Review: Deluxe ‘Dead Space’ loses none of its chilling core

Review: Deluxe ‘Dead Space’ loses none of its chilling core
‘Dead Space’ is now back in a digital deluxe version completely rebuilt from the ground up to offer a deeper, more immersive experience. (Supplied)
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Updated 14 March 2024
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Review: Deluxe ‘Dead Space’ loses none of its chilling core

Review: Deluxe ‘Dead Space’ loses none of its chilling core

LONDON: “Dead Space” was originally launched across formats in 2008 and spawned several sequels.

It is now back in a digital deluxe version completely rebuilt from the ground up to offer a deeper, more immersive experience.

Available across all the main platforms, the remake of the survival action-horror classic retains its core identity with all the added power of the modern consoles and controllers.

For those new to the series, it owes a lot to the classic “Alien” film, combining a decaying industrial spaceship with various creatures looking to do you harm. It also has elements of the “Doom” game series with a storyline pointing toward monsters being unleashed from hell. This background familiarity is the bedrock to what is, however, a unique franchise.

Players take the role of Isaac Clarke, an engineer on a rescue vessel looking to see what has happened to the vast USG Ishimura mining ship that has gone silent.

Quicky, it becomes apparent that disaster has befallen the ship and its crew of 1,000, leaving it in a decaying orbit being slammed into by asteroids and overrun by monsters. As if this level of jeopardy is not enough, Clarke’s partner is one of the ship’s medics and needs rescuing.

The full story of what befell the Ishimura is a mystery that unravels as users progress through the game – told in snippets of audio diaries or text documents discovered while exploring the ship.

The quality of the story which brings in big company corruption, religious zealots, as well as more imaginative alien dynamics underpins the tension that the game delivers through the darkness of the ship, areas of zero gravity, or the terrifying whispers that seem to be carried on the air.

In addition, the game has a content warning as the monsters prowling the ship have dispatched much of the crew in the bloodiest of fashions. Bodies lie strewn across corridors, blood strained messages are written on the wall, all adding to the fear and isolation felt by players as they guide Clarke through an over-the-shoulder view. Vents suddenly burst, the music shrieks, and the controller starts to throb uncontrollably in the hand; all very effective devices.

Clarke travels the ship, with advice from his two remaining crewmates who remained holed up elsewhere, completing tasks largely based around getting the ship’s systems back online and preventing it crashing into the planet below.

Despite Clarke being supposedly a space engineer, his ability to survive the Ishimura is all down to his amazing space suit and the assorted tools that he can weaponize. The suit has thrusters, can navigate zero gravity, and is able to slow enemies with a stasis charge or grapple debris through a gravity device it has.

Weapons wise, plasma cutters, flame throwers, and saw guns allow Clarke to take down mutated alien-like enemies that were once humans. These Necromorphs have vulnerable limbs and vary in form. Some throw acid, others move quickly across the ceilings but with ammunition limited in tight settings Clarke must be spot on with his targeting and knowing which vulnerabilities each opponent has.

Despite the terrifying setting, the character of Clarke is a bit of a black hole with no internal monologue or real personality, leaving the space to be filled by players’ own paranoia.

Whether its intentional or not there is also a frustrating inability to use medical packs outside of the heat of battle.

More helpful are the plethora of save points, meaning that frequent deaths do not result in huge losses in progress.

All in all, the remake is a polished and excellent one and highly recommended for those new to the terrors of “Dead Space.”


‘Maria’ rests on the shoulders of the superb Angelina Jolie

‘Maria’ rests on the shoulders of the superb Angelina Jolie
Opera icon Maria Callas is played by Angelina Jolie. (Supplied)
Updated 18 December 2024
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‘Maria’ rests on the shoulders of the superb Angelina Jolie

‘Maria’ rests on the shoulders of the superb Angelina Jolie

JEDDAH: One of the most fascinating movies I watched at the recent Red Sea International Film Festival in Jeddah, “Maria” may not have inched up to reach its great height had it not been for lead star Angelina Jolie. Jolie superbly plays the legendary Maria Callas, a Greek soprano who made Paris her home. The audience is introduced to her a week before her death on Sept. 16, 1977. Frail and pacing up and down her living room, she collapses, and the movie is rewound seven days before her end.

Like so many celebrities, who came before and after her, Maria leads a wretched life of excesses and miserable loneliness. Director Pablo Larrain’s third biopic after “Jackie” (on Jacquline Kennedy) and “Spencer” (on Princess Diana), the film hardly takes us outside her palatial mansion in the French capital that soon begins to feel like a golden cage. Imprisoned of her own will, Maria’s life spirals towards an anticipated end.

We are told how she had travelled a torturous journey from the slums of Nazi-occupied Athens to the European and American concert halls in a narrative that is interspersed with an affair with the Greek magnate Aristotle Onassis. 

Though Larrain makes his film seem almost eventless — we follow along as Maria navigates her apartment or wanders through the bourgeoisie neighborhoods of Paris — we sense a storm gathering in a distance as she sinks into self-destruction.

The Chilean work may not have been so compelling had it not been for the exceptional portrayal of Maria by Jolie, who disappears into the character with ease and conviction. She is faultless as an epitome of tragedy and sorrow and this makes the movie eminently watchable.


Bella Hadid praises ‘Yellowstone’ cast after cameo appearance

Bella Hadid praises ‘Yellowstone’ cast after cameo appearance
Updated 17 December 2024
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Bella Hadid praises ‘Yellowstone’ cast after cameo appearance

Bella Hadid praises ‘Yellowstone’ cast after cameo appearance

DUBAI: US Palestinian Dutch supermodel Bella Hadid took to social media to thank the cast and crew of hit TV series “Yellowstone” after she made a cameo appearance on the Paramount show in December.

On Monday, Hadid posted a carousel of behind-the-scenes photos from her time on set and captioned the post: “Best crew, best cast, best horses, best brains. grateful to have been in the presence of — and learn a lifetime's worth of knowledge in a few days from — the most brilliant of people! I could have been cast as a fly on the wall and would have been just filled with gratitude to be on a set like this for the last season of a show I love so deeply!”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

The show, which premiered in 2018, follows a family who own the largest ranch in America as they deal with their internal conflicts and fend off encroachers to protect their property.

The neo-Western show stars Kevin Coster — who won a Golden Globe for his portrayal of family patriarch John Dutton in 2023 — and Kelly Reilly, whom Hadid thanked in her social media post.

“Thank you, Kelly for being such an inspiring mentor for our few days together. Helpful, beautiful, kind, talented and caring. She really is that great and bad***, guys!”

Hadid plays Sadie, who is the girlfriend of Taylor Sheridan’s character, Travis Wheatley.

“Thank you, Taylor for everything, having faith in me and the opportunity,” Hadid noted in her Instagram post of Sheridan, who is also the show’s director.

Hadid is quickly cementing her status in the rodeo world and earlier this month she was named the National Cutting Horse Association’s 2024 Limited Age Event Rookie of the Year, an award that was celebrated by her partner Adan Banuelos, who is a celebrated cutting champion and horseman.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

Cutting is an equestrian competition in which a horse and rider work to demonstrate the horse's athleticism and ability to handle cattle in front of a panel of judges.

Jay Winborn, executive director of the US’s National Cutting Horse Association, praised Hadid in a released statement. “Her hard work in and out of the show pen is evident,” he stated. “When she is not competing, she cheers enthusiastically for her fellow cutting competitors and avidly supports the sport of cutting. We look forward to seeing her talent and passion for the sport, as well as her bond with equine athletes, continue to grow and flourish.”


Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’
Updated 17 December 2024
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Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’
  • The Bahraini artist and politician talks creativity, culture, and colors

RIYADH: “Art is a driver for creativity and beauty,” Bahraini artist Sheikha Hala Bint Mohammed Al-Khalifa, CEO of the Nuwah Foundation, said in an interview with the region’s leading Arabic lifestyle magazine for women, Sayidaty, for its December cover story to mark Bahrain’s National Day. 

Among other topics, including her own artistic process, the conversation covered the role that cultural institutions can play in boosting knowledge, raising awareness of history, and stimulating creativity — all ways of assisting the advancement of society. Aside from her work with the Nuwah Foundation — which, according to its website, “empowers changemakers that illuminate our collective future … (to build) a creative, healthy and prosperous society in the Middle East and North Africa” — Sheikha Hala has also developed a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. She also contributed to preserving intangible heritage and took part in Bahrain’s Artist in a School initiative. 

Sheikha Hala spoke about the role that cultural institutions can play in boosting knowledge. (Courtesy: Sayidaty magazine/Ali Rifai)

Sheikha Hala stated that her passion for the arts was inherited from her mother, Sheikha Mai bint Mohammed Al-Khalifa — a prominent figure in the regional cultural scene and the daughter of a senior member of the Bahraini royal family — who, she said, taught her that history fuels perceptions of the present and that historians can feed museums’ contemporary insights and the way societies are presented through their artistic heritage. 

“I belonged to the world of art from a young age; it has always been my inspiration and an integral part of who I am,” Sheikha Hala said. “Fine art and colors have the greatest impact in my heart — they awaken something in my soul. And culture is part of the vibrant fabric of any society. Our heritage — its beauty and diversity — constitutes all parts of my identity. 

“I am truly grateful for my family’s support — it is one of the most important foundations for building self-confidence and motivating people to pursue their dreams,” she continued. “My parents are my biggest supporters, and because of them I was able to study art at university. For the record, none of them objected to me entering this field.” 

Sheikha Hala advises young artists to draw inspiration from culture, local identity, and personal experiences. (Courtesy: Sayidaty magazine/Ali Rifai)

Art has always been a vital part of self-expression for Sheikha Hala. “Art, for me, translates the psychological state surrounding me. In many instances, it’s anxiety that generates an important painting,” she said. She elaborates on this thought on her website, where she has written: “While painting I am in a turbulent state of tension — the making of art has never been a harmonious exercise for me.” 

Sometimes, she told Sayidaty, the driving force behind a piece is a specific message. “In many of my works, there are distinct messages, such as the subject of the gargoor — a traditional fishing tool — which repeatedly appeared in many pieces I worked on. There’s also the theme of war, displacement, and the use of boats to transport people from one place to another in search of a better and safer life,” she said. The latter is seen particularly in her series “Fate.”  

Sheikha Hala is one of many women from prominent Gulf families patronizing and promoting the arts through various initiatives. “Gulf women have made an obvious mark on our society. In the artistic and cultural arena, for example, there are women who, through their education and passion, have started a clear renaissance and we are proud of their creativity,” she told Sayidaty. “I see in (today’s women) the continuity of their grandmothers’ and family’s past. I think modern Gulf women took the most beautiful legacy, and worked on communicating their countries’ identities to the world.” 

Sheikha Hala has worked on developing a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. (Courtesy: Sayidaty magazine/Ali Rifai)

Part of this communication, she stressed, is informing the public about the region’s artistic and cultural history. “I believe that the Arab identity is present in the mind of this generation’s artists,” she said. “However, I regret to say that we tend to resort to foreign languages when we speak and write as an easier path to expression, and we forget the depth and importance of maintaining our identity through our Arabic language. I really hope that the new generation of artists will go back to this rich language and take pride in it, so it can withstand the challenges of globalization.” She cited the words of the great Egyptian poet Ahmed Shawqi when he wrote about Arabic: “He who filled languages with charms, instilled beauty and its secret into the Arabic language.” 

Sheikha Hala also offered further advice to young creatives. “Always open the door to knowledge, listen to every new idea, and draw inspiration from their culture, local identity, and personal experiences,” she said. “This ensures that the work is genuine and carries a part of who you are. Every artist has their own language of expression, but when presenting an art piece, their message must be profound and carry something unique to them. 

“The challenge faced by any artist is to be true to their art — to present work that stirs emotions and creates a unique imprint,” she continued. “This is the biggest challenge.” 

This article is based on a Q&A first published in Arabic in Sayidaty magazine on Dec. 15, 2024.


Shanina Shaik turns heads in Melbourne

Shanina Shaik turns heads in Melbourne
Updated 16 December 2024
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Shanina Shaik turns heads in Melbourne

Shanina Shaik turns heads in Melbourne

DUBAI: Part-Arab model Shanina Shaik turned heads in sculptural bubble dress at the National Gallery of Victoria Gala this weekend in Melbourne, Australia.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — made headlines for her unique dress, which she showed off at the opening of the gallery’s landmark Yayoi Kusama exhibition.

The tartan gown was created by emerging Melbourne-based designer Jarrod Reid. It featured puffed sleeves, eyelets down the front, and what looked like two inflated rings on top of each other at the hem.

The model told Mercedes-Benz in a video clip that the gown was “inspired by Scottish folklore.”

Featuring 200 works and spanning the 80-year career of the iconic Japanese artist, the exhibition includes sculpture, painting, collage, fashion and films, as well as the global premiere of Kusama’s new infinity mirror room artwork titled “My Heart is Filled to the Brim with Sparkling Light.”

The exhibition also includes the Australian debut of “Dancing Pumpkin,” 2020, a five-meter-tall yellow-and-black polka-dotted sculpture.

“Do you mind if I brag?” Wayne Crothers, the NGV’s senior curator of Asian art, told The Guardian in an interview regarding the show’s scale and artworks. While there have been other shows by the artist staged with “about 20 or 30 more works,” this is the biggest ever in terms of scale, the newspaper reported.

The 95-year-old artist is one of the world's most celebrated living creatives — she has her own five-storey gallery in Tokyo and is arguably as recognizable as her work. A giant inflatable sculpture of her was recently perched on the side of Louis Vuitton’s flagship store in Paris.

Shaik told Mercedes-Benz in the sponsored video that she is looking forward to taking her son Zai Adesuyan Matthew, whom she shares with partner Matthew Adesuyan, to the show.

In May, the model took part in her first International Mother’s Day campaign with her toddler, who was born in September 2022.

“Motherhood has changed me in so many ways… it’s definitely created more patience,” Shaik joked in the video campaign that she shared with her 3.4 million followers on Instagram.

“Now that I’m a mother, I would like to say to my mother, ‘I understand.’ I understand the worry, the concern, because you just want to protect your child every day at all costs,” she added.

 


Dua Lipa shows off Amina Muaddi heels in New York

Dua Lipa shows off Amina Muaddi heels in New York
Updated 15 December 2024
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Dua Lipa shows off Amina Muaddi heels in New York

Dua Lipa shows off Amina Muaddi heels in New York

DUBAI: British pop superstar Dua Lipa showed off heels by Jordanian Romanian footwear designer Amina Muaddi in New York in a look put together by celebrity stylist Jahleel Weaver.

A long-time stylist for Rihanna, who collaborated with Muaddi on a Fenty shoe collection in 2020, Weaver opted for the designer’s Ursina Pump for songstress Lipa.

Lipa showed off the heels during an appearance on “The Late Show With Stephen Colbert” that will air on Sunday night in the US.

British pop superstar Dua Lipa showed off heels by Jordanian Romanian footwear designer Amina Muaddi. (Getty Images)

The pop star is currently in the middle of the “Radical Optimism Tour,” which kicked off in Singapore in November before she wrapped the Asian leg of the world tour with a show in Seoul, Korea, on Dec. 5.  

There are 68 shows already on the schedule and Lipa will next head to Australia in March.

For her part, Muaddi is busy promoting her winter season collection. The designer’s latest collection, titled Drop 24/25, launched in October. In early December, she used Instagram to promote winter-friendly shoes including the Veneda stretch boot, the Anok bootie and the Lila slipper.

Since launching her eponymous footwear line in August 2018, Muaddi has attracted a loyal following of celebrities including Gigi Hadid, Kylie Jenner and Hailey Bieber. Her brand, known for its distinctive footwear, bags and jewelry, has quickly become a favorite among the fashion elite.

Since the launch, Muaddi has enjoyed a series of successful events, notably her collaboration with Rihanna’s Fenty collection. Their partnership earned the Collaborator of the Year award at the 34th FN Achievement Awards in 2020.

A year later, Muaddi’s influence and success were further recognized when she was named one of Women’s Wear Daily and Footwear News’ 50 Most Powerful Women.