How the discovery of 7,000-year-old stone tools cements Saudi Arabia’s place on the world heritage map

Special How the discovery of 7,000-year-old stone tools cements Saudi Arabia’s place on the world heritage map
Archeologists armed with the latest scientific techniques found that stone fragments uncovered in Saudi Arabia’s Jebel Oraf were actually tools used by Neolithic people for grinding plants, bones, and pigments. (Photos: Supplied)
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Updated 14 March 2024
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How the discovery of 7,000-year-old stone tools cements Saudi Arabia’s place on the world heritage map

How the discovery of 7,000-year-old stone tools cements Saudi Arabia’s place on the world heritage map
  • New discoveries providing insights into Neolithic lives in the heart of Arabia between 5200 and 5070 B.C.
  • But preserved footprints by a dried lake show humans walked a once lush Nefud desert 120,000 years ago

LONDON: To the untrained eye, the handful of broken stones found half-buried in an ancient hearth, situated on the banks of a long-vanished lake in Saudi Arabia’s Nefud desert, appear to be little more than that — remnants of a campfire built by a wandering band of Stone Age humans who passed through some 7,000 years ago.

But archeologists, armed with the results of microscopic examinations of wear patterns and analysis of the “micro-residue” of plants found on the stones, have pieced together the fragments to reveal that what ended up as a makeshift fireplace actually started out as tools for grinding plants, possibly grains for making bread, bones, for the extraction of marrow, and pigments, used to make rock art.

This insight into the lives of the Neolithic people who lived in the heart of Arabia between 5200 and 5070 B.C., published in the journal Plos One, is among the latest in a series of discoveries made since 2011 at Jebel Oraf, a site near the Jubbah oasis on the southern edge of the Nefud desert, some 80 km northwest of Hail.

Together, the insights gleaned by archaeologists from half a dozen countries, including Saudi Arabia, working in conjunction with the Saudi Commission for Tourism and National Heritage and the Ministry of Culture, have added invaluable pieces to the jigsaw of prehistoric life in the land that would in time become the Kingdom of Saudi Arabia.

For the archeologists, the application to grinding tools of so-called use-wear analysis, a technique until now rarely applied to archeological materials from the Arabian Peninsula, “can inform us on the manufacture, use, and re-use of objects, which in turn provides insight into the subsistence, economy, and art of the people who produced them.”

The apparently common use of grinding tools found in the vicinity of Jebel Oraf “suggests plants and plant foods were economically important for Neolithic people who have previously been characterized as hunter-herders.”

In addition, “the production of bread-type foods, whether from wild or domesticated plant sources, and the use of plant fibers in crafts such as basketry and rope making would accord well with a highly mobile lifestyle requiring transportable foodstuffs.”

Two of the tools also showed signs of pigment processing, providing “a crucial link to rock art production in the area, which includes some painted Neolithic panels of domesticated cattle.”

Maria Guagnin, an archeologist at the Max Planck Institute of Geoanthropology in Germany and a co-author of the paper, has been working on archeological sites in the Nefud for the past 10 years.

“What we now know is that northern Saudi Arabia was a fairly busy place in the Neolithic,” she said. “This was not just a few people who managed to survive and light a fire here and there. There was a substantial, hardworking population that made a lot of rock art and monumental stone structures.”

Northern Arabia is littered with thousands of neolithic monuments, such as mustatils, mysterious rectangular-shaped structures, sometimes hundreds of meters in length, with a presumed religious or ceremonial purpose.

A stroll across the apparently barren landscape in the shadow of Jebel Oraf today reveals a series of hundreds of small mounds — each one a hearth built and used briefly over 7,000 years ago.

The practiced eye can also make out the ghostly echo of a now vanished “paleolake,” where human herders would have paused to water and feed their cattle, to hunt animals drawn to the water, such as gazelle and ostrich, and to butcher and cook meat.

“At some point at the end of the Stone Age, the climate here became a lot wetter, grasslands spread and lakes formed,” said Gaugnin.

“We think that the lake was groundwater-fed and was perhaps the result of extreme rainfall events. We can see that at one point, in about 5300 BCE, there was a flooding event in which the water level of the lake was higher than normal.”

As a result, “the little piece of land where they liked to go and camp every year or two became inundated with water, which basically mixed up all existing fireplaces.

“And then the lakes shrank a bit after the rainfall stopped, and then the humans came back onto the same bit of land and put their hearths on top. So when you excavate a hearth, it’s in this matrix of lake sediments mixed with older hearths. For some reason people kept returning to this particular place in the landscape.”

As fascinating as the latest finds from the Nefud are, the discoveries at Jebel Oraf come from a relatively recent period in the prehistory of Saudi Arabia.

A wealth of archeological evidence has been unearthed in recent years, which shows that Saudi Arabia’s prehistoric past extends back to almost the dawn of human time, when the early humans first emerged out of Africa.

Over the millennia their descendants left behind traces of their evolution and passing, from simple tools, tombs and rock art to the mysterious stone structures known to the Bedouin as “the work of the old men,” which together have allowed archaeologists to piece together a picture of a time before the great deserts, when large mammals roamed rich savannahs watered by great rivers.

For a long time, no credence was given in archaeological circles to the idea that the Arabian Peninsula may have been one of the first regions on earth to be settled by early humans outside of Africa.

“(But) if they got to Australia, then why would they not get to Arabia?” said Guagnin. “We forget they had to go somewhere first, and I think we sometimes underestimate these ancestors. I think they were quite a capable bunch, and as time goes on, we’re going to find more and more evidence of that.”

Saudi Arabia is already becoming well known for its headline archeological sites, such as Hegra, the city of ancient tombs carved out of the rocks near modern-day AlUla by the Nabataean civilization 3,000 years ago, listed by UNESCO as a World Heritage site in 2008.

As it opens up to tourism, the country is also gaining recognition for one of the largest collections of ancient rock art in the world. In 2015 two sites near Jubbah in Hail province, the world’s largest and most impressive collection of Neolithic petroglyphs, were also adopted by UNESCO for their “outstanding universal value.”

But one of the most startling finds in recent years rewinds the story of Saudi Arabia and humankind itself almost back to its beginnings.

In 2017 an Australian student at the University of New South Wales struck archeological gold while carrying out PhD fieldwork for a thesis with the unpromising title “A taphonomic and zooarchaeological study of Pleistocene fossil assemblages from the western Nefud desert, Saudi Arabia.”

What Mathew Stewart found were human footprints alongside the tracks of animals including elephants and camel-like creatures, preserved in what was once mud on the shores of a long-vanished lake.

Such traces, found only occasionally around the world, are few and far between. Just three years earlier, human footprints discovered in a cave in Romania were found to be 36,500 years old, and were acclaimed as the oldest in Europe, and probably the whole world.

But Stewart’s footprints turned out to be 120,000 years old — at the time not only the oldest known evidence of the presence of Homo sapiens on the Arabian Peninsula, but also “an arrival into the Arabian interior contemporaneous with the earliest securely dated arrival of Homo sapiens outside Africa.”

“To date the footprints we used a method called optically stimulated luminescence (OSL) dating,” said Stewart. “This method essentially takes grains of minerals like quartz and exposes them to light, with the amount of energy given off being used to calculate the last time the sediments were exposed to sunlight, therefore providing an age of burial.

“Luckily at our site, the footprints were essentially sandwiched between different lake sediments. Therefore, we could apply this dating method to obtain an age of the sediments both under and overlying the footprints, to get an approximate age.”

The first day at the ancient dried lake, which the team named Alathar — the Arabic word for trace — “was quite the rollercoaster,” he recalled.

“We were investigating the palaeolake in search of stone tools and fossils. After some time, one of our colleagues commented that the large circular impressions in the ground resembled those of elephant tracks.

“He was, of course, correct, and once we all got our eye in for looking for footprints we realized that the entirety of the lake deposit was covered in footprints, which included elephants, equids, and large bovids.

“As if that wasn’t exciting enough, right at the very end of the first day, as we were packing the cars, another colleague discovered three of the human footprints at the very edge of the lake deposit. Naturally, we spent the next days investigating this incredible site, documenting footprints and sampling the lake deposits for dating.”

Gaugnin believes there is much more to come, thanks to a surge of interest both about and within Saudi Arabia, allowing the Kingdom to claim its rightful place on the archeological map of the world.

“So much has changed in the past 10 or 12 years,” she said. “We’ve basically gone from knowing hardly anything about Saudi Arabia’s ancient past to realizing that there’s so much there.

“I and my colleagues have realized this for a while, but now the rest of the world is starting to, as well.”

She added: “(In the past) I have had applications for grants turned down where the reviewer comments: ‘There’s nothing to find in Saudi Arabia.’ I think these days nobody would dare say that.

“There is more and more information coming out, and awareness that there is a wealth of archeology in Saudi Arabia is spreading.”

Until recently, Guagnin was accustomed to going to conferences and seeing maps of the region on which known archeological sites were marked in “a beautiful crescent-shaped distribution across the top of the region, with almost nothing toward the south.

“But just because there’s an empty spot on a distribution map in archeology it doesn’t mean it is actually empty. In the case of Saudi Arabia, it was because we hadn’t looked yet. The absence of evidence is not evidence of absence.

“Well, we’re looking now, and we are finding, and I suspect a lot of the archeological maps are going to be changing over the next five to 10 years.”


Young Saudi rug makers weave kaleidoscope of dreams

Young Saudi rug makers weave kaleidoscope of dreams
Updated 29 December 2024
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Young Saudi rug makers weave kaleidoscope of dreams

Young Saudi rug makers weave kaleidoscope of dreams
  • Bassam Al-Khalifi, Saud Al-Rasheed master the art of tufting rugs

RIYADH: In the wake of the pandemic Bassam Al-Khalifi and Saud Al-Rasheed transformed their isolation into creativity, leading to the birth of Ghazlah Studio — a hub for unique, hand-tufted rugs.

The Saudi men’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion.

Al-Khalifi’s journey began when he sought to decorate his room. Frustrated by the lack of appealing rugs in the market, he decided to create his own.

Saudi duo Bassam Al-Khalifi and Saud Al-Rasheed’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion. (Supplied)

“I wanted something different, so I ordered the equipment and dedicated a year to learning how to tuft,” he told Arab News. What started as a personal project quickly evolved into a larger vision.

Initially, neither Al-Khalifi, an artist and designer, nor Al-Rasheed, an avid art collector, had any experience in weaving. They faced a steep learning curve but were undeterred.

“We took six months to learn how to conceive designs, source materials, and weave the rugs,” Al-Khalifi explained.  

HIGHLIGHTS

• The journey of Ghazlah Studio began when Bassam Al-Khalifi, frustrated by the lack of appealing rugs in the market, decided to create his own.

• Their debut collection titled ‘Color as a Scene’ evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic.

They experimented with various techniques, ultimately settling on a “cut and loop” method using 100 percent acrylic yarn. This approach stands in contrast to traditional Arabian carpet-making methods which often utilize wool and time-honored designs.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Their learning process was filled with challenges, but their determination pushed them forward.

Al-Khalifi pored over tutorials, consulted with experts, and practiced tirelessly. Al-Rasheed, with his keen eye for aesthetics, contributed by curating color palettes and design concepts.  

What started as a hobby soon blossomed into a commercial venture. With their rugs gaining traction, Al-Khalifi and Al-Rasheed launched Ghazlah, featuring a debut collection titled “Color as a Scene.”

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

The collection evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic. “I wanted to splash all these emotions on the piece itself,” Al-Khalifi said. The vibrant tapestries of feelings capture the essence of joy, nostalgia, and hope.

The vibrance of their work makes a statement piece in any room. Each piece is unique, with some featuring Saudi themes that enhance their significance and appeal. The artists also draw inspiration from their heritage, incorporating traditional motifs and modern designs, creating a fusion that resonates with a broad audience.

In Ghazlah’s Riyadh workshop, the atmosphere is filled with creativity and energy. The walls are lined with neatly organized shelves filled with spools of yarn in every imaginable color. There are some of Al-Khalifi’s paintings and rugs still in progress, showcasing their journey.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Al-Rasheed gestured around the space, saying: “This place is full of rugs that we made but decided not to sell. Why? Because we love them. I’m trying to push Al-Khalifi to sell them, but he won’t.”

Ghazlah Studio has made a notable impact in Riyadh, showcasing creations in three galleries. Their work has garnered attention not just locally but also from international platforms, leading to collaborations with major brands such as Vogue and Sephora.

These partnerships have elevated their profile and allowed them to reach a wider audience with which they can share their artistry and craftsmanship.

The duo’s success can also be attributed to their innovative marketing strategies. They leverage social media to share their creative process, engage with customers, and build a community around their brand.

By showcasing behind-the-scenes footage, they invite their audience into their world, allowing them to witness the transformation of raw materials into stunning art pieces.

As they continue to grow, Al-Khalifi and Al-Rasheed are committed to exploring new design possibilities, as well as looking into creating home decor items. They plan to expand their collections, experimenting with different textures, materials, and techniques.

From a simple idea born during quarantine to a noteworthy business, Ghazlah Studio continues to make waves in the art scene, proving that even in isolation, inspiration can thrive.

As they weave their stories into every rug, Al-Khalifi and Al-Rasheed invite us all to find beauty and meaning in our own creative pursuits.

 


Hail governor inaugurates Middle East’s largest salmon production center

Hail governor inaugurates Middle East’s largest salmon production center
Updated 28 December 2024
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Hail governor inaugurates Middle East’s largest salmon production center

Hail governor inaugurates Middle East’s largest salmon production center
  • The 10,000-square-meter facility features the latest marine technology

HAIL: Prince Abdulaziz bin Saad bin Abdulaziz, the governor of Hail, inaugurated the Excellence Center for Salmon Production on Saturday, the largest facility of its kind in the Middle East.

A collaboration between the Ministry of Environment, Water, and Agriculture and King Abdulaziz University, the center aims to produce 100,000 tons of salmon annually, bolstering Saudi Arabia’s food security and aquaculture sector, the Saudi Press Agency reported.

The 10,000-square-meter facility features the latest marine technology, including recirculating aquaculture systems and aquaponics units, which integrate fish and vegetable production.

It is designed to reduce the Kingdom’s reliance on salmon imports, currently at 23,000 tons per year.

Prince Abdulaziz hailed the project as a cornerstone of Vision 2030, promoting sustainable development and economic diversification, while attending officials highlighted its potential to enhance innovation, create jobs, and serve as a model for sustainable aquaculture in the region, SPA added.


Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
Updated 28 December 2024
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Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
  • European guests praise Saudi Arabia’s hospitality, cultural outreach efforts

JEDDAH: Saudi Arabia’s Ministry of Islamic Affairs hosted a cultural event for the second group of Guests of the Custodian of the Two Holy Mosques’ Program for Umrah and Visit, featuring various cultural and entertainment activities.

The group comprised 250 pilgrims from 14 European countries, the Saudi Press Agency reported.

Sheikh Abdullatif Al-Asheikh, Minister of Islamic Affairs

They expressed their gratitude to the leadership and the ministry for hosting them, allowing them to perform Umrah rituals and visit historic sites in Madinah and Makkah.

Minister of Islamic Affairs Sheikh Abdullatif Al-Asheikh said Saudi Arabia, under the leadership of King Salman and Crown Prince Mohammed bin Salman, was committed to being a beacon of goodness and moderation.

HIGHLIGHT

The minister also highlighted the Kingdom’s commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

During a reception for the guests, he said the Kingdom would continue to serve Islam and Muslims, and promote tolerance, coexistence and understanding worldwide.

Al-Asheikh, who is also the general supervisor of the program, met the guests, conveyed the greetings of the Saudi leadership and along with members of the program’s working committees reviewed the services provided and received a briefing on their work.

Under its leadership, the Kingdom strove to offer top-tier services to the visitors of the Two Holy Mosques from around the world, he said.

The guests commended the Kingdom on its efforts to promote Islam’s message of tolerance and foster appreciation for its historical and spiritual legacy. They also praised the new projects and expansions at the holy mosques and sites, which align with Saudi Vision 2030.

Al-Khamar Al-Baqari, head of imams in the Netherlands, expressed his gratitude to Saudi Arabia, its government and its people for their hospitality.

Sheikh Ali Al-Zughaibi, the program’s executive director, said that since its launch in 2014 it had provided the opportunity for 4,500 men and women from around the world to perform Umrah and visit the Prophet’s Mosque.

Al-Asheikh also highlighted the Kingdom’s unwavering commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

 


Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Updated 28 December 2024
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Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
  • The combination of arts and animals makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom

RIYADH: The works of a renowned local sculptor are among the creative highlights of this year’s King Abdulaziz Camel Festival, which celebrates not only ships of the desert but arts and crafts from around the Kingdom.

Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. Each of his pieces serves as a symbol of the Kingdom’s heritage and connection to the land, the Saudi Press Agency reported.

FASTFACT

The combination of arts and animals makes the King Abdulaziz Camel Festival an appealing option for visitors and supports the economic and cultural growth of the Kingdom.

As well as creating his own works, Al-Zahem spends much of his time helping to nurture the next generation of artists, including his own daughter.

Besides providing a global hub for all things camel, the festival in Al-Sayahid, northeast of Riyadh, is an important platform for the arts, offering an opportunity for artists to showcase their work to a global audience.

The combination of arts and animals also makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom. 

The festival ends on Tuesday.

 


Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Updated 28 December 2024
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Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
  • Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts

RIYADH: Souq Al-Awaleen, a part of Riyadh Season, offers a “captivating journey through Saudi traditions,” according to a recent Saudi Press Agency report.

The souq, entry to which is free, “blends traditional elements with modern touches, creating a vibrant cultural hub,” the SPA continued.

Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts. Visitors can also participate in workshops focused on Sadu weaving and pottery.

Sufrat Al-Deira, meanwhile, offers “a taste of authentic Saudi cuisine,” the SPA reported, adding that the “atmosphere evokes a bygone era, with activities like cooking demonstrations and cultural performances enriching the experience.”

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people, according to the SPA.