Saudi Arabia’s literary renaissance captivates local and international audiences

The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. (Supplied)
The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. (Supplied)
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Updated 20 August 2024
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Saudi Arabia’s literary renaissance captivates local and international audiences

Saudi Arabia’s literary renaissance captivates local and international audiences
  • Stories by Saudi writers reflect the Kingdom’s rich cultural tapestry, rapid societal changes

RIYADH: Saudi Arabia’s literary scene is experiencing a vibrant renaissance with a new generation of writers captivating local and international audiences.

“Saudi literature has witnessed significant acceleration over the past decade, particularly during the period when culture and its literary derivatives became one of the key objectives of Vision 2030,” said Ibraheem Al-Sinan, head of editorial at Raff Publishing.

He added: “This newfound openness to knowledge and literature, spurred by various initiatives, competitions and activities, has enabled young people to make significant leaps in literary production. What once took decades to learn, the youth now accomplish in just a few years.”




The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. (Supplied)

From the heart of Riyadh to the picturesque streets of Jeddah, Saudi writers are crafting stories that reflect the Kingdom’s rich cultural tapestry and rapid societal changes. These writers include Raja Alem, Mohammed Hasan Alwan and Badriya Al-Bishr, whose works range from allegorical tales to poignant memoirs.

The literary movement in Saudi Arabia can be divided into two main themes: “Cultural Reflections” and “Modern Narratives.”

The first explores issues of identity, heritage, and societal norms.

HIGHLIGHT

The literary movement in Saudi Arabia can be divided into two main themes: ‘Cultural Reflections’ and ‘Modern Narratives.’

For instance, Alem’s “The Dove's Necklace” delves into the complexities of Makkan culture through allegory and symbolism. Alwan’s “A Small Death” is a spiritual journey through the life of Ibn Arabi and also fits this theme, offering a deep dive into spiritual and cultural identity.

The second theme, “Modern Narratives,” focuses on contemporary issues and personal experiences.




The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. (Supplied)

Al-Bishr’s novel “Love Stories on Al-Asha Street” tackles the everyday lives and struggles of Saudi women, portraying their quest for identity, love and freedom within a rapidly changing society. Her work sheds light on the societal pressures and cultural expectations faced by women, providing a candid and often critical perspective on modern Saudi life.

Both themes underscore the notion that identity and societal evolution is deeply personal, with each writer drawing on their unique experiences.

Yasmina Al-Mutabagani, a rising Saudi author, shared her early inspirations and journey as a writer. “I loved the idea of writing in a journal and allowing my imagination to lead the words,” she said. “What motivated me was the possibility of creating stories that drew a smile or made a heart flutter.”




The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. (Supplied)

Al-Mutabagani’s writing has evolved significantly since her early days. “I would proudly say I’m self-taught,” she said. “Reading has helped me a lot in developing my writing style. “Whenever I learned a new word, I wrote it down. Little by little, I realized when a comma should be added or when a sentence finished.”

Saudi culture and heritage deeply influence her stories. “Whenever I write, my characters are either fully Saudi or half Saudi, and each time I make sure that those characters represent the Saudi culture in terms of ethics, behavior, and boundaries, she said.

Balancing cultural heritage with questioning societal norms is an art for Al-Mutabagani. “Communication is the compass. In Saudi culture, there has always been conservativeness, which is beautiful and understandable. In my novels, I ensure that my characters’ conversations are based on human experience.”

Through her books, Al-Mutabagani hopes to convey the beauty of simplicity and the charm of little details. “My two messages are: See how your life changes when you focus on the beauty of little things and details, and when you communicate your feelings and things,” she said.

Despite challenges, such as the lack of resources and direction to become a published author in Saudi Arabia, Al-Mutabagani has achieved significant milestones.

She has published two books: “Waheeba’s Lie” in 2018 and “Beyond the Surface (Conversations in the Pandemic)” in 2023. Her recent novel is available in Jarir bookstores across the Kingdom.

As Saudi Arabia continues to evolve culturally and socially, its literary scene is becoming a vibrant tapestry of voices and stories that reflect both heritage and modernity. With initiatives like Vision 2030, the Kingdom’s literary future looks promising.

Al-Sinan emphasizes the importance of these cultural initiatives. “The Saudi government has introduced several programs aimed at nurturing and promoting local talent. These efforts have not only broadened the scope of local literature but have also made it more accessible to the international audience.”

Al-Mutabagani sees her role as a writer within this broader cultural and societal evolution as a bridge between tradition and modernity. “I convey to my readers that the Saudi culture and Saudi Arabia beholds beauty because its society booms with kindness and openness to different cultures,” she said.

This openness is also reflected in the diverse themes that contemporary Saudi writers are willing to explore. From feminist narratives and social commentaries to historical fiction and personal memoirs, the Saudi literary scene is rich and varied, offering something for every reader.

For instance, in addition to Al-Mutabagani’s exploration of love and beauty, other authors are tackling pressing social issues.

Alem’s work often delves into the complexities of identity and societal norms, while Al-Bishr’s novel “Hend and the Soldiers” critically examines the societal pressures and cultural expectations faced by Saudi women, advocating for their rights and empowerment.

Moreover, the rise of digital platforms and social media has provided Saudi authors with new avenues to share their work and connect with readers worldwide.

As Al-Sinan points out: “The digital age has allowed for a democratization of literature. Writers can now publish their work online and reach a global audience without the traditional gatekeepers.”

The literary renaissance in Saudi Arabia is not just about individual achievements but also about fostering a community of writers who support and inspire each other. Literary festivals, book fairs and writing workshops are becoming more common, providing spaces for dialogue and collaboration.

In conclusion, Saudi Arabia’s literary landscape is experiencing a dynamic transformation. With the support of cultural initiatives, the passion of its writers, and the engagement of its readers, the Kingdom is poised to make a significant mark on the global literary stage.

Al-Sinan said: “We are witnessing the dawn of a new era in Saudi literature, one that honors our rich heritage while embracing the possibilities of the future.”

As Saudi Arabia's literary scene continues to flourish, many works by Saudi authors offer fresh perspectives and innovative storytelling that capture the essence of contemporary Saudi life, for example:

  • “Beyond the Surface (Conversations in the Pandemic)” by Yasmina Al-Mutabagani: This book explores how diverse perspectives can harmonize through communication. It delves into themes of love, human nature, beauty and life, displaying the power of dialogue to bridge differences.
  • “Fear: Legends of the Fall” by Osamah Al Muslim: This book, part of his “Fear” series, combines fantasy, horror and folklore, exploring supernatural themes and deep-rooted fears. It’s a thrilling and immersive read.
  • “HWJN” by Ibraheem Abbas and Yasser Bahjatt: This science fiction and fantasy novel has captivated readers with its imaginative blend of jinn folklore and modern-day Saudi Arabia. It explores themes of love, culture and the supernatural, offering a unique lens on Saudi society.
  • “Cities of Salt” by Abdul Rahman Munif: While not a new book, this classic has gained renewed attention for its profound exploration of the impact of oil discovery on Saudi society. Munif’s epic narrative remains relevant and thought-provoking.

These works by Saudi authors not only highlight the diverse and dynamic voices emerging from the Kingdom but also provide readers with an understanding of the evolving cultural landscape.

 


Japan looks forward to strengthening relations with ‘major power’ Saudi Arabia as 70th anniversary nears

Japan looks forward to strengthening relations with ‘major power’ Saudi Arabia as 70th anniversary nears
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Japan looks forward to strengthening relations with ‘major power’ Saudi Arabia as 70th anniversary nears

Japan looks forward to strengthening relations with ‘major power’ Saudi Arabia as 70th anniversary nears

DUBAI: Japan Foreign Minister Takeshi Iwaya told a press conference on Friday that Saudi Arabia is a “major power” in the Middle East and plays a significant role in peace and stability in the region.

“Saudi Arabia is an important country for Japan, especially when it comes to energy and security. The country is an important partner,” he said.

Responding to a question about next year’s 70th anniversary celebrations between the two countries, Iwaya explained that Japan, on a broader and deeper scope, wants to “promote cooperation and understanding” with Saudi Arabia.

Iwaya said that Japan was soliciting public proposals for commemorative events between the two countries. “Between the governments, we are moving forward with certain plans,” he added.

In October, a commemorative logo was released, which features a combination of a palm tree, a symbol of Saudi Arabia, and cherry blossoms, a flower synonymous with Japan.

The foreign minister also spoke about Japanese boxing champion Naoya Inoue’s sponsorship contract with Riyadh Season.

“(The contract) is something that we should be very happy about, we are proud of this super champion. So, we hope that he will be very active and successful in Saudi Arabia as well. We welcome this,” he told the press conference.

Inoue announced the sponsorship deal in November, which is reported to be worth about $20 million. The boxing champion will have the Riyadh Season logo displayed on the branding for his fights.

During the press conference, Iwaya also announced newly designed Japanese passports in 2025 as well as Prime Minister Ishiba Shigeru’s potential meeting with US president-elect Donald Trump.

This article originally appeared on Arab News Japan


Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
Updated 20 December 2024
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Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
  • Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition

RIYADH: The Diriyah Company has announced the launch of Diriyah Season 24/25, which begins on Friday, Dec. 20 with a display of Diriyah’s heritage, hospitality, and immersive cultural experiences through various programs.

Jerry Inzerillo, CEO of the Diriyah Company, said: “We anticipate welcoming three million visitors to At-Turaif district, the birthplace of the Kingdom, by Founding Day on Feb. 22, 2025.

“We are breaking records in visitor numbers and forming numerous partnerships for ground and tour operations, with new flights already arriving from countries like China. The international presence in Bujairi is evident every night, making it one of the world’s premier gathering spots.”

Under the theme “Entertain Your Cultural Curiosity,” Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition, honoring the legacy of Imam Turki bin Abdullah, who founded the Second Saudi State 200 years ago. The much-anticipated Layali Diriyah returns with innovative experiences, while Minzal invites visitors to appreciate the natural beauty and heritage of Diriyah in a winter wonderland.

Guests can engage with the “850” interactive experience, immersing themselves in the narratives of significant historical figures. The Diriyah Storytelling Festival will celebrate literature and promote cultural exchange. Additionally, the Tyn Festival will bring together architects, academics and enthusiasts to celebrate the region’s tradition of mud architecture.

In the historic At-Turaif district and Bujairi Terrace, visitors will embark on a journey filled with cultural and artistic expression. The Souq program combines performing arts with a heritage backdrop enriched by modern elements. Lastly, the Samri Art Activities will offer interactive performances of Samri folk music and dance at various locations in Diriyah throughout the season.


UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
Updated 20 December 2024
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UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
Updated 19 December 2024
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King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
Updated 19 December 2024
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Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.