Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
Villa Hegra will connect two fundamental elements of AlUla's landscape, the urban plot and the oasis. (Supplied)
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Updated 01 August 2024
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Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
  • The CEO of the Saudi-French cultural hub discusses its achievements so far and plans for the future 
 

DUBAI: The Saudi-French cultural institution Villa Hegra — intended as “an incubator for artists and creators” — celebrated the first anniversary of its pre-opening program in July. It has been a year marked by a wide range of cultural activities and concerts, artistic retreats and research programs in the heart of AlUla as part of Villa Hegra’s first pre-opening cycle, which runs until the end of this year.  

Villa Hegra was officially established in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah Al-Saud and Jean-Yves Le Drian, then-French minister of foreign affairs, now president of AfAlula (the French Agency for AlUla Development). One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France. 




Artists from the Opera National de Paris met with students of the AlUla Music Hub, as part of the Villa’s recent partnership with the opera. (Supplied)

“It is not a private initiative. It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level,” Fériel Fodil, CEO of Villa Hegra, told Arab News’ French edition. “The villa will be a cluster of three assets: the cultural center, where the artist residencies will take place, and which will include a school for tourism and hospitality (Firendi AlUla); an apartment hotel with 80 rooms; and the villa itself.” 

The ultimate aim is to foster dialogue between both international and regional artists, local communities, and the oasis of AlUla. 

“When I think about architects, I go back to their ethos around working with nature rather than against it. When I think about the villa, I want to build humble yet impactful programs (for it),” Fodil said. “Architects in Alula add, complete, and transform. They build around trees to preserve the oasis.” 




American-Saudi artist Sarah Brahim and French artist Ugo Schiavi were the first of Villa Hegra's artists to travel to AlUla in July 2023, as part of the Villa's first preopening cycle. (Supplied)

Villa Hegra will be home to spaces for the performing arts, dancing, research, a digital studio, visual arts exhibitions, and yoga and fitness. It will also host artist residencies. The cultural center and the artist residencies are scheduled to launch towards the end of 2026, following the year-long second cycle of the pre-opening program. The hotel and Firendi AlUla should open in 2027.  

Part of Villa Hegra will also be dedicated to a regeneration of the town’s oasis, and the 10-hectare site itself will connect two fundamental elements of AlUla's landscape: the urban and the natural.  

“We are not (an add-on), we are rooted within the town,” said Fodil. “It is a very dense plot, and then very scattered in the oasis part. That (design) is going back to the heritage of AlUla where you have a winter farm and a ‘rihla’ — or journey — between the winter farm and the summer farm.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Villa Hegra has already initiated research into the cultural and socio-economic impact of cultural activations by the Royal Commission for AlUla on the local community. “The cultural center’s main objective is to engage with the community. We are working on the cultural program to reach the villa’s local and international ambition equally,” Fodil said. 

“We are trying to have a number of pre-opening programs — exhibitions for artist residencies, and public outreach activities, around podcasts, publications, and cinema,” she continued. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Naturally, French culture will play a major role. Following a successful concert organized by Villa Hegra at Maraya Concert Hall in January, the Opéra national de Paris will be back in AlUla to perform and to hold further workshops. The villa’s partnership with the Opéra national de Paris is in line with the Kingdom’s cultural ambitions, with the Royal Diriyah Opera House set to open in 2028. 

And over the past year, Villa Hegra has partnered with several leading French institutions to offer unique cultural initiatives, enrich AlUla’s cultural landscape, and facilitate the exchange of knowledge between Saudi Arabia and France. More than 20 French and Saudi artists have been collaborating and sharing knowledge at the villa, and more than 300 children and teenagers from the local community have participated in multidisciplinary workshops. There have also been talks given by experts in the fields of music, cinema, visual arts, architecture and the performing arts. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

As part of its second pre-opening cycle, along with the performance from the Opéra national de Paris, the villa will also host a science and arts workshop for children and teenagers, and a week of initiation into moviemaking and the history of cinema. 

The distinctiveness of the villa lies in its duality — Saudi and French, urban and oasis, open to children and adults, and with a local and international outreach. 

Partnerships are essential to the cultural identity of Villa Hegra. Whether through student exchange programs, research, or live events, the objective is to build momentum around art in the region. 

“We are also trying to find partners from the Saudi side, such as Hayy Jameel in Jeddah,” Fodil said. “We are looking for partnerships that have a look and feel of dialogue and have a training component to them, while bringing the best of both French and Saudi expertise.” 


Fashion Trust Arabia Award finalist Tara Babylon reimagines eveningwear through whimsical lens

Fashion Trust Arabia Award finalist Tara Babylon reimagines eveningwear through whimsical lens
Updated 20 October 2024
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Fashion Trust Arabia Award finalist Tara Babylon reimagines eveningwear through whimsical lens

Fashion Trust Arabia Award finalist Tara Babylon reimagines eveningwear through whimsical lens

DUBAI: British-Iraqi designer Tara Babylon, founder of her eponymous fashion label, is redefining evening wear with her avant-garde aesthetic, drawing inspiration from her rich cultural heritage and personal experiences. As a finalist for the Fashion Trust Arabia Award in the evening wear category, her designs are a contemporary interpretation of the ancient city of Babylon.

“I’m very drawn to the Hanging Gardens of Babylon. The fact that it could have been the eighth Wonder of the World is something I take and run with. It’s like this wondrous, magical utopian place,” Babylon said in an interview with Arab News.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TARA BABYLON (@tarababylon)

Launched in Sept. 2019, her brand fuses vibrant textures, bold colors, and innovative materials. Case in point: her colorful plaid made from elastic weaves, a linen blend dress with hand-woven cuffs, and a hand-made cotton scarf featuring oversized sculptural roses.

Babylon’s unconventional approach to fashion sees her taking common elements such as safety pins and elastic weaves and elevating them to couture status.

“I love the challenge of starting with something simple and transforming it into something luxurious,” she explained.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TARA BABYLON (@tarababylon)

Her use of safety pins, a nod to her childhood as an emo kid, has become a signature element in her collections.

Babylon’s foray into fashion was a natural progression, she said. Growing up in Sheffield, England, she was always drawn to style, clothes, and texture. She learned how to make clothing in Manchester and moved to London to refine her skills at Central Saint Martins before earning a full scholarship for her master’s degree at Parsons in New York.

Her experiences, particularly with designer Gareth Pugh, solidified her desire to create a visually striking brand.

“Interning at Gareth Pugh was a monumental experience for me, and it changed my entire world,” she said.

Collaborating with artisans in Nepal, Babylon creates intricate coats, gowns, and other unique pieces. Her “carpet coat,” famously worn by Doja Cat, catapulted her brand to cult status on social media.

“When I graduated from Parsons, her stylist saw my piece and reached out to me. Once she wore it, I had a viral moment,” Babylon said.

She has also taught a factory in China some of her techniques — they work on hand weaving and safety pin elements. For Babylon, being a finalist for the Fashion Trust Arabia Award is a game-changer.

“This platform shines a light on designers from the region, educating the world and giving us the recognition we deserve,” she said.


Designers inspired by wildlife and technology at Riyadh Fashion Week

Designers inspired by wildlife and technology at Riyadh Fashion Week
ArAm by Arwa Al-Ammari celebrated Saudi Arabia's wildlife. (AN Photo by Huda Bashatah)
Updated 20 October 2024
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Designers inspired by wildlife and technology at Riyadh Fashion Week

Designers inspired by wildlife and technology at Riyadh Fashion Week

RIYADH: The third day of Riyadh Fashion Week (RFW) saw Saudi labels Mona Alshebil, Abadia, Razan Alazzouni, ArAm, and Kaf by Kaf present their latest collections, with designers exploring such themes as Saudi Arabia’s wildlife and the influence of technology on fashion.

A particular highlight was ArAm by Arwa Al-Ammari, whose fashion show was a celebration of Saudi Arabia's wildlife. The collection was inspired by the country’s rich natural heritage, focusing on animals that are seldom seen, such as the oryx, the Arabian leopard, the Arabian wolf, and the Arabian bustard. In addition to these creatures, the collection drew aesthetic influences from indigenous plants like sider (Ziziphus spina), arar (Juniper), arak (Salvadora Persica), sheh (Artemisia), sant (Acacia), gada (Haloxylon Persicum), and athoba (Senegalia Mellifera). 

ArAm by Arwa Al-Ammari celebrated Saudi Arabia's wildlife. (AN Photo by Huda Bashatah)

These animals and plants hold significant cultural importance, often featuring in Arab poetry and idioms, serving as symbols of beauty and resilience deeply rooted in Saudi heritage. 

A model shows off a look by ArAm by Arwa Al-Ammari. (AN Photo by Huda Bashatah)

 Abdullah Al-Shehri, the only Saudi model on the runway at ArAm’s show, shared his experience, stating, “I represented the work of Arwa Al-Ammari today, and honestly, the show was spectacular. The collection was so creative, and I am really glad to be a part of this show at RFW for the second year in a row.”

A model shows off a look by ArAm by Arwa Al-Ammari. (AN Photo by Huda Bashatah)

Following the show, Kaf by Kaf took to the stage with a striking presentation of designer Kawthar Alhoraish’s Spring/Summer 2025 collection, aptly titled "Artificial Beauty." The collection explored the tension between technology and nature, delving into the contradictions that arise when organic forms collide with artificial constructs.

Kaf by Kaf took to the stage with a striking presentation of designer Kawthar Alhoraish’s Spring/Summer 2025 collection. (AN Photo by Huda Bashatah)

The collection was not only a showcase of fashion but also a commentary on the interplay between the organic and the synthetic. 

Shouq, a prominent influencer who donned pieces from Kaf by Kaf, expressed her admiration for the collection. “When I first read the title 'Artificial Beauty,' I was intrigued. But when I saw the robot model strutting down the runway, everything clicked. The reflective skirts and the overall theme were executed brilliantly. I was truly wowed and found myself wanting every piece in the collection,” she told Arab News.

A robot model on the runway. (AN Photo by Huda Bashatah)

The use of a robot model was a bold choice, symbolizing the fusion of fashion and technology. It reinforced the theme of the collection, making a strong statement about the future of fashion. Kaf by Kaf’s exploration of artificial beauty challenges traditional notions and invites a conversation about the role of technology in our lives and how it shapes our understanding of aesthetics. 

The collection featured dresses and co-ords. (AN Photo by Huda Bashatah)

As Riyadh Fashion Week continues to unfold, the diverse and thought-provoking presentations from designers like Aram and Kaf by Kaf highlight the vibrant creativity within Saudi fashion.


Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event

Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event
Updated 19 October 2024
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Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event

Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event
  • Djokovic, long-time Lacoste collaborator and ambassador, posted series of shots in heart of Saudi capital to his Instagram

DIRIYAH: Novak Djokovic, one of the greatest tennis players of all-time, took a break from the competitive action at the Six Kings Slam in the Saudi capital this weekend to capture some iconic photos in Diriyah. 

Djokovic, a long-time Lacoste collaborator and ambassador, posted a series of shots with some Saudis and solo photos on his Instagram in a striking jacket from the French brand against the historic backdrop of Diriyah, with the caption “Kingdom Style.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Novak Djokovic (@djokernole)

On Saturday, General Entertainment Authority supremo Turki Alalshikh posted a photo of himself with Djokovic and the five other players taking part in the Riyadh Season marquee tennis event — Rafael Nadal, Carlos Alcaraz, Jannik Sinner, Holger Rune and Daniil Medvedev.

A video posted to TikTok on Saturday showed Djokovic and his Six Kings Slam rivals being taught and taking part in a traditional Saudi dance in Diriyah.

World No. 1 Sinner secured a significant victory over Djokovic on Friday of the Six Kings Slam in Riyadh, triumphing 6-2, 6-7, 6-4.

As the Six Kings Slam continues, Sinner remains the man to beat as he looks to build on this momentum, while Djokovic’s future remains a question as he navigates the ever-growing physical demands of an increasingly younger field.

The Serbian faced old rival Nadal in a third-place match on Saturday, ahead of the final between Sinner and Alcaraz, and came out on top 6-2, 7-6.


Riyadh Fashion Week celebrates Saudi creativity and heritage

Riyadh Fashion Week celebrates Saudi creativity and heritage
Updated 19 October 2024
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Riyadh Fashion Week celebrates Saudi creativity and heritage

Riyadh Fashion Week celebrates Saudi creativity and heritage

DUBAI: The second day of Riyadh Fashion Week unfolded with a vibrant celebration of Saudi fashion, featuring an impressive lineup of six runway shows. Notable designers included Waad Aloqaili, Fatima Abdulqader, Khawla Alaiban, Ashwaq Al-Marshad, Atelier Hekayat and a grand finale by Yahya Albishri. Each designer brought their unique vision and cultural influence to the fore, illustrating the dynamic evolution of Saudi fashion.

One of the standout presentations came from Ashwaq Al-Marshad, who debuted her “Fahdah” collection. Drawing inspiration from the influential women in her life, Al-Marshad’s collection encapsulates a sense of nostalgia and elegance. The fabrics used — opulent lace, flowing chiffon and luxurious silks — reflect a timeless aesthetic that is both sophisticated and feminine. A particularly striking feature of her collection is a light pink hue reminiscent of her mother’s engagement dress, symbolizing grace and femininity.

Ashwaq Al-Marshad. (AN/ Huda Bashatah)

Al-Marshad also paid tribute to her grandmother, showcasing a stunning burgundy dress paired with a delicate sheer headscarf. The intricate hand-embroidery of flowers creates a captivating 3D effect, adding depth and artistry to each piece. The haute couture collection not only highlights Al-Marshad’s craftsmanship, but also celebrates the legacy of strong women, with an emotional nod to her daughter, Fahdah.

Reem Al-Suwaidi, a prominent fashion blogger, expressed her admiration for Al-Marshad’s collection, saying: “I’m in love with the designs. I’m so proud of Ashwaq; I’m actually wearing Ashwaq couture today.” She added: “The craftsmanship is exquisite. Each piece tells a story, and you can feel the emotions behind them.” Al-Suwaidi also highlighted the launch of Al-Marshad’s new heels, crafted in Milan, which complemented the exquisite pieces showcased on the runway. She praised the color palette and intricate embroidery, noting her enthusiasm for the burgundy elements: “The richness of the burgundy pieces just captivates you. Ashwaq has truly outdone herself.”

 (AN/ Huda Bashatah)

Following Al-Marshad’s emotionally charged presentation, Atelier Hekayat took to the runway with its show “Hotel De Hekayat.” The designers aimed to capture the essence of love through their collection, presenting 30 unique designs representing 30 different hotel rooms. Each design tells a story, with the audience left to interpret which room holds the most significance. The interactive concept was a creative twist that engaged viewers on a deep level.

“We are always on a journey to find love, and our show reflects that,” said Alia Oraif, a designer with Atelier Hekayat. “Each piece is inspired by a different room, each with its own narrative. It’s up to the viewer to decide which story resonates the most.” The label also introduced its signature “etoile de Jeddah” print, reimagined this year in vibrant colors. “We wanted to infuse more life and energy into our designs while staying true to our roots,” the designers added. The incorporation of the popular Arabian leopard print highlighted a significant cultural element of Saudi heritage.

Atelier Hekayat. (AN/ Huda Bashatah)

As Riyadh Fashion Week continues to showcase the talent of local designers, it is clear that the event is not just about fashion; it is a celebration of culture, legacy and creativity. Each designer brings their own narrative to the runway, contributing to a rich tapestry of stories that reflects the diverse influences shaping Saudi fashion today.

The success of the second day of RFW is indicative of the growing impact of Saudi designers on both the local and international fashion scenes. With each collection, they challenge conventions, push boundaries and elevate the art of fashion, establishing a unique identity that resonates with audiences around the world.


Georgina Rodriguez turns heads at Riyadh Fashion Week 

Georgina Rodriguez turns heads at Riyadh Fashion Week 
Updated 19 October 2024
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Georgina Rodriguez turns heads at Riyadh Fashion Week 

Georgina Rodriguez turns heads at Riyadh Fashion Week 

DUBAI: Saudi-based Argentine model Georgina Rodriguez made a striking appearance at the second day of Riyadh Fashion Week on Friday. 

She wore a sleeveless, fitted beige midi dress featuring a ruched, textured design and a high neckline. She paired the outfit with nude pointed-toe heels. Her hair was styled in a sleek updo, with loose strands framing her face, and her makeup complemented the neutral tones of her look.

Rodriguez accessorized with Messika jewelry, including statement hoop earrings and a ring.

She attended two shows, one by designer Fatima Alabdulqader and the other by Khawla Alaiban. 

The Saudi Fashion Commission-organized event will run until Oct. 21 and is taking place across three venues — Tuwaiq Palace, Digital City, and JAX District. It features a series of runway shows, brand presentations and a designer showroom.

Burak Cakmak, CEO of the Fashion Commission, previously stated: “Riyadh Fashion Week stands at the forefront of positioning Saudi Arabia as a dynamic center for fashion and creativity. This event is a gateway for fostering homegrown talent, igniting new opportunities in fashion and retail, and driving both local and international engagement.”