You are here

  • Home
  • Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine
Voices of Palestine hosted a panel discussion featuring a high-profile list of speakers. (AN Photo/Tamara Turki)
Short Url

https://arab.news/p3dm3

Updated 04 March 2024
Tamara Turki
Follow

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine
  • A miniature sculpture of Banksy’s “Flower Thrower” fetched the highest bid of £16,000
Updated 04 March 2024
Tamara Turki
Follow

LONDON: A prestigious art auction in London has raised £165,000 ($208,800) for nonprofit organizations providing medical aid in Gaza and advocating for Palestinian human rights, its organizers said on Sunday. 

Voices of Palestine, which took place on Feb. 25 at the prestigious Dorchester Hotel, featured 15 pieces of Arab artwork, including a Banksy-designed miniature sculpture of his “Flower Thrower,” painted by local Palestinian artists. This piece, originally sold at the Walled Off Hotel in Bethlehem, fetched the highest bid of £16,000.

The proceeds from the auction are earmarked for two primary causes: supporting Fajr Scientific’s comprehensive healthcare initiative in Gaza, and the efforts of the International Centre of Justice for Palestinians.




The event hosted a panel discussion featuring a high-profile list of speakers. (AN Photo/Tamara Turki)

Egyptian activist and Editor-in-Chief of Scoop Empire Rahma Zein told Arab News: “These kinds of events are important to reiterate the message that we need to empower ourselves to have the right kinds of discussions as to how to do that, be it economically or politically.”

The 30-year-old went viral in a video confronting CNN’s Clarissa Ward for her reporting at the Rafah border. She was then invited to appear on Piers Morgan’s TalkTV show to discuss Palestinians’ suffering.

She added: “Right now there is a void; there is an empty space because the veil has fallen.

“We’ve seen that these institutions that we deemed as prestigious, these news outlets that we deemed as prestigious, are no longer the case; they’re duds.

“Now is the time to look inwards, and look regionally and see so that we’re not looking at token politicians that look like us but speak in the name of Zionism or appease the colonizers.

“We need to empower ourselves. We need to own back our narrative and these are the events to do so.”

Fajr Scientific CEO Dr. Mosab Nasser has detailed a $55 million post-war plan aiming to enhance Gaza's medical infrastructure by adding 120 hospital beds, numerous operating rooms, and intensive care units over the next three years.

Meanwhile, the ICJP focuses on strategic legal actions and advocacy to align foreign policy with the realities Palestinians face, guided by international law.




Palestinian Ambassador to the UK Husam Zomlot and South African High Commissioner to the UK Jeremiah Nyamane Mamabolo. (AN Photo/Tamara Turki)

The event hosted a panel discussion featuring a high-profile list of speakers including Rahma Zein and Nasser alongside Palestinian Ambassador to the UK Husam Zomlot, award-winning journalist Ahmed Eldin, surgeon Dr. Ghassan Abu-Sitta, and Israeli-British historian Avi Shlaim.

The panelists tackled a wide range of issues on Israel’s war in Gaza, which has killed over 30,000 people. Eldin spoke on the democratization of the media and its role in challenging Western narratives about Palestine, while Abu-Sitta shared harrowing experiences of treating patients under siege in Gaza, including Israel’s bombing of hospitals.

The event drew 450 attendees, with tickets sold at between £150 to £250.
 

Topics: Palestine Art auction Dorchester Collection

Related

East London’s streets become canvas for pro-Palestine art  video
Media
East London’s streets become canvas for pro-Palestine art 
London’s creative community sell-out event raises awareness on Palestine
World
London’s creative community sell-out event raises awareness on Palestine

HIGHLIGHTS: Vian Sora’s ‘House of Pearls’ at The Third Line in Dubai

HIGHLIGHTS: Vian Sora’s ‘House of Pearls’ at The Third Line in Dubai
Updated 25 October 2024
Arab News
Follow

HIGHLIGHTS: Vian Sora’s ‘House of Pearls’ at The Third Line in Dubai

HIGHLIGHTS: Vian Sora’s ‘House of Pearls’ at The Third Line in Dubai
Updated 25 October 2024
Arab News

DUBAI: Highlights from Vian Sora’s ‘House of Pearls,’ which opens at The Third Line in Dubai on Oct. 31.

‘Biomimicry III’

Iraqi-American artist Vian Sora’s latest show “House of Pearls” is a collection that — according to The Third Line, where the exhibition runs until Dec. 5 — uses “pearls as a metaphor for achieving stability and the needed structural integrity for life itself to regenerate.” In it, Sora “explores … caustic cycles, the solid and fluid violent states intrinsic to nature from which pearls grow.”

 

‘Olivine’

Sora left her home city, Baghdad, following the US invasion of Iraq. In “House of Pearls” she draws on her experience as an immigrant and a survivor of war and “reflects on the uncertainty and shifting boundaries of existence, capturing the physical, mental and emotional toll experiences across nations, cultures, and time.”

 

‘Exhale’

Sora begins each work with just three colors, which she builds on gradually to achieve up to 20 colors in a piece. They depict “imagined landscapes and seas marked with distorted Arabic calligraphy” and are intended to “capture the vulnerability and courage of displaced individuals.” Abstraction, Sora says, allows her to “dive into the subconscious in a way that is impossible to replicate through illustration.”  

Topics: Vian Sora

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  
Visitors to the opening night of 'Orbis Tertius' in Paris surround Monira Al-Qadiri's 'The Guardian'
Updated 24 October 2024
Jean Grogan
Follow

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  

AlUla showcases artistic vision in Paris with ‘Orbis Tertius’  
  • Exhibition of work from the AlUla Artist Residency Program was part of this year’s Art Basel 
Updated 24 October 2024
Jean Grogan

PARIS: The AlUla Artist Residency Program made its debut in France during Art Basel Paris this month with “Orbis Tertius,” an exhibition showcasing the work of 20 international artists. The program was launched in 2021 by the Royal Commission for AlUla in collaboration with the French Agency for AlUla Development. 

The exhibition is part of Arts AlUla’s global program to promote the ancient oasis city as an emerging hub for art and creativity. For millennia, AlUla was a key location for trade and culture — it is home to Hegra, Saudi Arabia’s first UNESCO World Heritage site, and was a stop on the Incense Road. AlUla’s pre-Islamic heritage and breathtaking landscape continue to inspire groundbreaking artistic expressions, as shown in “Orbis Tertius.” 

Arnaud Morand, AFALULA, Curator, Orbis Tertius (2024). (Supplied)

Artist and photographer Louis-Cyprien Rials told Arab News that at the heart of his residency was “the almost-uncomfortable idea of being nothing in a place that seems eternal and easily reminds us of our insignificance.” 

Located in the palm grove of Mabiti AlUla, and with a newly-opened artists’ residence in AlJadidadh, the program offers an ideal setting for artists to reflect on the role and methods of creative practice in the contemporary world. It encourages a dynamic dialogue between the artists, as well as with the local community in AlUla.  

This residency program, according to curator Arnaud Morand, head of art and creative industries at AFALULA, is “unique.” The artists are enrolled by invitation only after submission of a portfolio and a letter of intent. The breakdown of nationalities is roughly half Arab, half international.  

“The artists had to have an established practice of interest and relevant to us, working between past and future heritage,” Morand explained. “In the unconventional and intense context of this desert oasis, they were working closely with the local communities. Many had previous experience in collaborating with scientists and experts. Spending a minimum of 10 weeks on the ground was mandatory. The artists met and interacted with AlUla’s field specialists; archaeologists, geologists, anthropologists, agronomists, botanists, heritage conservatists and environmental workers. If this time commitment was not possible for them, their candidature could not be considered.” 

It was Morand who chose the theme “Orbis Tertius, A Journey Between Fictions and Myths” for the show, inspired by the Argentine writer, Jorge Luis Borges, whose “Fictions” explores how our world can be better understood through a blend of ancient myths and legends and observed reality.  

“AlUla reinvents itself every day as a fundamental utopia of the 21st century,” Morand said. “The residency program offers a framework for creatives to integrate and meaningfully engage with the bigger project. It also provides an insight into how the community processes change. Ultimately, it steers us in the right direction, drawing on the artists’ perceptions and questions while offering time and an unparalleled context to develop their practice.” 

At Art Basel, “Orbis Tertius” was displayed over four floors of the gallery at 5 rue Saint-Merri, a stone’s throw away from the Pompidou Center. The works were not confined to a single medium. The 20 contemporary artists presented 43 works that included paintings, sculptures, videos, photographs, poetry, calligraphy, brickmaking, installations and live performances.  

In pride of place on the ground floor stood the 4.5 meter “The Guardian,” an aluminum sculpture by Kuwaiti artist Monira Al-Qadiri, whose work examines nature’s hostile retaliation to human presence in the environment. Her totemic sculpture is based on the Calotropis Procera, a plant native to the region, which grows on arid soil, and can survive for up to three years without a single drop of water. The Calotropis Procera secretes a milky substance that Bedouin lore has it can cause blindness. 

The Jeddah-born multidisciplinary artist Anhar Salem works primarily in film. Her “A Day in AlUla” is a series of eight subtly beautiful social portrait vlogs documenting a day in the life of local and foreign AlUla residents.  

.A still from Anhar Salem's 'A Day in AlUla.'(Supplied)

“I had to choose between approaching AlUla through its landscape and history or through its social and public aspects,” Salem said. “I ultimately chose the latter by simply talking to everyone I met from AlUla.” 

Brothers Abdulrahman and Turki Gazzaz live and work in Jeddah, where they founded the architecture, design and experimental research studio Bricklab in 2015. During their residency, the brothers used rammed-earth techniques to develop a resilient material for construction unique to the region. Combining sand collected from different parts of AlUla with concrete, epoxy and other artificial additives, the bricks condense the storied narratives that make up AlUla today. 

Jizan-based Reem Al-Nasser bases her work on anthropological study and concepts such as time, space and astrology. During her residency, she created “Alma of the North,” a structure of brilliant steel gates ornamented with archaeological and astronomical symbols found in AlUla’s history. 

Riyadh-based Ayman Zedani’s immersive video installation “The Desert Keeper” was a result of research he had conducted on a parasitic plant from the Arabian desert over the past few years. It can acquire genes from its host plant, thus assuring the survival of its offspring. His work combined footage of the plants with a computer-generated journey through the cosmos and a voiceover by the writer and poet Wided Rihana Khdraoul. 

Ayman Zedani's 'The Desert Keepers.' (Supplied)

“AlUla has long been a crossroads of cultures and a wellspring of creativity,” Nora Aldabal, executive director of arts and creative industries at the RCU, said in a press release. “With the AlUla Artist Residency Program, we are showcasing the extraordinary artistic vision flourishing in AlUla and demonstrating its power to bridge cultures and inspire dialogue.”  

“Orbis Tertius,” she continued, was “a testament to incredible inspiration that artists and creatives discover in AlUla — a place where the world can connect with ancient history and experience contemporary artistic expressions. AlUla’s ambition for art, design and culture is to create a better future for the region, generating jobs and opportunities for cultural enrichment for those who live, work and visit there.”  

Arab Week at UNESCO to showcase rich culture, heritage

Arab Week at UNESCO to showcase rich culture, heritage
Updated 23 October 2024
Arab News
Follow

Arab Week at UNESCO to showcase rich culture, heritage

Arab Week at UNESCO to showcase rich culture, heritage
  • Event will showcase the diversity of Arab cultural heritage and civilization while promoting intercultural dialogue and cultural development goals
  • Initiative reflects Saudi Arabia’s commitment to global engagement and received unanimous backing from Arab culture ministers at the ALECSO General Conference in May
Updated 23 October 2024
Arab News

RIYADH: Saudi Arabia is organizing the inaugural Arab Week at UNESCO, set for Nov. 4-5 at its Paris headquarters.

This marks the first such event in more than 50 years of Arab-UNESCO relations, the Saudi Press Agency reported on Wednesday.

Supported by all Arab nations, the event will showcase the diversity of Arab cultural heritage and civilization while promoting intercultural dialogue and cultural development goals.

Organizing by Saudi Arabia’s National Commission for Education, Culture and Sciences, the event will highlight the Arab world’s artistic and literary traditions, creating a broad platform for cultural exchange. 

The initiative reflects Saudi Arabia’s commitment to global engagement and received unanimous backing from Arab culture ministers at the ALECSO General Conference in May.

Prince Badr bin Abdullah bin Farhan, minister of culture and chairman of the commission, has led the initiative, positioning Saudi Arabia as a key player in promoting regional and international cultural collaboration.

The program includes a marketplace for Arab cultural products, Arabic calligraphy exhibitions, UNESCO-listed heritage site displays, music, food demonstrations, traditional crafts, and fashion showcases.

Academic activities feature symposiums on novel writing, artificial intelligence, calligraphy, children’s literature, and poetry, alongside competitions and artist displays.

This event enhances Arab culture’s global standing, providing a platform to share its rich heritage and ideas while uniting Arab nations through shared values and contributing to global development.

Topics: UNESCO Saudi Arabia France Prince Badr bin Abdullah bin Farhan ALECSO

Related

Diriyah showcases Saudi heritage at Chinese UNESCO site photos
Saudi Arabia
Diriyah showcases Saudi heritage at Chinese UNESCO site
Jeddah to host ALECSO Executive Council, General Conference meetings
Saudi Arabia
Jeddah to host ALECSO Executive Council, General Conference meetings

Saudi artist Mohammad Alfaraj discusses the ‘poet of visuals’ 

Saudi artist Mohammad Alfaraj discusses the ‘poet of visuals’ 
Updated 18 October 2024
Jean Grogan
Follow

Saudi artist Mohammad Alfaraj discusses the ‘poet of visuals’ 

Saudi artist Mohammad Alfaraj discusses the ‘poet of visuals’ 
  • The Saudi artist discusses his work that is currently on display at Art Basel Paris 
Updated 18 October 2024
Jean Grogan

PARIS: Mohammad Alfaraj was born in the world’s largest desert oasis — Al-Ahsa — in the Eastern Province of Saudi Arabia. He is the son and grandson of date farmers.  

The 31-year-old artist was one of the participating artists in the AlUla Artist Residency in 2021, and is now showing the results of that residency for the first time as part of the “Orbis Tertius” exhibition at the Art Basel Paris international art fair, which opened Oct. 18 in Paris’ newly restored Grand Palais.  

He describes himself as “an artist and a poet — a poet of visuals.” 

“I was talking with one of the other AlUla Residency artists about this, and we agreed that both of us try to encapsulate poems and poetry into objects, poems that you can hold, and touch and feel, and smell,” Alfaraj tells Arab News. 

A still from Alfaraj's 'The Date Fruit of Knowledge.' (Supplied)

His route to becoming an artist wasn’t a straightforward one. He studied Applied Mechanical Engineering at King Fahad University of Petroleum and Minerals in Dhahran. “When I began my studies in 2011, there wasn’t much focus on filmmaking or photography in Saudi, and they were what interested me. But it was beautiful, because understanding how things work and how to build them is a relevant subject for a curious mind. One of my favorite courses was Mechanics of Materials. I learned that everything is alive, even inanimate objects emit a vibration, an energy. I wanted to complete my degree, but also to pursue my career as an artist,” he explains.  

His agricultural background has also inspired his work. 

“Growing up on a farm, it’s deeply ingrained to reuse everything we find around us,” he says. “We don’t call it ecology, we call it resources; there is no waste, no excess, nothing gets thrown away. A bird builds its nest from the things it finds lying around, bits of straw, bits of plastic. I call that ‘honestly built.’” 

'The Last Words of a Tree 2,' currently on show at Art Basel Paris. (Supplied)

A bird is the central focus of one of Alfaraj’s Art Basel installations, “The Date Fruit of Knowledge.” The stop-motion film, with narration over the top, was drawn in the sand of the palm groves of AlUla.  

“It’s the story of a little nightingale who’s trying to get all the knowledge of the world. He’s impatient; he wants everything immediately. Someone tells him the legend, ‘Each palm tree produces one date that holds all the knowledge of the world.’ So he finds a palm tree and eats every single date that it produces to hit that one date. He becomes obsessed, he wants to stop, but he cannot, he’s driven by that greed for knowledge,” Alfaraj says. 

“Finally — finally — he finds the date! And he knows everything, what is, what was, what will be. The problem is, when he knows everything, he knows everything — the good things he cannot enjoy, and the horrific things he cannot change — so this blessing becomes a curse. So the film is about this idea of getting things slowly, with time, and really experiencing the journey of life rather than instantly reaching your destination. Of course, it’s inspired by stories from the Qur’an, religious parables, folklore and mythologies around the world, so everybody can connect with it in some way,” he adds. “The ‘nightingale’ in the film is made out of dates, and he eats so many dates he almost dies. What I want to say by this is that our destruction could be by our own hands, but our salvation could be by our own hands too.”   

Untitled 4, Mohammed Alfaraj, 2023. (Supplied)

The film is presented at Art Basel against a backdrop of Alfaraj’s illustrations, and palm fronds are placed in front of the screen in the shape of a bird’s wings.  

“The paper (for the illustrations) is made from waste palm, the ink is also made from palm leaves, so the whole work is made from things that are normally discarded,” Alfaraj explains. “I like finding objects, collecting them and turning them into sculpture, or finding photographs and landscapes of places I visit and making them into something new. I think that’s awesome — finding, finding and then transforming.”  

Alfaraj still lives in the place he was born, which remains a constant source of inspiration. Last year, he built himself a home on a farm there.  

An installation shot of 'Hand,' from the 'Fossils of Time' series, Mohammed Alfaraj. (Supplied)

“It’s just a simple rectangle with a bedroom and kitchen and a studio where I work. It has a garden with date palms, mulberry trees, fig and lemon trees. I have a couple of chickens too, now.”  

When he travels abroad, he keeps his carbon footprint as low as possible, even if that means staying away from home for months at a time.  

Since the beginning of this year, he has been preparing his next exhibition in Dubai in parallel to Art Basel. He says he told his curator that he wants to be known as “an anti-SS” artist. 

 Mohammed AlFaraj with his work 'From What Bone Will We Grow Back On the First Day of Eternity.' (Supplied)

“It’s a play on words, which I always like. It means I am anti-style and anti-scale, because style and scale do not the drive the work, they are just the façade. The driver of the work should be the heart and the soul — and modesty too, humility. If the work requires a large scale, I’m happy to do that. But there is no reason to make it an objective to itself.” 

Another of his Art Basel installations — from his “Last Words of a Tree” series — is titled “From What Bone Will We Grow Back On the First Day of Eternity?”  

“I’ve used a certain part of a palm tree to make a sculpture that looks like bones, or a fossil, of a creature emerging from the earth,” he says. “I try to believe that with so much sacrifice going on, something great will happen, and hopefully, human glory will emerge; the evil and prejudices eradicated. So, I hope this work serves as an acknowledgement of everything that’s happening, but also contains a certain hope.” 

Topics: Mohammad Alfaraj

Recipes for Success: Chef Robert Stevens offers advice and a roasted cauliflower recipe

Recipes for Success: Chef Robert Stevens offers advice and a roasted cauliflower recipe
Updated 18 October 2024
Shyama Krishna Kumar
Follow

Recipes for Success: Chef Robert Stevens offers advice and a roasted cauliflower recipe

Recipes for Success: Chef Robert Stevens offers advice and a roasted cauliflower recipe
Updated 18 October 2024
Shyama Krishna Kumar

DUBAI: Dubai’s The Nice Guy, the first international outpost of the West Hollywood Italian restaurant known for its “no photos” policy, is a dream-come-true assignment for its head chef, Robert Stevens. 

“My favorite thing about (the job) is for sure the team,” he tells Arab News. “Teamwork makes the dream work. The venue is so beautiful. I love the feeling of walking into the restaurant when the live band is playing and the restaurant is full.” 

Stevens’ introduction to the restaurant industry came in his home country of Finland after he graduated with a culinary diploma from the Turku Vocational Institute.  

Dubai’s The Nice Guy is the first international outpost of the West Hollywood Italian restaurant known for its “no photos” policy. (Supplied)

“My first inspiration to become a chef was foraging and fishing in Finland’s beautiful nature,” he says. 

Here, Stevens talks teamwork, seasoning, and Korean cuisine. 

When you started out what was the most common mistake you made? 

Not properly seasoning my dishes. I often relied too heavily on the final seasoning at the end of cooking instead of adjusting flavors throughout the process. I learned the importance of layering flavors, tasting as I go, and understanding how seasoning interacts with different ingredients. 

(Supplied)

What’s your top tip for amateur chefs? 

Embrace the process and don’t be afraid of making mistakes. Cooking is about experimentation, so if you forget an ingredient or something doesn’t turn out as expected, view it as a learning opportunity. 

What one ingredient can instantly improve any dish?  

Salt. It enhances the natural flavors of ingredients, balances sweetness, and can even elevate textures. 

(Supplied)

What’s the most common mistake/issue that you find in other restaurants? 

A lack of balance in flavors — dishes can be either over-salted or under-seasoned. And inattentive service always detracts from the overall experience. 

What’s your favorite cuisine? 

Korean. I love it for its emphasis on fermentation, which not only adds depth of flavor but also leaves you feeling light and refreshed. The balance of spicy, savory, and umami flavors in dishes like kimchi jjigai and bibimbap is so satisfying. 

(Supplied)

What’s your favorite dish to cook? 

I don’t have a specific favorite dish — I’m inspired by the seasonal produce available. Cooking with fresh, in-season ingredients allows me to create vibrant, flavorful meals that highlight the best of what each season has to offer. 

What’s the most difficult dish for you to get right? 

Risotto is the most difficult. We have a butternut squash risotto on our new brunch menu. Achieving the perfect creamy texture while ensuring the rice is cooked just right can be challenging. It requires constant attention and a delicate balance of adding stock gradually. Despite its simplicity, timing and technique make it a dish that demands focus and precision.  

(Supplied)

What are you like as a head chef? Are you a disciplinarian? Or are you more laid back? 

I lean towards a more laidback style. Having worked in many high-paced kitchens, I prioritize teamwork and trust in my staff. I also emphasize support for mental health, recognizing that hospitality can be a really tough industry. It’s essential for my team to know they have support when they’re feeling down, creating an environment where everyone can thrive. 

CHEF ROBERT’S ROASTED CAULIFLOWER WITH ALMOND AND BROWN BUTTER BURNED LEEK 

(Supplied)

Ingredients per plate: 
-120g roasted cauliflower 
-20gr Butter 
-10 gr Cauliflower shavings 
-2gr Salt 
-1gr Pepper 
-10gr Burned leeks 
-10gr Truffle oil 
-1 portion Almond brown butter puree 
-Mustard cress to garnish 

Plating 
1) Sautee the roasted cauliflower in frying pan until golden. 
2) Baste cauliflower with butter and truffle oil. 
3) Heat up almond brown butter puree. 
4) One table spoon of puree into the plate. 
5) Pile cauliflower on top. 
6) Garnish with shave cauliflower, burned leeks and mustard cress. 
7) Season with Maldon salt and few drops of truffle oil. 

Sub recipes: 
Almond and brown butter puree (2 portion) 
-120gr butter 
-350gr cauliflower 
-150 gr peeled almonds (soaked) 
-60 gr shallots 
-6gr garlic 
-salt to taste 
-100gr vegetable stock 

Method: 
1) Soak almonds overnight in water. 
2) Cook butter until brown and skim off milk. 
3) Cook cauliflower in salted boiling water until soft. 
4) Sweat shallots and garlic in the brown butter until soft. 
5) Blend all ingredients until very smooth. Use pacojet if available. 
6) Season with salt and pepper. 

Burned leeks 
1) Cut the white part of the leeks into 10cm-long pieces and slice into half. 
2) Cook in oven at 250 C until completely burned. 

Roasted cauliflower 
1) Cut cauliflower into half. 
2) Seasoned with salt, pepper, olive oil and thyme . Add 50 ml vegetable stock into container. 
3) Cook in the oven at 180 C covered with aluminum foil for 25 min. 
4) Uncover cauliflower and raise temperature to 220C cook for 15 min until it starts to caramelized and the cauliflower is cooked. 

Topics: Robert Stevens

Latest updates

Veteran editor Othman Al Omeir honored at UK Parliament
Veteran editor Othman Al Omeir honored at UK Parliament
Modi, Spanish PM launch India’s first private military aircraft plant in Gujarat
Modi, Spanish PM launch India’s first private military aircraft plant in Gujarat
Displaced Gazans sew winter clothes from blankets
Displaced Gazans sew winter clothes from blankets
Israeli campaign leaves Lebanese border towns in ruins, satellite images show
Israeli campaign leaves Lebanese border towns in ruins, satellite images show
Palestinians say 100,000 residents trapped in Israel’s north Gaza assault
Palestinians say 100,000 residents trapped in Israel’s north Gaza assault

Search form

Print Edition
Read pdf version Subscribe now
© 2024 SAUDI RESEARCH & PUBLISHING COMPANY, All Rights Reserved And subject to Terms of Use Agreement.