British explorer Sir Ranulph Fiennes on his new book ‘Lawrence of Arabia’

British explorer Sir Ranulph Fiennes on his new book ‘Lawrence of Arabia’
Renowned British explorer, travel writer, expedition leader and former soldier Sir Ranulph Fiennes has lived his life on the edge. (Supplied)
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Updated 14 February 2024
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British explorer Sir Ranulph Fiennes on his new book ‘Lawrence of Arabia’

British explorer Sir Ranulph Fiennes on his new book ‘Lawrence of Arabia’
  • The British explorer talks to Arab News about the parallels between his life and that of T.E. Lawrence, and his own time in the Arab world 

DUBAI: The renowned British explorer, travel writer, expedition leader and former soldier Sir Ranulph Fiennes has lived his life on the edge. He was the first to cross Antarctica on foot and reportedly the only person to set foot on both the North and South Poles.  

Since he started his travels back in 1967, when he was in his early twenties, Fiennes has seen it all, including the great mountains Kilimanjaro, Everest and Elbrus, the latter being the highest mountain in Europe. So, where has this drive come from?  

“It’s called DNA,” Fiennes tells Arab News. “My dad was killed in the Second World War, four months before I was born. My mum told me all about him. He’d been wounded so many times. He was in command of the greatest British tank regiment of the time and all I wanted to do, as I grew up, was to get into the British army and then become a colonel like dad. But I only reached the rank of captain.”  

After exploring cold climates, Fiennes decided to head into “the great heat,” just like one of his heroes — the British archaeologist and intelligence officer T.E. Lawrence, famously known as Lawrence of Arabia — did.  




An undated portrait of Sir Thomas Edward Lawrence, known as Lawrence of Arabia. (AFP)

Lawrence had a reputation for being a friend to the Arabs who were seeking autonomy from ruling Turks during the centuries-long Ottoman Empire. During World War One, he famously led bold military raids with Arab tribesmen in the great Arab Revolt. Like Lawrence, who died in 1935 at the age of 46, Fiennes was also involved in strategic military action in the Gulf, specifically Oman. In the late Sixties, he captained Arab troops in the Dhofar Rebellion, fighting against the Marxist threat.  

“I saw an advertisement from the Sultan of Oman for a two-and-a-half year posting and I put my name in immediately and was accepted,” he recalls.   




Ranulph Fiennes (front, center) with recce platoon in Dhofar 1968. (Supplied)

Fiennes has recently written a biography of Lawrence, in which he also offers his own perspective of battle. Lawrence’s story of the harsh heat of the desert has always resonated with Fiennes.  

“When I went out (to Oman), I had a copy of one of Lawrence’s books with me and I really felt more about him than any other person that I’d read about,” he says.  

Fiennes also explains in the book that “it was only after treading in his footsteps and embarking on similar adventures that I realized the man’s true greatness. . .  While there are some interesting parallels between us, I’ve often found that he is a man without equal. His adventures in the desert were enough to stir the blood.”  

Lawrence’s life of adventure began with a difficult childhood. He was reportedly abused by his mother. But his intelligence and maturity shone through from an early age.  

“It was said that he could recite the alphabet by the age of three, while he could also read the newspaper upside down before he was five. He became fascinated by military history, devouring all manner of books on the subject, including all thirty-two volumes of Napoleon’s correspondence,” according to Fiennes.  




Ranulph Fiennes (right) in Oman in the late 1960s. (Supplied) 

After studying history at Oxford University, Lawrence visited the Arab world for the first time in 1909, and it left a lasting impression on him. A few years later, he performed archaeological work in Carchemish in northern Syria.  

Lawrence was fluent in Arabic, friendly and approachable, developing a bond with Arab communities, as well as offering them medical assistance. Fiennes says that the man fit right in.  

“I came out with the definite opinion that he did love working with those particular Arabs and I loved working with the Arabs in a military situation, like he was. His actions made a great difference to the whole fight against the Ottoman Empire. He got on very well with the key guys, like Feisal. I don’t think you could have had a better person — Muslim or non-Muslim — than him in every way,” notes Fiennes. 

The ‘Feisal’ that Fiennes is talking about is Prince Feisal Bin Al-Hussein, the son of the Grand Sharif of Makkah. The prince was the leader of the revolt, and a close ally of Lawrence.  

“I felt at first glance that this was the man I had come to Arabia to seek, the leader who would bring the Arab Revolt to full glory,” Lawrence once wrote of the prince in his memoir, “Seven Pillars of Wisdom.”  

Between 1916 and 1918, the revolt galvanized Lawrence and Arab troops to attack Turkish-heavy locations in modern-day Syria and Jordan, notably the Hejaz Railway and the Aqaba fort. There was a lot of marching in the desert for miles on end, an intense task which tested Lawrence.  

“He was a very hardy guy,” says Fiennes. “He could put up with discomfort an awful lot. On one occasion, when he was leading an attack, he shot his own camel as he charged and fell off. He managed to just get back on again and carry on. That was just one of many examples of his hardiness. It’s not normal to start camel travel with a gun. You normally do it slowly and learn to get comfortable on board a camel.”  

Aside from setting foot in Damascus and Aleppo, Lawrence also stayed in modern-day Saudi Arabia. His traditional two-story house in the city of Yanbu, located on the Red Sea, still stands today. It was recently renovated to attract visitors and history enthusiasts.  

Victory for the Arab Revolt turned sour when the winners of the First World War — Britain and France, among other nations — unveiled their own plans for controlling the Levant, going against Lawrence’s promise that the Arabs would have the right to self-rule.  

“He felt terribly guilty that the Brits would take over, like the French and sometimes the Russians, instead of handing it straight over,” says Fiennes. “Unfortunately, he was not in as important a position as those people who wanted the French and Brits to divide Arabia between them.”  

When the disappointed Lawrence returned to England, he kept a low profile. “He was very honest about his own view of himself. He didn’t want to be famous or infamous. He just wanted to disappear,” says Fiennes.   

Nearly five decades have passed since Fiennes’ days in Oman, but despite the fact that he and his men were in a situation where life could be snatched away at any moment, he has many fond memories.  

“I am very lucky to have had such a wonderful time with many Arab soldiers in Oman,” he says. “Many things that were in Lawrence’s book remind me of the happy times — all the nights sitting around the fire, joking and laughing — with those soldiers in the desert.” 


Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli
Updated 22 December 2024
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Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.

Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.

The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.

“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.

Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.


Georgina Rodriguez visits Dior exhibition in Riyadh

Georgina Rodriguez visits Dior exhibition in Riyadh
Updated 22 December 2024
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Georgina Rodriguez visits Dior exhibition in Riyadh

Georgina Rodriguez visits Dior exhibition in Riyadh

DUBAI: Argentine model Georgina Rodriguez visited an exhibition celebrating the life and work of fashion designer Christian Dior at the National Museum of Saudi Arabia in Riyadh this weekend.

The Riyadh-based model, who is the long-term partner of football star Cristiano Ronaldo, took to Instagram to share insights about the exhibit, which is running as part of this year’s Riyadh Season.

“Highly recommend to immerse yourself in the ‘Christian Dior: Designer of Dreams’ exhibition in Riyadh. A magical journey through the history of haute couture, showcasing the works of art by visionary designers for 75 years (sic),” Rodriguez captioned a short clip on Instagram.

“Christian Dior: Designer of Dreams” is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.

The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.

Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.

British milliner Stephen Jones, one of Dior’s master creators, was heavily involved in the creation of the exhibition.

“When we were installing the hats, some of the looks I remembered, some I didn't. But many have never been shown before, so it sometimes feels like I’m seeing them for the first time,” Jones told Arab News earlier this month.


Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season
Updated 21 December 2024
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Bella Hadid promotes Orabella for festive season

Bella Hadid promotes Orabella for festive season

DUBAI: US Palestinian Dutch supermodel Bella Hadid took to Instagram to thank her team and customers for the success of her fragrance label Orabella’s festive Alchemy Library pop-up in New York City.

“The best night at our @orebella Alchemy Library pop-up in NYC! So much love and gratitude to my team & the beautiful humans who showed up to transform @thenednomad into such a warm & intimate space to celebrate the holidays, each other and my favorite sets to date: Our holiday gift boxes,” she wrote on Instagram, along with a carousel of photos from the pop-up.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

In a bid to look the part, Hadid traded in her cowboy Western aesthetic to adopt a more festive look and was photographed outside the pop-up in a red and white ensemble.

The retro look featured a two-toned red cardigan, straight leg blue jeans and a luxe white wool coat. Hadid glammed up the look with strappy red Valentino Garavani Ladycrush heels and statement gold earrings.

The model finished the look with her favorite choice of eyewear, a pair of Bayonetta glasses.

The alcohol-free scents of Orabella, which launched on May 2 this year, were Hadid’s answer to traditional perfumes.

Hadid wrote on her website: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings,” she said. “From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes — both physically and mentally — it became something that was more overwhelming than calming to me,” she added. “That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

She started growing lavender on her farm, walking through the garden every morning and learning about her family’s tradition of making homemade scents. “I realized I might have a calling in this. I found healing, joy and love within nature’s scents,” she said.

“This is why I am so proud of Orebella. It was truly a dream and a passion, that through the universe and authentic dedication, was able to become this brand,” Hadid wrote.


Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa
Updated 21 December 2024
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Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

DUBAI: Saudi designer Honayda Serafi has revealed a holiday greeting card from Jordan’s Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein, which features a family photo of the royal couple and their newborn daughter, Princess Iman.

 “Immensely thankful for God’s many blessings. From our small family that has grown to yours, best wishes for a blessed New Year,” the card reads.

Last year, Serafi designed Saudi-born Princess Rajwa’s pre-wedding henna night gown. For the gown, Serafi took inspiration from the Al-Shaby thobe of the Najd region in Saudi Arabia, where Princess Rajwa’s family is from.  

“The thobe is known for its long sleeves. They’re so long, the sleeves become the veil of the bride’s dress,” said Serafi of the ethereal white gown.

Earlier this month, the couple visited the Seeds of Hope Center in Amman, which specializes in treating speech and language disorders in children and adults.

The royal couple, who welcomed their first child this year, toured the facility, which houses Jordan’s only space designed to provide multi-sensory experiences aimed at promoting relaxation and sensory integration. The visit also included a look at the center’s gym, which is tailored to improve therapy outcomes for patients, the Jordan News Agency reported.

Aya Al-Jazi, the center’s director, briefed the couple on the facility’s services, which include evaluation and treatment of speech, language and voice disorders, as well as support for swallowing difficulties.
 


Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 
Updated 20 December 2024
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Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

JEDDAH: A trip to Saudi Arabia’s AlUla, a chance encounter with a persistent mosquito on the streets of New York and an enduring love for musicals inspired Saudi filmmaking sisters Dana and Raneem Almohandes to create their animated short film “A Mosquito,” which screened at the recently concluded Red Sea International Film Festival in Jeddah. 

“We were walking in New York, having a good time, and there was this mosquito who kept coming back to me,” explained older sister Raneem. “This is how it all started, with one question: ‘What does this mosquito want?’ We thought, ‘She wants to talk to us, but we’re not giving her the chance.’ So, that’s where the story was born.” 

Set in 1969, “A Mosquito” follows Zozo — a tiny mosquito with big dreams. While her peers are content with ordinary life in the majestic landscapes of AlUla, Zozo dares to dream of becoming a famous singer — heading to Egypt to sing before the legendary Umm Kulthum. 

“A Mosquito” began life as a two-minute short — part of Raneem’s university project. It turned into its fully realized version after they took their idea to the AlUla Creates program, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. 

“When AlUla invited us to apply, we had this idea already, and we wanted to expand on it, because, you know, university projects are victims of time and resources. We developed the story with the AlUla Creates team,” said Raneem.  

“We went to AlUla earlier, and we captured the aesthetics from there. The frames that you see in the film are identical to the pictures we took during our trip,” added Dana. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Raneem (@ralmohandes)

Raneem graduated from New York University in musical theater writing (Dana, the younger of the two, is studying filmmaking at Princess Nourah Bint Abdul Rahman University in Riyadh). “We grew up watching musicals, but we felt like we don’t have any that are in the Saudi dialect, so we wanted to create (them),” said Raneem. “That’s why I studied musical theater writing. 

“We’ve always loved expressing ourselves through art. For example, Dana will do a dance whenever she wants to express how she feels about someone. Like, for my birthday, she would do a choreographed dance. I used to do small videos for our family — sometimes they’re music videos, sometimes short films … this is how we started. And then I started an Instagram page for DIY videos, and we worked together on it. It was one of the first (Instagram accounts) to reach 1 million followers in the Middle East,” said Raneem. “Dana was, like, 10 years old back then.” 

Before they had received any formal training, the duo were chosen as For Change Ambassadors of Saudi Arabia. The screenplay for their first musical feature (“Dandana”) was shortlisted in the second round of Sundance’s Screenwriters Lab 2020. Their first short, “A Human,” was funded by Google and premiered in Riyadh. 

The sisters reiterate that their filmmaking career is closely tied to the history of cinema in the Kingdom. 

“We put ‘A Human’ up on YouTube in parallel with Saudi Arabia opening its cinemas again,” Raneem said. It went on to become one of the first 100 films to be shown in cinemas after they reopened in the country and, according to Raneem, the very first short film. 

In 2022, the pair wrote and directed the musical short “A Swing,” which was selected for the official competition at the Saudi Film Festival and was screened as part of the Kingdom’s participation at Cannes in 2022. 

Despite the eight-year age gap between the two sisters, the duo say they have a seamless working relationship. 

“We sometimes fight, as all sisters do, but we have telepathy most of the time,” said Raneem. “We are in sync in terms of ideas. Filmmaking is all about communication.” 

Working as two young women in the Saudi film industry is, Dana said, “magical.” Raneem agreed.  

“It’s overwhelmingly beautiful, because the support is magnificent,” she said. “Each and every project and idea that we’ve had, we knew for a fact that if we approached the right decision maker, it would happen.”