Review: ‘Inside Out 2’ by Pixar Animation Studios for Walt Disney Pictures

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Updated 09 July 2024
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Review: ‘Inside Out 2’ by Pixar Animation Studios for Walt Disney Pictures

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  • Newcomer to the “Inside Out” world is Maya Hawke as Anxiety, the angsty new orange-tinged emotion that is likely the most relatable for many teens

If you have been reluctant to watch the much talked about family-friendly, coming-of-age animated film, “Inside Out 2,” it might be time to give it a watch. With a budget of $200 million, the film has generated $1.134 billion in the first month since its release and that number is projected to climb.

Is it worth the hype? It seems so.

Produced by Pixar Animation Studios for Walt Disney Pictures, the 2024 film comes nine years after the first “Inside Out.”

The film picks up where the first left off, telling the story of blue-eyed, blonde-haired Riley Andersen.

During the first years of her life, Riley had advocates that lived within her head that helped run her life. Joy, Sadness, Anger, Fear and Disgust — each with their own personality and color — have been running the show.

But something peculiar happens. After Riley blows out the candles of her 13th birthday cake, everything changes. And more colors pop into her world.

Overnight, Riley’s life — and body — changes. This is not an awkward “Oh, my body is changing from a biological standpoint” story. It is about how emotions and belief systems shift once you hit puberty. It is about dealing with regulating your emotions instead of simply self-soothing. It is about practicing empathy while maintaining your integrity. It is about opening your eyes and finding your way into the world you live in, either in your mind or in your physical reality. Or both.

Newcomer Anxiety shows up with Embarrassment, Envy and Ennui in tow.

Riley still centers ice hockey and her best friends but now has to deal with new complex emotions that are new to her.

With a newly-formed element taking over Riley’s mind, identified as her “Sense of Self,” the party gets bigger. That new part of her brain, which houses good and bad memories, becomes confusing. And now, her new belief system keeps morphing with every decision she makes.

Amy Poehler returns to voice Joy, the protective yellow emotion that takes on a leadership role and feels most responsible to ensure that Riley is constantly happy.

Newcomer to the “Inside Out” world is Maya Hawke as Anxiety, the angsty new orange-tinged emotion that is likely the most relatable for many teens. She tries to avoid pain but clumsily causes even more pain.

While the two films are nine years apart, Riley was 11 in the first film and is 13 in the newest version.

And while some of the cast returned for this iteration, it also had some big changes.

This time, Riley’s teen voice comes from Kensington Tallman who took over the role from Kaitlyn Rose Dias, who voiced Riley in the first film. Diane Lane returned to voice Riley’s mother, while the voice actor who played her father changed.

In fact, “Inside Out 2” is the feature directorial debut of Kelsey Mann, who took over from Pete Docter, who directed the first. Meg LeFauve returned as co-writer of the screenplay, and the story was conceived by both LeFauve and Mann.

You could easily watch “Inside Out 2” without having seen its predecessor — the standalone narrative in the sequel offers a fresh chapter in the story. But once you watch this version, you might be compelled the watch the first.

To me, the relatable push-and-pull between the “I’m not good enough” and “I’m a good person” embodies what many of us go through, no matter our age. The fact that this comes from the point of view of a young girl further shows the filmmakers’ clear stance on attempting to make girls’ complex emotions worthy of a complete film.

It will make you feel like you’ve just brought out your inside emotions, well, out.

 

 


‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three
Updated 11 September 2024
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‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

DUBAI: After two successful seasons, “Soy Georgina” (“I Am Georgina”) is set to return to Netflix with a third season on Sept. 18 that highlights star Georgina Rodriguez's life in Saudi Arabia, according to a trailer dropped by the streaming giant today.

The new season will give a peek inside power couple Georgina Rodriguez and Cristiano Ronaldo’s luxurious new life in Saudi Arabia, a move that took place in Dec. 2022 when the Portuguese football legend signed with Saudi Pro League club Al-Nassr.

The trailer begins with shots of Rodriguez in AlUla, Saudi Arabia’s historic UNESCO heritage site, as she poses in front of the Instagram-famous mirrored Maraya Concert Hall.

There is a strong focus on her long-term partnership with Ronaldo as she’s seen supporting from the stands at various football matches.

The trailer also briefly spotlights Rodriguez and her family – including the couple’s children and her stepson Cristiano Jr. – at the St. Regis Red Sea Resort in Saudi Arabia.

Light-hearted moments show the family spending time at the dinner table at their Saudi home, laughing and making conversation.

The trailer also prominently features Rodriguez at Paris Fashion Week, waiting nervously backstage as she gets ready to walk the runway for Swiss fashion label Vetements.


Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three
Updated 11 September 2024
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Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

DUBAI: The burgeoning Saudi film industry is going from strength to strength.

On Tuesday, Prince Badr bin Abdullah bin Mohammed bin Farhan Al-Saud, Minister of Culture and Governor of the Royal Commission for AlUla, took to X to reveal that the Saudi box office has made SAR 421.8 million ($112,410,096) in the first half of 2024, adding that two of the three leading films were Saudi-produced. He did not reveal the names of the two films.

“Saudi box office sales have reached 8.5 million tickets with revenues exceeding 421.8m SAR during the first half of 2024. Two of the best-selling films amongst the top 3 are Saudi #SaudiVision20230,” he wrote.

Saudi Arabia’s cinema scene has been booming since lifting its 35-year ban in 2018. With 66 theaters across 22 cities and box office sales reaching $919 million in 2023 (up 25% from 2022), the industry is growing at a rapid pace.

While Hollywood films like Christopher Nolan’s “Oppenheimer” and Tom Cruise-starring “Mission: Impossible – Dead Reckoning” have contributed to ticket sales, Saudi films have also been making a mark.

Saudi filmmaker Ali Kalthami’s Riyadh-based thriller “Mandoob” (“Night Courier”) has been a success since it was released at the beginning of 2024, soaring to the top of the Saudi box office following its screening at the Red Sea Film Festival in Jeddah. The film tells the story of Fahad, who, after getting fired from a call centre, takes a job as a night courier who illegally sells alcohol in order to save his ailing father.

“Sattar,” the Saudi Arabian family comedy about a depressed man who follows his dreams of becoming a freestyle wrestling champion, smashed box office records last year, earning $2.2 million over its first 12 days, instantly making it the highest-grossing Saudi movie of all time, so far.

 


Review: Game Night in Riyadh

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Updated 10 September 2024
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Review: Game Night in Riyadh

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  • For those who enjoy video games, Game Night offers a selection of consoles like PlayStation 5 and Nintendo with some of the latest gaming experiences

If you are searching for something fun to do on a weekend night in Riyadh, look no further than the Game Night, a vibrant venue for friends to get together to play board and card games.

What makes it more appealing is that it stays open until 4 a.m. on weekends, making it a perfect late-night hangout spot.

Game Night is designed to foster social interactions, encouraging players of all backgrounds to come together and connect. Whether you are a seasoned gamer or just curious, the atmosphere is welcoming, allowing even the shyest individuals to make new friends.

With a variety of games available, there is something for everyone, from strategy and trivia to classic board games. For those who enjoy video games, Game Night offers a selection of consoles like PlayStation 5 and Nintendo with some of the latest gaming experiences.   

One of the highlights of Game Night is the complimentary pizza and tea available to guests. For those who enjoy coffee, there is a dedicated shop offering specialty brews to keep you energized during your gaming sessions. While the center operates throughout the week, it tends to be especially lively on weekends, so it is a great time to experience the buzz.

Game Night hosts several exciting events that add to its charm. Every Monday features a “Chef Night” where a grill is set up, and friends can enjoy delicious grilled food while engaging in their favorite games.

Saturdays are reserved for movie nights, complete with popcorn and a cozy cinema-like atmosphere.

In addition to these fun activities, the center offers programs such as Learn Baloot, which teaches the intricacies of this popular Saudi card game. There is also a Learn Chess program for those interested in mastering the classic strategy game, and these classes are perfect for beginners or experienced players looking to sharpen their skills.   

The staff at Game Night are always on hand to assist you in finding the perfect board game or to offer guidance if you are unsure of the rules. Their enthusiasm for gaming creates a warm and inviting environment.

Located in Al-Taawun District, ticket prices vary depending on the day, starting at SR39 ($10.40) and going up to SR75. The venue also offers corporate bookings with discounts for companies looking to organize team-building activities.   

Perched on the rooftop, Game Night offers a fantastic view and is an ideal place to relax, have fun, and make lasting friendships.

For updates and more information check @riyadhgamenight on Instagram.

 

 


REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  
Updated 10 September 2024
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REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

REVIEW: ‘Beetlejuice Beetlejuice’ can’t hold a candle to the 1988 original  

CHENNAI: Often it needs just a single work for a director to emerge out of the shadows and shine. For Tim Burton that happened in 1988 with “Beetlejuice,” a camp horror that straddled the line between comedy and the macabre.

It was a turning point for the 26-year-old director who shot straight to the big leagues and returned to the now-concluded Venice Film Festival with the sequel, “Beetlejuice Beetlejuice,” in September.

With headlining names like Michael Keaton, Winona Ryder and Jenna Ortega, one of the sequel's first scenes shows Italian icon Monica Bellucci as Delores the ghost all cut into pieces lying in several boxes. She begins to pin herself together with a stapler and proceeds to suck the souls of dead men and women, all set to a soundtrack of “Tragedy” by the Bee Gees. Gory but fun — and very on brand for Tim Burton.

The movie begins in a clumsy manner with the characters being arranged in what felt like a chess game, with the key pieces spread out. The sequel follows Winona Ryder's Lydia Deetz, the former goth teen who is now a psychic mediator with her own paranormal television show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jenna Ortega (@jennaortega)

Deetz’s supernatural abilities are brushed off by her daughter, Astrid (Ortega), who believes her mother’s visions are pure delusion and soon enough Catherine O’Hara returns to her role as Lydia’s narcissistic artist stepmother.

Keaton reprises his part as the titular ghost, but he was far more eccentric and engaging in the first film — his performance here feels like a watered-down version of what we saw earlier.

This largely sum up what seems to be the point of the film — a nostalgia-fuelled look-back at a high-camp horror for Burton fans to enjoy during the Halloween season.

Unfortunately, the movie feels lethargic, dispirited and soulless. Far from the 1988 work that was peppy and praiseworthy. 


Directors show solidarity with Palestinians during Venice Film Festival speeches

Directors show solidarity with Palestinians during Venice Film Festival speeches
Updated 08 September 2024
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Directors show solidarity with Palestinians during Venice Film Festival speeches

Directors show solidarity with Palestinians during Venice Film Festival speeches

DUBAI: The final ceremony of the Venice Film Festival on Saturday saw multiple winners use their acceptance speeches to express solidarity with the Palestinian people and condemn Israel’s military campaign in Gaza.

“As a Jewish American artist working in a time-based medium, I must note, I’m accepting this award on the 336th day of Israel’s genocide in Gaza and 76th year of occupation,” said US director Sarah Friedland as she accepted the Luigi de Laurentiis prize for best first film for “Familiar Touch.”

“I believe it is our responsibility as filmmakers to use the institutional platforms through which we work to redress Israel’s impunity on the global stage. I stand in solidarity with the people of Palestine and their struggle for liberation,” she continued.

Kathleen Chalfant, Orizzonti Award for Best Actress winner, and Sarah Friedland (R), Lion of the Future – "Luigi De Laurentiis" Venice Award for a Debut Film and the Orizzonti Best Director award winner, pose during a photocall. (AFP) 

The director’s comments were met with strong applause, Deadline reported. Her speech comes amid Israel’s 10-month military campaign in Gaza in which more than 40,000 Palestinians, including more than 16, 000 children, have been killed. The current conflict was sparked by the Oct. 7 Hamas attack on Israel, in which 1,139 were killed, including 36 children.

Palestinian filmmaker Scandar Copti accepted the best screenplay prize in the Horizons section for his films “Happy Holidays.”

“I stand here deeply honored, yet profoundly affected by the difficult times we’re living through over the past 11 months, our shared humanity and moral compass have been tested as we witness the ongoing genocide in Gaza,” he said on stage.

“This painful reality reminds us of the devastating consequences of oppression, which is a theme in our film. Our film looks at how moral narratives can bring us together as communities, but also blind us to the suffering of others.”

Meanwhile, “The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award.