Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix

Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix
Lindsay Lohan, center, star as Maddie, a book editor for a handsome Irish author. (Supplied)
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Updated 17 March 2024
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Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix

Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix

LONDON: We were told that Lindsay Lohan was decidedly “back” when she starred in “Falling for Christmas” at the end of 2022. That film was a run-of-the-mill festive movie which saw Lohan shrugging off her bad girl image for something a little more wholesome. Though the film was categorically average, it did seem that the Dubai-based actress was, at least a little bit, “back” after years out of the spotlight.

It’s a trend Lohan is seeking to continue with “Irish Wish,” a fantasy rom-com on Netflix which sees her star as Maddie, a book editor for handsome Irish author Paul Kennedy – who is also the subject of her unrequited love. When Paul (Alexander Vlahos) invites her to Ireland to celebrate his wedding, a heartbroken Maddie stumbles upon a magical stone chair (yes, really) presided over by a whimsical, mischievous Irish woman (yes, really) with the power to grant your heart’s desires. Maddie wishes she was the one marrying Paul and, lo and behold, she wakes up the next morning transformed into his bride-to-be. Which would be great if she hadn’t already had a contrived and clumsy meet-cute with handsome photographer James (Ed Speleers, slumming it here in sharp contrast to some of his excellent recent work). Having set up the requisite rom-com ingredients, director Janeen Damian then lets her leading lady at it — cue a series of bumbling set pieces, longing glances and awkward conversations which lead to a climactic showdown when Maddie must decide whether to stick with her new life or try to get back the one she wished away.




Lindsay Lohan stars in 'Irish Wish' on Netflix. (Supplied)

To be fair, there are few actors better than Lohan at pulling off this kind of by-the-numbers romantic fluff. But this is far from her best work and far from her best film — even by rom-com standards, “Irish Wish” is pretty dire. Every set piece feels dated and derivative, every exchange between the stars lacks any sense of natural conversation or connection.

Rom-coms often get a bit of a pass because they give audiences exactly what they expect. Sadly, in this case, what viewers should expect is some awkward faux-romance and precious little comedy.

 


Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions

Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions
Updated 06 March 2025
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Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions

Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions
  • Villagers, with unwavering devotion, pass down their customs, fostering a strong sense of community and shared experience
  • Kitchens come alive with the aromas of local dishes — recipes passed down through generations — prepared with fresh ingredients from their own farms

RIYADH: Al-Wadi and Al-Jabal village in the Taif governorate in the western part of Saudi Arabia exemplifies the enduring power of cherished traditions during the holy month of Ramadan.

The villagers, with unwavering devotion, pass down their customs, fostering a strong sense of community and shared experience.

Throughout the holy month, the village displays a rich tapestry of noble practices, interwoven with the villagers’ daily agricultural work.

At dawn they tend to their fields, harvesting fruit and flowers, maintaining water channels for their ancient trees and livestock, and completing essential tasks such as wall construction and material transport.

Families in Al-Wadi and Al-Jabal village observe Ramadan traditions by thoroughly cleaning their homes, encouraging children to fast, and celebrating the first day with gifts.

Their kitchens come alive with the aromas of local dishes — recipes passed down through generations — prepared with fresh ingredients from their own farms.

Speaking to the Saudi Press Agency, farmer Khalaf Al-Nemri explained how fasting provides a sense of focus for daily tasks.

“My father and I continue the cultural practices passed down from our ancestors, including the tradition of sharing iftar in our rural community,” Al-Nemri said.

“Our village traditions emphasize love and unity with family and friends after Isha and Taraweeh prayers, often held in traditional Ramadan tents,” Al-Nemri added.

“These enduring bonds strengthen solidarity, family unity and neighborly ties, positively influencing children’s behavior during Ramadan.”


World Monuments Fund strengthens its presence to support heritage in Arab countries

World Monuments Fund strengthens its presence to support heritage in Arab countries
Updated 06 March 2025
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World Monuments Fund strengthens its presence to support heritage in Arab countries

World Monuments Fund strengthens its presence to support heritage in Arab countries
  • Organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s
  • Dr. Elie Flouty: We can now say that the WMF has an official presence in the region, which is rich in world heritage sites

RIYADH: The World Monuments Fund, which celebrates its sixth decade this year, has strengthened its official presence in Arab countries, organizing an exploratory tour in several countries including Saudi Arabia.

The organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s.

At the end of last month, WMF organized an exploratory tour in several countries, including Kuwait, Bahrain and Saudi Arabia.

The delegation, composed of 45 individuals, was led by the fund’s president and CEO, Benedicte de Montlaur, with the attendance of Shaikha Mai bint Mohammed Al-Khalifa, board member of the fund, and Dr. Elie Flouty, the fund’s representative in the Arab countries, along with other members of the organization.

This tour marked the beginning of a stronger official presence of the WMF in the Arab region, coinciding with increasing official and unofficial Arab interest in heritage issues, preservation, and integrating this into economic, tourism and social development plans. This aligns with the WMF’s 60th anniversary celebration.

Dr. Elie Flouty said: “We can now say that the WMF has an official presence in the region, which is rich in world heritage sites. We will work with all Arab governmental and non-governmental entities and international institutions to safeguard our ancient Arab heritage. WMF is currently active in 14 sites across various Arab countries and collaborates with both governments and local communities to implement these projects, providing funding and expertise.”

Among the most significant initiatives of the WMF is the World Monuments Watch, a list of endangered sites issued every two years, which includes 25 historic places.

For the 2025 list, three sites from the Arab region were included — the Jewish heritage in Debdou in Morocco, the historic urban fabric of Gaza, and the water reservoirs (majels) in the Old City of Tunis.

The delegation’s tour in the Gulf region included several stops, starting in Kuwait where it visited the Arab Fund for Economic and Social Development and Dr. Mohamed Al-Rumaihi discussed the history of Kuwait and its major economic and social milestones. The delegation visited the Soof Center for Spinning and the Grand Mosque, designed by architect Mohamed Saleh Makiya.

In Saudi Arabia, it visited the Islamic Arts Biennale in Jeddah, explored the Old City of Jeddah, and toured the home of architect Sami Angawi, which reflects the architecture of Hijaz.

They also visited Madinah and its major religious landmarks and concluded their visit to AlUla, a site rich in human heritage, natural and cultural landmarks.

In Bahrain, the delegation visited the city of Muharraq and the UNESCO World Heritage-listed Pearling Path, the Bahrain National Museum, and several houses within the Sheikh Ibrahim bin Mohammed Al-Khalifa Center for Culture and Research. They also visited Bahrain Fort and its museum, the Dilmun Burial Mounds listed on UNESCO’s World Heritage list.

WMF is the world’s leading non-governmental organization for heritage preservation. Headquartered in New York, the fund has offices in Peru, London, Paris, Spain, Portugal, India and China, with projects in 112 countries. It has worked on more than 700 heritage sites. WMF’s mission is to save the most threatened landmarks, whether from war or climate change.


Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh
Updated 06 March 2025
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Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

RIYADH: Photography enthusiasts in Riyadh had the opportunity to refine their skills at an exclusive iPhone photography workshop on March 5 at Sima Creative Space.

The event, organized in celebration of Ramadan, featured renowned Kuwaiti photographer Abdullah Alshayji and acclaimed Saudi film director Ali Kalthami, offering attendees a unique learning experience.

The workshop explored the advanced features of iPhone photography, equipping participants with innovative techniques to enhance their social media content. The event fostered a dynamic and collaborative environment, bringing together creatives eager to develop their visual storytelling skills.

One of the highlights of the workshop was Kalthami’s talk on his recent experience filming an iPhone advertisement. Speaking to Arab News, he recalled his initial surprise when tasked with directing the project using an iPhone 16 Pro instead of traditional camera equipment.

Kalthami said: “When I was assigned to create the iPhone ad I asked about the camera lenses, and they told me I would be using the iPhone 16 Pro instead.”

He noted that the smartphone’s compact size helped create a more relaxed atmosphere on set, adding: “The actors acted naturally, which made the filming process enjoyable.”

Kalthami — known for his film “Mandoob” and as the co-founder of Telfaz11 — expressed enthusiasm for integrating iPhone technology into future projects, particularly those requiring a raw, immersive feel.

He said: “Using the iPhone is much more convenient than heavy camera equipment as it can be easily placed anywhere. Some projects benefit from an organic feel, which the iPhone can deliver.”

He also shared insights into the preproduction process, revealing that the ad was filmed in the desert during the golden hour to achieve a cinematic aesthetic. To maximize the capabilities of the iPhone, he incorporated professional filmmaking tools such as a large monitor and stabilizer, proving that smartphone technology can deliver high-quality results.

Alshayji led hands-on demonstrations, showcasing the iPhone camera’s features and sharing expert tips on capturing high-quality images. Using models and objects, he guided participants through techniques to elevate their photography skills, ensuring they left the workshop with practical knowledge to apply to their creative pursuits.


REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales
Updated 06 March 2025
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REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

JEDDAH: Escaping personal strife, a Muslim single mother carves a space for herself in the heart of rural Australia in “Translations,” an engrossing debut novel by Australia-born Palestinian-Egyptian writer Jumaana Abdu.

Set in New South Wales in the period just after the COVID-19 era with the threat of bushfires looming, the novel explores one woman’s efforts to cultivate not only the land but also a sense of belonging and identity on foreign soil.

In this story of self-discovery and resilience, Abdu intricately weaves in the broader theme of solidarity between First Nations of Australia and Palestinians — two nations grappling with colonization, dispossession and cultural erasure.

The novel’s title could be a reference to not just the transformation of the land through re-vegetation and restoration, but also the translations that characters undertake to bridge linguistic, cultural and emotional gaps between them — translation in this sense is portrayed as the language of solidarity and resistance.

Hidden within the trope of new beginnings in a small town, Abdu paints a powerful picture of mutual recognition and respect, of shared struggles, and the healing potential of intercultural bonds.

This is unveiled through Aliyah’s interactions with the community into which she slowly, and sometimes reluctantly, begins to integrate, including her conversations with Shep, the reserved Palestinian man from Gaza who she hires as a farmhand, and Billie, the wise and nurturing Kamilaroi midwife.

Love and faith are also focal elements in the story. Love in its many forms — romantic, familial, and communal — acts as a balm to past wounds for the Arab and Aboriginal characters, while faith, both in the divine and in human resilience, guides Aliyah, and her childhood friend Hana, through despair toward hope.

“Translations” is a profound exploration of not just the complex interplay between identity and trauma, but also a look at how love can bridge divides, and how shared histories of resistance can unite different peoples in their quest for peace and understanding.

In one pivotal moment in the story that carries a deep message, Shep discusses displacement and the “chain of loss and expulsion” with Billie’s husband Jack, an Aboriginal character, who poignantly says: “You want to wish for something, wish for the return of the land’s dignity.”


What to wear this Ramadan: A selection of seasonal collections from regional brands 

What to wear this Ramadan: A selection of seasonal collections from regional brands 
Selma Benomar
Updated 06 March 2025
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What to wear this Ramadan: A selection of seasonal collections from regional brands 

What to wear this Ramadan: A selection of seasonal collections from regional brands 

DUBAI: With Ramadan underway, fashion brands across the region have unveiled their latest collections. From embroidered kaftans to flowing abayas and statement accessories, these collections offer a variety of options for both daytime gatherings and evening celebrations. Whether rooted in Saudi, Moroccan or Lebanese craftsmanship, each label brings a unique perspective to modest fashion this season.  

Amarah 

The Saudi brand’s Ramadan edit has not only abayas and kaftans but also jewelry to accessorize your modest looks this month. Their gold crescent-shaped hoop earrings, adorned with blue and green beads, will add a decorative touch to your outfits. Another standout piece is this deep green velvet ensemble with intricate embroidery, featuring a dramatic cape and tiered skirt. 

Amarah's Ramadan edit has not only abayas and kaftans but also jewelry to accessorize your modest looks this month. (Supplied)

Dal  

The Saudi label’s Ramadan capsule collection showcases a variety of fabrics and colors, featuring organza with raffia collar embroidery and sand satin. Earth-toned pieces incorporate crochet details and hand-stitched craftsmanship. The collection highlights ethereal drapes and artisanal techniques, showcasing a blend of traditional methods and contemporary construction. 

Dal's Ramadan capsule collection showcases a variety of fabrics and colors. (Supplied)

LN Family  

Dubai-based LN Family has launched its first Ramadan collection, featuring four abayas in a classic neutral color palette. The designs incorporate flowing silhouettes in satin, crepe and sheer fabrics. From muted earth tones to black with feathered accents, the collection balances cultural heritage with modern wearability for Ramadan gatherings. 

Dubai-based LN Family has launched its first Ramadan collection. (Supplied)

ASHAALIA 

ASHAALIA’s Ramadan collection, designed by creative director Asheema Razak, merges Eastern craftsmanship with European influences. The collection features hand-beaded abayas in silk and satin, adorned with intricate embellishments. Earth tones, blacks, and jewel-toned greens all feature, and the collection as a whole showcases Razak’s multicultural heritage and a focus on sustainable techniques and materials.

ASHAALIA’s Ramadan collection, designed by creative director Asheema Razak, merges Eastern craftsmanship with European influences. (Supplied)

DUHA  

Duha, founded by Tunisian designer Duha Bukadi, is offering a Ramadan footwear collection, in which one of the standout designs is the EVA line, which includes crystals arranged in the shape of a foot on the front part of the shoes, making them statement pieces as well as practical choices for Ramadan celebrations. The collection also includes BB Strass heels in silver, gold and black. The sandals are adorned with small metallic studs along the straps and heel counter.  

The collection  includes BB Strass heels in silver, gold and black. (Supplied)

Orient 499  

Orient 499’s collection is apparently inspired by the classic book “Alf Leila Wa Leila” (1001 Arabian Nights). It features kaftans, abayas and jellabas with intricate hand embroidery, silk brocades and gold accents. The men’s collection includes embroidered tunics, tailored jackets with metallic detailing, and relaxed linen shirts, incorporating traditional motifs and artisanal stitching. 

Orient 499’s collection is apparently inspired by the classic book “Alf Leila Wa Leila” (1001 Arabian Nights). (Supplied)

Selma Benomar 

Selma Benomar’s Ramadan collection is influenced by her Moroccan heritage and features contemporary kaftans and flowing gowns crafted from silk, chiffon, velvet and organza, adorned with hand embroidery, beading and metallic threadwork. The color palette ranges from earthy tones to vibrant jewel hues, reflecting the season’s spirit and there are options for both daytime and evening gatherings. 

Selma Benomar’s Ramadan collection is influenced by her Moroccan heritage. (Supplied)

Dima Ayad  

The Lebanese designer’s collection highlights her signature silhouettes in earthy tones and metallic finishes. The collection includes kaftans, kimonos and dresses designed for versatility, and featuring feather-trimmed sleeves, geometric metallic prints and voluminous draping. A key part of the collection is The Flower Edit, which incorporates embroidered florals and shimmering sequins.  

Dima Ayad's  collection highlights her signature silhouettes in earthy tones and metallic finishes. (Supplied)