What We Are Reading Today: ‘Browsings’

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Updated 17 June 2024
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What We Are Reading Today: ‘Browsings’

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Author: Michael Dirda

Pulitzer Prize-winning journalist Michael Dirda compiled a year’s worth of literary essays in his 2015 book about books, aptly titled, “Browsings: A Year of Reading, Collecting and Living with Books.”

Written on Fridays between February 2012 and February 2013, the essays started out as 600-word columns in The American Scholar that combined the literary and personal. Soon, Dirda found that the word counts naturally ballooned, sometimes doubling and even tripling due to what he referred to as his “natural garrulousness.”

In the intro, he writes: “These are … very much personal pieces, the meandering reflections of a literary sybarite. The essays themselves vary widely in subject matter, and rarely stick closely to their stated titles.”

A longtime book columnist for The Washington Post, Dirda also writes regularly for many literary sections in publications such as the New York Review of Books. The Washingtonian Magazine once listed him as one of the 25 smartest people in the nation’s capital.

This collection of essays serves as a true celebration of American literature. Dirda explores his serendipitous discoveries and the joy of reading for its own sake. His passion goes beyond bibliophilism; the compilation is his love letter to all the books he has encountered along his journey.

The writer’s quick wit is demonstrated clearly on the page, and he comes across as that bookworm friend who can talk endlessly about books with enough passion to make you fall in love with reading again.

“I hope ‘Browsings’ as a whole will communicate some sense of a year in the life of an especially bookish literary journalist. I also hope that it will encourage readers to seek out some of the many titles I mention or discuss,” Dirda writes.

The books he examines are diverse, and he provides readers with insights that jump off the page. The essays are short enough, but he requests that one read only a few at a time.

“Allow me to make two small recommendations: First, don’t read more than two or three of the pieces at one sitting. Space them out. That way ‘Browsings’ will take longer to get through and you’ll enjoy each essay more. Trust me on this.

“Second, consider reading the columns in the order they appear. Each is meant to stand on its own, but I did aim for a pleasing variety in my choice of topics, as well as a seasonal arc to the series as a whole.”

 


REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure
Updated 31 March 2025
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REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

LONDON: In an era in which retro gaming is somewhat mainstream with remakes, reboots and remastered games emerging on a daily basis, “Stories from Sol: The Gun-Dog” on Nintendo Switch takes things to the next level.

Going further back in time than most, it is a throwback to classic PC-9800 visual novels, blending deep storytelling with a minimalist approach to gameplay. If you enjoy immersive narratives and do not mind slow pacing, this game delivers a compelling experience — though it may not be for everyone.

“Gun-Dog” is all about story. Its deep, character-driven narrative demands patience, rewarding players willing to engage with a text-heavy experience. It starts by setting the scene of the Solar War and our protagonist being unable to prevent the loss of his crewmates. Four years later, they (you can choose your own name) are re-assigned to the Jovian patrol ship Gun-Dog which has orders to investigate mysterious signals coming from the edge of Jovian Space.

On board, the assortment of characters includes a love interest, a rival from the past and others who all seem to be hiding something. While choice is limited to movement, item interaction and conversation, the game excels at making you feel like your actions matter, especially when decisions come with a countdown clock to force your hand.

This is not an action-packed adventure. The game moves deliberately and offers little in the way of fast-paced mechanics. Exploration is limited, but the weight of each choice — especially in high-pressure moments — keeps engagement high. With sparse visuals and bit-crushed music, “Gun-Dog” leans into its retro inspirations. Interestingly, putting it on mute might give the best experience; the soundtrack can be more of a distraction than an enhancement.

“Gun-Dog” is a game for those who love slow-burn, text-heavy adventures with minimal gameplay distractions. If you are looking for deep lore, strong characters and a narrative experience, it is worth the time. Just be ready for a slower ride than that offered by most modern games.


What We Are Reading Today: Moths of the World

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Updated 30 March 2025
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What We Are Reading Today: Moths of the World

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  • Moths of the World is an essential guide to this astonishing group of insects, highlighting their diversity, metamorphoses, marvelous caterpillars, and much more

Author: David Wagner

With more than 160,000 named species, moths are a familiar sight to most of us, flickering around lights, pollinating wildflowers about meadows and gardens, and as unwelcome visitors to our woolens.

They come in a variety of colors, from earthy greens and browns to gorgeous patterns of infinite variety, and range in size from enormous atlas moths to tiny leafmining moths. 

Moths of the World is an essential guide to this astonishing group of insects, highlighting their diversity, metamorphoses, marvelous caterpillars, and much more.

 


What We Are Reading Today: Oxygen: A Four Billion Year History

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Updated 30 March 2025
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What We Are Reading Today: Oxygen: A Four Billion Year History

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  • Donald Canfield covers this vast history, emphasizing its relationship to the evolution of life and the evolving chemistry of Earth

Author: Donald E. Canfield

The air we breathe is 21 percent oxygen, an amount higher than on any other known world. While we may take our air for granted, Earth was not always an oxygenated planet.

How did it come to be this way? Donald Canfield covers this vast history, emphasizing its relationship to the evolution of life and the evolving chemistry of Earth.

He guides readers through the various lines of scientific evidence, considers some of the wrong turns and dead ends along the way, and highlights the scientists and researchers who have made key discoveries in the field.

 


What We Are Reading Today: The Collected Dialogues of Plato

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Updated 28 March 2025
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What We Are Reading Today: The Collected Dialogues of Plato

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  • The volume contains prefatory notes to each dialogue, by Hamilton; an introductory essay on Plato’s philosophy and writings, by Cairns; and a comprehensive index with cross references

Authors: Edited by Edith Hamilton and Huntington Cairns

This classic one-volume edition of the complete writings of Plato is now available in paperback for the very first time.
The editors, Edith Hamilton and Huntington Cairns, chose the contents from the work of the best modern British and American translators.
The volume contains prefatory notes to each dialogue, by Hamilton; an introductory essay on Plato’s philosophy and writings, by Cairns; and a comprehensive index with cross references.
In a new foreword, acclaimed philosopher and novelist Rebecca Newberger Goldstein describes Plato’s unparalleled importance to philosophy down to the present day.

 


What We Are Reading Today: ‘Total Eclipse’

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Updated 28 March 2025
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What We Are Reading Today: ‘Total Eclipse’

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  • Dillard admits she is shaken, haunted by the void’s indifference

Author: Annie Dillard

Annie Dillard’s essay “Total Eclipse” begins with stale coffee and roadside chatter but detonates into a primal reckoning with the universe’s indifference.

Published in her 1982 collection “Teaching a Stone to Talk,” the essay documents Dillard’s experience of the 1979 solar eclipse, transforming a celestial event into a visceral confrontation with human fragility.

Dillard lulls readers with the mundane: tourists snapping photos, jokes about “eclipse burgers,” and the nervous anticipation of a crowd waiting for darkness.

Then, with the moon’s first bite into the sun, her prose turns feral. Colors warp, the sky bleeds, as if reality were glitching. This is not a mere description; it is an assault on our trust in the ordinary.

The essay’s power lies in its unflinching honesty. When totality hits, Dillard does not romanticize awe or resilience. Instead, she strips humanity bare: we are temporary creatures dwarfed by cosmic forces. The vanished sun becomes a “black pupil,” the landscape a “film reel skipping.”

Unlike typical nature writing that seeks solace in beauty, “Total Eclipse” offers no comfort. The returning sunlight feels like a lie, the restored world a fragile façade.

Dillard admits she is shaken, haunted by the void’s indifference. It is this refusal to soften the blow that makes the essay endure. In an age of curated awe, her words are a gut-punch reminder: darkness does not care if we blink.  

Stylistically, Dillard masterfully mirrors the eclipse’s arc — calm, chaos, uneasy calm. This is not a science lesson or a spiritual guide, but a raw testimony that some truths cannot be explained, only endured.  

“Total Eclipse” remains vital because it dares to stare into the abyss without blinking. Dillard does not ask us to find meaning but to confront how little meaning there is to find.

And in that confrontation, there is a strange kind of clarity: to see our smallness is to glimpse the universe, unforgiving and vast.