Sound of Ruby: ‘The spread of culture is a very beautiful thing’ 

Sound of Ruby: ‘The spread of culture is a very beautiful thing’ 
Dammam-based alternative rock band Sound of Ruby have been telling stories through music for decades. (Instagram)
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Updated 18 July 2024
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Sound of Ruby: ‘The spread of culture is a very beautiful thing’ 

Sound of Ruby: ‘The spread of culture is a very beautiful thing’ 
  • The Saudi alt-rock veterans are enjoying the rewards of more than two decades of work 

DAMMAM: Dammam-based alternative rock band Sound of Ruby have been telling stories through music for decades.  

“We can say that we were the first band to play rock in Dammam, or Saudi Arabia,” frontman Muhammad “The Camel” Al-Hajjaj, who founded the group in 1996, tells Arab News.  

Al-Hajjaj describes the band’s sound as “punk rock, alternative rock, emphasizing Saudi and Arab music,” and cites Henry Rollins — founder of US hardcore band Black Flag — and grunge legends Nirvana as influences, along with two of Nirvana frontman Kurt Cobain’s major inspirations, Pixies and Melvins.  

But back in Nineties Dammam, there were few who shared Al-Hajjaj’s love of loud Western-style rock music. “If we saw someone wearing a rock band T-shirt, we’d immediately try to talk to him,” Al-Hajjaj says. “It was hard. The popular music (in the community) at the time was rap, Bob Marley, Michael Jackson, and Arabic (mainstream) music. I like Michael Jackson, by the way. But it was hard. We’d hear ‘What is this?’ from people.” 

Al-Hajjaj, like many rock musicians, taught himself to play guitar. He was inspired to do so, he says, by a scene in 1985’s “Back to the Future” when Michael J. Fox’s character plays the famous riff from Chuck Berry’s “Johnny B. Goode” (also covered by several other guitar greats, including Jimi Hendrix). “It made me love the instrument,” he explains. “My father said, ‘Be good and I’ll buy you a guitar, don’t worry.’ It was the era of MTV and Channel V, there was a love for the guitar.” 

At that time, he stresses, there was no internet on which to view tutorial videos. So Al-Hajjaj bought a 20-page book (“I still have it today”) which showed the finger patterns for chords and began to learn a few songs. “Everything was do-it-yourself,” he says. “We’d get together at weekends and play small underground gigs.” More than 12,000 kilometers away from where Rollins and the Melvins were based, Al-Hajjaj was mirroring their punk DIY ethic.   

“They had vicious names for those of us who listened to that music,” he says. “But, with time, there was acceptance.” 

Sound of Ruby played a major part in gaining that acceptance. And they did so at a time when there was no infrastructure in place to support anyone interested in creating music in the Kingdom that was not Khaleeji pop. That, in itself, is remarkable enough. The fact that, almost 30 years on, they’re still going (albeit with some lineup changes over the years — the current roster is Al-Hajjaj along with bassist Kamal Khalil, lead guitarist Nader Al-Fassam, who’ve both been part of the group for a couple of decades, and drummer Faris Alshawaf, who only recently took over from his brother, Talal) and still retaining their alt-rock roots as they move through middle age is even more astonishing. 

It helps significantly that Khalil also owns a recording studio. “We’re lucky to have a sound engineer who’s been a member of the band for 24 years,” Al-Hajjaj says. That enabled Sound of Ruby to put out professional-level recordings (10 albums so far, plus singles) even when there were few studios geared up to capture rock music in the Kingdom.  

It’s been a long road, Al-Fassam acknowledges.  

“When I joined the band, my son was 10 days old; today, he’s 20,” he says, adding that his son is now a musician himself, performing in several bands around Dhahran.  

“We’re proud that we’ve influenced the younger generation throughout our artistic career, providing them with support and encouragement,” Al-Hajjaj says.  




Sound of Ruby members Kamal Khalil, Muhammad Al-Hajjaj and Nader Al-Fassam. (Supplied)

Many in the younger generation got a taste of Sound of Ruby in one of Saudi Arabia’s most successful movies, 2022’s wrestling-themed action-comedy “Sattar” — which is now also available on Netflix — thanks to Al-Hajjaj’s younger brother Ibrahim, an actor and comedian.  

“An opportunity came when a rock song was requested for ‘Sattar.’ Our song ‘Fannan’ was very suitable for the scene,” he said.  

In ‘Sattar,’ Ibrahim plays Saad, a soft-spoken daydreamer who longs to be a wrestler—an ambition that seems far out of reach. In the scene, he is driving in the car with his loving fiancée by his side and his demanding future mother-in-law in the backseat. When they ask him to play some music during the already awkward ride, “Fannan” blasts from the speakers. 

At first, Saad, the character, nervously fiddles with the radio dials, clearly worried they might misunderstand his musical tastes. But quickly, his voice clears and he cheerfully proclaims: “This is a Saudi band, Sound of Ruby — I like to listen to different sounds and be cultured.”  

The women look baffled and reply, “You have strange taste.” 

Throughout the movie, Saad has to constantly overcome potentially crushing obstacles — both personally and professionally. The audience never stops rooting for him. This is a relatable Saudi struggle to balance childhood dreams with adult pressures, aiming to make society and family proud; Saad’s journey begins in the underground, outside of the mainstream, fueled by passion and perseverance. It’s easy to see why Sound of Ruby were chosen to help soundtrack his anger and frustration. 

But the band’s perseverance has paid off. The music industry is starting to catch up with their ambitions. The Kingdom’s cultural scene has been forever altered by the sweeping changes of the last six years. And Sound of Ruby’s live performances are no longer secret, underground affairs. You can often catch them live at the café-cum-record store Bohemia in Alkhobar.  

“The spread of culture is a very beautiful thing — whether it be music, acting, or any artistic work,” says Al-Hajjaj. “It’s a beautiful thing that we now play in our beautiful city. I used to dream of a place like Bohemia before — previously, concerts and audience participation were all outside the kingdom. Now, with the support of the Entertainment Authority, we are breathing life into the music.” 

And Sound of Ruby are making full use of this new freedom.  

“We released three new songs from our new album, that will be released this year,” Al-Hajjaj says. “Stay tuned for the album and concerts. In 2026, the band will celebrate its 30th anniversary.” 

Like the precious gemstone they’re named after, known for its resiliency, Sound of Ruby are standing the test of time. 


Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 
Updated 59 min 27 sec ago
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Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

DUBAI: “Small wearable sculptures” is how the founders of APOA (A Piece of Art) describe their jewelry. 

Within a year of launching their Riyadh-based brand, Saudi Princesses Mashael Khalid Al-Saud, Nourah Abdulaziz Al-Saud and Sarah Naif Al-Saud are thrilled that it has made the shortlist of finalists in Fashion Trust Arabia Awards’ jewelry section. 

“We knew it was a long shot but we were very confident in our brand and the achievements we've made so far,” Mashael — the youngest of the three cousins — tells Arab News. “It was just such an exciting moment to learn we were in the top three.” 

“I can't describe how I feel honestly,” Sarah adds. “We have worked so hard for it. We are so happy with this achievement.” 

The idea for the brand arose in 2020, during the COVID pandemic. 

“It was Sarah and Nourah who were talking about this at first,” says Mashael. “Then they asked me to join.” (“Mashael has amazing taste,” Sarah adds.)  

“Sarah and Nourah are older than me, so they've shared a lot of their experience with me. We complement each other: Our fashion tastes are very different, but we balance each other out,” Mashael continues. 

“We are cousins and we live together and we travel together. We’re always wearing each other’s clothes. And when we travel, we use each other's things. We’ve always had a love for accessories. We can't wear anything if we do not accessorize our outfit,” Sarah says. “We saw that there was a need in the market for fashion accessories. We wanted to make fashion accessories that are affordable and yet very dressy, so you can wear them for special occasions and you can keep them for a lifetime. These aren’t things you will wear and get bored with after a month or two, or a year or two.” 

Since its launch in 2023, APOA — “injected with strong Saudi DNA” and inspired by culture, architecture, nature and travel — has dropped four eclectic collections, which the cousins call “chapters.” 

“We call them chapters because, basically, it's like you’re reading a book. So, each chapter has a storyline — an idea or a whimsical thought behind it,” says Mashael. 

The first chapter was a tribute to the Kingdom’s heritage of pearl diving and a way to put their Arab roots on full display. The latest is dedicated to “women on the go.” 

While all design ideas come from the three founders, APOA has a technical designer based in Barcelona and the pieces are manufactured at an atelier in Italy. 

“We work with our technical designer to basically clean up the mess of our ideas and put them on paper, so we can hand it over to the manufacturers. But each piece is approved by the three of us before that happens,” Mashael explains. 

The founders celebrated another milestone earlier this year when they participated at Paris Fashion Week as part of the Saudi 100 Brands initiative. 

“It was an immense experience,” Mashael says. “And we're very thankful, because not everyone gets this opportunity. We are part of this initiative that our government is funding. It takes people many years to join a show or to get this recognition. And we've got that in our pocket. It's literally a dream come true,” said Mashael. 

“I get very anxious and nervous meeting people. I believe in my brand, but it's another thing trying to convince a stranger: ‘Yes, trust me, this brand is going places.’ Or, ‘These pieces are amazing.’ So, it was really nice seeing people from all over — publishers, buyers… we met a lot of amazing people in the industry.” 

Before the announcement of the FTA Awards winners in Morocco, the cousins are already looking forward to chapter five, which will have a floral focus, as well as to their second collaboration with Saudi label Ashi Studio — a “very bold” piece, according to Sarah, that will launch in October. 


Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening
Updated 29 August 2024
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Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening

DUBAI: The opening red carpet of the 81st Venice Film Festival played host to a number of media and entertainment industry leaders from the Arab world on Wednesday. 

Jomana Alrashid, chairwoman of the Red Sea Film Foundation, and Mohammed Asseri, CEO, attended the opening ceremony alongside Saudi producer Mohammed Al-Turki, the foundation’s former CEO.

They weren’t the only Arabs spotted on the red carpet. Lebanese presenter Raya Abirached also attended, wearing a pink cape gown by Lebanese designer Georges Hobeika.

The Venice Film Festival kicked off with the devilish debut of Tim Burton’s “Beetlejuice” sequel and a surge of star power for the glitzy competition. 

Lady Gaga, George Clooney, Daniel Craig, Julianne Moore and Brad Pitt are among the A-listers expected over the next 10 days in Italy’s watery city for the world’s longest-running movie festival, known as “La Mostra.” 

The return of big-budget Hollywood pizzazz – after a low-key edition last year due to the Hollywood writers’ strike – was on full display with the out-of-competition world premiere of “Beetlejuice Beetlejuice.”

The film again features Michael Keaton as a chaos-causing ghoul, alongside Winona Ryder, Catherine O'Hara, Monica Bellucci and young star Jenna Ortega – who sported a backless red gauze confection that matched the red carpet.

Wednesday’s opening ceremony saw Sigourney Weaver presented with a lifetime achievement Golden Lion, with the “Alien” star calling the honor "jet fuel of encouragement.”

The festival shifts tone on Thursday, when eyes turn to Angelina Jolie as Maria Callas in “Maria,” Pablo Larrain’s biopic about the opera diva’s tormented life – one of 21 films in contention for the top Golden Lion prize to be awarded Sept. 7.

Also much anticipated is the dark psychological thriller “Joker: Folie a Deux,” the sequel to US director Todd Phillips’ 2019 Venice-winning film loosely based on the DC Comics characters and set in a gritty Gotham City.

The film brings back Joaquin Phoenix, who won an Oscar for his depiction of the failed clown descending into mental illness, this time paired with Lady Gaga as his sidekick and love interest Harley Quinn.


Incoming: The best movies heading your way in the rest of the year 

Incoming: The best movies heading your way in the rest of the year 
Updated 29 August 2024
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Incoming: The best movies heading your way in the rest of the year 

Incoming: The best movies heading your way in the rest of the year 

DUBAI: From long-awaited sequels to an intriguing biopic, these are the Fall/Winter films we’re most looking forward to 

Gladiator II 

Starring: Paul Mescal, Pedro Pascal, Connie Nielsen 

Director: Ridley Scott 

When: Nov. 21 

Discussions about a sequel to Scott’s huge 2000 hit “Gladiator” reportedly began the following year. It was another 17 years before official confirmation of “Gladiator II” was given, and a further five years before filming actually began. So there’s a considerable weight of expectation for all involved, particularly Paul Mescal, who is essentially stepping into the sandals of Russell Crowe’s iconic Maximus Decimus Meridius — albeit as a different character. Mescal plays Lucius, grandson of Rome’s former emperor, Marcus Aurelius, and son of Lucilla (Nielsen) — Marcus Aurelius’ oldest child — making Lucius the former heir to the Roman Empire. He is living with his family in North Africa when the Roman army invade and he is captured and forced into slavery. Inspired by the story of Maximus, Lucius resolves to fight as a gladiator and resist tyranny, under the guidance of the power-hungry Macrinus (Denzel Washington).  

Beetlejuice Beetlejuice 

Starring: Michael Keaton, Winona Ryder, Jenna Ortega 

Director: Tim Burton 

When: Sept. 5 

The sequel to Burton’s 1988 cult-classic comedy horror sees Keaton reprise his role as the decidedly non-woke ‘bio-exorcist’ Beetlegeuse, while Ryder and Catherine O’Hara return as Lydia and Delia Deetz, and Ortega plays Lydia’s teenage daughter Astrid. Thirty-six years on from the events of the original, the three generations of Deetz females return to the family home in Winter River, where Astrid accidentally opens the portal to the Afterlife, allowing Beetleguese to return to the world of the living and wreak havoc again. 

Joker: Folie à Deux 

Starring: Joaquin Phoenix, Lady Gaga, Zazie Beets 

Director: Todd Phillips 

When: Oct. 3 

The sequel to Phillips’ acclaimed 2019 movie “Joker” once again features Phoenix as the title character, loosely based on the arch-rival of Batman from DC Comics. Set two years on from the events of “Joker,” Arthur Fleck/Joker is now a patient at Gotham’s Arkham Asylum, where he falls in love with his music therapist Harleen ‘Lee’ Quinzel (Lady Gaga). The pair begin to experience shared delusions, and Quinzel transforms into her alter-ego of Harley Quinn. Outside the psychiatric hospital’s walls, Fleck’s followers launch a protest movement to secure his release.  

Wicked 

Starring: Cynthia Erivo, Ariana Grande, Michelle Yeoh 

Director: Jon M. Chu 

When: Nov. 21 

The first of a two-film adaptation of the hugely successful stage musical of the same name, which is based on character’s from “The Wonderful Wizard of Oz.” It is set in the Land of Oz, and follows green-skinned Elphaba (Erivo) — a misunderstood young woman who ultimately becomes the Wicked Witch of the West, adversary of Dorothy Gale in the “Oz” novels — and her friendship-turned-rivalry with the popular Galinda Upland, who becomes the mighty Glinda the Good. When the pair encounter the Wizard of Oz, their lives take very different trajectories. 

A Complete Unknown 

Starring: Timothée Chalamet, Edward Norton, Elle Fanning 

Director: James Mangold 
When: Dec. 24 

Chalamet plays arguably the world’s greatest singer-songwriter, Bob Dylan, in this biopic that covers Dylan’s rise to prominence in the New York (then wider US) folk-music scene up to his controversial (for folk-music aficionados) switch from acoustic to electric instrumentation on his fifth album in 1965, and his subsequent live performances over the next couple of years (including his famed appearance at the Newport Folk Festival), where he was booed by many in the audience for what they saw as a betrayal of his roots, but which has since been recognized as one of his most inspiring creative periods and a vital moment in the development of folk rock. 

Nosferatu 

Starring: Bill Skarsgard, Nicholas Hoult, Lily-Rose Depp 

Director: Robert Eggers 

When: Dec. 24 

Remake of the seminal silent German 1922 classic (itself based on Bram Stoker’s “Dracula”), about a young woman, Ellen (Depp) who becomes the obsession of Count Orlok (Skarsgard), a terrifying vampire who will stop at nothing to possess her. It requires some serious self-confidence to remake such an acclaimed piece of pop-culture, but Eggers has considerable pedigree as writer-director of two of the most accomplished and atmospheric horror (or, at least, horror-adjacent) films in recent memory, “The Witch” and “The Lighthouse.” 


REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

REVIEW: ‘The First Descendant’ offers grind-based fun and frustration
Updated 28 August 2024
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REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

LONDON: The First Descendant (Steam, XBOX, PS4, PS5) is a free-to-play, third-person looter-shooter that aims to carve out its niche in a genre dominated by big names (Destiny 2, The Division, etc.).

Developed by Nexon, this live-service game combines the thrill of shooting hordes of alien enemies with a complex system of character progression, weapon variety, and loot collection. While it has its moments of excitement and visual appeal, it struggles to stand out in a crowded market and can often feel like a grind-heavy experience.

One of the game’s most appealing features is its cross-platform accessibility, allowing players on different systems to join forces and tackle the game’s 30-hour campaign together, although the reality of grind-based looting takes many more hours.

The cooperative play is at the heart of The First Descendant, with players able to choose from 14 unique characters, each offering different abilities and playstyles. This variety is bolstered by a wide range of weapons, from standard firearms to oversized, powerful guns that add a satisfying punch to combat.

Visually, The First Descendant impresses with its richly detailed environments and character designs. The game’s world is a mix of futuristic urban settings and eerie, desolate ruins, providing a visually engaging backdrop for the action. The art direction and graphical fidelity are undoubtedly high points, with each character looking distinct and the enemies, such as the towering Colossi and swarming Vulgus, providing memorable, if not particularly innovative, designs.

Gameplay-wise, the game offers a mix of standard looter-shooter mechanics with some unique twists. The combat feels solid, particularly when using the game’s oversized weapons, and the inclusion of a grappling hook adds an element of verticality and mobility that sets it apart from other games in the genre. Mastering the grappling hook can be particularly satisfying, offering opportunities for creative strategies and quick escapes during intense battles.

However, where The First Descendant starts to falter is in its reliance on grinding and the free-to-play monetization model. The game is heavily built around the concept of grinding for loot, character upgrades, and weapons, which can feel tedious after a while. Players might spend hours farming for a particular item or character unlock, only to come up empty-handed. This grind is compounded by the game’s monetization system, which, while not overly aggressive, is always present, tempting players to spend real money to bypass the grind.

The missions themselves, while varied in type, often boil down to repetitive tasks such as standing in one spot to gather resources or defending an area against waves of enemies. Despite the variety of enemies and the spectacle of big boss battles, this repetition can make the game feel “perfectly mediocre,” with moments of excitement that are often overshadowed by the monotony of its core gameplay loop.

The First Descendant is a visually striking game with solid combat mechanics and a promising cooperative experience. However, it is held back by a grind-heavy progression system and a reliance on repetitive mission structures. For fans of the looter-shooter genre, it may offer some enjoyment, especially in its early hours, but it ultimately struggles to rise above its peers in a meaningful way.


Georgina Rodriguez spotlights Saudi Arabia on social media 

Georgina Rodriguez spotlights Saudi Arabia on social media 
Updated 28 August 2024
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Georgina Rodriguez spotlights Saudi Arabia on social media 

Georgina Rodriguez spotlights Saudi Arabia on social media 

DUBAI: Argentine model Georgina Rodriguez shared a video with her 62 million Instagram followers this week promoting Saudi Arabia, captioning it: “This is real, this is Saudi Arabia.”

Originally posted by Visit Saudi, the video captures the diverse landscapes of Saudi Arabia, showcasing everything from the desert areas to the country’s seascapes. It highlights the Kingdom’s history and modern developments, featuring scenes of golden sand dunes, the Ithra cultural center, the ancient site of AlUla, the mirrored Maraya concert hall, the Red Sea and lush greenery in gardens and forests.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Visit Saudi (@visitsaudi)

Rodriguez has been living in Saudi Arabia since January 2023 and has made a point of exploring the Kingdom, so much so that her experiences will be featured in her upcoming Netflix show. 

She is set to return to Netflix with the third season of her reality TV show “Soy Georgina” (“I Am Georgina”), which will place a heavy focus on her life in Saudi Arabia. The new season will follow Rodriguez’s life after her move to the Kingdom with her partner, football star Cristiano Ronaldo, who plays for Al-Nassr in the Saudi Pro League.

“What is true luxury like in Saudi Arabia? We will find out when Gio and her family settle in Riyadh with Cristiano's signing for Al-Nassr,” Netflix stated.

According to the announcement, the season will also show Rodriguez enjoying a number of firsts, including the opening of her first beach house, Villa Perla, to starring in an international campaign for a famous clothing brand and her biggest dream — making her debut at Paris Fashion Week.

Meanwhile, the star couple have been taking some time off from their hectic schedules to explore Saudi Arabia’s coastline and the Red Sea development in June.

The two took to social media to post photos from their relaxing getaway at what seemed to be The St. Regis Red Sea Resort. They were seen enjoying the resort and its pristine beaches along with their children.

“My world,” Rodriguez captioned her post. 

The couple was also recently spotted enjoying a staycation at The Red Sea Project, where Rodriguez wore a necklace from the Egyptian brand Nado’s Jewelry’s Perle collection, featuring large, rounded links alternating between polished gold and diamond-encrusted surfaces.