Saudi creative brings her late mother’s cooking to life

Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
Saudi creative brings her late mother’s cooking to life
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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Updated 29 March 2024
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Saudi creative brings her late mother’s cooking to life

Saudi creative brings her late mother’s cooking to life
  • Waad Janbi’s ‘Mom’s Spaghetti’ aired on MBC Academy, portrays the love language of food

DHAHRAN: In Waad Janbi’s new animated short film, “Mom’s Spaghetti,” which aired this week on MBC Academy, the Saudi creative serves the audience a universal story of overcoming grief after the loss of a loved one, and the importance of feeding your soul — and your stomach.

The animated short follows 14-year-old Amjad as he awkwardly — and delicately — navigates dealing with the loss of his mother by attempting to recreate a beloved dish she used to prepare for him.

The story starts on the first day of Ramadan and he is seen playing ball in front of his home. He interrupts the game when his grandmother gently pokes her head out from the window overlooking the street and tells him to take it easy since it is the first day of fasting in the holy month. He tells his friends he needs to step inside to help his grandmother and cheerfully goes in to support her.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

Inside, the mood is somber. His father and sister also live with them. They break their fast mostly in silence.

For the next several days, along with his sister and grandmother, he attempts to re-create the favorite spaghetti dish that his mother used to make. They fail. Until one day, Amjad finds a blue notebook with drawings on the cover. It is his mother’s recipe book tucked away in a drawer. They try again. And again. Until one day, it smells and looks the way his mother used to make. Tears fill his eyes as he, and his family, enjoy the dish that their beloved mother used to serve them.

Janbi, who is a filmmaker and writer raised in Makkah and educated in the US, used some of her family’s real story sprinkled into this fictional narrative.

“The real inspiration came from my younger brother, Hamza. When our mother died, he was very athletic so she would prepare vegetables for him — healthy things. Right before she died, she told him that she made him something that she saved in the oven for him. ‘I kept it for you,’ she said,” Janbi told Arab News.




Waad Janbi, Saudi creative

But then she died and the household was overcome with grief. During the funeral, the dish was forgotten. Eventually, Hamza went looking for it and realized that it was gone.

“It likely went bad and someone threw it out while they were cleaning. Hamza was really sad about it, sad how the last thing our mother made for him, he couldn’t taste. So, when I wrote the story, I had him in my mind. This was the last act of love that she made but he couldn’t eat that last dish. That last serving of love was untouched,” Janbi said.

The way mama showed love and what she was most proud of was food.

Waad Janbi, Saudi creative

“Mama was a phenomenal cook. She was famous for her macarona bechamel. Our relatives would flock over just to taste her food. But I guess many don’t make that normally during Ramadan so I switched it the more widely known spaghetti,” she said.

The title was inspired by an unlikely source: the US rapper Eminem, who was popular during Janbi’s youth. In his debut, and critically acclaimeded film, “8 mile,” he famously rapped a lyric where he says: “Mom’s spaghetti.” Janbi, who uses humor to cope with grief, decided to use it.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

“I was being playful with the title. Eminem wasn’t ashamed of his anger, he turned it into art. And, although I’m aware that he was problematic during different times, he was a poet and that line stuck with me and it would make me snicker to myself each time I heard someone mention ‘Mom’s spaghetti’ in my short film’s title,” she said.

This film is a love letter to all the things that inspired Janbi rolled into one.

In the Janbi household growing up, they would watch MBC on the screen while preparing the food and then switch to live footage of the Haram right before Maghreb.

Fast-forward to years later, Janbi enrolled in MBC Academy’s first online cohort dedicated to screenwriting. She then took a more advanced screenwriting course and did on-site training in Dubai. Through a group chat, mentors at MBC Academy encouraged former participants to write and pitch an episode as part of a series that would air during Ramadan. They were told that seven episodes would be selected.

Janbi felt the pull of her mother and was able to scramble together her story in the nick of time. Like her mother, she used a bit of this, a dash of that, and was able to produce a story that she shared with the committee. Her story was selected and was released as the second of the seven stories.

It was important for her to write it from the point of view of a Saudi teen boy, in order to subtly shift the conversation.

“In the story, the boy was trying to learn basic skills, to feed himself and his family. I grew up with very strict rules about gender roles; me as a girl, I’d have to help with the kitchen and my brother had to help feed those fasting with father. I began to understand the pressures my brother had and wanted to let Saudi boys know that they should be active in their own lives. Helping in the kitchen is good, helping your grandmother is good. And they should learn how to feed themselves!” she said.

While food is vital to survival, certain dishes can truly make you feel alive. With curated ingredients and specific spices and herbs mixed just right, that culinary journey can turn that spoon or fork into a sort of time machine. It can bring you back to simpler times.

Janbi’s older sisters still have some of the handwritten recipes that their mother scribbled in loose notebook papers, each fragmented page tells a story of a time long gone but also serves as a treasure map to revive that magic.

“The way mama showed love and what she was most proud of was food. She would never hug us or kiss us or say ‘I love you,’ but she would lovingly prepare the dish you loved and that was her love language,” Janbi said.

Janbi was overwhelmed by the positive reception after her episode aired. Her friends flooded her inbox and tagged her on social media, praising the story that resonated deeply with viewers of all backgrounds. The storytelling was layered and complex but told in a clear way.

“Usually the artist is never satisfied with the final draft but I was happy with the way that the MBC Academy team was able to bring it to life, even though they modified some things and left things out that I was slightly upset about, like in my vision, the mother had different hair … but I also understood their decision,” she said.

Janbi especially wanted to thank MBC Academy’s Munira Altheeb, assistant project manager at MBC Academy Middle East, for her support.

But, most importantly, her family understood what she was trying to achieve. She had told her siblings about the story before it came out and when it was ready, they all watched it. Her brother, the one that inspired the story, was excited. Her older sisters cried. Her youngest sibling, a sister, was slightly upset that the story didn’t seem to include her.

“I told my little sister, ‘Don’t worry, the next film I write will feature a story from your point-of-view,’” Janbi said.

To this day, Janbi’s family have not yet perfected their mother’s green beans with shrimps dish, her favorite. But they will keep on trying.

And Janbi will keep on typing.

The short animated film, which runs just under 10 minutes, can be viewed on MBC Academy’s YouTube channel.

 


Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
Updated 27 sec ago
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Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
  • Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition

RIYADH: The Diriyah Company has announced the launch of Diriyah Season 24/25, which begins on Friday, Dec. 20 with a display of Diriyah’s heritage, hospitality, and immersive cultural experiences through various programs.

Jerry Inzerillo, CEO of the Diriyah Company, said: “We anticipate welcoming three million visitors to At-Turaif district, the birthplace of the Kingdom, by Founding Day on Feb. 22, 2025.

“We are breaking records in visitor numbers and forming numerous partnerships for ground and tour operations, with new flights already arriving from countries like China. The international presence in Bujairi is evident every night, making it one of the world’s premier gathering spots.”

Under the theme “Entertain Your Cultural Curiosity,” Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition, honoring the legacy of Imam Turki bin Abdullah, who founded the Second Saudi State 200 years ago. The much-anticipated Layali Diriyah returns with innovative experiences, while Minzal invites visitors to appreciate the natural beauty and heritage of Diriyah in a winter wonderland.

Guests can engage with the “850” interactive experience, immersing themselves in the narratives of significant historical figures. The Diriyah Storytelling Festival will celebrate literature and promote cultural exchange. Additionally, the Tyn Festival will bring together architects, academics and enthusiasts to celebrate the region’s tradition of mud architecture.

In the historic At-Turaif district and Bujairi Terrace, visitors will embark on a journey filled with cultural and artistic expression. The Souq program combines performing arts with a heritage backdrop enriched by modern elements. Lastly, the Samri Art Activities will offer interactive performances of Samri folk music and dance at various locations in Diriyah throughout the season.


UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
Updated 20 December 2024
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UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
Updated 19 December 2024
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King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
Updated 19 December 2024
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Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.


Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
Updated 19 December 2024
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Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
  • Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element 

 

MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.

Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective. 

They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.

A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage. 

“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”

“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.

“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.

Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity. 

“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.

Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”

With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present.