Activists from the anti-occupation group Center for Jewish Nonviolence said they witnessed the violence in Susya.
Foreign activists regularly stay in Masafer Yatta’s communities to accompany Palestinians as they tend to their crops or shepherd their sheep, and document instances of settler violence.
Rights groups have said that since the start of the Israel-Hamas war in Gaza — a separate Palestinian territory — there has been a spike in attacks by Israeli settlers in the West Bank.
Occupied by Israel since 1967, the West Bank is home to around three million Palestinians, as well as nearly half a million Israelis who live in settlements that are illegal under international law.


Turkish court frees AFP journalist held for covering protests: lawyer

Turkish court frees AFP journalist held for covering protests: lawyer
Updated 27 March 2025
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Turkish court frees AFP journalist held for covering protests: lawyer

Turkish court frees AFP journalist held for covering protests: lawyer
  • AFP chief executive and chairman Fabrice Fries had slammed imprisonment as “unacceptable.”

Istanbul: A Turkish court on Thursday freed AFP photographer Yasin Akgul who was detained for covering mass protests roiling the country, his lawyer said.
Akgul, 35, was one of seven Turkish journalists arrested this week after days of covering mass protests that erupted on March 19 when Istanbul mayor Ekrem Imamoglu — President Recep Tayyip Erdogan’s main political rival — was arrested.
Akgul and his colleagues were arrested at their homes before dawn and charged with “taking part in illegal rallies and marches and failing to disperse despite warnings,” court documents showed.
Turkiye ranks 158 out of 180 countries listed in the 2024 World Press Freedom Index compiled by RSF.
AFP chief executive and chairman Fabrice Fries had slammed imprisonment as “unacceptable.”
Akgul, he stressed, was “not part of the protest” but only covering it as a journalist, and should be swiftly released.