‘If it’s happening in the Kingdom, chances are it’s on Snapchat’

‘If it’s happening in the Kingdom, chances are it’s on Snapchat’
Saudis express their authentic selves on Snapchat twice as often as on other platforms, says Snap Inc.’s regional business lead in the Kingdom. (Supplied)
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Updated 12 July 2024
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‘If it’s happening in the Kingdom, chances are it’s on Snapchat’

‘If it’s happening in the Kingdom, chances are it’s on Snapchat’
  • Snapchat reaches over 90% of those aged 13-34 in Saudi
  • Kingdom’s users open app over 50 times daily on average

DUBAI: “Snapchat is particularly popular in Saudi Arabia,” Snap Inc.’s regional business lead in the Kingdom, Abdulla Alhammadi, told Arab News during a recent interview.

In Saudi Arabia, the app reaches over 90 percent of those aged between 13 and 34, with users opening it over 50 times a day on average.

And it boasts a monthly addressable reach — or the number of Snapchat users who can be reached through ads in a given month — exceeding 22 million.

Its popularity in the Kingdom “is deeply rooted in its ability to fuel and foster real connections within the community amid the evolving social and cultural landscape of the Kingdom,” Alhammadi explained.

Snapchat was always built to be different from other social media platforms, he added.

Unlike other apps, Snapchat does not have a news feed. However, every Snapchat user has a “Snapscore” that is displayed under their profile.

This is described by the company as a “super-secret, special equation” based on the number of Snaps sent and received, Stories posted, and other undisclosed factors.

Still, this score does not affect the popularity of the posts themselves. This is unlike other social media platforms whose algorithms take “likes” and “shares” into account to determine the popularity of posts and their appearance to a user’s friends or followers.

On the contrary, posts on Snapchat are temporary, disappearing after 24 hours — a feature copied by other apps in the form of Stories.

Alhammadi believes these features allow the app’s users “to be — and show — their true, authentic selves.”

This is why Saudi Arabia’s citizens “express their authentic selves on Snapchat twice as often as on other platforms.” This results in Snapchat surpassing “other social connectivity apps” to become “the platform of choice” for citizens, he added.

In order to celebrate the app’s popularity in the Kingdom, Snapchat launched its first Saudi Arabia-focused campaign this May called “Telgana Ala Snap,” which translates to “Find us on Snap.”

The campaign film showcases how audiences in the Kingdom use Snapchat: from a brother imitating his father through the old age lens, to a teenager tucked into bed watching Snap star Naif Hamdan.

For Snap, Alhammadi said, the campaign is a celebration “of the profound role of Snapchat in the daily lives of Saudis.

“We like to say, if it’s happening in the Kingdom, chances are it’s on Snapchat.”

Despite Snapchat’s reach in the Kingdom, “many brands are still not fully harnessing these capabilities to connect with audiences,” he said.

Augmented reality has been shown to enhance the shopping experience leading to a 94 percent higher conversion rate in Saudi Arabia, according to Alhammadi.

But lack of awareness about AR and platforms like Snapchat, as well as challenges in integrating AR into marketing strategies, pose a significant barrier for advertisers.

He advises brands to understand the unique needs of the Saudi Arabia audience and tailor their strategies accordingly, especially as the Kingdom is making big leaps toward integrated digital experiences.

According to a recent study by consulting firm Kearney, a majority of respondents (84 percent) expressed a preference for engaging in at least part of their shopping activities online, with only 16 percent preferring in-store shopping.

And yet, less than 30 percent of consumers see the retail sector as being technologically advanced, the study found.

“There is a lot of work to be done to ensure brands are equipped to thrive in the digital age,” Alhammadi said.

Saudi Arabia’s Vision 2030 and the government’s investments in the digital economy “create an environment conducive to innovation and entrepreneurship, laying a solid foundation for Snap’s growth and business development in the region,” he added.

And Snap is committed to working with local governing bodies to support their goals for the Kingdom, such as the digital transformation agenda, he continued.

The company has partnered with several government bodies on various occasions to create AR lenses, filters, and physical activations.

For example, this February, Snap partnered with the Saudi Tourism Authority to create a campaign for the Kingdom’s Founding Day that included an AR experience, which enabled users to dress up in traditional attire.

The campaign, which was live for one day, reached 15 million Snapchat users. This created a new record of one-day engagements for a single activation on Snapchat and marking a first for the company in the Middle East and North Africa region, Alhammadi explained.

Last year, Snapchat collaborated with Saudi Arabia’s Ministry of Culture and the Saudi Fashion Commission, to launch TASAWAR, an augmented reality exhibition that merged design and technology.

Snapchat created AR showrooms for five Saudi designers — Hekayat, Hindamme, ArAm, Abadia, and KAF by KAF — that allowed visitors to experience virtual runways, dress try-ons, and headpiece selfie lenses during Riyadh Fashion Week.

Going forward, Alhammadi said, Snap is focusing locally on two areas: improving results for advertisers to drive overall demand on Snapchat, and continue showcasing its AR technology.

This “has the power to change the face of every industry, meeting the ambitious digital transformation agendas taking shape in the region.”

He added: “With internet adoption at 100 percent and smartphone penetration at 95 percent (in Saudi Arabia), Saudi consumers are eager to explore new ideas and engage with the latest innovations, driving demand for Snap’s products and services.”


Semafor Gulf launches with lineup of expert contributors

Semafor Gulf launches with lineup of expert contributors
Updated 53 min 58 sec ago
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Semafor Gulf launches with lineup of expert contributors

Semafor Gulf launches with lineup of expert contributors
  • Semafor’s third edition will join US, sub-Saharan Africa iterations
  • Focus on global effects of region’s business, finance, geopolitics

LONDON: News platform Semafor launched its Gulf edition on Monday with former Dow Jones reporter Mohammed Sergie as editor, supported by a roster of local and international journalists, editors and analysts.

Joining Sergie at the platform is former Beirut-based Washington Post Middle East correspondent Sarah Dadoush, and Kelsey Warner, the former editor of UAE-based media startup The Circuit.

The new platform, which includes a thrice-weekly newsletter, will examine how the region’s financial, business, and geopolitical direction shape the world. The coverage will include culture, investment, infrastructure, climate and technology, as well as the dramatic transformations of the Gulf states.

Semafor Gulf marks the firm’s third edition, which joins its US and sub-Saharan Africa newsletters as it expands across the globe.

Contributors to the latest Semafor edition include prominent voices from Riyadh, Abu Dhabi, Dubai, and around the region. They will work in concert with Semafor’s topflight business reporters in New York, its technology journalists in San Francisco, and its Washington D.C. bureau.

The experienced lineup includes veteran journalist, editor and former Bloomberg energy correspondent Wael Mahdi, and award-winning international journalist and host at Al Arabiya Hadley Gamble.

Other contributors will include Omar Al-Ubaydli, an affiliated associate professor of economics at George Mason University and senior research fellow at the Mercatus Center in Washington, D.C., as well as Camilla Wright, an award-winning journalist and media commentator.

“The Gulf is this incredibly important site for politics, and these things (politics and other topics like economy and business) are intertwined,” Ben Smith, co-founder and editor-in-chief of Semafor, told Arab News in a previous interview.

While global legacy news media brands usually report for their home country, Semafor Gulf aims to “flip that on its head and actually report for the region and the world interested in the region,” Justin Smith, co-founder and CEO of Semafor (no relation to Ben), told Arab News in a previous interview.

Semafor co-founders Ben Smith and Justin Smith.

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“My understanding is that some of the big global English-language news brands have not necessarily invested as aggressively into the Gulf region, commensurate with the growth of the Gulf story,” he said.

Representative pre-launch coverage includes scoops on Nvidia’s plans to sell chips to Saudi Arabia and tensions in the office of a major global consulting firm in the UAE.

In addition, the company has established digital and event collaborations with some of the region’s top brands across a diverse range of sectors.

Joining Semafor Gulf as its inaugural launch partners are First Abu Dhabi Bank, G42, Mubadala, and Invest Qatar.

This expansion builds on the company’s success since its 2022 launch, having built a global audience of over 700,000 subscriptions across nine premium newsletters.

The firm was named as one of Fast Company’s Most Innovative Companies of 2024 for “rewriting the story on international reporting.”


Ex-BBC anchor Huw Edwards to be sentenced over indecent child images

Ex-BBC anchor Huw Edwards to be sentenced over indecent child images
Updated 16 September 2024
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Ex-BBC anchor Huw Edwards to be sentenced over indecent child images

Ex-BBC anchor Huw Edwards to be sentenced over indecent child images
  • Edwards, one of the most recognizable faces on UK television, pleaded guilty in July to three charges of making indecent images of children
  • The 63-year-old faces a maximum prison sentence of 10 years and a minimum of 12 months

LONDON: British broadcaster Huw Edwards, one of the most recognizable faces on UK television, is due to be sentenced Monday over indecent photographs of children, capping a stunning fall from stardom.
The ex-BBC presenter has guided Britons through some of their country’s most seismic events over the past two decades, including the death of Queen Elizabeth II and coronation of King Charles III.
His calm delivery — mixed with the publicly funded broadcaster’s reputation for journalistic impartiality — made him a trusted and reassuring presence on screens for millions watching at home.
But the 63-year-old’s reputation and career now lie in tatters after he pleaded guilty in July to three charges of making indecent images of children between December 2020 and August 2021.
Edwards faces a maximum prison sentence of 10 years and a minimum of 12 months when he learns his fate at Westminster Magistrates’ Court in London at around 10:00 am (0900 GMT). It is possible it could be suspended.
The former leading anchor admitted receiving 41 indecent images of children over WhatsApp, including seven of the most serious type.
Most children were aged 13 to 15 and one was between seven and nine.
Edwards was first arrested in November and charged in June, but the case was only revealed publicly in late July a couple of days before he appeared in court to admit the counts.
The Welsh presenter had resigned from the BBC in April on “medical advice” after 40 years with the broadcaster.
The BBC, whose brand is built on public trust, has admitted being made aware by police of the arrest and has been criticized for paying Edwards a salary for six months afterwards.
The broadcaster is funded by a license fee paid by UK households.

Edwards was made anchor of the BBC’s flagship 10:00 p.m. news bulletin in 2003.
As well as the funeral of the late Queen, Edwards narrated the wedding of Prince William to Kate Middleton and has hosted UK general election coverage.
But the father-of-five’s professional life began to unravel in July 2023 when he was suspended by the BBC following allegations in a tabloid newspaper that he paid a young man for explicit images.
Edwards did not comment publicly on the allegations, but his wife released a statement saying her husband was “suffering from serious mental health issues” and receiving “in-patient hospital care.”
The police’s criminal investigation into Edwards started after a phone seized by officers as part of an unrelated probe revealed his participation in a WhatsApp conversation.
Police say the man who sent Edwards the images was a 25-year-old convicted paedophile.
BBC director Tim Davie said the broadcaster was “very shocked” at the details that came to light during Edwards’ prosecution.
The BBC Board has said that Edwards brought the corporation into “disrepute” and that it has asked him to return his salary from the time he was arrested — a sum of £200,000.
The BBC has been rocked in recent years by scandals that saw some big names revealed as serial sex offenders and reports of a culture of covering up for its star presenters.
A current BBC employee and a former staff member have been critical of an internal inquiry that has not been made public, after they told the BBC last year they had received “inappropriate messages” from Edwards.
 


Leading Lebanese novelist Elias Khoury dies at 76

Leading Lebanese novelist Elias Khoury dies at 76
Updated 34 sec ago
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Leading Lebanese novelist Elias Khoury dies at 76

Leading Lebanese novelist Elias Khoury dies at 76
  • Khoury, a leading voice of Arab literature, had been ill for months and admitted and discharged from hospital several times over the past year
  • Khoury had been known for his political stances from his support of Palestinians to his harsh criticism of Israel

BEIRUT: Lebanese novelist Elias Khoury who dedicated much of his writings to the Palestinian cause and taught at universities around the world, making him one of Lebanon’s most prominent intellectuals, has died. He was 76.
Khoury, a leading voice of Arab literature, had been ill for months and admitted and discharged from hospital several times over the past year until his death early Sunday, Al-Quds Al-Arabi daily that he worked for said.
In addition to his novels, Khoury wrote articles in different Arab media outlets over the past five decades making him well known throughout the Arab world.
Two days after the Israel-Hamas war broke out on Oct. 7, Khoury wrote an article in Al-Quds A-Arab daily titled “It’s Palestine.” Khoury wrote then that “the biggest open-air prison, the besieged Ghetto of Gaza, has launched a war against Israel, occupied settlements and forced settlers to flee.”
Born in Beirut on July 12, 1948, Khoury had been known for his political stances from his support of Palestinians to his harsh criticism of Israel and what he called its “brutal” settling policy in Palestinian territories. He studied at the Lebanese University and later at the University of Paris, where he received a PhD in social history.
“The Catastrophe began in 1948 and it is still going on,” he once wrote referring to Israel’s settlement policies in occupied Palestinian territories. The “nakba,” or “catastrophe” is a term used by many Arabs to describe the displacement of hundreds of thousands of Palestinians when Israel was created in 1948.
Khoury was an outspoken supporter of Arab uprisings that broke out in the region starting in 2011 and toppled several governments.
“The question is not why the Arab revolts broke out,” Khoury wrote after uprisings that toppled long-serving leaders such as Hosni Mubarak of Egypt and Tunisia’s Zine El Abidine Ben Ali. “The question is not how people tore down the wall of fear but how fear built Arab kingdoms of silence for five decades.”
Khoury, who belonged to a Greek Orthodox Christian family, took part in Lebanon’s 1975-90 civil war and was wounded in one of the battles.
From 1992 until 2009, Khoury was the editor of the cultural section of Lebanon’s leading An-Nahar newspaper. Until his death, he was the editor-in-chief of the Palestine Studies magazine, a bulletin issued by the Beirut-based Institute for Palestine Studies.
His first novel was published in 1975, but his second, Little Mountain, which he released in 1977 and was about Lebanon’s devastating civil war was very successful.
Bab Al-Shams, or Gate of the Sun, released in 2000, was about Palestinian refugees in Lebanon since 1948. A movie about the novel was made in Egypt.
His novels were translated to several languages including Hebrew.
Khoury also taught at different universities including New York University, Columbia, Princeton and Houston, as well as the University of London.


Jewish Chronicle deletes Gaza articles over fabrication allegations

Jewish Chronicle deletes Gaza articles over fabrication allegations
Updated 14 September 2024
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Jewish Chronicle deletes Gaza articles over fabrication allegations

Jewish Chronicle deletes Gaza articles over fabrication allegations
  • World’s oldest Jewish newspaper severs ties with journalist after Israeli media labeled his information ‘baseless’
  • JC has faced scrutiny in UK in recent months over its editorial direction, ownership

LONDON: The Jewish Chronicle has removed several articles from its website over allegations that the journalist behind them, Elon Perry, fabricated information about the conflict in Gaza and his professional life.

The articles, supposedly based on sources within Israeli intelligence, detailed military operations in Gaza as well as what appeared to be highly sensitive information on Hamas leader Yahya Sinwar.

The world’s oldest Jewish newspaper issued a statement saying: “The Jewish Chronicle has concluded a thorough investigation into freelance journalist Elon Perry, which commenced after allegations were made about aspects of his record.

“While we understand he did serve in the Israel Defense Forces, we were not satisfied with some of his claims.

“We have therefore removed his stories from our website and ended any association with Mr Perry.

“The Jewish Chronicle maintains the highest journalistic standards in a highly contested information landscape and we deeply regret the chain of events that led to this point.

“We apologise to our loyal readers and have reviewed our internal processes so that this will not be repeated.”

Perry’s articles came under suspicion after several journalists were unable to verify key details, and last week his stories were described as “fabrications” in a report published by Israeli media. 

There have even been suggestions in Israel that articles with false information have been planted in Western media, including in German tabloid Bild, which are supportive of Israeli Prime Minister Benjamin Netanyahu’s position on Gaza.

On Sept. 4, for instance, Netanyahu claimed in a press conference that Sinwar could use the Philadelphi Corridor between Gaza and Egypt to escape with hostages if the area was not under Israeli control.

The next day, an article by Perry was published in the JC stating that Israeli intelligence claimed to have proof that this was Sinwar’s plan based on information obtained by interrogating a senior Hamas figure and documents found in Gaza.

A spokesperson for the Israeli military described the story as “baseless” after it was shared by Netanyahu’s wife and son on social media.

Questions have also been raised about Perry’s history serving in the Israeli military, including that he was involved in the Entebbe hostage rescue mission in 1976.

Perry also claims to have worked as a professor in Tel Aviv for 15 years, which has been questioned by journalists.

One of the journalists involved in disputing Perry’s claims, Ben Reiff of Israeli outlet +972, posted on X: “It seems that by firing Elon Perry @JewishChron is hoping to put this whole affair to bed, as if decisions weren’t made at the very top to employ a fake journalist, publish nine fake articles without verifying sources, and use the paper (as) an active agent in a pro-Bibi influence op.”

The JC, founded in 1841 and a once much-respected publication in the UK, has faced questions over its rightward editorial direction under its editor, Jake Wallis Simons, and over its ownership in recent months.

Earlier this year, Sunday Times journalist Gabriel Pogrund voiced his concerns about the paper on social media, saying: “The coarseness and aggression of the JC’s current leadership is such a pity and does such a disservice to our community. 

“It also once again poses the question: who owns it!? How is it that British Jews don’t know who owns ‘their’ paper. Moreover, how can a paper not disclose its ownership?

“It’s an oxymoron. I hate having to pose the question publicly but I asked privately more than a year ago to no avail.”

A figure close to the JC told The Guardian: “There was a sense that it was in the pocket of no one. It worked for the whole Jewish community, and because of that it had a greater institutional reach … in the Jewish community. It has become much narrower in its outlook and campaigns on a particular set of issues.”

When contacted by The Guardian, both the JC and Wallis Simons refused to comment. 

Perry told The Observer that the JC’s statement is a “huge mistake,” and that he is the victim of a “witch-hunt … caused by jealousy from Israeli journalists and outlets who could not obtain the details that I managed to.”


Australia PM hits back at Musk after ‘fascists’ quip

Australia PM hits back at Musk after ‘fascists’ quip
Updated 14 September 2024
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Australia PM hits back at Musk after ‘fascists’ quip

Australia PM hits back at Musk after ‘fascists’ quip
  • Australia introduced a ‘combating misinformation’ bill earlier this week
  • Bill includes sweeping powers to fine tech giants up to five percent of their annual turnover for breaching online safety obligations

SYDNEY: Australian Prime Minister Anthony Albanese hit back at Elon Musk on Saturday after the tech mogul called his government “fascists” for proposing laws that would fine social media giants for spreading misinformation.
Australia introduced a “combating misinformation” bill earlier this week, which includes sweeping powers to fine tech giants up to five percent of their annual turnover for breaching online safety obligations.
“Fascists,” Musk posted Thursday on his social media platform X, formerly known as Twitter.
But Albanese fired back at Musk on Saturday, saying social media “has a social responsibility.”
“If Mr.Musk doesn’t understand that, that says more about him than it does about my government,” he told reporters Saturday.
The exchange between Musk and Australian officials is the latest in a long-running spat with the Australian government over social media regulation.
Australia’s government is exploring a raft of new measures that would see social media companies take greater accountability for the content on their platforms — including a ban for those under 16 years old.
The country’s online watchdog took Musk’s company to court earlier this year, alleging it had failed to remove “extremely violent” videos that showed a Sydney preacher being stabbed.
But it abruptly dropped its attempt to force a global takedown order on X after Musk scored a legal victory in a preliminary hearing, a move he celebrated as a free speech triumph.
Musk, a self-described “free speech absolutist,” has clashed with politicians and digital rights groups worldwide, including in the European Union, which could decide within months to take action against X with possible fines.
In Brazil, where X has effectively been suspended after it ignored a series of court directives, Musk has responded by blasting the judge as an “evil dictator cosplaying as a judge.”