Beyond Everest — discovering Nepal as a non-trekker 

Beyond Everest — discovering Nepal as a non-trekker 
From the bustling streets of Kathmandu and the tranquil lakeside views of Pokhara set against the Himalayas to the nature reserves of Chitwan National Park and the hilltop peace of Bandipur, Nepal is a treasure trove of all things travel. (Shutterstock)
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Updated 05 September 2024
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Beyond Everest — discovering Nepal as a non-trekker 

Beyond Everest — discovering Nepal as a non-trekker 
  • From breathtaking nature to vibrant street life, Nepal is about much more than mountains 

DUBAI: Nepal is best known as the entry point to the Himalayas and Mount Everest, but this beautiful country actually provides a host of options for all kinds of travelers — even those with no desire to summit a mountain.   

From the bustling streets of Kathmandu and the tranquil lakeside views of Pokhara set against the Himalayas to the nature reserves of Chitwan National Park and the hilltop peace of Bandipur, Nepal is a treasure trove of all things travel — and that’s true whether you’re a backpacker travelling on a budget or a family looking to unwind. 




A street in Kathmandu. (Shutterstock) fthaem

Our two-week trip to Nepal began in Kathmandu, and my husband and I opted to stay in the famed Thamel tourist district. Thamel is where you want to be if you love all things food, drinks, art, music and shopping — although it’s a shock to the senses if you’re not used to busy South Asian city life. There are dingy tattoo parlors, storefronts offering rows and rows of beaded jewelry and miscellaneous art, live music blaring from every drinking establishment (and there’s one every five steps you take), and the best street food you’ll ever taste — if you have the stomach for it. 

Speaking of food, we ate momos (Nepal dumplings) for breakfast, lunch and dinner because no two places make it the same and they are all great. Shout out also to Thamel House Restaurant for the best traditional Nepali thali (platter) we had during our stay. ,




Thamel, Kathmandu. (Shutterstock)

We also took a day to explore the neighboring town of Patan. Once an independent city-state, it’s now considered a natural extension of Kathmandu. Its main attraction is Darbar Square, a UNESCO World Heritage Site where you will find a collection of ancient Hindu temples and palaces. After exploring the main square, you can head to a nearby rooftop café for beautiful views of the town. 

No visit to Kathmandu is complete without a trip to the Swayambhunath Stupa — known locally as The Monkey Temple, for reasons that become immediately apparent when you visit. Be warned: the monkeys will try to steal anything you’re carrying, so they can trade it back to you for food. And these guys are sneaky. 

The trek to the stupa involves climbing exactly 365 steps but the sprawling view of Kathmandu from the top, and the tranquil vibe of the temple itself, are well worth the climb. 

Our next destination was Pokhara, the gateway to the Annapurna Circuit, a famed trail in the Himalayas, popular with hippies, vagabonds and of course, trekkers of all kinds. 

But trekkers we are not. We’d arrived in the beautiful postcard-perfect lakeside town for some well-earned downtime. And some uptime — I decided to get in touch with my mortality with a thrilling paragliding session over the gorgeous Phewa Lake, which brilliantly mirrors the mountains set against it. 




Phewa Lake Pokhara. (Shutterstock)

We also spent an unforgettable afternoon kayaking there. If you venture out far enough, it really seems like it’s just you, the water, and the mountains. 

It’s tempting to simply stay around the lake, but it’s well worth exploring Pokhara’s Old Town with its many ancient temples and traditional architecture. 

Next, we spent three days in the cozy little hilltop village of Bandipur, immediately appreciating the total absence of tooting horns and exhaust fumes — motorized vehicles are banned within this historic hidden gem of a town, which was once an important stop on the Tibetan trade route. Its center consists of a single cobblestoned street, flanked on both sides by 18th-century buildings painted in pastel colors reminiscent of quaint little European towns. And there are a few old Hindu temples to be found too. 

Most of Bandipur’s buildings have been restored, and are now quaint guesthouses and/or cafés. We stayed at The Old Inn, a charming traditional guesthouse with a terrace that has breathtaking views of the Annapurna range and the valley below Bandipur. 

While our stay at Bandipur was mostly focused on enjoying its bougainvillea-draped coffee houses, leisurely strolls through the town, and sampling baked goods and traditional thalis, we also made time for a short hike uphill to the Thani Mai temple around sunset, where we were rewarded with more beautiful views of the town from above, bathed in golden light. 

And just like that, even though Bandipur was added as a hasty afterthought to our itinerary, it became our favorite stop of the entire trip. 


New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
Updated 10 September 2024
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New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
  • National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization
  • Abeer Al-Akel: Our partnership with the National Archives exemplifies the power of international collaboration

JEDDAH: The Royal Commission for AlUla has signed a partnership agreement with the UK National Archives in line with the commission’s goals of cultural heritage preservation, international collaboration, and contribution to Vision 2030.

Through its expertise in archival management and historical documentation, the National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization. Specific initiatives will focus on joint research projects, digital archive initiatives, and cultural exhibitions.

Abeer Al-Akel, acting CEO of the commission, said: “RCU’s campaign of comprehensive regeneration is transforming AlUla into a global hub for heritage and culture — and an extraordinary location for residents and visitors. Our commitment to conservation supports Vision 2030’s goal of promoting Saudi culture through initiatives that are ‘powered by the past, reimagined for the future.’

“Our partnership with the National Archives exemplifies the power of international collaboration, combining expertise and resources from Saudi Arabia and the UK to enhance cultural heritage research and public programming.”

Saul Nasse, chief executive and keeper of the National Archives, said: “Working with the Royal Commission for AlUla is an opportunity to share our pioneering work in documenting and safeguarding heritage. RCU has an ambitious strategy to preserve the rich stories of northwest Arabia, and we look forward to contributing our insights and experience.”

Through this collaboration, RCU and the National Archives aim to enhance the visibility of Saudi documentary heritage and strengthen the capacity of local archives to provide wide access to these invaluable resources, further solidifying AlUla’s position as a global hub for cultural preservation and exploration.


Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show
Updated 10 September 2024
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Tory Burch taps Loli Bahia for New York show

Tory Burch taps Loli Bahia for New York show

DUBAI: American designer Tory Burch unveiled a collection imbued with the spirit of sport — but without venturing into sportswear — at New York Fashion Week this week, with French Algerian model Loli Bahia walking the runway.

Freedom and movement were reflected in loose-fitting wool pants and wrap dresses, while power shone through in the assembly of different pieces, fabrics and cuts on the models marching down the catwalk, AFP reported.

Bahia showcased one of these looks, donning a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. The top had a wrap-like structure with subtle ties on the front, while the skirt featured a high slit. 

Bahia donned a sleek, structured black ensemble with asymmetrical cuts and overlapping panels that gave it a modern, deconstructed feel. (Getty Images)

The outfit, from the Spring/Summer 2025 collection, was completed with bold, oversized statement earrings and classic black peep-toe heels.

Bahia was joined by Mona Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. The skirt featured delicate draping and soft pleats. She wore neutral-tone open-toe heels and had her slicked-back. 

Tougaard graced the runway wearing a sleeveless, cropped black top with a V-neckline, paired with a voluminous, flowy white skirt that had a layered, ruffled design. (Getty Images)

Other standout looks from the show included an ensemble of ultra-light suede pants with a rope belt and a skin-tight sweater patterned in red and white.

A transparent white jersey shirt with ruffles and overly long sleeves was paired with its formal counterpart, brown wool pants.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

With this collection, the Pennsylvania native broke from the style that made her famous, a combination of preppy New England with a touch of the bohemian.

“It’s more about the spirit and the essence of sport,” Burch, whose shows have become a staple of New York Fashion Week, told AFP.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

That means it is about “movement, about freedom, precision” as a starting point, she explained, adding: “The word ‘synchronicity’ was something I thought about.”

 “I wanted to be careful with not having too many different prints, but I wanted it to come across in some textures and the fabrics and the color,” Burch, who this year celebrated the 20th anniversary of her eponymous fashion house, said.


REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  
Updated 10 September 2024
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REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

CHENNAI: Often it needs just a single work for a director to emerge out of the shadows and shine. For Tim Burton that happened in 1988 with “Beetlejuice,” a camp horror that straddled the line between comedy and the macabre.

It was a turning point for the 26-year-old director who shot straight to the big leagues and returned to the now-concluded Venice Film Festival with the sequel, “Beetlejuice Beetlejuice,” in September.

With headlining names like Michael Keaton, Winona Ryder and Jenna Ortega, one of the sequel's first scenes shows Italian icon Monica Bellucci as Delores the ghost all cut into pieces lying in several boxes. She begins to pin herself together with a stapler and proceeds to suck the souls of dead men and women, all set to a soundtrack of “Tragedy” by the Bee Gees. Gory but fun — and very on brand for Tim Burton.

The movie begins in a clumsy manner with the characters being arranged in what felt like a chess game, with the key pieces spread out. The sequel follows Winona Ryder's Lydia Deetz, the former goth teen who is now a psychic mediator with her own paranormal television show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jenna Ortega (@jennaortega)

Deetz’s supernatural abilities are brushed off by her daughter, Astrid (Ortega), who believes her mother’s visions are pure delusion and soon enough Catherine O’Hara returns to her role as Lydia’s narcissistic artist stepmother.

Keaton reprises his part as the titular ghost, but he was far more eccentric and engaging in the first film — his performance here feels like a watered-down version of what we saw earlier.

This largely sum up what seems to be the point of the film — a nostalgia-fuelled look-back at a high-camp horror for Burton fans to enjoy during the Halloween season.

Unfortunately, the movie feels lethargic, dispirited and soulless. Far from the 1988 work that was peppy and praiseworthy. 


From Sweden to Hollywood, Arab designers shine among celebrities

From Sweden to Hollywood, Arab designers shine among celebrities
Updated 09 September 2024
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From Sweden to Hollywood, Arab designers shine among celebrities

From Sweden to Hollywood, Arab designers shine among celebrities

DUBAI: From US actress Grace Van Patten flaunting heels by Andrea Wazen to British singer Ellie Goulding hitting the red carpet in a Zuhair Murad gown, celebrities kicked off September in style.

Van Patten opted for the Katy Lace Sling heels by Lebanese footwear designer Andrea Wazen at the season 2 premiere Of Hulu's "Tell Me Lies" in California.

Grace Van Patten opted for the Katy Lace Sling heels by Lebanese footwear designer Andrea Wazen at the season 2 premiere Of Hulu's "Tell Me Lies" in California.
(Getty Images)

The actress, who has appeared in two Netflix films and two Hulu mini-series, paired the black heels with a baby pink slip dress at the premiere.

For her part, Goulding showed off a floor-length number by Lebanese designer-to-the-stars Zuhair Murad, hailing from the label’s Resort 2025 collection. The “Love Me Like You Do” singer chose the dress for an appearance at the Perfect World Foundation's Honorary Conservation Award ceremony in Gothenburg, Sweden, where she was given The Perfect World Foundation Award, following in the footsteps of previous recipients such as Sir David Attenborough, Dr. Jane Goodall, and Prince Albert II of Monaco.

Ragnhild Jacobsson, CEO and co-founder of The Perfect World Foundation, praised Goulding's environmental efforts in a released statement, saying: "Ellie Goulding is a respected force as a climate and nature champion. Her inspirational efforts to mobilize the youth in saving our planet's biological diversity are admirable. We are proud to honor her as this year's recipient."

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Variety (@variety)

In another landmark achievement for an Arab designer, Saudi couturier Mohammed Ashi, the founder of Paris-based Ashi Studio, saw US actress Demi Moore grace the cover of Variety magazine in one of his creations.

Moore was photographed for the cover of the Hollywood title’s September issue in a black gown from Ashi’s Sculpted Clouds collection — his Fall 2024 Couture show.

Ashi became the first couturier from the Gulf to join the Federation de la Haute Couture in Paris as a guest member in 2023 and has since shown his collections on the official Paris Haute Couture Week calendar.


Directors show solidarity with Palestinians during Venice Film Festival speeches

Directors show solidarity with Palestinians during Venice Film Festival speeches
Updated 08 September 2024
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Directors show solidarity with Palestinians during Venice Film Festival speeches

Directors show solidarity with Palestinians during Venice Film Festival speeches

DUBAI: The final ceremony of the Venice Film Festival on Saturday saw multiple winners use their acceptance speeches to express solidarity with the Palestinian people and condemn Israel’s military campaign in Gaza.

“As a Jewish American artist working in a time-based medium, I must note, I’m accepting this award on the 336th day of Israel’s genocide in Gaza and 76th year of occupation,” said US director Sarah Friedland as she accepted the Luigi de Laurentiis prize for best first film for “Familiar Touch.”

“I believe it is our responsibility as filmmakers to use the institutional platforms through which we work to redress Israel’s impunity on the global stage. I stand in solidarity with the people of Palestine and their struggle for liberation,” she continued.

Kathleen Chalfant, Orizzonti Award for Best Actress winner, and Sarah Friedland (R), Lion of the Future – "Luigi De Laurentiis" Venice Award for a Debut Film and the Orizzonti Best Director award winner, pose during a photocall. (AFP) 

The director’s comments were met with strong applause, Deadline reported. Her speech comes amid Israel’s 10-month military campaign in Gaza in which more than 40,000 Palestinians, including more than 16, 000 children, have been killed. The current conflict was sparked by the Oct. 7 Hamas attack on Israel, in which 1,139 were killed, including 36 children.

Palestinian filmmaker Scandar Copti accepted the best screenplay prize in the Horizons section for his films “Happy Holidays.”

“I stand here deeply honored, yet profoundly affected by the difficult times we’re living through over the past 11 months, our shared humanity and moral compass have been tested as we witness the ongoing genocide in Gaza,” he said on stage.

“This painful reality reminds us of the devastating consequences of oppression, which is a theme in our film. Our film looks at how moral narratives can bring us together as communities, but also blind us to the suffering of others.”

Meanwhile, “The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award.