Saudi fashion designer inspires futuristic cultural attire

Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi donned a unique outfit at the Saudi Cup, which he said was inspired by the Al-Soudah mountains in Abha. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a black satin outfit during Riyadh Fashion Week, representing the oil that the Kingdom is famous for. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a look at Saudi Cup 2023 that he imagined Saudi Arabia’s future city-dwellers might wear. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a look at Saudi Cup 2023 that he imagined Saudi Arabia’s future city-dwellers might wear. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a look at Saudi Cup 2023 that he imagined Saudi Arabia’s future city-dwellers might wear. (Supplied)
Special Saudi fashion designer inspires futuristic cultural attire
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Mohammed Al-Jishi wore a look at Saudi Cup 2023 that he imagined Saudi Arabia’s future city-dwellers might wear. (Supplied)
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Updated 29 February 2024
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Saudi fashion designer inspires futuristic cultural attire

Saudi fashion designer inspires futuristic cultural attire
  • Mohammed Al-Jishi is a self-taught fashion designer who uses his experience as an architect to create his own unique and eye-catching outfits
  • Al-Jishi: My background in architecture influences my approaches in creating fashion garments, mostly focusing on innovation, and how clothing interacts with the human body and space

RIYADH: Saudi fashion designer Mohammed Al-Jishi is known for thinking outside the box when it comes to his futuristic cultural designs.

Al-Jishi is a self-taught fashion designer who uses his experience as an architect to create his own unique and eye-catching outfits that draw attention every time he attends a big event.

“My background in architecture influences my approaches in creating fashion garments, mostly focusing on innovation, and how clothing interacts with the human body and space. I tend to think way beyond the box, which results in creating these unique attires,” said Al-Jishi.

Ever since he was a child, he has always been interested in fashion, but due to gender stereotypes in Saudi Arabia, this was only a pipe dream.

“As a young boy, society always related fashion to girls generally, so I wasn’t even allowed to think that I had a shot in the industry.”

However, he believed that getting into architectural studies would open doors for him in other design areas including fashion.

“I made the decision that I am not going to let what others expect from me define who I am. I pursued fashion, I started reading about it, watching fashion shows over and over, it was something I could do without boredom.”

After enrolling in multiple classes to improve his fashion sense, he began creating outfits for himself.

“I moved from the Eastern Province to Riyadh because the chances were higher to prove what I’m capable of doing. I started participating in the big events that are happening in Riyadh and thankfully they were successful experiences.”

Al-Jishi drew media attention to himself during the Saudi Cup by donning a unique outfit, which he claimed was influenced by Al-Soudah mountains in Abha.

“I had a great time in the Aseer region, especially in the city of Al-Soudah, which is famous for its beautiful views and mountains, known as the ‘City of Clouds’ due to its high mountain terrain. It was a great experience, there was one thing missing, that was wings, so I added wings to my outfit which were inspired by the traditional way of wearing the Masnaf. I hope that in the future it will be possible to fly above the clouds in the Abha to enjoy the maximum experience of its beauty,” Al-Jishi told Arab News.

He continued: “Therefore, I used traditional southern attire as a reference for the design and developed a way of wearing them in a futuristic, modern style in line with this year’s theme, the past and the future, In other words, heritage in the future.”

At the last Saudi Cup 2023, Al-Jishi wore a look that he imagined Saudi Arabia’s future city-dwellers might wear. He began to envision the traditional Saudi attire being elevated, and the result was an outfit inspired by the thobe, the mohazam, and the bisht. They have been redesigned to honor Saudi Arabia’s history and to demonstrate how quickly the country is developing.

“My design represents a creation that is traditional but modernized in a futuristic perspective,” said Al-Jishi.

He wore a satin black outfit during Riyadh Fashion Week, representing the black oil that the Kingdom is famous for.

“In this design, oil was used as a reference for inspiration to express its importance and impact on the Kingdom’s economy. Shiny organza fabric was used to symbolize oil and its luster and fluidity. Additionally, a golden belt made of iron was incorporated into the design to add an industrial touch, symbolizing oil as the black gold,” Al-Jishi said.

As for the silhouette, it is a sophisticated dramatic narrative inspired by the thobe chosen to represent and celebrate fashion from the region of the first Saudi state.

Al-Jishi approached the fashion industry with the goal of making a unique piece, which he saw as a challenge.

His attitude to fashion design is influenced by his architectural experience, producing clothes that are not only physically arresting but also take into account the human shape and how it interacts with its surroundings.

“I was initially trained to conceptualize and design buildings, the architecture brings a unique understanding of form and space to their new endeavor. The main approach is to think conceptually and tell a narrative through design that adds depth and meaning to the garment, not just something that looks good,” he said.

“All these designs are the beginning of what is coming,” Al-Jishi added.

He draws inspiration from the Kingdom’s past and portrays it in a futuristic way, which makes his creations stand out. He is now developing his own clothing line.


Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season
Updated 21 December 2024
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Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season

DUBAI: US Palestinian Dutch supermodel Bella Hadid took to Instagram to thank her team and customers for the success of her fragrance label Orabella’s festive Alchemy Library pop-up in New York City.

“The best night at our @orebella Alchemy Library pop-up in NYC! So much love and gratitude to my team & the beautiful humans who showed up to transform @thenednomad into such a warm & intimate space to celebrate the holidays, each other and my favorite sets to date: Our holiday gift boxes,” she wrote on Instagram, along with a carousel of photos from the pop-up.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

In a bid to look the part, Hadid traded in her cowboy Western aesthetic to adopt a more festive look and was photographed outside the pop-up in a red and white ensemble.

The retro look featured a two-toned red cardigan, straight leg blue jeans and a luxe white wool coat. Hadid glammed up the look with strappy red Valentino Garavani Ladycrush heels and statement gold earrings.

The model finished the look with her favorite choice of eyewear, a pair of Bayonetta glasses.

The alcohol-free scents of Orabella, which launched on May 2 this year, were Hadid’s answer to traditional perfumes.

Hadid wrote on her website: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings,” she said. “From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes — both physically and mentally — it became something that was more overwhelming than calming to me,” she added. “That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

She started growing lavender on her farm, walking through the garden every morning and learning about her family’s tradition of making homemade scents. “I realized I might have a calling in this. I found healing, joy and love within nature’s scents,” she said.

“This is why I am so proud of Orebella. It was truly a dream and a passion, that through the universe and authentic dedication, was able to become this brand,” Hadid wrote.


Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa
Updated 21 December 2024
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Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

DUBAI: Saudi designer Honayda Serafi has revealed a holiday greeting card from Jordan’s Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein, which features a family photo of the royal couple and their newborn daughter, Princess Iman.

 “Immensely thankful for God’s many blessings. From our small family that has grown to yours, best wishes for a blessed New Year,” the card reads.

Last year, Serafi designed Saudi-born Princess Rajwa’s pre-wedding henna night gown. For the gown, Serafi took inspiration from the Al-Shaby thobe of the Najd region in Saudi Arabia, where Princess Rajwa’s family is from.  

“The thobe is known for its long sleeves. They’re so long, the sleeves become the veil of the bride’s dress,” said Serafi of the ethereal white gown.

Earlier this month, the couple visited the Seeds of Hope Center in Amman, which specializes in treating speech and language disorders in children and adults.

The royal couple, who welcomed their first child this year, toured the facility, which houses Jordan’s only space designed to provide multi-sensory experiences aimed at promoting relaxation and sensory integration. The visit also included a look at the center’s gym, which is tailored to improve therapy outcomes for patients, the Jordan News Agency reported.

Aya Al-Jazi, the center’s director, briefed the couple on the facility’s services, which include evaluation and treatment of speech, language and voice disorders, as well as support for swallowing difficulties.
 


Shanina Shaik turns heads in Melbourne

Shanina Shaik turns heads in Melbourne
Updated 16 December 2024
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Shanina Shaik turns heads in Melbourne

Shanina Shaik turns heads in Melbourne

DUBAI: Part-Arab model Shanina Shaik turned heads in sculptural bubble dress at the National Gallery of Victoria Gala this weekend in Melbourne, Australia.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — made headlines for her unique dress, which she showed off at the opening of the gallery’s landmark Yayoi Kusama exhibition.

The tartan gown was created by emerging Melbourne-based designer Jarrod Reid. It featured puffed sleeves, eyelets down the front, and what looked like two inflated rings on top of each other at the hem.

The model told Mercedes-Benz in a video clip that the gown was “inspired by Scottish folklore.”

Featuring 200 works and spanning the 80-year career of the iconic Japanese artist, the exhibition includes sculpture, painting, collage, fashion and films, as well as the global premiere of Kusama’s new infinity mirror room artwork titled “My Heart is Filled to the Brim with Sparkling Light.”

The exhibition also includes the Australian debut of “Dancing Pumpkin,” 2020, a five-meter-tall yellow-and-black polka-dotted sculpture.

“Do you mind if I brag?” Wayne Crothers, the NGV’s senior curator of Asian art, told The Guardian in an interview regarding the show’s scale and artworks. While there have been other shows by the artist staged with “about 20 or 30 more works,” this is the biggest ever in terms of scale, the newspaper reported.

The 95-year-old artist is one of the world's most celebrated living creatives — she has her own five-storey gallery in Tokyo and is arguably as recognizable as her work. A giant inflatable sculpture of her was recently perched on the side of Louis Vuitton’s flagship store in Paris.

Shaik told Mercedes-Benz in the sponsored video that she is looking forward to taking her son Zai Adesuyan Matthew, whom she shares with partner Matthew Adesuyan, to the show.

In May, the model took part in her first International Mother’s Day campaign with her toddler, who was born in September 2022.

“Motherhood has changed me in so many ways… it’s definitely created more patience,” Shaik joked in the video campaign that she shared with her 3.4 million followers on Instagram.

“Now that I’m a mother, I would like to say to my mother, ‘I understand.’ I understand the worry, the concern, because you just want to protect your child every day at all costs,” she added.

 


Dua Lipa shows off Amina Muaddi heels in New York

Dua Lipa shows off Amina Muaddi heels in New York
Updated 15 December 2024
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Dua Lipa shows off Amina Muaddi heels in New York

Dua Lipa shows off Amina Muaddi heels in New York

DUBAI: British pop superstar Dua Lipa showed off heels by Jordanian Romanian footwear designer Amina Muaddi in New York in a look put together by celebrity stylist Jahleel Weaver.

A long-time stylist for Rihanna, who collaborated with Muaddi on a Fenty shoe collection in 2020, Weaver opted for the designer’s Ursina Pump for songstress Lipa.

Lipa showed off the heels during an appearance on “The Late Show With Stephen Colbert” that will air on Sunday night in the US.

British pop superstar Dua Lipa showed off heels by Jordanian Romanian footwear designer Amina Muaddi. (Getty Images)

The pop star is currently in the middle of the “Radical Optimism Tour,” which kicked off in Singapore in November before she wrapped the Asian leg of the world tour with a show in Seoul, Korea, on Dec. 5.  

There are 68 shows already on the schedule and Lipa will next head to Australia in March.

For her part, Muaddi is busy promoting her winter season collection. The designer’s latest collection, titled Drop 24/25, launched in October. In early December, she used Instagram to promote winter-friendly shoes including the Veneda stretch boot, the Anok bootie and the Lila slipper.

Since launching her eponymous footwear line in August 2018, Muaddi has attracted a loyal following of celebrities including Gigi Hadid, Kylie Jenner and Hailey Bieber. Her brand, known for its distinctive footwear, bags and jewelry, has quickly become a favorite among the fashion elite.

Since the launch, Muaddi has enjoyed a series of successful events, notably her collaboration with Rihanna’s Fenty collection. Their partnership earned the Collaborator of the Year award at the 34th FN Achievement Awards in 2020.

A year later, Muaddi’s influence and success were further recognized when she was named one of Women’s Wear Daily and Footwear News’ 50 Most Powerful Women.


Arwa Al-Banawi: ‘I always want women to feel comfortable, cool and confident’ 

Arwa Al-Banawi: ‘I always want women to feel comfortable, cool and confident’ 
Updated 05 December 2024
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Arwa Al-Banawi: ‘I always want women to feel comfortable, cool and confident’ 

Arwa Al-Banawi: ‘I always want women to feel comfortable, cool and confident’ 

DUBAI: Every young designer today who decides to go it alone with their own label must perfect a sort of solo high-wire act where the only way to look is forward. They must juggle cultural relevance, craft, representation, community and sustainability, and, all the while, create clothes that are not only covetable but actually say something about the world.  

Since launching her eponymous label in 2015, Saudi designer Arwa Al-Banawi has navigated these pitfalls with flair and remains one of the Kingdom’s most exciting design talents. Now rebranded as the shorter, chicer, ARWÁ, Al-Banawi is preparing for her second act. 

Arwa Al-Banawi launched her eponymous label in 2015. (Supplied)

“I always had this in mind,” she says of the pivot, “that after a period of time and after the brand had developed, to make the name shorter and of course more recognizable internationally.” In addition to the new name, there’s a slick new e-commerce site and a collection of day-to-evening separates with permanent appeal, brought to life by a vibrant campaign featuring 70-year-old Swiss model Gabriela Rickli-Gerster.  

The Al-Banawi hallmarks are all still there: exceptional tailoring, elegant cuts with a contemporary edge for modest dressing, messages of female empowerment, styling versatility and timeless design. This is not a reinvention but rather a reemergence and refinement of her vision. 

“I always want women to feel comfortable, cool and confident, even when they are dressed conservatively — that’s why I love what I do and it has always been one of the main aesthetics of the brand. Especially for me, as an Arab designer who also likes to dress that way, it’s something important to deliver in the offerings.” 

Born and raised in Jeddah, Al-Banawi “travelled a lot from a young age,” visiting family and vacationing in Europe – specifically Switzerland and Germany – which she credits as helping to shape the “eclectic East and West style” of her brand. But what put fashion on her radar in the first place?  

“I have to say that’s really because of my parents,” she says. “They are very into art and have a beautiful, authentic sense of style…My mom collected Vogue from back in the 80s and still has this insane library of fashion magazines. I grew up naturally learning about all the historical fashion houses and feeling the fabrics in her closet.” 

It’s hard not to attach meaning and emotional weight to clothing; what you wear not only reflects who you are and how you carry yourself, but also who you want to be — and no one understands this nuance better than women’s designers like Al-Banawi. Yes, there are feather trims, form-fitting maxi dresses and shimmering kaftans (a nod to her “graceful” mother) but there is also relaxed suiting, belted blazers and a monochrome trench coat with Arabic calligraphy on the lapel (inspired by her father and his love of sharp tailoring). Her approach is thoughtful, with attention to detail — versatile lengths, materials and colors – —that transcend demographics while mirroring the multifaceted and unique perspectives of women navigating the modern world. 

“You have to be in touch with your instincts as a creative because it is a very emotional experience,” says Al-Banawi, who lets her autobiography lead. “Inspiration can come from anywhere. For me, the concept is simply to be creative, to have fun. Fashion is really just the medium where I found myself most connected and able to share my story.” 

Much of the beauty industry is built on inspiring insecurity in consumers. It is worth billions worldwide and a big chunk of that is spent in the region, where perfectionism and high glamor are revered. Given the ubiquity of anti-ageing propaganda, it’s refreshing — encouraging even — to see Rickli-Gerster in Al-Banawi’s campaign visuals.  

“When I hear terms like ‘dress your age’ when women get older…what does that even mean?! I really don’t like that,” Al-Banawi says. “The message with the campaign is to show that confidence has no age limit — it’s something you have to celebrate within yourself. I know how it feels when you put something on and you feel immediately transformed… empowered, strong, beautiful — you feel like you can do anything.” 

Running an independent brand today is like being a musician and also owning the record label. To survive, you must be adaptable and incredibly self-aware, knowing that what you are producing is just as much a business as it is a creative project.  

“At the beginning, most founders are also the CEO of their company…half-business, half-creative,” says Al-Banawi, adding that her father encouraged her to complete her degree in finance before entering the fashion world full-time. “His way of thinking was that school will not teach you to be creative — that’s already part of you — but it will teach you the skills to perform in the profession that you want. I’m very grateful for that.”  

Her education has served her well, with a savvy business model that focuses on sustainable production values and limited supplies of seasonless investment pieces. She currently produces one or two main collections each year and two smaller drops to coincide with Ramadan and the summer season, eschewing the international calendar (like many of her regional peers) in favor of a strategy that complements both her goals and the needs of her customers.  

What works in the West isn’t necessarily relevant or reflective of the varied infrastructures or medley of cultures that currently exists across the Arab world. There have been various attempts at regional fashion weeks since the mid-noughties, some with more success than others. But ultimately what these events revealed was that without a healthy backbone — proper programming, guidance from industry leaders and intelligent investment at grassroots level in the nurturing of design communities — they couldn’t gain the trust or support of the designers they intended to serve. 

Burak Çakmak, the CEO of Saudi Arabia’s Fashion Commission, is attempting to change the narrative. In June 2021, he spearheaded the launch of the Saudi 100 Brands initiative, an annual, year-long development strategy for emerging local designers, educating them on everything required to grow a brand from the ground up with infrastructural support on Saudi soil. And last year saw the launch of Riyadh Fashion Week, where Al-Banawi showed her latest line. 

“At the moment it makes sense for me to present once a year — to show the vibe of the brand, connect with customers and the press — and when I do, it would be in Riyadh,” Al-Banawi says, remarking on how far the country has come in building a credible fashion industry. “The talent has always been there,” she says, “but what the Fashion Commission is doing is incredible and I know more designers will keep coming through every year…like us, they are telling the story of Saudi, its rich culture and heritage, through their brands — we’re all very proud.”