Film Review: ‘Mother’s Instinct,’ a psychological thriller that keeps you guessing until the end

Film Review: ‘Mother’s Instinct,’ a psychological thriller that keeps you guessing until the end
A scene from “Mother’s Instinct” showing Anne Hathaway and Jessica Chastain as mothers in the neighborhood. (Supplied)
Short Url
Updated 10 May 2024
Follow

Film Review: ‘Mother’s Instinct,’ a psychological thriller that keeps you guessing until the end

Film Review: ‘Mother’s Instinct,’ a psychological thriller that keeps you guessing until the end
  • Anne Hathaway plays "the perfect mother" in this 2024 psychological thriller in a remake of a French film, which itself was a novel adaptation

Anne Hathaway has played many roles over the course of her career: a surprise princess, an assistant to a fashion magazine editor, a recovering addict, Cat Woman. In “Mother’s Instinct,” she plays a mother — the perfect mother.

In this 2024 psychological thriller — a remake of a French film which itself was a novel adaptation — Hathaway is joined by Jessica Chastain. The two play best friends who are living the American dream.

They are next-door neighbors. Their husbands are the best of friends, as are their eight-year-old sons. They live in an affluent neighborhood in cookie-cutter 1960s’ suburban America. Everything seems idyllic.

The film begins with Celine’s (Hathaway) birthday. Alice (Chastain) and the women’s husbands throw a surprise backyard party. Celine receives a pearl necklace, a joint gift from their family and friends. It’s a wonderful celebration.

But the next day, there’s a tragic death.

One of the young boys falls from a balcony under suspicious circumstances. At the time, he was being supervised by the other mother.

The film forces us to ask: How can a mother live with herself after she entrusted her son’s life to her friend? Could anyone forgive themselves? Could they forgive their friend? 

By mid-film, there are still two mothers — but now one is childless. The one whose son has survived feels guilt. The one who lost her boy feels fury. Both feel grief.

As the story unfolds there are more deaths and we begin to wonder: Did one mother deliberately harm the other’s son? Who is innocent here? Who is evil? Was it an accident or a deliberate act? And who will die next? 

Events become more sinister. Nothing seems perfect anymore. Even the beautiful pearl necklace ends up broken on the floor, the tiny gems rolling around chaotically.

First-time director Benoit Delhomme does a good job of leading our eyes where he wants them to go. The cinematography is beautiful, while the styling and outfits are divine.

This film keeps you guessing until the end. And there is no happy ending; sometimes, the happy ending is that there is one at all.


Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
Updated 30 January 2025
Follow

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
  • Ambassador of India Dr. Suhel Ajaz Khan: The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh
  • Dr. Suhel Ajaz Khan: The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom

RIYADH: The internationally acclaimed sarod maestro Ustad Amjad Ali Khan will give a virtuoso performance of the stringed instrument at the Cultural Palace, Diplomatic Quarter in Riyadh on Feb. 6, 2025.

The Embassy of India, in collaboration with the Diplomatic Quarter Office at the Royal Commission for Riyadh City, is organizing the musical performance of “Three Generations, One Melody,” featuring the renowned Indian sarod quintet led by the acclaimed composer Amjad Ali Khan.

Ambassador of India Dr. Suhel Ajaz Khan told Arab News: “The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh. This unique musical performance being organized for the first time in Saudi Arabia is going to showcase the richness of Indian classical music.”

“The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom that has only become more profound in recent years,” he said.

A few months ago, Indian artists and cultural troupes performed at the ten-day Indian cultural festival at Suwaidi Park in Riyadh under the Global Harmony Initiative of the Saudi government, he said.

“The event was hugely popular among the Saudi guests. Indian art and music always had a huge fan base in Saudi Arabia, and we are happy to see our Saudi friends showing great interest in attending Indian cultural events. This not only shows the strength of our people-to-people ties, but also the immense potential of cultural exchanges between the two countries.”

Speaking to Arab News from India, Amjad Ali Khan said: “I feel very happy, highly honored, that I got the opportunity to perform in Riyadh, to regale the people of Saudi Arabia. I am grateful to the Indian Embassy in Riyadh who made it possible.

“We are invited to the Western world and get a lot of opportunities to perform. Recently the London Philharmonic Orchestra played my composition. I had a concert at the Royal Festival Hall of London.”

The sarod grand master joined the London Philharmonic Orchestra in a concert that spanned continents and cultures.

“A Saudi orchestra can also play my composition, ‘Samaagam,’ but it needs to be planned,” he said.

“To perform with your children and grandchildren is only possible with the blessing of the Almighty Allah, and the prayers of fans. I am lucky to perform with our three generations in the concert in Riyadh.”

The sarod grand master was born to a family steeped in Indian classical music and is regarded as one of the icons of the music world, bringing a new and yet timeless interpretation to the playing of the sarod.

The sarod is a fretless stringed instrument with a teak frame, a goatskin soundtable and a metal fingerboard, with six to eight strings as well as additional sympathetic strings. The instrument lends itself to improvization and graceful expression because of the ability of the musician to slide and glide between notes, much like a human voice.

His sons, Amaan Ali Bangash and Ayaan Ali Bangash, are virtuoso performers in their own right, and will accompany the sarod grand master at the concert in Riyadh.


‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh
Updated 30 January 2025
Follow

‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

‘The Seven Dogs,’ directed by ‘Bad Boys’ filmmakers, begins production in Riyadh

DUBAI: “The Seven Dogs,” a groundbreaking film for Saudi Arabia starring Egyptian cinema icons Karim Abdel Aziz and Ahmed Ezz, has begun production in Riyadh.
The film is based on a story by Turki Al-Sheikh, Chairman of Saudi Arabia's General Entertainment Authority, with a screenplay by Mohamed El-Dabbah.

The project – directed by the internationally acclaimed duo Adil El Arbi and Bilall Fallah, known for their work on "Bad Boys for Life” – is making waves for its substantial budget, exceeding $40 million, making it the largest Arabic film production to date, according to Al-Sheikh.

Filming is taking place at the newly inaugurated Al-Hisn Big Time Studios in Saudi Arabia.

Al-Sheikh expressed his enthusiasm on social media, writing, “Today marks an important day in my career and in the history of cinema in my country and the Arab world. Today, filming began for ‘The Seven Dogs,’ a story by myself and the Big Time team, with a screenplay by Mohamed El-Dabbah."

This collaboration between Abdel Aziz and Ezz follows their previous successful projects, including “Kira & El Gin.”

The film's plot details remain under wraps, but the combination of a high-profile cast, experienced directors, and a significant production budget has generated considerable anticipation.


Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

Japan’s Drum Tao deliver heart-pounding beats on Saudi debut
Updated 30 January 2025
Follow

Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

Japan’s Drum Tao deliver heart-pounding beats on Saudi debut

DHAHRAN: Drum Tao, the internationally acclaimed Japanese drumming ensemble, delivered a heart-pounding performance at the King Abdulaziz Center for World Culture’s theater on Wednesday night.

Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31.

For over an hour, the audience regularly clapped in unison. With no lyrics, the performance relied entirely on sight and sound to tell its story.

Their show at Ithra, titled “The Dream,” is running nightly until Feb. 1, with two performances on Jan. 31. (Supplied)

The stage lighting shifted throughout, intending to evoke a range of emotions. The interplay of flute and drums created a soundscape that was at once soft and powerful, gentle yet aggressive.

The energy was serene and melancholic, tender and intense, seamlessly blending contrasts. The seemingly chaotic performance was expertly synchronized and at times humorous.

Known for their fusion of traditional wadaiko drumming, modern choreography, and dynamic storytelling, Drum Tao was founded in 1993 in Oita, Japan.

They have performed in more than 500 cities for more than 9 million spectators worldwide.

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8. (Supplied)

They made their off-Broadway debut in New York to a sold-out audience in 2016 before bringing their performances to Tokyo and Osaka’s most popular nightclubs in 2022 as a part of Club Tao.

Directed by Drum Tao founder Ikuo Fujitaka, the evening at Ithra fused the thunderous beats of taiko drums with the delicate melodies of Japanese flutes and harps.

The choreography — an athletic feat in itself — added another layer of spectacle, making it a true crowd pleaser.

For the audience, the evening was more than just a performance — it was a vivid exploration of Japanese culture.

The shows are part of a 17-day cultural exchange, “Ithra Cultural Days Japan,” which concludes on Feb. 8.

Other Japanese musicians and artists also traveled to Ithra to showcase their talents.

One of them, Kohei Matsumoto, whose performances can be seen at Ithra’s Lush Garden, spoke to Arab News about how Japanese music is fostering cultural exchange and understanding.

“I’m really happy to see (Saudi) Arabian people enjoying Japanese culture through music — people can experience authentic Japanese traditions here (at Ithra’s Japan cultural days),” Matsumoto said.


Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene

Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene
Updated 29 January 2025
Follow

Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene

Bands Seera and Garwasha flourish in Saudi Arabia’s community-driven music scene

DHAHRAN: Two Saudi bands, Seera and Garwasha, are taking advantage of the flourishing underground music scene in the country by performing at local cultural hubs. 

While the big hitters such as the MDLBEAST-organized SOUNSTORM in Riyadh and Balad Beast in Jeddah draw the crowds — and international superstars — year on year, it is the beloved meeting spots in the country’s urban hubs that have become stages for rising Saudi talents. 

Seera performing at Khobar’s Bohemia Café & Records. (Supplied)

One of those spots is Khobar’s Bohemia Café & Records, where Seera and Garwasha played a packed out gig this past weekend. 

Long known as a cultural hub for music lovers, the meeting place played host to Seera, an all-women band formed in 2022 in Riyadh, who entertained the crowd with their unique sound. 

“A lot of people are intrigued; they want to know what we sound like. They’ve been so supportive, honestly, especially people in the music scene. We’ve had a lot of help from people around. And there’s the people who criticize, but that’s just noise we block out,” Seera’s Meesha told Arab News. Members of the band prefer to go by their first name. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@seera_music)

Merging Arabic melodies and rock, the band navigated complex musical landscapes, evoking a gothic energy that resonated with their listeners. 

Seera’s set featured standout tracks “Share3 Al Buhturi” and “Al Fanaa.” 

Bassist Meesha shared the beginning of Seera’s journey as a band, stating, "The singer is my sister, and we’ve always wanted to start a band together. I would post covers of myself on Instagram, and Haya, the guitarist, found me and said, ‘You! I want to start a band with you.’ We were all really excited; we wrote ten songs in one night." 

“And then our missing link was the drummer, whom we met at a French music night she organized. The rest is history,” she later told Arab News. 

Following Seera’s stirring performance, Garwasha took to the stage to showcase their new album, released in November 2024. (Supplied)

Following Seera’s stirring performance, Garwasha took to the stage to showcase their new album, released in November 2024. 

This instrumental Alternative Fusion band, also hailing from Riyadh, is known for blending smooth, synthesizer-laden jazz with a robust Arabic flavor. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by GARWASHA (@_garwasha_)

Guitarist Mazen Lawand, who studied at Berklee College of Music, sub-keyboard player Fawaz Waleed, sub-bass player Saud Alsheikh, and drummer Hassan Alkhedher delivered a thrilling performance with tracks like “Consolacao” and “Batt Habibi.”

 “I describe our music as a characterization of our experiences and influences,” Lawand explained.  

This sentiment was evident throughout their performance as they weaved together a tapestry of sounds that reflected their backgrounds and the rich culture of Saudi Arabia.

As the night continued, one thing became clear; support for local musicians is ever-growing.


South African composer Lebo M reflects on Saudi visit, Disney hits

South African composer Lebo M reflects on Saudi visit, Disney hits
Updated 28 January 2025
Follow

South African composer Lebo M reflects on Saudi visit, Disney hits

South African composer Lebo M reflects on Saudi visit, Disney hits

RIYADH: On his first visit to Saudi Arabia, South African music producer and composer Lebo M sat down with Arab News to discuss his storied career creating Disney hits.

Known for creating the distinctive opening chant of the “Circle of Life” from 1994’s beloved “The Lion King,” M returned to the studio for 2024’s “Mufasa: The Lion King” with a song he composed titled “Ngomso” and “We Go Together,” which he co-composed with Lin-Manuel Miranda.  

The creative talent brought his iconic sound to Riyadh on Friday, joining forces with renowned composer Hans Zimmer at the Mohammed Abdo Arena as part of Riyadh Season’s calendar of events. 

“I got the privilege of leaving (the hotel) and going to the desert and getting the sense of both worlds… I am looking at the evolution of a society of a country in less than five years (since 2018). I appreciated the fact that I came here when it appears that Saudi Arabia is opening up to the world culturally,” he told Arab News after the show.

“I love interacting with people and learning about the country through people, hanging out here and meeting with people... It feels to me like ‘wow,’ I am coming to Saudi Arabia on a new journey of Saudi Arabia that has not been exposed to the world, and that’s exciting.”

M has been in the music business for more than 40 years, starting with his first gig at 13 in Soweto, South Africa, in the midst of apartheid.

Born in 1964, he was forced into exile at the age of 16 after travelling to Lesotho to perform without an ID or passport. After being denied re-entry to South Africa, he settled in Lesotho before moving to the US.

During that time, M faced homelessness but, regardless of the hardships, he continued to pursue his passion for music.

“It never killed my dream of being somebody. When you come from where I come from, where you grew up with people that die young, that politically get arrested, I dreamed that I was going to be somebody,” said M.

“My passion was rerouted, and I discovered Lebo M, the South African artist, because I had something unique.”

His career kickstarted after meeting Zimmer, who recognized his talent and brought him on board to co-write, co-produce, and perform the soundtrack of 1992’s “The Power of One,” which led to global recognition leading to his contributions in “The Lion King.”