Saudi writer among six authors shortlisted for International Prize for Arabic Fiction

Special Saudi writer among six authors shortlisted for International Prize for Arabic Fiction
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The International Prize for Arabic Fiction (IPAF) judging panel: Fleur Montanaro, Mohamed Shoair, Sonia Nimr, Frantisek Ondras and Yasir Suleiman. (Supplied)
Special Saudi writer among six authors shortlisted for International Prize for Arabic Fiction
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International Prize for Arabic Fiction (IPAF) judges Fleur Montanaro and Mohamed Shoair answer questions after a press conference, Mohamed Bin Salman Nonprofit City, Riyadh. (Supplied)
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Updated 14 February 2024
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Saudi writer among six authors shortlisted for International Prize for Arabic Fiction

Saudi writer among six authors shortlisted for International Prize for Arabic Fiction
  • The list also includes writers from Palestine, Egypt, Syria and Morocco; the winner will be revealed on at an event on April 28
  • One of the shorlisted authors, Palestinian Basim Khandaqji, has been locked up in an Israeli jail since 2004 

RIYADH: Six novels have been shortlisted for the 2024 International Prize for Arabic Fiction, the winner of which will be revealed during a ceremony on April 28 in Abu Dhabi.

The chosen works are: “Bahbel: Makkah Multiverse 1945-2009” by Saudi author Raja Alem; “Gambling on the Honor of Lady Mitsy” by Ahmed Al-Morsi from Egypt; “The Seventh Heaven of Jerusalem” by Palestinian writer Osama Al-Eissa; “A Mask, the Color of the Sky” by Basim Khandaqji, who is also Palestinian; “Suleima’s Ring” by Rima Bali from Syria; and “The Mosaicist” by Moroccan author Eissa Nasiri.

Nabil Suleiman, chairperson of the 2024 judging panel, announced the nominated titles in Riyadh on Wednesday. He was joined by other members of the jury, including: Hammour Ziada, a Sudanese writer and journalist; Sonia Nimr, a Palestinian writer, researcher and academic; Frantisek Ondras, a Czech academic and translator; Mohammed Shoair, an Egyptian critic and journalist; Yasir Suleiman, the chair of the event’s board of trustees; and Fleur Montanaro, the prize’s administrator. The competition is organized in collaboration with the Literature, Publishing and Translation Commission.

“This is the first time in the history of the prize that a novel from (literally) behind the walls of an Israeli jail reaches out to readers on the other side,” said Yasir Suleiman.

He was referring to Basim Khandaqji, who was imprisoned in 2004 at the age of 21. According to a biography of the writer on the contest’s website, while in jail he registered with Al-Quds University and completed a course in political science, which included a thesis on Israeli studies.

In an interview with the organizers of the competition last month, the author’s brother, Youssef, said: “He based his (shortlisted) novel on his reading of research and studies about Palestinian history, including eyewitness accounts of some of the prisoners inside and outside prisons, especially the Palestinians living inside Israel.

“He is currently a prisoner inside the Israeli colonial occupier prisons, and there has been no means of communicating with him for the past four months. We hope and pray that he will be released as soon as possible.”

Yasir Suleiman said the shortlisted works “dig deep into the past to excavate the present” and cover “a variety of narratives of places, times and demography.” The books explore diverse themes, he added, including “the bond of the ancient past, with its intertwined paths, with a present crashing on its beaches with grinding waves of fragmentation, spaces of vanishing hopes in worlds that overstate what has come together.”

Nabil Suleiman said: “The narratives on this list are characterized by in-depth fictional digging in history, in such a way that the recent and distant past intertwine with the present and the future, and in which various civilizations, human creations and conflicts interact as well.”

The specific themes of the novels include the experience of war, breakdown of the family, questions of identity, oppression, cruelty, and the individual and collective human longing for freedom and justice. he added.

“Their rich creative worlds are not limited to their localities but span the globe, highlighting common struggles,” he said. “Their visions and aesthetic expressions are diverse, tinged with self-awareness and imaginative verve.”

Shoair, the judging panel member, told Arab News that Arabic novels are experiencing a period of diversity in terms of styles, use of language, and other techniques.

“Many Arab novelists are interested in history as a forward-looking, imaginative adventure to create a new and distinctive fictional form,” he said.

Organizers of the International Prize for Arabic Fiction say the aim of the competition is to reward excellence in contemporary Arabic literature and grow the global audience for it by translating and publishing shortlisted works in other languages. Each of the shortlisted writers receive a $10,000 award, and the winner gets a $50,000 prize.

The English translation of the winning novel in 2022, “Bread on Uncle Milad’s Table” by Mohammed Alnaas, will be published this year.


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings
Updated 06 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings
  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Saudi artist breaks from signature style with ‘W’ard’ exhibition
Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

Saudi artist breaks from signature style with ‘W’ard’ exhibition
  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh
Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh
  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air
Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air
  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years
Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years
  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.