Riyadh-based soap-maker Mayssam Tamim’s compelling chemistry of Saudi fragrances and flavors

Riyadh-based soap-maker Mayssam Tamim’s compelling chemistry of Saudi fragrances and flavors
Mayssem Tamim has had a passion for handmade soaps from a young age, and as an adult would search the globe for such products. (AN Photo/Abdulrhman bin Shulhuob)
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Updated 10 May 2024
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Riyadh-based soap-maker Mayssam Tamim’s compelling chemistry of Saudi fragrances and flavors

Riyadh-based soap-maker Mayssam Tamim’s compelling chemistry of Saudi fragrances and flavors
  • Businesswoman uses locally-sourced ingredients, no chemicals
  • Olive oil, camel milk, honey, dates, Zamzam water key materials

RIYADH: Mayssam Tamim has had a passion for handmade soaps from a young age, and as an adult would search the globe for such products.

She discovered various products in several cities including Tripoli’s eco-friendly creations at Khan Al-Saboun and Provence’s boutique lavender offerings.

In 2018, she decided to set up her own company, the Riyadh-based Mayassem, that produces luxury handmade soaps from Saudi Arabia-sourced natural ingredients.

She told Arab News: “My hope is these soaps, at least a few of the ones that become traditional, are going to help establish something in Saudi Arabia that is considered pure to the region. It doesn’t have to be just my brand of soap, but it can be an industry that is localized.

“We’re doing everything new in Saudi Arabia. Why not this?”




In 2018, Tamim decided to set up her own company, the Riyadh-based Mayassem, that produces luxury handmade soaps from Saudi Arabia-sourced natural ingredients.  (AN Photo/Abdulrhman bin Shulhuob)

Her products have no harmful chemicals and are handcrafted at her home atelier using sustainable, organic ingredients to ensure that they are gentle on the skin. The materials are locally sourced including extra-virgin olive oil from Al-Jouf, camel milk from Janadriyah, honey from Baha, and dates from Qassim.

She considers the soaps mini canvases, each splashed with a unique blend of non-toxic coloring inspired by their ingredients. The “Bliss” bar for example, made with Zamzam water and lavender fragrance, is crafted to resemble the Kaaba. The “Tamr” bar reflects the palette of the Saudi Arabia landscape as it features oud, saffron and turmeric fragrance, date paste, and camel milk.




Mayassem products have no harmful chemicals and are handcrafted at her home atelier using sustainable, organic ingredients to ensure that they are gentle on the skin. (AN Photo/Abdulrhman bin Shulhuob)

“I know it’s a soap and not a painting but sometimes it is a feeling in me. I was very sad at the loss of a cousin, Rana, which in Arabic means song. So for one of my soaps, I decided to go with blue colors and called it ‘Celestial Melody.’ Sometimes it’s just things that simple,” the artisan said. 

The soaps come in floral, fruity, woody, citrus, or unscented options. While their main categories are classic, seasonal and signature, she also crafts limited-edition soaps, including an 18-box drop featuring bars encrusted with crystals such as lapis lazuli and black onyx. The brand also offers hand-poured candles made with natural soy, coconut and beeswax, as well as hand cream.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Mayassem (@mayassem_suds)

“People can buy soap 10 times cheaper at the supermarket. If I’m not offering them something that adds to the moisturization, that is organic, that does not harm them, and remains beautiful as long as they’re using it, I might as well not start at all,” she said.

With her background in biology, the chemistry of soap-making came naturally to her. She began experimenting, with aesthetics and organic products in mind, over a couple of years until she began testing her final product on family and friends.




Mayassem soaps come in floral, fruity, woody, citrus, or unscented options. (AN Photo/Abdulrhman bin Shulhuob)

After retiring from the UN Development Program, Mayassem began investing her time in her business. Her products have been featured in shops at Jeddah’s Islamic Arts Biennale and Diriyah’s Contemporary Arts Biennale, various homegrown market locations, and pop-up stores.

“I think I’m living the best years of my life because I’m thoroughly working on something that I’m enjoying tremendously. Not to say that I did not enjoy my career. I was very happy with the work I did, but it was time to start a new chapter in my life,” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Mayassem (@mayassem_suds)

While artisans have been embedded in local culture for ages, the brand aims to call attention to their value by keeping the business hand-crafted and artisanal in line with its ethos. “I don’t want it to become a job. I want it to stay a passion,” she said. “Artisans, whether they’re making soap, embroidery, or painting, bring out the value in a country. And we have different regions, so it also brings out the identity of a country.”


Art Week Riyadh to celebrate Kingdom’s dynamic cultural scene 

Art Week Riyadh to celebrate Kingdom’s dynamic cultural scene 
Updated 1 min 15 sec ago
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Art Week Riyadh to celebrate Kingdom’s dynamic cultural scene 

Art Week Riyadh to celebrate Kingdom’s dynamic cultural scene 
  • Curatorial team includes local, regional and international contemporary art specialists
  • Vittoria Matarrese: Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation

RIYADH: The Visual Arts Commission has announced the curatorial team for the inaugural Art Week Riyadh, scheduled to take place from April 6 to 13 under the theme “At the Edge.” 

The team features artistic director and curator Vittoria Matarrese, associate curators Basma Harasani and Victoria Gandit Lelandais, and public program curator Shumon Basar. 

Matarrese, the former director of the Bally Foundation in Switzerland and the performing arts department at the Palais de Tokyo in Paris, praised the initiative.

“Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation. It is a platform to explore these shifts and reveal how tradition and acceleration coexist and evolve.”

Harasani said the project “is a testament to the remarkable progress the country has made in establishing itself within the global cultural narrative, while still preserving its authenticity and showcasing the very best the Kingdom has to offer.” 

Art Week Riyadh will take place at Jax district, featuring activities across the city. And a curated selection of artworks from more than 30 local, regional and international galleries and collections.

Additionally, it will have panel discussions, interactive sessions, and special events designed to showcase Riyadh’s cultural vitality, its evolving artistic landscape, and growing influence on the global stage.

Gandit Lelandais, a specialist in contemporary art from the Arab world, said the “fact that Art Week Riyadh exists demonstrates the intentional development of a thriving art ecosystem.”

There was “a clear vision to foster a healthy environment for growth among all the key players — galleries, artists, institutions, scholars, collectors, and more.

“This initiative is invaluable, offering a city-wide platform for critical discussions, dialogue, and reflection under one roof.” 

Basar said: “Art Week Riyadh offers a moment to frame everything that has happened in the arts in Riyadh, in the Kingdom, and in the region over the last years and decades. 

“And to dialogue that with global-scale conversations in an increasingly multipolar world.” 

The curators have broadened the concept of the theme “At the Edge” to create a program uniting leading cultural institutions, renowned artists, art patrons and enthusiasts, top galleries, and prestigious art collections.


Guy Pearce wears ‘Free Palestine’ pin at Oscars

Guy Pearce wears ‘Free Palestine’ pin at Oscars
Updated 03 March 2025
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Guy Pearce wears ‘Free Palestine’ pin at Oscars

Guy Pearce wears ‘Free Palestine’ pin at Oscars

DUBAI: Australian actor Guy Pearce donned a pin in support of Palestinians at the 97th Academy Awards on Sunday.

On the red carpet, “The Brutalist” actor donned a pin of a white dove holding an olive branch with the phrase “Free Palestine” written on it.

A best supporting actor nominee for “The Brutalist,” Pearce has worn pins at several public appearances since last year.

Controversy occurred when Vanity Fair France photoshopped his pin out of a photograph taken of Pearce on the Cannes Film Festival red carpet in 2024.

“As the Palestinian people are already suffering great trauma and loss due to the vengeful regime of Netanyahu,” Pearce wrote in an email to CNN at the time, “it is most unfortunate that a reputable publication like VF attempts to eliminate support that I or anyone chooses to offer.” 


‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary

‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary
Updated 03 March 2025
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‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary

‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary
  • “No Other Land” highlights Palestinian activists fighting to protect their communities from demolition by Israeli military
  • The documentary has not found a US distributor after being picked up for distribution in 24 countries

LOS ANGELES: “No Other Land,” the story of Palestinian activists fighting to protect their communities from demolition by the Israeli military, won the Oscar for best documentary on Sunday.
The collaboration between Israeli and Palestinian filmmakers follows activist Basel Adra as he risks arrest to document the destruction of his hometown, which Israeli soldiers are tearing down to use as a military training zone, at the southern edge of the West Bank. Adra’s pleas fall on deaf ears until he befriends a Jewish Israeli journalist who helps him amplify his story.
“About two months ago, I became a father, and my hope to my daughter that she will not have to live the same life I’m living now, always fearing settlers, violence, home demolitions and forcible displacements,” said Adra.
“No Other Land” came into the night a top contender after a successful run on the film festival circuit. It did not, however, find a US distributor after being picked up for distribution in 24 countries. For the Oscar, it beat out “Porcelain War,” “Sugarcane,” “Black Box Diaries” and “Soundtrack to a Coup d’État.”

Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham accept the Oscar for Best Documentary Feature Film for "No Other Land" during the Oscars show in Hollywood, Los Angeles, on March 2, 2025. (REUTERS)

The documentary was filmed over four years between 2019 and 2023, wrapping production days before Hamas launched its deadly Oct. 7, 2023 attack on Israel that started the war in Gaza.
In the film, Israeli journalist Yuval Abraham embeds in a community fighting displacement, but he faces some pushback from Palestinians who point out his privileges as an Israeli citizen. Adra says he is unable to leave the West Bank and is treated like a criminal, while Abraham can come and go freely.
The film is heavily reliant on camcorder footage from Adra’s personal archive. He captures Israeli soldiers bulldozing the village school and filling water wells with cement to prevent people from rebuilding.
Residents of the small, rugged region of Masafer Yatta band together after Adra films an Israeli soldier shooting a local man who is protesting the demolition of his home. The man becomes paralyzed, and his mother struggles to take care of him while living in a cave.


Oscars fashion round up: Arab designs and standout looks on the red carpet

Oscars fashion round up: Arab designs and standout looks on the red carpet
Updated 03 March 2025
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Oscars fashion round up: Arab designs and standout looks on the red carpet

Oscars fashion round up: Arab designs and standout looks on the red carpet

DUBAI/ LOS ANGELES: After a long season of red carpet events, Hollywood's top stars brought their best fashion yet to the Oscars on Sunday.

A handful of designers represented the Middle East, with Saudi couturier Mohammed Ashi, Lebanon’s Elie Saab and Zuhair Murad, and Egyptian-helmed label Marmar Halim dressing attendees.

Ashi, the founder of Paris-based fashion house Ashi Studio, dressed US actress Meg Ryan, as well as French Algerian author and YouTube star Lena Mahfouf. US actress and director Anna Kendrick opted for a Fall/Winter 2024 ready-to-wear look by Ashi Studio at the Vanity Fair Oscar Party, held after the Academy Awards.

French Algerian author and YouTube star Lena Mahfouf. (Getty Images)

At the ceremony, Danish actress Connie Nielsen and English star Annabelle Wallis opted for looks by Elie Saab, with Nielsen sporting a soft pink gown from his Spring/Summer 2025 couture collection and vintage Joseph Saidian and Sons jewelry.

Annabelle Wallis opted for a look by Elie Saab. (Getty Images)

Co-countryman Zuhair Murad dressed TV host Kelly Ripa and actress Keleigh Teller in bright orange and pale blue, respectively. Ripa’s gown hailed from the fashion house’s ready-to-wear Resort 2025 collection, while Teller showed off a look with floral beaded details from Murad’s ready-to-wear Fall 2024 collection.

Zuhair Murad dressed TV host Kelly Ripa and actress Keleigh Teller in bright orange and pale blue, respectively. (Getty Images)

US actress Ryan Michelle Bathe showed off a gown by Dubai-based Egyptian-led label Marmar Halim

While some A-listers matched their looks to their roles (hello, cast of “Wicked”), others went for classic old school Hollywood glamour.

Ariana Grande has worn an array of Glinda-coded pink gowns since kicking off a long press tour for the hit musical and then for awards season. But the nominee for best supporting actress saved the best for last, floating down the red carpet in a sculptural pale Schiaparelli peplum gown. The strapless bodice flounced at the waist and laced up the back. The dress then cascaded to the floor in a glimmering cloud of tulle.

Ariana Grande in a sculptural pale Schiaparelli peplum gown. (Getty Images)

Co-star Cynthia Erivo, a nominee for best actress, went for her Elphaba moment in a majestic dark green velvet Louis Vuitton gown with a high pointed collar, a wide neckline, a full skirt and her signature long nails.

Cynthia Erivo, a nominee for best actress, went for her Elphaba moment in a majestic dark green velvet Louis Vuitton gown. (Getty Images)

Jeff Goldblum -- who plays the Wizard -- wore a cream double breasted Prada jacket, dark pants, floral shirt and a purple floral brooch.

For mere mortals, wearing white is a challenge. For Hollywood stars, it screams old-school glamour.

Elle Fanning (“A Complete Unknown”) wore a lacy white Givenchy gown with a prominent black bow at the waist -- and a vintage Cartier diamond necklace. Her blonde tresses were swept into a sleek up-do.

Lupita Nyong'o, who voiced Roz in the animated feature “The Wild Robot,” rocked a white Chanel gown with pearl-encrusted straps, a silvery bodice overlay and a sweet bow at the waist.

The red carpet sparkled with glittering confections.

Demi Moore may not have won the best actress Oscar for her gripping turn in body horror flick “The Substance,” but she was dressed for the moment, wearing a body-skimming silver Armani gown with a plunging neckline and full train. And past best actress winner Emma Stone shimmered in a sequined nude Louis Vuitton gown, her pixie cut slicked back.

Amid a flurry of nude, shimmering gowns, a few stars stood out for wearing bold hues fit for royalty.

Zoe Saldana, who won the best supporting actress Oscar for her work in “Emilia Perez,” reigned supreme in a burgundy tiered Saint Laurent bubble gown. (Getty Images)

Zoe Saldana, who won the best supporting actress Oscar for her work in “Emilia Perez,” reigned supreme in a burgundy tiered Saint Laurent bubble gown with sheer black opera gloves.
And Colman Domingo, who often wins the red carpet for Hollywood's men, wore a custom Valentino belted red jacket with black lapels and a sparkling brooch over black trousers.
 


‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary

‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary
Updated 03 March 2025
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‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary

‘No Other Land’, a collaboration of Israeli and Palestinian filmmakers, wins Oscar for best documentary
  • The collaboration between Israeli and Palestinian filmmakers follows activist Basel Adra as he risks arrest to document the destruction of his hometown
  • In the film, Israeli journalist Yuval Abraham embeds in a community fighting displacement

DUBAI/ LOS ANGELES: “No Other Land,” the story of Palestinian activists fighting to protect their communities from demolition by the Israeli military, has won the Oscar for best documentary.

The film’s co-directors, Palestinian activist Basel Adra and Israeli journalist Yuval Abraham used their speeches to call for an end to the “ethnic cleansing of the Palestinian people.”

The collaboration between the Israeli and Palestinian filmmakers follows activist Adra as he risks arrest to document the destruction of his hometown, which Israeli soldiers are tearing down to use as a military training zone, at the southern edge of the West Bank.

Adra’s pleas fall on deaf ears until he befriends a Jewish Israeli journalist who helps him amplify his story.

“About two months ago, I became a father, and my hope to my daughter that she will not have to live the same life I’m living now, always fearing settlers, violence, home demolitions and forcible displacements,” Adra said on stage in Los Angeles.  

“‘No Other Land’  reflects the harsh reality that we have been enduring for decades and still resist as we call on the world to take serious actions to stop the injustice and to stop the ethnic cleansing of the Palestinian people," he added.

Abraham, an Israeli journalist, spoke at length about why their film was a collaboration between Israelis and Palestinians.

“We made this film, Palestinians and Israelis, because together, our voices are stronger,” he said.

“We see each other, the destruction of Gaza and its people, which must end, the Israeli hostages, brutally taken in the crime of Oct. 7, which must be freed.”

In his speech, Abraham added that he and Adra lived “unequal” lives.

“We live in a regime where I am free under civilian law and Basel is under military laws that destroy his life and he cannot control,” he said.

“There is a different path, a political solution without ethnic supremacy, with national rights for both of our people.”

Abraham stated that US foreign policy under the administration of President Donald Trump “is helping to block this path.”

“Why can’t you see that we are intertwined, that my people can be truly safe if Basel’s people are truly free and safe?” he added.

“No Other Land” came into the night a top contender after a successful run on the film festival circuit.

It did not, however, find a US distributor after being picked up for distribution in 24 countries.

For the Oscar, it beat out “Porcelain War,” “Sugarcane,” “Black Box Diaries” and “Soundtrack to a Coup d’État.”

The documentary was filmed over four years between 2019 and 2023, wrapping production days before Hamas launched its deadly Oct. 7, 2023 attack on Israel that started the current war in Gaza.

In the film, Israeli journalist Yuval Abraham embeds in a community fighting displacement, but he faces some pushback from Palestinians who point out his privileges as an Israeli citizen. Adra says he is unable to leave the West Bank and is treated like a criminal, while Abraham can come and go freely.

The film is heavily reliant on camcorder footage from Adra’s personal archive.

He captures Israeli soldiers bulldozing the village school and filling water wells with cement to prevent people from rebuilding.

Residents of the small, rugged region of Masafer Yatta band together after Adra films an Israeli soldier shooting a local man who is protesting the demolition of his home. The man becomes paralyzed, and his mother struggles to take care of him while living in a cave.