Italian tenor Bocelli returns for sixth performance at AlUla

Italian tenor Bocelli returns for sixth performance at AlUla
In January 2022, Andrea Bocelli performed to a packed auditorium in the iconic mirrored Maraya venue, and millions more watched him live on TV and online. (Supplied)
Short Url
Updated 24 January 2024
Follow

Italian tenor Bocelli returns for sixth performance at AlUla

Italian tenor Bocelli returns for sixth performance at AlUla
  • Spectacular Maraya concert hall solidifies reputation as thriving center for music and entertainment

JEDDAH: Italian tenor Andrea Bocelli is making a triumphant return this week to the Saudi venue that he has begun to call his own — the spectacular, mirrored Maraya concert hall in AlUla.

Bocelli will perform at Maraya on Jan. 26, his sixth appearance there.

January has been a celebration of classical music at AlUla. 

Opéra National de Paris performed there for the first time on Jan. 17 as part of the pre-opening program for Villa Hegra, an institution dedicated to arts and culture that is set to open in 2026.

Villa Hegra collaborated with the opera company to present internationally acclaimed singers, dancers, and musicians, along with exquisite costumes, in a captivating blend of French and Saudi cultural elements.

As part of the Winter at Tantora Festival and the AlUla Moments concert series, the Swiss Orchestra’s most accomplished musicians delivered a well-received performance of classical favorites at Maraya on Jan. 19. “With a dynamic year-round calendar of events, AlUla has solidified its reputation as a thriving center for music and entertainment,” said Rami AlMoallim of the Royal Commission for AlUla.

“The vital genre of classical music too has found a warm welcome in AlUla, and it is only natural that Maraya has played host to some of the most revelatory performances in the region. Maraya and AlUla have been embraced wholeheartedly by classical music enthusiasts, promising a delightful experience for all who attend its many events.”

AlUla celebrates both natural and human heritage, its towering sandstone mountains and ancient cultural sites dating back thousands of years. It is best known for Hegra, Saudi Arabia’s first UNESCO World Heritage Site.


Hollywood star Andrew Garfield speaks up for Gaza

Hollywood star Andrew Garfield speaks up for Gaza
Updated 13 October 2024
Follow

Hollywood star Andrew Garfield speaks up for Gaza

Hollywood star Andrew Garfield speaks up for Gaza

DUBAI: In a clip that went viral over the weekend, Hollywood actor Andrew Garfield spoke up for Palestinians on Josh Horowitz’s “Happy Sad Confused” podcast.

Garfield, currently promoting his romantic drama “We Live in Time” alongside Florence Pugh, had an extensive conversation with Horowitz at New York’s 92nd Street Y.

During Thursday’s podcast interview, Horowitz posed an open-ended question asking if Garfield had any personal needs.

Garfield replied by urging people to focus on the suffering of Palestinians in Gaza, saying that his personal happiness is more than sufficient.

“You know what, out of everyone in the world, I don’t need — I’m so happy,” Garfield said. “Like, we should be putting our energy toward something that actually matters, you know? Yeah, maybe the lives of, I don’t know, Palestinians in Gaza right now. Maybe that’s where we put our hearts and our energy.”

The actor continued: “And anyone suffering, anyone oppressed — anyone that is suffering under the weight of the horrors of our world right now. Anyone who doesn’t have a choice in, you know, living lives of dignity. Yeah — that’s where our energy should be going right now.”

With his stance on Palestine, Garfield joins the ranks of celebrities who have spoken out against Israel’s continuing onslaught in Gaza for the past year, including Palestinian American models and sisters Bella and Gigi Hadid, Marvel actor Mark Ruffalo, “Bridgerton” star Nicola Coughlan, and “Wednesday” actress Jenna Ortega.


 


REVIEW: ‘Love is Blind, Habibi’ brings reality TV romance to the MENA region

REVIEW: ‘Love is Blind, Habibi’ brings reality TV romance to the MENA region
Updated 12 October 2024
Follow

REVIEW: ‘Love is Blind, Habibi’ brings reality TV romance to the MENA region

REVIEW: ‘Love is Blind, Habibi’ brings reality TV romance to the MENA region

DUBAI: One of Netflix’s leading reality TV franchises brings its brand of romance to the MENA region with its new show “Love is Blind, Habibi,” where 20 eligible Arabs look for their soulmate, “sight unseen.”

For those unfamiliar with the concept, in the show the men and women interact with each other via pods, where the participants can meet on dates while separated by a wall, so they can only hear each other. Over the course of a few days, those who manage to make a connection will propose to their chosen one, again before they meet face-to-face.

The show, which releases on Oct. 10, will then follow the couples as they get to know each other in the real world, meet their respective families and friends, and prepare for their wedding — scheduled to take place four weeks after they leave the pods.

Hosted by Saudi actress Elham Ali and her husband, Khaled Saqr — both charismatic and congenial, almost as a foil to the contestants we’ll soon get acquainted with over the course of the nine episodes — the series quickly introduces the audiences to contestants from the region, including Saudi Arabia, Lebanon, Morocco, Iraq, Kuwait and more.

When it comes to first impressions, “Love is Blind, Habibi” stands out for bringing what feels like a sense of familiarity to a foreign concept like blind dating. The value systems surrounding families, friendships, work and life goals represent the region, with a modern spin on it, of course.

There is a surprising amount of solidarity among participants, and as they start to pair off — inevitably disappointing some — everyone comes together to celebrate the new couples. Unlike other iterations of “Love is Blind,” the Arab version shows maturity, respect and an openness that is refreshing to see.

But those looking for drama and wild antics will not be disappointed. Early red flags from both the men and women are ignored to rush into less-than-ideal matches. In a standout episode towards the middle of the season the couples all come together at a resort to interact with each other face-to-face and tensions run high almost immediately, which makes for delicious television.

The episode where the contestants meet their future partners’ family and friends is particularly explosive.

Overall, however, “Love is Blind Habibi” does not reinvent the wheel in any meaningful way. Most of the contestants fail to dig deep, mainly due to the experience’s shallow design and not necessarily because of major personality flaws.

But if you are looking to spend a few hours indulging your guilty pleasures, “Love is Blind Habibi” offers drama, high jinks and intrigue galore.

 


REVIEW: ‘The Wild Robot’ — big on spectacle, big on emotion 

REVIEW: ‘The Wild Robot’ — big on spectacle, big on emotion 
Updated 11 October 2024
Follow

REVIEW: ‘The Wild Robot’ — big on spectacle, big on emotion 

REVIEW: ‘The Wild Robot’ — big on spectacle, big on emotion 

DUBAI: With “The Wild Robot,” Chris Sanders has created a masterpiece of modern cinema. Visually stunning — imagine the most vivid painting come to life in all its glorious color and detail — with a fresh take on a familiar story, soaring background score and impeccable voicework from industry heavyweights. This is not just the best animated feature in recent cinema history, but one of the best movies, period. 

“The Wild Robot,” based on the children’s book of the same name by Peter Brown, tells the story of a helper robot — ROZZUM unit 7134 (or Roz), voiced by Lupita Nyong’o — who washes up on the beach of an uninhabited (by humans, anyway) island after the cargo ship transporting her is caught in a typhoon.  

“The Wild Robot” tells the story of a helper robot — ROZZUM unit 7134 (or Roz), voiced by Lupita Nyong’o — who washes up on the beach of an uninhabited (by humans, anyway) island after the cargo ship transporting her is caught in a typhoon. (Supplied)

The opening sequence follows Roz as she desperately looks for a master, chasing down the wild animals on the island, looking to be of service. Sanders creates magic as we’re introduced to the island’s inhabitants at breakneck speed. with visuals that mimic the hand-painted feel of the famed Studio Ghibli founder Hayao Miyazaki’s work. 

While most of the island’s critters shy away from Roz’s exuberance, she finds purpose when she encounters an orphaned baby gosling, whom she eventually names Brightbill (Kit Connor). She decides to partner with local outcast, the wily fox Fink (voiced by a deliciously mischievous Pedro Pascal), to raise it. 

“The Wild Robot.” (Supplied)

What follows is a heartwarming story about what robots and parents are and are not programmed to do. From teaching Brightbill — the runt of his pack, not built to survive — to swim and fly so he can make it to the next great migration, to eliminating external threats, to surviving the harsh winter, Roz helps in every way she knows how, until she unlocks a reserve of potential she didn’t even know she had. It’s a feeling any parent will instantly recognize. 

Nyong’o puts her Oscar-winning talent to extraordinary use; her android voice at first devoid of feeling and infused with the people-pleasing measured cadence of a service professional, then slowly transforming into something entirely different. 

Get ready to sit with some big emotions surrounding parenting, community and friendship, then. “The Wild Robot” was engineered to make you cry, and cry you will. Best you can do is let it take you on its soulful journey. 


Christina Aguilera to perform in Abu Dhabi

Christina Aguilera to perform in Abu Dhabi
Updated 10 October 2024
Follow

Christina Aguilera to perform in Abu Dhabi

Christina Aguilera to perform in Abu Dhabi

DUBAI: US pop icon Christina Aguilera is set to make her long-awaited return to Abu Dhabi on Feb.15, performing in the UAE capital for the first time in 17 years.

Her gig will be part of Saadiyat Nights, a three-month series of open-air musical events that begins with her show.

Aguilera, known for her four-octave range, will be joined by Iranian performer Ebi, whose real name is Ebrāhim Hāmedi. He will treat fans to an array of hits from across his 50-year career. 

Boyz II Men, the American vocal harmony group and four-time Grammy Award winners, will take to the stage on Jan. 25, while Egyptian composer Omar Khairat will perform a collection of his symphonies on Feb. 1.

 


REVIEW: ‘Joan’ gives Sophie Turner the chance to shine

REVIEW: ‘Joan’ gives Sophie Turner the chance to shine
Updated 10 October 2024
Follow

REVIEW: ‘Joan’ gives Sophie Turner the chance to shine

REVIEW: ‘Joan’ gives Sophie Turner the chance to shine
  • British actor proves her leading lady credentials in 80s crime drama

LONDON: In the UK, “Joan” is already being touted as one of the best shows of autumn 2024, with early reviews lauding its faithfully recreated Eighties’ setting, stellar soundtrack, and that ‘based on a real person’ kudos that resonates so well with audiences. And, thanks to a star turn from leading lady Sophie Turner, “Joan” could very well have the ingredients to win over viewers around the world too. Because while some of the settings, parlance and stylings do feel very UK-centric, Turner (back on screens for the first time since 2022) is captivating here, turning in a performance as housewife-turned-jewel-thief-turned-crime-boss Joan Hannington that’s loaded with equal parts grit and glamor.

Forced to leave her abusive partner when he falls foul of some local gangsters, Joan can’t seem to catch a break, beset on all sides by men who objectify and underestimate her, or both. She takes a job at a jewelry store working for kindly boss Bernard, only to learn that he, like most of the men in “Joan,” is a slimy creep too. So Joan, desperate to earn enough money to start a new life with her daughter, pockets a handful of diamonds and flees. She meets local antiques dealer (and trader in stolen goods) Boisie, and the two dare to daydream of a world where they can simply take what they want.

Mother Joan is all worry and anxiety, but jewel thief Joan is Eighties’ glamor personified — and Turner, championing the strong shoulder pads and power dressing of the era, drags her character from timid victim to powerful crime boss in short order. As Boisie, Frank Dillane is the equal of his co-star, the chemistry between the two crackling as they tentatively begin to trust one another. If there’s one criticism of “Joan,” it’s that the titular antihero seems to lurch alarmingly from fiery confidence to lovestruck dependence and back again, but with a pair of leads this good, that’s a niggle that can be easily forgiven.