Book Review: ‘This Is What I Know About Art’ by Kimberly Drew

Book Review: ‘This Is What I Know About Art’ by Kimberly Drew
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Updated 30 December 2023
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Book Review: ‘This Is What I Know About Art’ by Kimberly Drew

Book Review: ‘This Is What I Know About Art’ by Kimberly Drew
  • Drew's blog “Black Contemporary Art,” which highlighted lesser-known Black artists, became the basis for a digital community
  • When her Instagram account @MuseumMammy became popular, Prada, the White House and even Instagram asked her to do takeovers on their social media channels

 

Art lovers looking for a quick and easy read, but one with depth and character, will find much to enjoy in Kimberly Drew’s debut book, “This Is What I know About Art.”

In a deeply personal account, the art writer and curator recalls going to museums with her father when she was a young child growing up in New Jersey. At some point, she realized that she had never visited a museum or gallery with her mother — and wondered if it that was because those spaces did not feel welcoming or “representative.” 

During college, an internship at the Studio Museum in Harlem, New York, inspired her to start a blog, “Black Contemporary Art,” in which she highlighted lesser-known Black artists. Soon, the blog became the basis for a digital community, with loyal readers and Black artists continuing to inspire her.

When Drew’s Instagram account @MuseumMammy became popular, Prada, the White House and even Instagram asked her to do takeovers on their social media channels.

After switching from mathematics and engineering, Drew completed a double major in art history and African-American studies at Smith College.

As a lover of the arts, Drew said that she knew what was going on in the art world “just did not add up,” so she shifted focus and began using her skills to promote more Black artists.

She recalls being plagued by imposter syndrome after becoming social media manager at the Metropolitan Museum of Art in New York City. However, later, she becomes too confident — she describes that era as going from “fraud to peacock.”

Drew also discovered that people such as her mother appeared reluctant to visit the MET, the opulent Fifth Avenue landmark that is home to over 5,000 years of art history from around the world.

Many instantly recognize the name Andy Warhol, but most cannot single out a “Black Andy Warhol,” or even one Black artist, Drew writes, a situation she is determined to change. 

The book also features colorful illustrations by Hawaii-born, LA-based visual artist Ashley Lukashevsky, who illustrated all of the recently published Pocket Change Collective, a four-book series aimed at teen and young adult readers.


What We Are Reading Today: ‘Frankenstein in Baghdad’

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Updated 06 September 2024
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What We Are Reading Today: ‘Frankenstein in Baghdad’

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Author: Ahmed Saadawi

This novel by Iraqi author Ahmed Saadawi blends elements of horror, satire, and magical realism to craft a compelling commentary on the human condition in war-torn Baghdad.

Set in the aftermath of the 2003 US invasion, the story follows a junk dealer named Hadi who decides to assemble a “human” from the body parts of victims left on the streets after suicide bombings and insurgent attacks.   

Hadi’s creation is a patchwork creature that comes to life and begins roaming the streets of the city, seeking revenge on those responsible for the deaths of the individuals from whom it was assembled.

As the creature carries out its violent mission, a rich cast of characters is drawn into the story, including an elderly woman haunted by the ghost of her late husband, a journalist seeking to break a major story, and a government agent tasked with hunting down and destroying the creature.   

Through these interwoven narratives, Saadawi creates a darkly humorous and thought-provoking allegory for the chaos in post-invasion Iraq. The monster serves as a physical embodiment of the trauma, violence, and social breakdown experienced by the Iraqi people, with its bloodthirsty quest for vengeance mirroring the cycle of retribution that gripped the country.

What struck me most was how Saadawi was able to seamlessly blend elements of horror, magical realism, and social commentary to craft a work that felt both unsettlingly strange and yet hauntingly relatable. The character of the monster became a powerful metaphor for the dehumanizing effects of the war.

Saadawi’s prose is both lyrical and grounded, capturing the details of daily life in Baghdad, while also imbuing the narrative with moments of poetic beauty and philosophical rumination. His characters, too, are richly drawn, each struggling with their own personal demons and moral quandaries as they are swept up in the chaos unfolding around them.

Ultimately, "Frankenstein in Baghdad" is a powerful and imaginative work that uses the framework of the classic gothic horror tale to explore the enduring trauma of war and the dehumanizing effects of violence. Through its metaphorical monster and tapestry of interlocking stories, the novel offers a vivid, unsettling, and ultimately unforgettable portrait of a society grappling with the aftermath of invasion and occupation.

 


What We Are Reading Today: The Hidden Victims: Civilian Casualties of the Two World Wars

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Updated 06 September 2024
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What We Are Reading Today: The Hidden Victims: Civilian Casualties of the Two World Wars

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  • By one reputable estimate, 9.7 million civilians and 9 million combatants died in World War I, while World War II killed 25.5 million civilians and 15 million combatants

Author: Cormac O Grada

Soldiers have never been the only casualties of wars. But the armies that fought World Wars I and II killed far more civilians than soldiers as they countenanced or deliberately inflicted civilian deaths on a mass scale. By one reputable estimate, 9.7 million civilians and 9 million combatants died in World War I, while World War II killed 25.5 million civilians and 15 million combatants.

But in The Hidden Victims, Cormac O Grada argues that even these shocking numbers are almost certainly too low.

Carefully evaluating all the evidence available, he estimates that the wars cost not 35 million but some 65 million civilian lives—nearly two-thirds of the 100 million total killed. Indeed, he shows that war-induced famines alone may have killed.

 


What We Are Reading Today: ‘Literary Journeys’

What We Are Reading Today: ‘Literary Journeys’
Updated 05 September 2024
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What We Are Reading Today: ‘Literary Journeys’

What We Are Reading Today: ‘Literary Journeys’

Edited by John McMurtrie

Extending to the ends of the earth and spanning from ancient Greece to today, “Literary Journeys” is an enthralling book that takes you on a voyage of discovery through some of the most important journeys in literature. In original essays, an international team of literary critics, scholars, and other writers explore exciting, dangerous, tragic, and uplifting journeys in more than 75 classic and popular works of fiction from around the world.


What We Are Reading Today: ‘Deep Life’ by Tullis C. Onstott

What We Are Reading Today: ‘Deep Life’ by Tullis C. Onstott
Updated 03 September 2024
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What We Are Reading Today: ‘Deep Life’ by Tullis C. Onstott

What We Are Reading Today: ‘Deep Life’ by Tullis C. Onstott

“Deep Life” takes readers to uncharted regions deep beneath Earth’s crust in search of life in extreme environments, and reveals how astonishing new discoveries by geomicrobiologists are aiding the quest to find life in the solar system.

Tullis Onstott provides an insider’s look at the pioneering fieldwork that is shining new light on Earth’s hidden biology, a subterranean biosphere thriving with rare and exotic life forms.


What We Are Reading Today: Comparing the Literatures

What We Are Reading Today: Comparing the Literatures
Updated 02 September 2024
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What We Are Reading Today: Comparing the Literatures

What We Are Reading Today: Comparing the Literatures

Author: David Damrosch

Literary studies are being transformed today by the expansive and disruptive forces of globalization. More works than ever circulate worldwide in English and in translation, and even national traditions are increasingly seen in transnational terms.

In “Comparing the Literatures,” David Damrosch integrates comparative, postcolonial, and world-literary perspectives to offer a comprehensive overview of comparative studies and its prospects in a time of great upheaval and great opportunity.