In Tel Aviv, Eurovision fans hope world shows Israel some love

In Tel Aviv, Eurovision fans hope world shows Israel some love
Israelis watch as Eden Golan from Israel performs "Hurricane" at a watch party for the live telecast of the Eurovision Song Contest Grand Final, amid the ongoing conflict between Israel and the Palestinian Islamist group Hamas, in Tel Aviv, Israel, May 11, 2024. (Reuters)
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Updated 12 May 2024
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In Tel Aviv, Eurovision fans hope world shows Israel some love

In Tel Aviv, Eurovision fans hope world shows Israel some love
  • Israel ranks with Croatia and Switzerland as one of the bookmakers’ favorites to succeed Sweden and take home the colorful and kitschy competition watched by more than a hundred million people

TEL AVIV: Eurovision fans gathered in Tel Aviv Saturday to watch the show taking place in Sweden on big screens said they were hoping voters would finally show Israel some love.
The mood was electric at the packed Layla bar in Tel Aviv as the show got underway, with the crowd going wild when Israel’s contestant Eden Golan appeared on screen, jumping up and down and waving Israeli flags.
With her long lavender-streaked hair and matching nails, Golan performed her tune wearing a white chiffon gown billowing in the artificial wind and smoke filling the stage.
If Israel were to win, it would mean that “maybe we are not hated so much, and that the music really won,” said Tal Bendersky, draped in an Israeli flag.
The 23-year-old from southern Israel told AFP he had come to Layla, which prides itself as “the best gay bar in Tel Aviv,” “to celebrate with all the people that love the Israeli people.”
“Hopefully in the end, we will celebrate as much as we can, when she will hopefully win.”
A win for Israel would mean “we are loved in the world, and we have support of the world,” Yarden Arak, 33, told AFP.
Israel ranks with Croatia and Switzerland as one of the bookmakers’ favorites to succeed Sweden and take home the colorful and kitschy competition watched by more than a hundred million people.
But a win by Israel could be a stretch, given the fierce controversy that has surrounded its participation in this year’s edition of the competition as it continues to bombard and besiege Gaza.
The war started with Hamas’s unprecedented October 7 attack on Israel that resulted in the deaths of more than 1,170 people, mostly civilians, according to an AFP tally of Israeli official figures.
Militants also seized hostages, of whom Israel estimates 128 remain in Gaza, including 36 who the military says are dead.
Israel’s retaliatory offensive has killed at least 34,971 people in Gaza, mostly women and children, according to the Hamas-run territory’s health ministry.
Before the competition began, police in the host city Malmo said at least 5,000 people were demonstrating in the streets outside the venue.
Golan’s song “Hurricane” is an adaptation of an earlier version named “October Rain,” which she modified after organizers deemed it too political because of its apparent allusions to the Hamas attack.
The EBU — which oversees the event — confirmed in March the participation of Golan, despite calls for her exclusion from thousands of musicians around the world.
More recently, nine of the acts, seven of whom are finalists, have called for a lasting ceasefire in Gaza.
Shortly before she took to the stage, Israeli Foreign Minister Israel Katz hailed her in a post on X, formerly twitter.
“Eden proudly stands against immense hatred and anti-Semitism. Tonight, let’s show all the haters who’s leading the way!” he wrote.
And in Tel Aviv, hopes remained high, with many dismissing the protests, saying the demonstrators did not understand what Israel was going through since Hamas’s attack sparked the war.
“No one feels what we feel... They don’t know the facts, but it’s okay,” said Victoria Shishko, a 33-year-old Tel Aviv resident born in Ukraine.
“We know the truth and we will survive,” she told AFP, voicing confidence that Israel could win the contest.
That would show “that people really love us and they believe us and they stand with us,” she said.
“We deserve it. We are kind and good people and we hope to win.”
Others said they felt bad for Golan.
“I can’t imagine what Eden is going through,” said Alec Snyder, a 29-year-old Tel Aviv resident born in Los Angeles.
“Given the drama... I really hope Israel wins. I’m rooting for us tremendously,” he told AFP.
“It’s going to be tough, but we have a wonderful song, and I am sure we will do really well tonight.”


Arab Fund for Arts and Culture director talks new Netflix collab supporting women filmmakers

Arab Fund for Arts and Culture director talks new Netflix collab supporting women filmmakers
Updated 03 September 2024
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Arab Fund for Arts and Culture director talks new Netflix collab supporting women filmmakers

Arab Fund for Arts and Culture director talks new Netflix collab supporting women filmmakers

DUBAI: Netflix and the Arab Fund for Arts and Culture (AFAC) have partnered to launch an initiative called “Women in Film – Bring Your Story to Life,” dedicated to advancing the professional growth of Arab women filmmakers. 

It will offer training and development opportunities to up to 25 women from Saudi Arabia, the UAE, Egypt, Jordan and Kuwait.

Hopefuls can apply as teams with a complete project or as individuals for positions such as cinematographer or editor. A jury will select five projects, while a matchmaking process will be used to help incomplete groups find the technical expertise they need. Each group will develop a short fiction film with a $25,000 budget.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AFAC (@afac.fund)

Rima Mismar, the executive director of AFAC, spoke to Arab News, sharing insights on the support the initiative will provide.

“The support that we give in the first stage is very much dependent on the script itself. The jury, which will make the selection, will also provide input and feedback on what each project needs in terms of finalizing the script, which will mainly be through training with scriptwriters, who may also be filmmakers,” she said.

“Once the script is finished, the focus will shift to the producers, as they bring together the team, including the director, writer, producer and cinematographer,” Mismar added.

The program will also offer mentorship and consultancy at every stage of production, from guiding directors on their films to providing support in cinematography, editing and sound design. 

Mismar expressed optimism about Arab cinema, noting: “Arab cinema, in terms of creative expression, style, and voices, is in a good place today.”

However, she highlighted significant challenges, particularly in funding and distribution. “The questions that most filmmakers today are grappling with are related to funding and the circulation and distribution of their films,” she said. 

She emphasized the need for a rethinking of production models to allow for more frequent filmmaking. “We need to think of ways to make films with less money because the economy of the region does not allow for huge productions. If filmmakers want to do films more frequently, rather than one every 10 years, we need to rethink the tools and resources available to them,” she explained.


India’s ‘Mollywood’ cinema rocked by MeToo abuse claims

India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
Updated 03 September 2024
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India’s ‘Mollywood’ cinema rocked by MeToo abuse claims

India’s ‘Mollywood’ cinema rocked by MeToo abuse claims
  • Explosive government report has documented widespread sexual harassment in an industry dominated by powerful and wealthy men
  • Case of Sreelekha Mitra and close to a dozen others have triggered a MeToo reckoning in the industry, with 10 prominent figures accused

NEW DELHI: Terrified for her safety, Indian actress Sreelekha Mitra remembers pushing chairs and a sofa against her hotel door after she said an award-winning veteran director sexually harassed her.
Mitra waited 15 years to speak out about the incident, one of several cases exposing the dark underbelly of India’s Malayalam-language “Mollywood” film industry that has won awards at Cannes.
Her revelation was spurred by an explosive government report documenting widespread sexual harassment in an industry dominated by powerful and wealthy men who believe that an actress willing to kiss on screen would do the same in real life.
“That entire night I stayed awake,” Mitra, 51, told AFP.
Mitra was invited to a gathering at the director’s house, where she said he lured her into his room for a phone call with a cinematographer.
“He started playing with my hair and neck... I knew if I did not say anything then, his hand would roam around other parts of my body,” she said, describing events from 2009, when she was 36.
She left and returned to her hotel.
“The intentions behind his moves were pretty clear to me... I was petrified.”
Her case and close to a dozen others have triggered a MeToo reckoning in the industry, with at least 10 prominent figures accused, according to Indian media.
Kerala-based Mollywood is known for critically acclaimed movies with strong and progressive themes, a change from the big dance and song numbers of India’s giant Hindi-language Bollywood in Mumbai.
The industry is prolific, producing up to 200 films a year, loved not only by southern India’s 37 million Malayalam speakers, but also dubbed and streamed across the rest of India and abroad.
Internationally, its films have won awards, including the 1999 satire Marana Simhasanam (“Throne of Death“), winner of the Camera d’Or at Cannes.
This year’s “Manjummel Boys,” a survival thriller, took $29 million at the box office, the highest-grossing Malayalam movie ever and the fifth-most successful in India this year.
The industry report, released August 19, said women actors faced the widespread “worst evil” of sexual harassment.
The report was released by the Hema Committee, headed by a former high court judge, set up after a leading Malayalam actress reported she was sexually assaulted in 2017.
Gopalakrishnan Padmanabhan, a prominent Malayalam actor better known by his stage name Dileep, was arrested for allegedly orchestrating the assault.
He was imprisoned for three months before being released on bail. The case continues.
But the release of the report has opened discussion on the far wider issue of chronic violence against women, encouraging people like Mitra to speak out in public for the first time.
It said that women who considered speaking out about sexual assault were silenced by threats to their life, and to their families.
Award-winning actress Parvathy Thiruvothu, 36, called the investigation a “game changer” and a “historic moment.”
“There was this idea that women working in the industry should feel grateful for having been given an opportunity by the men who were hiring them,” said Thiruvothu, a member of the campaign group Women in Cinema Collective.
Allegations of abuse in Indian cinema are not new.
It witnessed a wave in 2018, shortly after the 2017 MeToo movement erupted in Hollywood against disgraced US movie producer Harvey Weinstein.
But Thiruvothu called the latest allegations more than “MeToo Part Two.”
“It’s shaking everything,” she told AFP. “It isn’t an individual-to-individual complaint anymore. It’s about a systemic structure that has continued to fail women.”
Since the report, several top actors have been accused.
The Association of Malayalam Movie Artists was dissolved following the resignation of its chief on “moral grounds” with some members among the accused.
Ranjith Balakrishnan, 59, chairman of the state’s film academy, has also quit.
Balakrishnan, who denies any wrongdoing, was the man Mitra accused of sexual harassment.
Police have filed a case against him for outraging a woman’s modesty, a non-bailable offense.
Mitra, who until the release of the report had only mentioned the incident to an industry colleague, told AFP that Balakrishnan had misused “his power.”
Thiruvothu offered a message to all women in the film industry who have survived sexual assault.
“You are a skilled artist... do not listen to anyone who tells you to find another job if it is so difficult for you,” she said.
“This is your industry, as much as it is anybody else’s. Speak up, so that we are taking the space that is rightfully ours.”
 


Amal and George Clooney walk the red carpet at ‘Wolfs’ premiere in Venice

Amal and George Clooney walk the red carpet at ‘Wolfs’ premiere in Venice
Updated 02 September 2024
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Amal and George Clooney walk the red carpet at ‘Wolfs’ premiere in Venice

Amal and George Clooney walk the red carpet at ‘Wolfs’ premiere in Venice

DUBAI: British-Lebanese human rights lawyer Amal Clooney and her husband George Clooney were resplendant as they attended the world premiere of the latter’s new film, “Wolfs.”

For the red carpet premiere, Amal opted for a a pale yellow ruffled gown with a corseted bodice from Versace. She completed the look with a Judith Leiber clutch and drop earrings.

Brad Pitt and George Clooney at the world premiere of  “Wolfs” at the Venice Film Festival. (AFP)

Starring Hollywood bigwigs Brad Pitt and George Clooney, “Wolfs” had a triumphant world premiere at the Venice Film Festival on Sunday night, receiving an almost 5-minute standing ovation at the Lido Theatre.

The Jon Watts-directed film from Apple and Sony casts Pitt and Clooney as fixers who accidentally end up working the same job.

Produced by Clooney’s Smokehouse and Pitt’s Plan B, the film also stars Amy Ryan, Austin Abrams, Poorna Jagannathan, Richard Kind and Zlatko Buric.

The movie is also getting a limited theatrical release via Sony on Sept. 20, followed by a global launch on Apple TV+ on Sept. 27.


Celebrities descend on Red Sea Film Fest-backed amfAR Gala Venezia

Celebrities descend on Red Sea Film Fest-backed amfAR Gala Venezia
Updated 02 September 2024
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Celebrities descend on Red Sea Film Fest-backed amfAR Gala Venezia

Celebrities descend on Red Sea Film Fest-backed amfAR Gala Venezia

DUBAI: Celebrities from around the world attended the amfAR Gala Venezia 2024, which was supported by Saudi Arabia’s Red Sea International Film Festival, on Sunday night in Italy. 

US singer Kelly Rowland performed at the event in an all-white gown by Cheney Chan and Chopard jewels as she hit the stage in front of a star-studded audience. 

US singer Kelly Rowland at the amfAR Gala Venezia 2024. (Getty Images)

The event took place on the sidelines of the 81st Venice International Film Festival and played host to celebrity guests, including Hollywood actor Antonio Banderas, British actor Lucien Laviscount and US actor Richard Gere, among others. 

 

 

Shivani Pandya, managing director of the Red Sea Film Festival and Saudi producer and former CEO of the Red Sea Film Foundation Mohammed Al-Turki were also spotted on the red carpet ahead of the gala. 

Jomana Al-Rashid, chairwoman of the Red Sea Film Foundation, chaired the event. 

Al-Turki was honored with the amfAR Philanthropic Leadership Award during the gala, with amfAR taking to social media to describe his “extraordinary dedication to supporting HIV research and his unwavering commitment to advancing the fight against AIDS.”

 

 

Meanwhile, four Red Sea Fund-supported productions have been selected for screening at the storied film festival. 

The RSFF-backed films “Aïcha” and “Seeking Haven for Mr. Rambo” will screen in the Orizzonti and Orizzonti Extra selections respectively.

This is alongside two titles in the Venice Production Bridge’s Final Cut initiative supported by the Red Sea Fund: “Aisha Can’t Fly Away Anymore” and “In This Darkness I See You.”

Also screening in Venice’s Giornate degli Autori sidebar are two films supported by the Red Sea Fund: Hind Meddeb’s documentary “Sudan, Remember Us,” and from Northeast Asia “To Kill a Mongolian Horse” by Chinese director Xiaoxuan Jiang.

 “This year in Venice, the Foundation is supporting four films that demonstrate the importance and power of Arab, Asian and African cinema and encapsulate the pillars of the Foundation — creativity, diversity and cultural exchange,” Al-Rashid said in a released statement. 

“At this year’s festival we are also notably underscoring our expansion to Asia with our support of Chinese director Xiaoxuan Jiang, which marks our first project from the country,” she added.


Alia Shawkat spotted at Miu Miu event during Venice Film Festival

Alia Shawkat spotted at Miu Miu event during Venice Film Festival
Updated 01 September 2024
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Alia Shawkat spotted at Miu Miu event during Venice Film Festival

Alia Shawkat spotted at Miu Miu event during Venice Film Festival

DUBAI: US Iraqi actress Alia Shawkat hit the red carpet at the Miu Miu Women's Tales dinner during the Venice Film Festival on Saturday.

Shawkat was joined at the event by the likes of US singer Olivia Rodrigo, British actor Harris Dickinson, US actress Jasmin Savoy, British actor Joe Allwyn and more.

She showed off a midnight blue ensemble consisting off a shirt and flared, knee-length skirt.

US Iraqi actress Alia Shawkat hit the red carpet at the Miu Miu Women's Tales dinner. (Getty Images)

The actress — who first appeared on camera in 1999, when she was 10 years old — rose to fame at a time when Hollywood was much less receptive to non-white identities.

“It’s interesting, because when I started acting, I always had to say I was half-whatever the role was. I would say I was half-Spanish, or half-French, just trying to blend in. I was always seen as ‘too ethnic’ when I was young,” Shawkat previously told Arab News. “Now my ethnicity is a strength, because the conversation is shifting. It’s funny to watch actors actually talk about where they’re coming from, or playing roles that they’re actually connected to, when I grew up having to basically hide it.”

Shawkat firmly believes that there is more work to be done than simply casting more diverse actors.

“Obviously, representation is very important, but I think also changing the stories themselves is key. Stories are very important, obviously — that's why we do all of this, right? Changing stories, changing ideas, of how people view Middle Easterners in general is very important,” Shawkat said. “The Middle East has got a really bad rap for a long time. I hope to always make things that are showing more truth behind the Middle East. I’m trying to be a part of that as much as possible and working more with Arabs in general. I want to go into the Middle East more.”

Dubai-based reality TV star and influencer Farhana Bodi attended the "Battlefield" ("Campo Di Battaglia") red carpet. (Getty Images)

Meanwhile, British Lebanese human rights lawyer Amal Clooney was spotted in Venice ahead of the premiere of her husband George Clooney’s new film “Wolfs.”

The action comedy, pitting one professional "lone wolf" fixer against another, is one of the highlights of the 10-day festival, where it is playing out of competition on the glamorous Lido.

Amal Clooney showed off a custom Bach Mai look and Cartier jewelry at an event hosted by the French jewelry label.

Dubai-based reality TV star and influencer Farhana Bodi attended the "Battlefield" ("Campo Di Battaglia") red carpet at the festival on Saturday in a look by designer Nali Barzani.