Review: ‘Feeding Tomorrow’ is a timely, worrying documentary worth watching
Updated 23 January 2024
Gautaman Bhaskaran
CHENNAI: Food is a universal language — it is a global unifier, says Sekani Nash, an organic farmer of the Field to Fork Community Farm, in an incisive documentary titled “Feeding Tomorrow.” Directed by brothers Oliver and Simon English, the nearly two-hour documentary talks about how food is about more than keeping the body alive. It plays a great role in society — spiritual, cultural, religious. emotional and economic.
The documentary goes to explain how food influences our personal lives as well as our society. More importantly, food has a direct bearing on our health and well-being and it is in light of this that the documentary explores the grim prospect of international food shortages.
In 2015, the United Nations said that we have 60 years of harvest left at the current rate of soil erosion. Top soil is getting depleted faster than the new production of top soil. With agriculture in many parts of the world completely industrialised, this kind of soil erosion becomes inevitable.
Several experts — such as Mark Shepard, farmer and founder of New Forest Farm; Selima Hauber, owner and organic farmer of Field to Fork Community Farm; and Shenggen Fan, director general of the International Food Policy Research Institute — have chipped in with their invaluable observations in this documentary. One thing is crystal clear: Man is callous about food.
In this context, Oliver shares: “I grew up in the restaurant business, studied hospitality at Cornell, and worked as a restaurant developer and operator for many chefs and hospitality companies around the world for years. Despite my background in the world of food, while opening a restaurant in Abu Dhabi, I realised that I had never really asked the question, 'Where does our food come from?' or thought it might have a bigger impact on the world around us.”
Captivatingly photographed, beautifully scored and smartly edited, the work is a feast for the eyes and offers healthy provocation for the mind. The experts offer in-depth suggestions to radically change the way we cultivate our land. Included in these is the need to implement regenerative agriculture, while a teacher tells her students about the importance of food awareness and a nutritionist helps patients by changing hospital menu practices.
“Feeding Tomorrow,” now available on Apple TV and Amazon Prime Video, among other platforms, has great relevance to our world today.
‘It was the darkest year of my life,’ Melissa Barrera says after Gaza support sparks backlash
Updated 27 November 2024
Arab News
DUBAI: Mexican actress Melissa Barrera opened up about how she felt after facing backlash in Hollywood over her comments on the Israel-Palestine conflict.
Speaking to The Independent, Barrera said “it was the darkest and hardest year of my life, and I had to reevaluate everything. There were times when I felt like my life was over.”
The 34-year-old actress was fired from “Scream VII” after she took to social media to call for a ceasefire and criticised Israel’s response to the Oct. 7 attack by Hamas. As of Nov. 27, 2024, the death toll in Gaza has reached 44,200, according to Gaza’s health ministry.
“Gaza is currently being treated like a concentration camp,” she wrote in an Instagram story in October 2023. “This is genocide and ethnic cleansing.” In another post, she complained about the supposed bias in Western media reporting, saying: “Western media only shows the other side … why they do that, I will let you deduce for yourself. We don’t need more hate. No Islamophobia. No antisemitism.”
Spyglass, the studio behind the latest Scream films, dropped Barrera from the franchise in response. “We have zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech,” the company said in a statement.
Barrera says she then faced almost a year of difficulties in Hollywood.
“It was quiet for like 10 months,” Barrera told The Independent about her acting jobs. “I was still getting offers for small things here and there – I’m not going to lie and say there was nothing – but (the message) was, ‘Oh, she probably doesn’t have work, she’ll say yes to anything.'”
Instead, the actress spent much of 2024 promoting the films she made before the incident, including horror comedy “Abigail” and musical “Your Monster.”
The latter sees Barrera play a soft-spoken actress who finds love again when she meets a terrifying but charming monster that lives in her closet.
The “Your Monster” script came across Barrera’s desk soon after filming “Scream VI” in 2022.
“I kept getting horror scripts, and I wasn’t getting a lot of the really exciting parts I was auditioning for,” she told the newspaper of why she jumped at the role. “I would get (roles) that I wasn’t excited about, and I’ve never been a person that just wants to work for work’s sake. I give so much of myself to acting that if a part of me feels like it’s not worth it, I’m (going to) be miserable.”
Review: ’Archive 81’ features an intriguing mixture of horror
The series excels in its production design and filming, capturing the eerie atmosphere of the Visser structure as well as the unsettling atmosphere of the cult
Updated 24 November 2024
Ghadi Joudah
“Archive 81” is a horror series released on Netflix in 2022 that follows Dan Turner, an archivist who has been tasked to retrieve some videotapes.
These tapes document the investigation into a secret cult and the disappearance of one of its members.
Melody Pendras, a graduate student looking into the ghostly past of a building known as the Visser, which has a dark past tied to supernatural events, recorded the tape.
As Turner digs deeper into the footage, he gradually gets caught up in the drama, filming the line between the world and the supernatural.
“Archive 81” features an intriguing mixture of horror, mystery and psychological thriller elements.
The show’s narrative, through its development footage layout intertwined with Turner’s contemporary narrative, creates an unsettling atmosphere that keeps the viewer on edge.
The performances, especially by Mamoudou Athie and Dina Shihabi, add depth as the characters maneuver their own conflicts.
The series excels in its production design and filming, capturing the eerie atmosphere of the Visser structure as well as the unsettling atmosphere of the cult.
The tempo is generally well managed, with a suspense structure as Turner discovers the shocking truth behind the tape.
However, some viewers may find that the ending is somewhat unclear, which may detract from the overall experience for those seeking closure.
Nonetheless, it is a haunting and challenging series that skilfully investigates themes of memory, injury, and the unknown.
“Archive 81” is a must-see for fans of psychological horror and supernatural mystery.
‘Disney movies unite us,’ says Louaye Moulayess as he promotes ‘Moana 2’
Updated 24 November 2024
Shyama Krishna Kumar
DUBAI: From a young age, Lebanese animator Louaye Moulayess has loved Disney movies.
Speaking to Arab News about his latest project, “Moana 2,” which is released in cinemas in the Middle East on Nov. 28, Moulayess said diverse voice is what makes Disney storytelling so compelling.
From a young age, Lebanese animator Louaye Moulayess has loved Disney movies. (Supplied)
“We all grew up with different kinds of stories told to us, right? I grew up with specific Lebanese stories. For example, if I turned on the TV in Lebanon as compared to somebody in Lisbon, for example, we’re going to watch different things. Our sensibilities are going to be a bit different. Now we all have something in common, which is Disney movies,” he told Arab News.
At a time when his home country, Lebanon, is defending against Israeli attacks, US-based Moulayess finds comfort in his work and storytelling. “It all comes back to the stories my grandparents and parents told me,” he said, adding that Disney movies have always brought him hope.
“Moana 2,” set in ancient Polynesia, picks up three years after the events of the 2016 original. Moana (voiced by Auli’i Cravalho) receives an unexpected call from her wayfinding ancestors and forms her own crew to travel the vast seas of Oceania, reuniting with her shapeshifting, magical friend, Maui (Dwayne Johnson).
“I loved the first movie. When I started working on ‘Moana 2,’ I felt like I already knew the characters very well. So, I knew Moana and I knew Maui … I knew how they moved, I knew what their personalities were. But, at the same time, they became somebody else three years after.
“So, the challenge was a bit different compared a new movie, where we would have had to figure out the characters and how they moved and how they behave. The challenge here was, I know this character, but this character has changed. How do we make it new and find the specificity of this new personality?” Moulayess said.
When asked what sparked his interest in animation, Moulayess pointed to Disney again. “I think the moment I made my decision was after watching ‘Lion King.’ Like the first sequence of the ‘Circle of Life,’ after that when everything goes black and you see the title of the movie. It really shocked me in the best way. I was like, ‘Who is this Walt Disney?’ I thought it was one person doing this back when I was a kid, because I saw the name Walt Disney. I was like, ‘It must be one person doing this.’ And I decided I’d do this one day. So, this is what triggered everything. And slowly, I just gravitated towards animation,” he said.
Now based in Burbank, California, Moulayess left Lebanon for the US as a young student.
“In Lebanon, when I graduated high school, I looked around for majors that had animation, but back then, there wasn’t anything available. Now there are a couple schools that offer animation majors.
“Back then, I knew I had to leave to make my studies, so I went to San Francisco and joined a school called Academy of Art University in San Francisco,” Moulayess said.
After four years of university, Moulayess landed himself an internship with Pixar Animation Studios. “I was very, very lucky that I did an internship there, where I worked on ‘Cars 2,’” he said.
From there, he moved on to Blue Sky Studios for “seven wonderful years,” working on the “Ice Age” films, “The Peanuts Movie” and “Ferdinand,” before making his way to Disney in 2019, working on “Frozen 2” before taking on “Raya and the Last Dragon.”
Fans praise co-star as May Calamawy’s role is cut from ‘Gladiator II’
Updated 24 November 2024
Arab News
DUBAI: Fans of Egyptian Palestinian “Moon Knight” actress May Calamawy have taken to social media to complain after almost all her scenes were cut from Ridley Scott’s “Gladiator II,” while co-star Pedro Pascal seemed to wade into the online debate this week by sharing behind-the-scenes shots including the actress.
Pascal posted a series of photographs on Instagram taken on the film shoot in Morocco, including several snaps with Calamawy, after she was removed from all promotional material and largely removed from the film.
“Thank you for reminding people May Calamawy was in ‘Gladiator II.’ So sad how she’s been treated in this,” one user commented on his Instagram post.
The 38-year-old star played the dual role of Layla El-Faouly and Scarlet Scarab in Marvel series “Moon Knight” before being cast in the highly anticipated “Gladiator II,” a sequel to the Oscar-winning original released in 2000.
Her casting in the film was first announced in May 2023.
At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.
“Given the importance of the character to the story, Scott wanted a thorough search, and following multiple auditions Calamawy landed the part,” Deadline added.
However, fans noticed that in the final cut, which hit cinemas last weekend, Calamawy is only seen in passing and she has no dialogue.
Scott has yet to comment on Calamawy’s removal from the two hour and 28-minute film, although her storyline may have not made it past the editing stage in order to trim the runtime.
Regardless, fans on social media are unhappy about the cuts.
“May Calamawy you will always be loved!!! They didn’t deserve you anyway,” one social media user wrote on X, while another posted: “You had May Calamawy … and you decided to cut her? This could’ve possibly been her breakout role!”
Calamawy also stars in upcoming crime mystery “The Actor,” alongside André Holland, Gemma Chan, Toby Jones and Tracey Ullman.
Embracing the skies: Riyadh aviation show inspires next generation of pilots
Saudi Hot Air Balloon Federation’s first female pilot wants more women to sign up
Updated 23 November 2024
Rahaf Jambi
RIYADH: The Saudi Hot Air Balloon Federation was among the top organizations at an aviation show that captivated the Kingdom’s capital with stunning aerobatic displays and an impressive lineup of aircraft.
Sand and Fun 2024, which concluded on Saturday at Thumamah Airport, showcased the Kingdom’s wide-ranging aviation sector.
The federation presented a collection of colorful hot air balloons to demonstrate the experience to adults and younger generations as part of the efforts to raise awareness about hot air ballooning and to inspire a new generation of pilots.
Sand and Fun 2024, which concluded on Saturday at Thumamah Airport, showcased the Kingdom’s wide-ranging aviation sector. (AN photo)
Among the pilots was Afrah Al-Harbi, the first female Saudi hot air balloon pilot to graduate from the federation.
Al-Harbi is on a mission to cultivate a community of female pilots, encouraging women to explore the exhilarating world of hot air ballooning. Her story is an inspiring testament to the opportunities available to women in aviation and the importance of representation in this field.
“At the beginning, I was studying at the university, but the Saudi Hot Air Balloon Federation launched a training program to train balloon pilots,” she told Arab News. “Thank God, I registered, and I was accepted. After that, I started my studies to become a balloon captain. The federation covered the entire mission, which is considered a grant from the federation. I obtained the European EASA license, and then I also obtained the Saudi license from the General Authority of Civil Aviation.”
The five-day event at Thumamah Airport gave visitors the opportunity to meet pilots, learn about the intricacies of ballooning. (Supplied/Aviation Club)
The federation offers structured programs to equip aspiring pilots with both theoretical knowledge and practical skills.
Hot air balloons first appeared in the Kingdom in AlUla as part of the Winter at Tantora Festival in 2018. This event not only showcased the beauty of ballooning, but also laid the groundwork for the establishment of the federation.
The hot air balloon sport is known and famous worldwide. We need a type of it that people can take part in within the Kingdom, especially for global competitions.
Abdulrahman Al-Wahaibi, Saudi hot air balloon pilot
The organization plays a crucial role in promoting balloon culture and raising awareness of the sport.
The five-day event at Thumamah Airport gave visitors the opportunity to meet pilots, learn about the intricacies of ballooning. (Supplied/Aviation Club)
“We want to show people that hot air ballooning is not only fun, but also safe,” Al-Harbi said, emphasizing the importance of public perception in the growth of the sport.
Her career has included a visit to the Netherlands, where she underwent extensive training.
“My studies in the Netherlands were quite lengthy, but it was an incredibly enriching experience,” she said. “The training included both theoretical subjects and practical sessions to help us obtain our licenses.”
Abdulrahman Al-Wahaibi, Saudi hot air balloon pilot. (AN photo)
The rigorous training not only prepared Al-Harbi for the technical aspects of flying, but also instilled a deep appreciation of the art of ballooning.
Abdulrahman Al-Wahaibi also spoke about his journey in the world of hot air ballooning, which began was he was a student in Australia.
“I looked at a balloon for the first time in my life and was fascinated by its shape,” he told Arab News. “I had to try the experience, so I did, as a passenger. The experience was beautiful, and I thought we needed this in Saudi Arabia. At that time, Saudi Arabia did not have hot air balloons.”
Among the pilots was Afrah Al-Harbi, the first female Saudi hot air balloon pilot to graduate from the federation. (AN photo)
Al-Wahaibi dedicated himself to bringing the ballooning experience back to Saudi Arabia, sharing it with family, friends, and the community.
This included studying aerospace engineering and breaking records in Australia for the fastest training period. He expressed pride in being part of the first Arab country to take part in international hot air balloon competitions, highlighting the significant strides made by the Saudi Hot Air Balloon Federation.
“The hot air balloon sport is known and famous worldwide,” Al-Wahaibi said. “We need a type of it that people can take part in within the Kingdom, especially for global competitions.”
Sand and Fun 2024, which concluded on Saturday at Thumamah Airport, showcased the Kingdom’s wide-ranging aviation sector. (AN photo)
His vision aligns with the federation’s mission to broaden participation and elevate the sport on an international level.
Based in AlUla, the Saudi Hot Air Balloon Federation plans festivals designed to integrate the natural environment and the grandeur of the historic landmarks of ancient civilizations such as Hegra.
The five-day event at Thumamah Airport gave visitors the opportunity to meet pilots, learn about the intricacies of ballooning, and even experience the thrill of a balloon ride.
With inspiring pilots such as Al-Harbi and Al-Wahaibi at the helm, the outlook for hot air ballooning in the years to come looks as bright as the skies adorned with colorful balloons.
