Emirati actor Mohamed Faisal Mostafa on making history in ‘Hijack’ 

Emirati actor Mohamed Faisal Mostafa on making history in ‘Hijack’ 
Emirati actor Mohamed Faisal Mostafa. (Supplied)
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Updated 13 July 2023
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Emirati actor Mohamed Faisal Mostafa on making history in ‘Hijack’ 

Emirati actor Mohamed Faisal Mostafa on making history in ‘Hijack’ 
  • The Emirati actor’s role in the new Apple+ TV thriller has brought him to global attention 

DUBAI: In Apple TV’s new hit international series “Hijack,” starring Idris Elba, we open to a familiar scene: a man is rushing through Dubai Airport, late for an important flight. This being a Western production, you may expect, when the Emirati character appears, to see another foreign performer with no knowledge of Gulf culture slump into the frame, ghutra askew. Instead, something remarkable happens: Emirati actor Mohamed Faisal Mostafa calmly and confidently walks onto the screen, and a star is born.  

“I still feel so incredibly humbled by this opportunity,” Mostafa tells Arab News. “This is the first time in history that an Emirati actor has had a key role in an international hit series, in a massive story told on a global scale. Now it’s a number one hit, and it’s getting rave reviews! I can’t stop thinking how amazing this experience has been. I hope to make everyone in the region proud to have me represent them.” 




Mohamed Mostafa in ‘Hijack.’ (Apple TV+)

The action thriller, airing weekly, is currently Apple’s #1 show and the #8 trending series worldwide across all platforms. It has an irresistible set up: A plane traveling from Dubai to London has been hijacked, and no one knows but the people on board. Told over seven episodes with the seven-hour flight unfolding in real time, the mystery of how this unlikely situation occurred begins to unfold as the characters struggle to figure out how they are going to survive, and who they can trust.  

Mostafa plays Abdullah, an air traffic controller who is the only person on the ground to believe that something is amiss. He begins to investigate himself, searching for a missing employee who has unwittingly become entangled in a dark plot. Mostafa’s character has been well received across the world, with the actor receiving an outpouring of love from newly-won fans. 

“People keep saying to me that every time he comes on screen, you don’t want him to come off. They love following this man’s journey, a man who is just trying to do the right thing,” says Mostafa. 




Mohamed Mostafa with Idris Elba at the ‘Hijack’ premiere in London. (Supplied)

While this is Mostafa’s first taste of international fame, he has, in his own words, been acting “since before (he) could properly speak.” While he now serves primarily as the founder and CEO of a digital transformation firm, works in his family’s 100-year-old company, and is the director of investor relations for a private equity firm based in Silicon Valley (if that doesn’t sound like enough, he also teaches yoga), he’s also the younger brother of the groundbreaking Emirati film director Ali Mostafa. 

“Ali wanted to be a movie director since he was a child, before he could even hold a camera. He started doing stop-motion shorts with his action figures, and as soon as he could handle the camera, he moved on to his brothers. That’s where I learned — I never went to drama school, I never did any training, I just got better because I wanted to help my brother achieve his dreams,” says Mostafa. 




Mohamed Mostafa in one of his brother Ali’s early films. (Supplied)

As a child, Mostafa’s own dream wasn’t acting, but football. Unlike most children who start out with that aspiration, however, Mostafa actually achieved it, playing professionally for Al-Ain and Al-Wasl Football Club, two of the biggest sides in the UAE Pro League, and even tried out for Premier League teams.  

“I gave it my all, but football was done for me. I had three head fractures, and I needed to find somewhere else to thrive,” he says. “And being on set is where I’d always felt most in my element besides the pitch.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Idris Elba (@idriselba)

Over the years, Mostafa had kept acting here and there. He cameoed in his elder brother’s films “City of Life” (2009) and “From A to B” (2014), before landing a major role in Ali’s third film,“The Worthy” (2016). The latter, a post-apocalyptic horror thriller, was a particularly difficult shoot held over an intense three months in rural Romania, a challenge the younger Mostafa reveled in. 

“I had to audition for the part, and I loved that, because I knew I had earned my spot. It’s funny, because when we started, I could still feel a certain vibe on set from the rest of the cast and crew, as they assumed I was there just because my brother was the director. I knew I had to prove myself in certain scenes, and I gave it my all, and even did some pretty extreme stunts. After that, everyone looked at me differently — they knew I was worthy,” Mostafa says with a smile.  




Mohamed Mostafa in ‘Hijack.’ (Apple TV+)

After a part in the UAE’s first true blockbuster, the war film “Al-Kameen” (2021), for which he went to military boot camp with the rest of the cast to fully immerse himself in the role, Mostafa signed with an agent in the UK, not sure if any opportunity would ever come. The first call he got soon after, it turned out, was for “Hijack”.  

“The day I was first scheduled to go to set, I was staying at a friend’s house. After the driver came to bring me to the filming location, I spent the whole ride questioning my ability. I was quite nervous. But immediately, I was treated as an equal to all of these experienced actors. Not one person looked at me like I didn’t belong,” says Mostafa. 

“The scenes just started flying by, and the director Jim Field Smith was extremely supportive. He made me feel so comfortable. I was even able to show them how Emiratis hold their hands while greeting people and other small details that helped add authenticity,” Mostafa continues. 

Looking back, Mostafa now realizes why he loves that feeling — being in front of the camera is just like being on the pitch during a big game; all that pressure focuses him. “There’s nerves, but they’re nice nerves — the nerves that lock you in,” he says.  

As Mostafa looks to the future, excited for what roles might come, whether regionally or in Hollywood, the moment he has been thinking back to the most, the moment that fuels him as he approaches a bright future, came at the premiere, when Idris Elba came up to embrace him.  

“Idris said, ‘Mohamed, you did really well in it. You did such a great job.’ I just told him how grateful I was to have the opportunity. It was such a pleasure. It was hard to wait for this to get released, because I couldn’t be prouder to be a part of something this big, representing the UAE,” says Mostafa.  


Saudi artist Ahmed Mater on his solo show at Christie’s London 

Saudi artist Ahmed Mater on his solo show at Christie’s London 
Updated 05 July 2024
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Saudi artist Ahmed Mater on his solo show at Christie’s London 

Saudi artist Ahmed Mater on his solo show at Christie’s London 
  • ‘Chronicles’ runs July 17 to August 22 and features a selection of work from the Nineties to the present day  

DUBAI: On July 17, Christie’s London will inaugurate a mid-career retrospective of one of Saudi Arabia’s most significant conceptual artists, Ahmed Mater. Showcasing photography, works on paper, and installation art, the “Chronicles” exhibition will feature a selection of Mater’s creations dating back to the Nineties, when he first started experimenting with painting.  

“Art is a time machine that everyone is looking for. Art can take us to the past and imagine the future, which is a powerful thing,” Mater tells Arab News.   

Mater was born in 1979 and worked as a doctor before rising to prominence in the art world with his X-Ray and magnet artworks, providing social commentary on changes happening within the Kingdom.  

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“I always admired the work of Dr. Ahmed, who is from my generation and my age,” says the exhibition’s curator, Dr. Ridha Moumni, who is the chairman of Middle East and North Africa at Christie’s. “He’s an introspective artist that works on ideas, rather than mediums.  

“He’s an artist who can speak very well about his work, but, for me, he’s an artist who produces work that speaks to everyone in a different language,” Moumni continues. “His process of maturation can be seen on many layers — be it social, cultural, religious or political — that are present in his country and, by extension, in the Arab world.”    

Here, Mater discusses five pieces from his show, which runs until August 22. 

‘The Book of Magnetism’ 

This is a new artwork that I wanted to introduce in this exhibition. It is a continuation of an earlier magnet artwork I made, on a small scale, of the Ka’aba in Makkah. For me, “The Book of Magnetism” is important because it tells the story of knowledge and how it shapes our life and culture. The oldest invention known to mankind is the book. I presented this book in a way that emanates the holiness of religious books.  

‘Desert of Pharan’ 

This is one of the pieces in my “Desert of Pharan” series, a project related to Makkah, where I put hundreds of found objects, photographs and video art about the city into a single room. This photograph is called “Nature Morte.” The project as a whole tells the story of Islamic Makkah, one of the most visited cities on Earth, as well as showing a study of urban planning in the city. I’m showing how new urban phenomena has changed the city, and how Makkah will influence the future of Islamic cities around the world.  

‘Ashab Al-Lal’ 


This project is based on the idea of the mirage. It’s a project I’m creating for Wadi AlFann in AlUla. In the London exhibition, I’m showing this sculptural maquette of this upcoming artwork. It’s a form of public art. It’s a very environmental piece, connected to the land. I usually work with the ideas of exposure, the body and photography. This piece, using mirrors, reflects our bodies to the sky, like a real mirage. The idea is that you go inside a place in the desert, and when you are in the middle of this artwork, our bodies will reflect for other people to see. There is something theatrical about it too.  

‘Lightning Land’ 

“Lightning Land” is a photograph that has a very nice landscape with lightning happening in the middle. I took this photograph on the way to Dammam in Saudi Arabia. I was actually just taking a picture of the oil refinery and tent that you see in the image. On that afternoon, it was stormy and dusty, and I wanted to this take a picture for a dramatic effect. I didn’t edit anything. I kept it as it was. When the lightning happened, it felt like a good gift. It’s an image that says a lot. The image is poetic evidence of the transformation that is happening in Saudi Arabia.  

‘Our Mother House’ 

This is an old, patterned artwork that the curator Dr. Ridha found in my studio and decided to show in the exhibition. It’s not my painting, but my mother’s. She is a mural painter of ‘Al-qatt al-Asiri’ — painting on the walls of homes, which women do in the southern part of the Kingdom. It’s very symbolic and decorative. Each mural elegantly tells the story of a family and its social background.    


Saudi TV personality Sara Murad launches her own fragrance brand 

Saudi TV personality Sara Murad launches her own fragrance brand 
Updated 05 July 2024
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Saudi TV personality Sara Murad launches her own fragrance brand 

Saudi TV personality Sara Murad launches her own fragrance brand 
  • The Saudi TV personality branches out into entrepreneurship 

DUBAI: Saudi media personality Sara Murad has been a mainstay in Arab households for more than a decade, most recently as the presenter of MBC morning show “Sabah Alkhair Ya Arab.” 

“When someone tells me that I made a change in their life, it feels so rewarding and makes me want to give more,” Murad tells Arab News. 

As part of that effort to ‘give more,’ Murad decided last year to launch her own fragrance brand, By Sara Murad. 

The first fragrance from her brand is Black Oud. (Supplied)

“I’ve always wanted to be a businesswoman; I just never had the time or the right team to take the step. Putting everything together feels so exciting and gave me the drive to launch a brand,” Murad, who is now a Dubai resident, says. 

“Everyone loves fragrance, it’s embedded in our culture. And I have always been passionate about collecting them. But with By Sara Murad, I wanted to create something that would showcase our culture with a modern twist that could reach the world. And I wanted to create something with my name that I’ve been working on for so long,” she added. 

The first fragrance from her brand — Black Oud — is “a harmonious melding of French elegance and the pride of Saudi Arabia,” according to the publicity blurb, “blending notes of Oud, amber, wood and leather.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by By Sara Murad (@bysaramurad)

“Saudi Arabia is all the inspiration — including the change, the openness and invitation to the world, the inspiration that the country is giving to the youth and the empowerment that is giving us as women,” she says. “To see the Kingdom’s growth has been fascinating and makes me so proud. To see the opportunity that’s been given to women and men… it’s definitely a chance for the young to grow.” 

When she was a young adult, Murad would have never imagined she would find a career as a TV presenter. She graduated as a graphic designer and was interested primarily in advertising and production work. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by By Sara Murad (@bysaramurad)

“I never thought of (trying to get) a job in front of the camera. I believe everyone gets an opportunity but sometimes it is so out of our comfort zone that we reject it,” she says. “When I got offered the job, I challenged myself to try it, thinking that I had nothing to lose and that it would be an experience. And here I am,12 years later.” 

Her success was hard-won. “Honestly, it’s not a field where you meet people who want to help you grow, so I counted on myself and learned a lot — most of it the hard way,” she says. 

In the beginning, there were people who were surprised to learn that she was a Saudi woman. “But now the whole world knows what a Saudi woman is capable of,” she adds. 

Juggling a full-time job with a new business is, of course, no mean feat, and Murad makes it work by being organized at all times. 

“My days are never (the same). My schedule is always changing. There is always something new happening, whether it is the show I’m presenting, or a photo shoot, or working on a new fragrance. There is nothing typical about my life. But I try to manage as far as I can to give everything my full attention. So, I’m very, very organized. And working with a great team also helps a lot to reach my goals,” she says. 

“When it comes to de-stressing, I try to take it easy. I shut down work. I mean, I never shut down, who am I kidding? But I play the piano — that helps,” she continues. “I like to read, that also helps. And I like to travel a lot and change scenery as well, even if it’s for work.” 


5 Dubai restaurants receive Michelin stars in 2024 guide

5 Dubai restaurants receive Michelin stars in 2024 guide
Updated 05 July 2024
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5 Dubai restaurants receive Michelin stars in 2024 guide

5 Dubai restaurants receive Michelin stars in 2024 guide

DUBAI: Five restaurants in Dubai on Thursday received a Michelin star in the guide’s third edition for the Emirati city.

Four restaurants won one star each, while one restaurant received two stars.

A ceremony was held at One&Only One Za’abeel hotel to mark the release of the third edition.

Row on 45, a new addition to the guide, immediately earned two Michelin stars. Launched by acclaimed British chef Jason Atherton, the restaurant is located on the 45th floor of Grosvenor House in Dubai. The eatery offers a tasting menu for just 22 guests, featuring refined dishes that blend Japanese ingredients with French techniques.

Atherton got emotional on stage as he received the award. “It is just a dream come true, it really is. It takes a lot to stay in the kitchen for 36 years as a chef. All these people in the room work tirelessly to maintain standards for our guests. There are so many people I want to thank. I am just looking at the stars on the screen, oh my god. It is really a dream come true,” he said, tearing up.

The three two-star restaurants — Il Ristorante - Niko Romito, known for its Italian fare, Stay by Yannick Alleno, which serves French cuisine, and Trssind Studio, renowned for its modern Indian cuisine — retained their ratings from last year.

One star was awarded to Smoked Room, Sagetsu by Tetsuya, La Dame de Pic Dubai and Orfali Bros, run by three Syrian brothers, which was promoted from the Bib Gourmand.

Chef Mohamad Orfali, who founded the eatery with his two brothers, Wassim and Omar, said on stage as he received the award: “(We are) super happy and super excited. (We have a) big responsibility right now. Thank you so much to Dubai, the Michelin Guide and to everyone who supports us. Thank you to the community. I give this (award) to all the young Arab chefs, especially in Syria.”

Smoked Room entered the guide with a Michelin star. In 2024, chef Dani Garcia introduced Dubai diners to the sister restaurant of his flagship in Madrid, showcasing dishes prepared using fire and grilling techniques.

Sagetsu by Tetsuya, led by chef Tetsuya Wakuda and his team, combines Japanese and French culinary influences in serene surroundings. The restaurant earned a Michelin star in its first entry into the guide.

La Dame de Pic, acclaimed chef Anne-Sophie Pic’s debut in Dubai, was awarded a Michelin star for its modern French cuisine. Pic incorporates subtle local influences into some of her renowned signature dishes, bringing a unique twist to her celebrated culinary creations.

The restaurants that maintained their one-star rating from last year’s list are 11 Woodfire, Al-Muntaha, Armani Ristorante, Avatara, Dinner by Heston Blumenthal in Atlantis The Royal, Hakkasan, Hoseki, Moonrise, Ossiano, Tasca by Jose Avillez and Torno Subito.

Six new establishments were added to the 2024 Bib Gourmand distinction list: Persian venue Berenjak, DUO Gastrobar, Korean spot Hoe Lee Low, ramen house Konjiki Hototogisu, REIF Japanese Kushiyaki at Dubai Hills and Indian dining spot Revelry.

The restaurants that retained their Bib Gourmand accolades were 21 Grams, 3Fils, Aamara, Al-Khayma Heritage Restaurant, Bait Maryam, Goldfish, Ibn Albahr, Indya by Vineet, Kinoya, REIF Japanese Kushiyaki at Dar Wasl, Shabestan and Teible.

The Bib Gourmand award, launched in 1997, highlights restaurants offering authentic and memorable culinary experiences at moderate prices.

The Guild restaurant received the Opening of the Year award, an accolade introduced in 2023, while the Service award was given to DuangDy by BO.LAN. Michael Mpofu from Celebrities by Mauro Colagreco won the Sommelier award, and Jesus Lobato Suarez at Smoked Room earned the Young Chef award.

The Green Star award was retained by Boca, Lowe and Teible. 


Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign

Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign
Updated 04 July 2024
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Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign

Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign

DUBAI: Saudi actress Mila Al-Zahrani has been selected as one of the new faces of Boucheron’s Quatre collection, joining the French brand as it celebrates the collection’s 20th anniversary.

This year marks two decades since the jewelry house introduced its Quatre collection, which features four patterns from the Boucheron archives and three shades of gold. 

To commemorate the milestone, Boucheron has released a new campaign featuring Al-Zahrani alongside three other women from the Middle East: Romanian Jordanian footwear designer Amina Muaddi, Lebanese singer Dana Hourani, and Turkish actress Dilan Çiçek Deniz.

“Once a Quatre girl, always a Quatre girl. Our family is growing,” Al-Zahrani wrote on Instagram, sharing a picture of herself adorned in wide, cuff-style bracelets with parallel band designs. 

Hourani wrote on Instagram: “So happy to announce that I have joined the @Boucheron Quatre family. Proud to be part of this new partnership with a visionary brand known for its innovation and cutting-edge designs. Lots happening this year, excited for what’s coming.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)


‘The Bear’ — still a great dish, but in danger of going to waste

‘The Bear’ — still a great dish, but in danger of going to waste
Updated 04 July 2024
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‘The Bear’ — still a great dish, but in danger of going to waste

‘The Bear’ — still a great dish, but in danger of going to waste
  • Season three of the acclaimed drama delivers high-quality performances again, but little progress

DUBAI: Season one of ‘The Bear’ was one of television’s greatest surprise hits. A show about the minutiae of everyday life in a restaurant kitchen shouldn’t have been this good, and certainly shouldn’t have appealed to both critics and audiences on such a large scale.

That it did was largely because it’s not really about that. It’s about the sacrifices often required to fulfill creative potential — to become truly great at something. In this case, that creative endeavor happens to be cooking.

It’s also about more than that: Grief, friendship, family, kindness, mental health, love in all its forms… the list goes on.

Season three continues all these themes. And the storytelling techniques remain excellent, from the acting to the dialogue and the cinematography. And it’s as tense, claustrophobic and anxiety-inducing as ever. But the story itself? That doesn’t really move on. And that’s a problem.

Carmen (Jeremy Allen White), the driving force behind the titular restaurant, spends most of the season close to breaking point, driven both by his split from season two love interest Claire (Molly Gordon — seen only in flashbacks for the majority of this season) and the self-doubt that he blames largely on his time working for an abusive former boss Chef David Fields (Joel McHale). Episode one is largely spent on a flashback story of that time, and the finale gives Carmen a chance to confront his tormentor, a showdown that brings Carmen little relief.

Throughout the season, we see Carmen bringing much of the same toxicity into his own kitchen in his quest for the Michelin star he has promised his protégé Sydney (Ayo Edebiri) they will attain. Syd, lest we forget, is supposed to be a partner in the venture, but the will-she-sign-won’t-she-sign-the-agreement story is somehow dragged out over all 10 episodes without being resolved.

That’s typical of the series as a whole. The characters are seemingly all stuck (and if that’s some kind of commentary on the creative process from the writers, then they’ve really overdone it). It’s still a compelling watch — thanks largely to the cast’s obvious love for the work; once again Ebon Moss-Bachrach is a standout as Carmen’s ‘cousin’ Richie, but all the regulars are great — but in terms of forward progress, season three is severely lacking. A large percentage of it consists of flashbacks. And yes, it’s nice to learn more about some of the characters’ backgrounds, but much of that could have been done in far less screentime, and maybe then the show could have looked to the future.

At the moment, “The Bear” feels like a (very good) show treading water. And even the most talented of swimmers can only do that for so long before they need to start going somewhere again. Or sink.