Viatina-19, the world’s most expensive cow, is embodiment of Brazil’s beef export ambitions

Viatina-19, the world’s most expensive cow, is embodiment of Brazil’s beef export ambitions
Viatina-19, right, belongs to the Nelore breed, which is raised for meat, not milk, and makes up most of Brazil’s cattle stock. (AP)
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Updated 04 June 2024
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Viatina-19, the world’s most expensive cow, is embodiment of Brazil’s beef export ambitions

Viatina-19, the world’s most expensive cow, is embodiment of Brazil’s beef export ambitions

UBERABA, Brazil: Brazil has hundreds of millions of cows, but one in particular is extraordinary. Her massive, snow-white body is watched over by security cameras, a veterinarian and an armed guard.
Worth $4 million, Viatina-19 FIV Mara Moveis is the most expensive cow ever sold at auction, according to Guinness World Records. That’s three times more than the last recordholder’s price. And — at 1,100 kilograms (more than 2,400 pounds) — she’s twice as heavy as an average adult of her breed.
Along a highway through Brazil’s heartland, Viatina-19’s owners have put up two billboards praising her grandeur and beckoning ranchers, curious locals and busloads of veterinary students to make pilgrimages to see the supercow.
Climate scientists agree that people need to consume less beef, the largest agricultural source of greenhouse gasses and a driver of Amazon deforestation. But the cattle industry is a major source of Brazilian economic development and the government is striving to conquer new export markets. The world’s top beef exporter wants everyone, everywhere to eat its beef.
The embodiment of Brazil’s cattle ambitions is Viatina-19, the product of years of efforts to raise meatier cows. The country’s prizewinners are sold at high-stakes auctions — so high that wealthy ranchers share ownership. They extract the eggs and semen from champion animals, create embryos and implant them in surrogate cows that they hope will produce the next magnificent specimens.
“We’re not slaughtering elite cattle. We’re breeding them. And at the end of the line, going to feed the whole world,” one of her owners, Ney Pereira, said after arriving by helicopter at his farm in Minas Gerais state. “I think Viatina will provide that.”
The cow’s eye-popping price stems from how quickly she put on vast amounts of muscle, from her fertility and — crucially — how often she has passed those characteristics to her offspring, said Lorrany Martins, a veterinarian who is Pereira’s daughter and right hand. Breeders also value posture, hoof solidity, docility, maternal ability and beauty. Those eager to level up their livestock’s genetics pay around $250,000 for an opportunity to collect Viatina-19’s egg cells.
“She is the closest to perfection that has been attained so far,” Martins said. “She’s a complete cow, has all the characteristics that all the proprietors are looking for.”
A GRAND MATRIARCH
A commodities boom in the 2000s turbocharged Brazilian agriculture, especially with a rising China buying soy and beef. Today, agriculture’s influence extends to Brazil’s Congress and the national consciousness. Country music is booming. TV viewers can watch the massive Globo network’s seven-year campaign exalting the sector. The Cow Channel features live auctions. And Brazil, along with the US, is at the forefront of cattle genetics; it does more in-vitro fertilizations than any country in the world, said João Henrique Moreira Viana, genetic resources and biotechnology researcher at the government’s agricultural research corporation.
Viatina-19 won award after award — including “Miss South America” at the Fort Worth, Texas-based “Champion of the World” competition, a bovine version of Miss Universe where cows and bulls from different countries square off. But at 3 years old she hadn’t yet proven that her egg cells, when fertilized and implanted in a surrogate cow, would reliably produce offspring bearing her champion characteristics, said Pereira, an Internet executive who moved into elite cow breeding. He needed “a grand matriarch.”
Such cows cost so much that people buy and sell partial ownership, and Pereira’s company Napemo Agriculture paid several million reais (almost $800,000) in a 2022 auction for a 50 percent stake in Viatina-19. Another rancher kept the other half, so the two would jointly make important decisions and split revenues.
As the auctioneer banged his gavel, the speakers blasted Elvis Presley’s “Suspicious Minds.” For Pereira, a lifelong Elvis fanatic, it was a sign.
“It gave me butterflies in the stomach,” he said. “We were new breeders. It was a bit of boldness, a bit of feeling and a bit of heart, too.”
Last year, Pereira and the other owner put a 33 percent stake in the cow up at auction. One bidder paid 7 million reais ($1.3 million), making Viatina-19’s full value break the Guinness record.
INDIA TO BRAZIL
In Brazil, 80 percent of the cows are Zebus, a subspecies originating in India with a distinctive hump and dewlap, or folds of draping neck skin. Viatina-19 belongs to the Nelore breed, which is raised for meat, not milk, and makes up most of Brazil’s stock.
The first Zebus arrived in Brazil in the latter half of the 19th century and they proved far hardier than European stock. They coped well with the sweltering tropical heat, proved resistant to parasites and gained weight faster. A prizewinning Nelore bull named Karvardi arrived from India in 1963, and some breeders still preserve cryogenically frozen doses of his semen, according to Brazil’s Zebu association. Draped in traditional Indian vestments, Karvardi’s preserved body stands in the Zebu Museum in Uberaba, the city in Brazil’s agricultural heartland where Viatina-19 lives.
Uberaba holds an annual gathering called ExpoZebu that bills itself as the world’s biggest Zebu fair. Held several weeks ago, it was a far cry from the Brazil imagined abroad. The dress code was boots, baseball caps and blue jeans. Evening concerts drew 10,000 spectators belting out their favorite country songs. But the main attraction was the daily cattle shows. Ranchers came from as far away as Zimbabwe and Indonesia. Stockmen shaved cows’ ears and the bases of their horns — the equivalent of a fresh human haircut to charm show judges and win prizes that boost an animal’s auction price.
The most prestigious auction is called Elo de Raça, and Viatina-19 has been sold at increasingly higher prices there. Searchlights shooting into the night sky on April 28 summoned the hundreds fortunate enough to receive invitations. Arthur Lira, the speaker of Congress’ Lower House, drove in followed by a car with his security detail. He was set to offer his 3-month-old calf.
“The auctions always present the best of what each person has and that spreads to other people, other breeders, and the genetics evolve,” said Lira, who ranches in Brazil’s northeast.
As the first cow entered the paddock, speakers blared Queen’s “We Are the Champions.” But that cow was a mere appetizer before the auction of this year’s starlet, Donna, and three of her clones. The final sale price put her total value at 15.5 million reais ($3 million). Presenting Donna, the announcer said that each of the four produces 80 egg cells a month – quadruple an average Nelore – and called them “a factory.”
“Donna shows where we are with the Nelore breed and where we will go!” he shouted.
NEW MARKETS
Showstoppers like Donna and Viatina-19 are rarities in Brazil, where there are more than 230 million cows, according to the United States Department of Agriculture. It has the world’s largest beef cattle population, and that’s problematic; of the nation’s total greenhouse emissions, 86 percent are linked to its food production, mainly for beef and soy, according to a World Bank report published last month. Huge swaths of Amazon rainforest have been slashed to create pasture, releasing carbon stored in trees, and cows belch methane that’s far worse for the climate.
One of the best ways to cut livestock emissions is reducing cows’ age of slaughter, said Rodrigo Gomes, a beef cattle researcher at the government’s agricultural research corporation. Elite cows can gain weight fast enough to be slaughtered significantly younger.
Others say genetic improvements are helpful but limited ways to reduce warming. Simpler, more effective measures include planting better grass for grazing and regularly moving cattle from pasture to pasture, said Beto Veríssimo, an agronomist who co-founded an environmental nonprofit called Imazon. Productivity in Brazil could be at least three times higher, said Veríssimo, who sits on the consultation committee of meatpacking giant JBS’ Amazon fund. He receives no compensation.
Ranching is here to stay; it’s an economic engine in Brazil, which exported more than 2 million tons of beef in both 2022 and 2023, the most since records began in 1997. The overwhelming majority goes to developing nations, especially China, thanks to rising incomes that have put beef within reach. It’s partly why agriculture and livestock activity grew 3.6 percent from 2015 to 2023, compared to 0.8 percent for services and a contraction in industry of 0.6 percent, according to calculations by LCA Consultores based on official data.
President Luiz Inácio Lula da Silva has been working to open new markets. Last month, Lula met Prime Minister Fumio Kishida of Japan, home to the premium, marbled Wagyu beef; he urged his counterpart to taste Brazilian meat and become a believer.
“Please,” he said, addressing his vice president at the event, “take Prime Minister Fumio to eat steak at the best restaurant in Sao Paulo so that, the following week, he starts importing our beef.”
And in April, Lula visited one of the 38 Brazilian meatpacking plants that China authorized to send beef there. He boasted about the billions in revenue they will provide. Lula’s administration last month declared Brazil totally free of foot-and-mouth disease, saying it will request recognition from the World Organization for Animal Health in August. That would open the world’s more restrictive — and lucrative — markets to Brazilian beef, Vice President Geraldo Alckmin said at the time.
SEND IN THE CLONES
Just down the highway from the Elo de Raça auction stands what appears an ordinary farmhouse. But inside, employees in white coats extract DNA from cows’ tail hair and use it to create embryos. Behind that laboratory, sprawling hills of pasture are dotted with some 500 surrogates pregnant with clones.
“All those are rental bellies,” said Geneal Animal Genetics and Biotechnology’s commercial director, Paulo Cerantola, motioning to a hilltop herd as his truck rumbled along a dirt road.
It led to a stable beside a small pen where a cloned calf lay in the sunshine. Born the day before, it was still too unsure of its legs to stand, and a 2-day-old clone set an example by ambling about gamely. Another born 20 minutes earlier by cesarean section was huddled on hay in the rear of a stall, pressing backwards against the wall and unsettled by this strange new world.
Perhaps one-third of fetal clones survive; the pregnancies can fail or a clone can be born with deformities that require euthanasia, Cerantola said. Clones of Viatina-19 are due in a few months, he said.
But some ranchers wouldn’t even want a big herd of her clones. High-maintenance cows like Viatina-19 aren’t profitable on a commercial scale because they couldn’t meet their energy needs from grass alone, said P.J. Budler, a cattle judge and international business manager for Trans Ova Genetics, an Iowa-based company focused on improving the bovine gene pool.
“For the environment and the resources that it would take to run a cow like (Viatina-19), she fits the mold ideally, but she’s not the answer for all cattle everywhere,” he said.
Another Texas cattleman who traveled to ExpoZebu in 2023 to scope out the genetics scene was more critical, calling Viatina-19, and cows like her, “man-made freaks.”
“In my opinion, she needs a bullet in her head. She’s poison for the industry,” Grant Vassberg said by phone. “We still need cows to be efficient on grass. That’s how you feed the world.”
Viatina-19’s owner, Pereira, said she gets special treatment to boost egg cell production, but would thrive were she put to pasture — where almost all his elite cattle feed.
Meanwhile, Viatina-19 is pregnant for the first time, which helps maintain hormone cycles, Pereira said, and he’s eyeing expansion; her egg cells have sold to Bolivian buyers and he wants to export to the United Arab Emirates, India and the US.
“If she is the best in the world – not just her price, but I believe she is the world’s best – we need to share her around the world,” Pereira said.
His veterinarian daughter, Martins, is looking even farther ahead.
“I hope she is the basis for an even better animal in the future, decades from now,” she said.


Harry Chandler, Navy medic who survived Japan’s attack on Pearl Harbor, dies at 103

Harry Chandler, Navy medic who survived Japan’s attack on Pearl Harbor, dies at 103
Updated 32 sec ago
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Harry Chandler, Navy medic who survived Japan’s attack on Pearl Harbor, dies at 103

Harry Chandler, Navy medic who survived Japan’s attack on Pearl Harbor, dies at 103
  • Harry Chandler’s family says he died at a senior living center in Tequesta, Florida on Monday
  • He had congestive heart failure but his doctors and nurses noted his advanced age when giving a cause of death

HONOLULU: Harry Chandler, a Navy medic who helped pull injured sailors from the oily waters of Pearl Harbor after the 1941 Japanese attack on the naval base, has died. He was 103.
Chandler died Monday at a senior living center in Tequesta, Florida, according to Ron Mahaffee, the husband of his granddaughter Kelli Fahey. Chandler had congestive heart failure, but Mahaffee said doctors and nurses noted his advanced age when giving a cause of death.
The third Pearl Harbor survivor to die in the past few weeks, Chandler was a hospital corpsman 3rd class on Dec. 7, 1941, when waves of Japanese fighter planes dropped bombs and fired machine guns on battleships in the harbor and plunged the US into World War II.
He told The Associated Press in 2023 that he saw the planes approach as he was raising the flag that morning at a mobile hospital in Aiea Heights, which is in the hills overlooking the base.
“I thought they were planes coming in from the states until I saw the bombs dropping,” Chandler said. His first instinct was to take cover and ”get the hell out of here.”
“I was afraid that they’d start strafing,” he said.
His unit rode trucks down to attend the injured. He said in a Pacific Historic Parks oral history interview that he boarded a boat to help pluck wounded sailors from the water.
The harbor was covered in oil from exploding ships, so Chandler washed the sailors off after lifting them out. He said he was too focused on his work to be afraid.
“It got so busy you weren’t scared. Weren’t scared at all. We were busy. It was after you got scared,” Chandler said.
He realized later that he could have been killed, “But you didn’t think about that while you were busy taking care of people.”
The attack killed more than 2,300 US servicemen. Nearly half, or 1,177, were sailors and Marines on board the USS Arizona, which sank nine minutes after it was bombed.
Chandler’s memories came flowing back when he visited Pearl Harbor for a 2023 ceremony commemorating the 82nd anniversary of the bombing.
“I look out there, and I can still see what’s going on. I can still see what was happening,” Chandler told The Associated Press.
Asked what he wanted Americans to know about Pearl Harbor, he said: “Be prepared.”
“We should have known that was going to happen. The intelligence has to be better,” he said.
After the war Chandler worked as a painter and wallpaper hanger and bought an upholstery business with his brother. He also joined the Navy reserves, retiring as a senior chief in 1981.
Chandler was born in Holyoke, Massachusetts, and lived for most of his adult life in nearby South Hadley, Mahaffee said. In recent decades he split his time between Massachusetts and Florida.
An avid golfer, he shot five hole-in-ones during his lifetime, his grandson-in-law added.
Chandler had one biological daughter and adopted two daughters from his second marriage, to Anna Chandler, who died in 2004. He is survived by two daughters, nine grandchildren, 17 great-grandchildren and five great-great-grandchildren.
Military historian J. Michael Wenger has estimated that there were some 87,000 military personnel on the island of Oahu the day of the attack. With Chandler’s death only 15 are still living, according to a tally maintained by Kathleen Farley, the California state chair of the Sons and Daughters of Pearl Harbor Survivors.
Bob Fernandez, who served on the USS Curtiss, also died this month, at age 100, and Warren Upton, 105, who served on the USS Utah, died last week.


Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign

Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign
Updated 01 January 2025
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Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign

Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign
  • The lawsuit was filed Tuesday, just hours after the director, Justin Baldoni, and several others tied to the film filed their own lawsuit against The New York Times
  • Lively’s suit filed in federal court in New York says the director schemed with publicists to plant negative stories about her

Actor Blake Lively sued “It Ends With Us” director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.
The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively’s suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.
The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.
Lively’s suit said that Baldoni, the film’s production company Wayfarer Studios and others engaged in “a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out.”
She accuses Baldoni and the studio of embarking on a “multi-tiered plan” to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed “repeated sexual harassment and other disturbing behavior” by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.
The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.
The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set. And the suit says Baldoni and Heath “discussed their personal sexual experiences and previous porn addiction, and tried to pressure Ms. Lively to reveal details about her intimate life.”
Baldoni’s attorney Bryan Freedman did not immediately respond to a request for comment on Lively’s lawsuit. But he previously called the same allegations “completely false, outrageous and intentionally salacious.”
Lively’s lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to “vigorously defend” against the lawsuit.
Others who are defendants in Lively’s suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine.”
Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.
The libel lawsuit says the newspaper “relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care.”
A spokesperson for the Times, Danielle Rhoades, said in a statement that “our story was meticulously and responsibly reported.”
“It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error,” the statement said.
But Baldoni’s lawsuit says that “If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign.”
Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that “Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”
The romantic drama “It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for “Deadpool & Wolverine” at the same time.
Lively came to fame through the 2005 film “The Sisterhood of the Traveling Pants,” and bolstered her stardom on the TV series “Gossip Girl” from 2007 to 2012. She has since starred in films including “The Town” and “The Shallows.”
Baldoni starred in the TV comedy “Jane the Virgin,” directed the 2019 film “Five Feet Apart” and wrote “Man Enough,” a book pushing back against traditional notions of masculinity. He responded to concerns that “It Ends With Us” romanticized domestic violence, telling the AP at the time that critics were “absolutely entitled to that opinion.”
He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.
Baldoni’s attorney, Freedman, said in a statement on the libel suit that “the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites.”
“In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism among the online public,” he added. “The irony is rich.”


China’s frigid northeast thrives on ‘little potato’ tourism boom

China’s frigid northeast thrives on ‘little potato’ tourism boom
Updated 01 January 2025
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China’s frigid northeast thrives on ‘little potato’ tourism boom

China’s frigid northeast thrives on ‘little potato’ tourism boom
  • Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media

HARBIN: Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media.
Photos and videos taken around the city’s landmarks flood platforms such as TikTok counterpart Douyin and Instagram-esque Xiaohongshu — many featuring tourists from the warmer south.
They’re affectionately known as “southern little potatoes,” a reference to their alleged smaller stature and cutesy winter gear that contrast with the area’s stereotypically coarse character.
A search for “southern little potatoes visit the north” racked up more than 428,000 notes on Xiaohongshu.
That’s where Chen Xiting, who works in e-commerce in the southern province of Guangdong, said she was inspired to visit.
“It’s the quickest way young people get trip recommendations,” said Chen.
She said she had noticed a sizeable number of fellow southerners.
“I heard quite a bit of Cantonese, which we’re very familiar with, today at tourist sites and on the street,” said the 29-year-old, wearing a hat with dog ears and with only her face exposed to the air.
Liu Rong, a student from Sichuan, said the city’s push for more southern tourists was clear from the surge in videos about Harbin he often watched with his wife.
“These years, especially this year, Harbin’s cultural tourism has placed a lot of importance on paying attention to us southerners,” Liu said.


Harbin is the capital of Heilongjiang, one of three provinces that make up the “Dongbei” (northeast) region, where temperatures can reach -30 degrees Celsius (-22 degrees Fahrenheit) during winter.
Bordered by Russia and North Korea, it is one of China’s poorest provinces, outperforming only neighboring Jilin, Gansu, Hainan island and sparsely populated Tibet, Qinghai and Ningxia.
But the first five months of 2024 saw the operating income of Heilongjiang’s cultural, sports and entertainment industries rise nearly 60 percent year-on-year, according to official data.
Tourists spent 154 billion yuan ($21 billion) in the first half of 2024, up 171 percent from the first half of 2023.
Popular novels and dramas set in the northeast have also helped spark a travel boom to the region.
“A lot of southerners, which we call ‘little potatoes’, came over here for travel and made our Harbin very trendy,” Emily Liu, a local tour guide, told AFP.
The online fame has been good for the travel business, said 30-year-old Jiang Zhonglong, energetically gesticulating in front of his tripod just meters away from Liu.
He started working for a Harbin-based travel agency three years ago, during the Covid-19 pandemic, and said business was now much better.
“So many little friends, southern potatoes, tourists have all come here,” he said.
One night this month, the city’s commercial district of Central Street saw a steady stream of people walking on the cobblestone path under bright yellow lights.
Ling, a 38-year-old from the coastal eastern province of Zhejiang, was there with his wife to “daka,” a phrase that means “punching in” but now describes visiting popular spots to share photos on social media.
“We often scroll through (video sharing platform) Douyin and such. We often see videos promoting Harbin,” said Ling, who asked to be identified only by his surname.
Ling told AFP he’d believed negative stereotypes about Dongbei in the past.
“But we came here and found that things are pretty decent,” he said.
“I’ve been yearning for a different cultural experience compared to where I come from — the weather and style are completely different.”
Nearby, a steady stream of people ducked inside a shop selling goods from Russia — just a stone’s throw away.
Foot traffic to the shopping street has tripled since 2022, said store manager Zhangzhang, who has worked in the area for more than 10 years and asked to be identified by her nickname.
“My hometown has suddenly become popular,” she said, adding she was “extremely proud.”
She said the store last year started selling more hats and scarves for travelers who “didn’t pack enough layers” — including those printed with the region’s classic red florals.
“I think that this can help lift the economy of our Dongbei.”


‘No more fear’: Stand-up comedy returns to post-Assad Syria

‘No more fear’: Stand-up comedy returns to post-Assad Syria
Updated 24 December 2024
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‘No more fear’: Stand-up comedy returns to post-Assad Syria

‘No more fear’: Stand-up comedy returns to post-Assad Syria

DAMASCUS: In post-Assad Syria, stand-up comedians are re-emerging to challenge taboos, mocking the former president and his regime and even testing the waters with Damascus’s new rulers.
Melki Mardini, a performer in the Syrian capital’s stand-up scene, is among those embracing newfound freedoms.
“The regime has fallen,” he declares from the stage, referring to Bashar Assad’s abrupt departure earlier this month, ending more than half a century of his family’s rule.
The audience at an art gallery hosting the show remains silent.
“What’s the matter? Are you still scared?” Mardini says, triggering a mix of awkward laughter and applause.
“We’ve been doing stand-up for two years,” says the 29-year-old. “We never imagined a day would come when we could speak so freely.”
Now, his performances are “safe spaces,” he says.
“We can express our views without bothering anyone, except Bashar.”
Under the old regime, jokes about elections, the dollar or even mentioning the president’s name could mean arrest or worse.
Chatting with the audience during his set, Mardini learns one man is a psychiatrist.
“A lord in the new Syria!” he exclaims, imagining crowds rushing into therapy after five decades of dictatorship.
For two hours, 13 comedians — including one woman — from the collective Styria (a play on the words Syria and hysteria) take the stage, sharing personal stories: an arrest, how they dodged compulsory military service, how they sourced dollars on the black market.


“Syria wants freedom!” declares Rami Jabr as he takes the stage.
“This is our first show without the mukhabarat in the room,” he quips, referring to the feared intelligence agents.
He reflects on his experience in Homs, dubbed the “capital of the revolution” in March of 2011 when anti-government protests broke out in the wake of the Arab Spring, followed by brutal repression.
A commercial representative for a foreign company, Jabr recalls being detained for a month by various security services, beaten, and tortured with a taser, under the accusation that he was an “infiltrator” sent to sow chaos in Syria.
Like him, comedians from across the country share their journeys, united by the same fear that has suffocated Syrians for decades living under an iron fist.
Hussein Al-Rawi tells the audience how he never gives out his address, a vestige of the paranoia of the past.
“I’m always afraid he’ll come back,” he says, referring to Assad. “But I hope for a better Syria, one that belongs to all of us.”


Said Al-Yakhchi, attending the show, notes that free speech is flourishing.
“During the last performance before the regime fell, there were restrictions,” says the 32-year-old shopkeeper.
“Now, there are no restrictions, no one has to answer to anyone. There’s no fear of anyone.”
Not even Syria’s new rulers — a diverse mix of rebel groups, including Islamists and former jihadists, who quickly marched on Damascus and toppled Assad’s government.
“We didn’t live through a revolution for 13 or 14 years... just to have a new power tell us, ‘You can’t speak,’” Mardini says.
When not performing on stage, Mary Obaid, 23, is a dentist.
“We unload everything we’ve been holding inside — we do it for all Syrians,” she says.
“Each person shares their own experience. The audience reacts as if each story has happened to them too.”
Of the country’s new leaders, Obaid says she will wait to see “what they will do, then we’ll judge.”
“Right now, we feel freedom,” she says. “We hope we won’t be targets of harassment.”
“We’re at a pivotal moment, transitioning from one era to another,” she adds.
“Now we are the country of freedom, and we can put forward all our demands. From now on, never again fear.”


Zelensky hails Usyk victory over Fury

Zelensky hails Usyk victory over Fury
Updated 22 December 2024
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Zelensky hails Usyk victory over Fury

Zelensky hails Usyk victory over Fury

RIYADH: Ukrainian President Volodymyr Zelensky hailed Oleksandr Usyk’s victory over Tyson Fury in their heavyweight world championship rematch on Saturday, calling it proof that Ukraine “will not give up what’s ours.”
“Victory!” Zelensky said in a post on Telegram. “So important and so necessary for all of us now.”
Ukraine remains locked in war nearly three years after Russia invaded, but Zelensky said Usyk’s triumph was a mark of Ukrainian resiliency and determination.
“Having retained the championship belts, Oleksandr proves: we are Ukrainians and we will not give up what’s ours. And no matter how difficult it is — we will win.
“Be it the ring, battlefield or diplomatic arena — we fight and we will not give up what’s ours.
“Congrats on the victory, Cossack! Congrats on the victory Ukraine! Glory to Ukraine.”
Usyk’s victory — seven months after his first triumph over Britain’s Fury to become the first undisputed heavyweight world champion of the four-belt era — took his record to 23-0 with 14 knockouts.