‘The New Look’: Apple TV+ explores Dior-Chanel rivalry with flair
Updated 22 February 2024
Gautaman Bhaskaran
CHENNAI: Apple TV+ offering “The New Look” features a lot style and sheen in the 10-part series as it explores the rivalry between Coco Chanel (Juliet Binoche) and Christian Dior (Ben Mendelsohn) in wartime France and later.
In one scene that encapsulates the friction between the pair, Chanel, who is trying to come back at the age of 70 after an eight-year exile, rages about Dior: “You think Dior is fashion? His designs are extravagant – I have no time for extravagance … the dress shouldn’t wear the woman, the woman should wear the dress.”
“Dior ruined French couture and I’m coming back to save it,” she says with great flourish.
“The New Look” is superbly fictionalized and created by Todd A. Kessler. It has less of a focus on fashion than one might expect and more screentime is dedicated to the tension that engulfs the two pioneers in the world of haute couture. We learn how Chanel and Dior survived the dark and depressing days of the war: There is even a full episode on how the Third Reich asked Chanel to carry a message to British Prime Minister Winston Churchill, possibly to broker a peace accord. On the other hand, Dior played it cool and saved himself from brutal criticism by stating that he was merely carrying out the orders of his boss, Lucien Lelong (John Malkovich with an amusing wig).
The work is well-paced, exciting and lovely to look at. The gowns are simply divine and the colors magnificently lush while the performances are first class. Binoche conveys the acidity and wit of Chanel, and Mendelsohn carefully treads the line trying to make Dior a gentleman, soft spoken, cultured and exceedingly well mannered. The script though is not couture, not quite, but it is still a pleasure to watch.
Arthouse cinema opening soon in the heart of Saudi Arabia
Faisal Baltyuor discusses the launch of his passion project, Cinehouse
Updated 26 September 2024
Jasmine Bager
RIYADH: “I created Cinehouse because I wanted it for myself,” Saudi film producer Faisal Baltyuor tells Arab News from his headquarters in Riyadh. In October, Baltyuor is opening what he’s billing as the first arthouse cinema in the Kingdom.
Baltyuor — a film buff hailing from the Eastern Province — has been involved in some of Saudi Arabia’s most successful titles, including critically-acclaimed Netflix hits. But Cinehouse is more than just a business venture; it’s a passion project, designed to foster the kind of creative and immersive environment he himself would want to experience.
“Having it in Riyadh, the capital and the heart of the country, was important,” Baltyuor states. His focus, he says, is on building a thriving hub for filmmakers, and making it a go-to destination for those “coming from anywhere in Riyadh — even from the airport.”
Cinehouse’s first screening will be a never-before-publicly-shown 1975 documentary, “Development of Riyadh City,” by Saudi director Abdullah Al-Muheisen. To screen a documentary about Riyadh in Riyadh was a deliberate choice on Baltyuor’s part.
Hiring and nurturing Saudi talent is also a key pillar of the Cinehouse vision. The venue has committed to supporting local professionals across various roles from cinema staff to truly understanding the distinct Saudi audience, in order to ensure that Cinehouse remains a space where local talent is both celebrated and developed.
“We wanted to create a place that feels like home, while showcasing the best of Saudi talent in both cinema and dining,” Baltyuor says. It’s all in the name. But, he adds, “It’s not just putting a chair and watching a movie.” It is, quite literally, about the bigger picture.
Cinehouse is equipped with three screening rooms, all designed to provide an intimate setting. The Dolby Atmos sound system in each is state-of-the-art. In addition to the high-end cinematic environment, Cinehouse features a menu created by a Saudi chef.
“We’re creating a space where people feel like they belong,” Baltyuor says.
Baltyuor has a team of five trusted members who will select the films to be screened each month. Cinehouse will always include a local Saudi and Middle Eastern entry as well as top films from around the world. October’s films include Jonathan Glazer’s “The Zone of Interest,” Ryoo Seung-wan’s “The Executioner,” Aki Karuismaki’s “Fallen Leaves,” and Yemeni director Amr Gamal’s “The Burdened.”
FAISAL BALTYUOR’S FIVE MUST-SEE MOVIES
‘The Godfather’
I don't think there’s a single person who doesn't know how the great director Frances Ford Coppola, with this film, influenced lovers of artistic cinema — to the point that it turned into a cinematic icon that was, and still is, high up the lists of the best films in history.
‘The Shawshank Redemption’
What I love most about this cinematic masterpiece is that it’s an ordinary story about hope, which the little-known director Frank Darabont transformed into a great film. Could Stephen King have imagined, when he wrote “Rita Hayworth and Shawshank Redemption,” what it would become? I don't know. But, as Andy Dufresne says: “Remember, Red, hope is a good thing. Maybe the best of things, and no good thing ever dies.”
‘Inception’
Christopher Nolan’s visual world — which revolves around memory, mind and the nature of the human psyche — always aims to explore topics within the framework of a social-philosophical plot in an attempt to reach the truth of man, time and identity in an artistic way. In this film, he took inspiration from the architectural compositions of the works of the Dutch artist M. C. Escher.
‘Past Lives’
In South Korean culture, the concept of In-Yun is one similar to fate, which suggests that nothing is coincidental and every single meeting is mainly the result of meetings that happened in previous lives. That’s what’s at the heart of Celine Song’s romantic drama.
‘Ratatouille’
This is a must-see because Pixar, and even Walt Disney Pictures, have not yet produced a better film than this animation in all its aspects — the story, the imagery, the technology, and the acoustics.
Review: Marvel’s “Agatha All Along” — a creepy, kooky and fantastic miniseries
Kathryn Hahn returns as titular witch and Marvel returns to form
Updated 26 September 2024
Matt Ross
DUBAI: Whisper it, but there are signs that Marvel is coming out of its post-“Avengers: Endgame” slump. After a string of movies and shows that boasted more misses than hits, the recent “Deadpool & Wolverine” not only joked about the dip in output quality over the last couple of years, but has gone some way towards showing there may be life in the comic-book behemoth yet. So the pressure is certainly on “Agatha All Along”, the latest miniseries to hit the Disney+ streaming service.
A spinoff from the excellent “WandaVision,” the show sees Kathryn Hahn reprise her role as the villainous Agatha Harkness. Still trapped in smalltown America, and stripped of her magical powers, Agatha is released from the last vestiges of Wanda Maximoff’s spell by a teenage kid (“Heartstopper” star Joe Locke). Realizing she needs to walk the legendary Witches Road in order to reclaim her powers, Agatha sets about building a new witches coven to help her.
The show’s secret weapon is Hahn. Slipping effortlessly back into the role, she’s all snark and sass as she reluctantly admits that she can’t get her powers back without the help of her new coven family. Perhaps taking inspiration from the success of “WandaVision,” creator and showrunner Jac Shaeffer leans into the weird, fourth wall-breaking silliness — a true crime detective show spell Agatha gets stuck in is “based on the Danish series Wandavisdysen.” On top of that, a raft of new characters led by Locke, Patti LuPone as a Sicilian witch, returning star Debra Jo Rupp, and Aubrey Plaza (stealing the first two episodes at least with her role as a warrior witch) give Hahn the perfect foils to explore Agatha’s backstory.
Marvel shows, on the small screen at least, tend to be at their best when they tell intricate, thought-out stories about weird and wonderful worlds, sidestepping some of that grandiose, world-ending pomp typical of the MCU movies. With “Agatha All Along” — and more specifically, with Hahn leading such a great ensemble cast — Marvel might very well be back to winning ways.
Coldplay add second and third dates to 2025 Abu Dhabi concert
Palestinian-Chilean artist Elyanna will open for the band in the Emirati capital
Updated 25 September 2024
Arab News
DUBAI: While fans across the UAE scramble to get tickets to Coldplay’s Abu Dhabi concert in January 2025, the band has added another two dates to their trip to the UAE.
The British band are now set to bring their hugely successful “Music of the Spheres World Tour” to Zayed Sports City Stadium on Jan. 11 as well as Jan. 12 and Jan. 14, it was announced on Wednesday.
Palestinian-Chilean artist Elyanna will open for the band.
The 22-year-old has been a frequent collaborator of the group this year, joining the band on stage at their Glastonbury set. Last week, she released the Arabic edition of the band's new song “We Pray.” On Saturday, she performed with Coldplay in Las Vegas.
Promoters Live Nation Middle East confirmed Abu Dhabi will be the only stop in the region for the band.
Lebanese celebrities and entrepreneurs speak out for Lebanon
Updated 25 September 2024
Arab News
DUBAI: Amid the ongoing Israeli assault on Lebanon, Lebanese celebrities and entrepreneurs including Razane Jammal, Karen Wazen and Jessica Kahawaty have taken to social media to raise awareness and express their concerns.
British Lebanese actress Jammal, who played Lyta Hall in the 2022 Netflix adaptation of Neil Gaiman’s “The Sandman,” took to Instagram to share a piece of art that depicted a bleeding heart on a stamp of Lebanon, captioning the post, “No words. Just bleeding.”
She also posted a video from an earlier interview with Elle Arabia where she talks about the resilience of Lebanese people. She captioned the post with a quote from her interview, “I really have hope for us. I know it’s very dark, but I have hope for my people, and I have hope for my country. There is no other way… life is hope.”
Dubai-based Lebanese influencer and entrepreneur Karen Wazen also took to Instagram to share a lengthy statement.
“From the moment we were born, war has been a reality,” she wrote. “Being Lebanese means distinguishing the sounds of an explosion, from the roar of fighter jets, the crackle of fireworks, and the breaking of sound barriers.
“Do not normalize Lebanese’ suffering. Despite our strength, we are not okay, and should not be okay,” she continued. “Do not normalize forced displacement, war crimes and human rights violations.
“Today we are all Lebanese, we are all victims of injustice, dirty politics, terrorism, racism and impunity… until when?”
Australian Lebanese model and entrepreneur Kahawaty took to Instagram to address her more than 1.5 million followers.
“For my non-Lebanese friends, I want to tell you a little story about Lebanon. It is a small country, only 10,452 km squared which is roughly the size of New York or Tokyo. A whole country, the size of one of these popular cities. For as long as I can remember and for many years before my arrival to this world, Lebanon has been a pawn in a greater fight. My country hasn’t known peace… ever,” she began.
“I ask you all to pray for Lebanon. Our people are suffering immensely, and our hearts are broken,” she added, as she requested readers to listen to her all-time favourite excerpts of a speech by American political scientist, Michael Parenti, which she posted on social media. “This is relevant to not just Lebanon but so many countries in the world subject to the evils of… you know who.”
The speech slammed former colonial powers, saying “poor countries are not ‘under-developed,’ they are over-exploited.”
Saudi-backed Johnny Depp film gets standing ovation at San Sebastian
Updated 25 September 2024
Arab News
DUBAI: The cast of Johnny Depp-helmed “Modi – Three Days on the Wing of Madness” took to the San Sebastian Film Festival red carpet in Spain on Tuesday night to usher in the star’s second directorial feature.
The film was supported by Saudi Arabia’s Red Sea Film Foundation through its Red Sea International Film Financing initiative.
Red Sea Film Foundation Managing Director Shivani Pandya, Saudi film producer Mohammed Al-Turki — who was previously the CEO of the Red Sea Film Festival — Depp, and stars Riccardo Scamarcio, Antonia Desplat, Bruno Gouery, Ryan McParland and Luisa Ranieri attended the premiere.
The period flick debuted out of competition in San Sebastian where it earned a long standing ovation, according to The Hollywood Reporter.
“Modi” is Depp’s second directorial effort and comes 27 years after “The Brave,” his debut film as a director. Described as a “seventy-two-hour whirlwind in the life of bohemian artist Amedeo Modigliani,” the film follows the artist through a chaotic series of events through the streets of war-time Paris in 1916.
At the press conference ahead of the screening, Depp revealed that co-star Al Pacino advised him to helm the movie. “I got a very strange phone call from Al Pacino who said ‘Do remember this Modigliani project?’ and he said I should direct it,” Depp said, according to Deadline.
“For some reason, Al saw me driving this strange machine. And when Pacino speaks, you listen, so I ran with it. But I had no idea what it would be until the pieces of the puzzle came together.”
